I hear you singing in the wire. Chorus 1
I can hear you thru the whine.
And the Wichita Lineman,
is still on the line.
I know I need a small vacation.
But it don't look like rain.
And if it snows that stretch down south,
won't ever stand the strain.
And I need you more than want you. Chorus 2
And I want you for all time.
And the Wichita Lineman,
is still on the line.
(Lead, then Repeat last chorus)
but he's an idiot fer the county...
Rob
--
Posted via NewsDemon.com - Premium Uncensored Newsgroup Service
------->>>>>>http://www.NewsDemon.com<<<<<<------
Unlimited Access, Anonymous Accounts, Uncensored Broadband Access
please be obsessed with me... make fun of me... accuse me of heinous
acts i would never think of doing... make fun of my family... my
job... my life... because you know, it's all about me... but you know
what they say... and they do say it... if you are obsessed with
someone's life, chances are you have no life of your own... but don't
let that stop ya... have at it...
http://www.myspace.com/chucklysaght
please be obsessed with me... make fun of me... accuse me of heinous
acts i would never think of doing... make fun of my family... my
job... my life... because you know, it's all about me... but you know
what they say... and they do say it... if you are obsessed with
someone's life, chances are you have no life of your own... but don't
let that stop ya... have at it...
http://www.myspace.com/chucklysaght
>
>
>
> >Rob
>
> --
>
> "We should have just "leased" them so they could be
> returned back to Africa..." Dishonest John giving his
> opinion of African-Americans in Message-ID: <8pSdnRjCUvEePZXWnZ2dnUVZ_rydn...@centurytel.net>
please be obsessed with me... make fun of me
I'd love to but Nature beat me to it
... accuse me of heinous
acts i would never think of doing
like dreaming of fucking under-age girls
like stealing other people's poetry.
We know you can't think - that's why you do this crap.
... make fun of my family
why? you've already made them a laughing stock.
... my
job
job? yeah, right, hah!
... my life
you don't have one, you sad fuck.
... because you know, it's all about me
oh you wish, you wish, you wish!
Tell us the Hooters gals really like you.
Just one more time.
Rob
--
Rob Evans
-----------
When I see a swine,
I reach for 45-calibre pearls
please be obsessed with me... make fun of me... accuse me of heinous
acts i would never think of doing... make fun of my family... my
job... my life... because you know, it's all about me... but you know
what they say... and they do say it... if you are obsessed with
someone's life, chances are you have no life of your own... but don't
let that stop ya... have at it...
http://www.myspace.com/chucklysaght
>
> Rob
> --
> Rob Evans
> -----------
> When I see a swine,
> I reach for 45-calibre pearls
>
> --
> Posted via NewsDemon.com - Premium Uncensored Newsgroup Service
> ------->>>>>>http://www.NewsDemon.com<<<<<<------
> Unlimited Access, Anonymous Accounts, Uncensored Broadband Access- Hide quoted text -
>
> - Show quoted text -
well, duh!
read the above again, moron.
Try tracing the words with your finger this time.
Then stop being so needy.
Wichita Lineman
http://www.youtube.com/watch?v=4qoymGCDYzU
> I am a lineman for the county.
> And I drive the mainroad.
> Lookin' in the sun for another overload.
>
> I hear you singing in the wire. Chorus 1
> I can hear you thru the whine.
> And the Wichita Lineman,
> is still on the line.
>
> I know I need a small vacation.
> But it don't look like rain.
> And if it snows that stretch down south,
> won't ever stand the strain.
>
> And I need you more than want you. Chorus 2
> And I want you for all time.
> And the Wichita Lineman,
> is still on the line.
>
> -Jimmy Webb
Ah, must be a carry-over from the "Galveston" thread... another good
one, Chuck. Some Jimmy Webb info:
http://en.wikipedia.org/wiki/Jimmy_Webb
"...[edit] The singer-songwriter years
Jimmy Webb's solo career got off to a rough start with the 1968
"counterfeit" solo album Jimmy Webb sings Jimmy Webb (Epic), which was
produced, according to Webb, "by a bunch of ruffians from some old
demos of mine and tarted up to sound like 'MacArthur Park.' It was
quite a piece of crap and was received with great anticipation and
crushing disappointment at the radio level."[11]
Beginning in 1970, Jimmy Webb recorded six original albums of his own
songs: Words and Music (1970), And So: On (1971), Letters (1972),
Land's End (1974), El Mirage (1977), and Angel Heart (1982). Despite
the critical reception that followed each of these projects, Webb
would never prove to be as successful a performer as he had been a
songwriter and arranger. Despite his limited singing ability, each
album was noted for its inventive music and memorable lyrics.[5]
Webb's debut album as a performer, Words and Music, was released in
late 1970 to critical acclaim. Rolling Stone writer Jon Landau called
"P.F. Sloan" a "masterpiece [that] could not be improved upon." The
tune and the lyrics were probably allusions to P. F. Sloan, who had
helped Webb early in Webb's career, although a dispute between them
later led Webb to insist that he made up the title, impying that the
title and the name of his former friend were mere coincidences.
[citation needed] Webb's 1971 follow up album And So: On proved
equally appealing to the critics. Rolling Stone declared the album
"another impressive step in the conspiracy to recover his identity
from the housewives of America and rightfully install him at the
forefront of contemporary composers/performers." His 1972 album
Letters met with similar praise. Peter Reilly of Stereo Review wrote,
"Jimmy Webb is the most important pop music figure to emerge since Bob
Dylan."[5]
Throughout the 1970s, he lived in Encino, Los Angeles, California,
fraternizing with Joni Mitchell and Harry Nilsson. He also struck up a
lifelong friendship with actor Michael Douglas. "Campo de Encino"
Webb's song chronicled his adventures and misadventures in his park-
like hacienda..."
--
Truck Stop Woman by Dockery & Conley (the video):
http://www.youtube.com/watch?v=kvtQEf7bnfs
As much as I liked Galveston as a teenager, I hated Wichita Lineman. I
enjoyed reading a poem a year or so ago, by "u h" (called "Look into
the eye of the penis" or s/t like that), where fictional president
"Obamma" hears WL on the radio once too often, and dispatches the
Secret Service to assassinate Campbell.
galveston, galveston
i can see yer blue greens flashing
i can see the dark man crashing
i’ll take a gun
and head to galveston
i dunno doc...i think roger miller had the shit over webb...
"trailers for sale or rent
rooms to let .50c
no phone no pool no pets
i ain't got no cigarettes"...
http://www.youtube.com/watch?v=rhApYxZisBI
my dad really dug roger miller, and the kingston trio...
i grew up on that shit man...and love it too...!
Yeah, like his "Dang me, dang me... they oughta take a rope and hang
me. Hang me from the highest trrrrreeeee-hee-hee!"
Great stuff...
--
"Red Lipped Stranger & other stories" by Will Dockery:
http://www.myspace.com/willdockery
Jimmy Webb had more sophistication in his music - but his lyrics could
be hard to make sense of.
Roger Miller's lyrics always made sense, though his music was mostly
more simple.
You're mixing apples and oranges. Miller was a novelty singer. Webb
was a serious writer and arranger. The best comparison to Webb would
be Burt Bacharach.
I feel like you're slighting old Miller just a bit there, George... I
feel the big difference between Miller & Webb is more that JW slipped
into some gravely pretentious songwriting, while RM would tend to go
off on a more Jack Kerouac beatnik "goof", as JK described it in
Visions of Cody & other writings. RM's bio clearly documents his
legendary status as a songwriter as well as good-timing roustabout:
http://en.wikipedia.org/wiki/Roger_Miller
"...Nashville songwriter
After his discharge, Miller traveled to Nashville to begin his musical
career. Once there, he met with Chet Atkins, who asked to hear Miller,
and loaned him his guitar after being notified that he did not own
one. Out of nervousness, Miller played the guitar and sang a song in
two different keys. Atkins advised him to come back at a later date,
after a little more work. Miller remained in Nashville and worked as a
bellhop at the Andrew Jackson Hotel, to make ends meet. He soon became
known as the "singing bellhop." Meanwhile, Miller's musical career was
beginning to progress. He was hired by Minnie Pearl to play fiddle in
her band,[4] and later met up with George Jones, who introduced him to
music executives from the Mercury-Starday label to set up an audition.
The label was impressed with Miller and awarded him with a session in
Houston. Jones accompanied him to the performance, and the two
collaborated, writing the songs, "Tall, Tall Trees" and "Happy Child."
The deal did not work out for Miller, who decided to leave Nashville
and become a fireman in Amarillo.[1]
“ The human mind is a wonderful thing, it starts working from before
you're born and doesn't stop till you sit down to write a song ”
—Roger Miller, [1]
Miller worked as a fireman during the day and spent the nights
performing gigs. He later recounted that as a fireman, he saw only two
fires, a "chicken coop" and another that he "slept through." After the
latter, the department "suggested that...[he] seek other employment."
Miller met with Ray Price, and was hired as a member of his Cherokee
Cowboys. He moved back to Nashville, and penned the song "Invitation
to the Blues," which was covered by Rex Allen and later for Price, for
whom it became a #3 hit on country charts.[5] Miller signed with Tree
Publishing, working for $50.00 a week, and soon began composing a
series of hits including "Half a Mind" for Ernest Tubb, "That's the
Way I Feel" for Faron Young and his first #1 song, "Billy Bayou,"
which along with "Home" were recorded by Jim Reeves. Miller soon
became one of the biggest songwriters of the 1950s. But Bill Anderson
would later remark that "Roger was the most talented, and least
disciplined person that you could imagine" citing the attempts of
Miller's Tree Publishing boss, Buddy Killen to force him to finish a
piece. He was also known to give away lines, inciting many Nashville
songwriters to follow him around since "everything he said was a
potential song." (Killen)..."
[...]
"...Smash Records agreed to the proposal, and Miller performed at his
first session for the company early in 1964. During this session he
recorded the hits "Dang Me" and "Chug-a-Lug," which both were released
as singles, peaking at #1 and #3 respectively on country charts. Both
also fared well on the Billboard Hot 100 reaching #7 and #9.[6] The
songs transformed Miller's career, although the former was penned by
Miller in only four minutes. Later that year, he recorded the #15 hit
"Do-Wacka-Do," and soon after the biggest hit of his career "King of
the Road," which topped Country and Adult Contemporary charts while
peaking at #4 on the Billboard 100. The song took months for Miller to
write and was inspired by a sign in Chicago that read "Trailers for
Sale or Rent" and a hobo happened upon by Miller while at an airport
in Boise. The song was certified gold in May 1965 after selling a
million copies. It won Miller numerous awards, and earned him a
royalty check worth $160,000 that summer.[1] Later in the year Miller
scored hits with "Engine Engine #9", "Kansas City Star" and "England
Swings," an adult contemporary #1. He began 1966 with the hit
"Husbands and Wives."..."
And so on... Dang me...
please be obsessed with me... make fun of me... accuse me of heinous
acts i would never think of doing... make fun of my family... my
job... my life... because you know, it's all about me... but you know
what they say... and they do say it... if you are obsessed with
someone's life, chances are you have no life of your own... but don't
let that stop ya... have at it...
http://www.myspace.com/chucklysaght
>
> Rob
> --
> Rob Evans
> -----------
> When I see a swine,
> I reach for 45-calibre pearls
>
> --
> Posted via NewsDemon.com - Premium Uncensored Newsgroup Service
> ------->>>>>>http://www.NewsDemon.com<<<<<<------
That covers it pretty well, I suppose...
--
Truck Stop Woman by Dockery & Conley )the video):
http://www.youtube.com/watch?v=kvtQEf7bnfs
> Jimmy Webb had more sophistication in his music - but his lyrics could
> be hard to make sense of.
> Roger Miller's lyrics always made sense, though his music was mostly
> more simple.
Damn, it's been a long time since I've seen Tom on Usenet. Still working at
the Inwood?
--
Cujo - The Official Overseer of Kooks and Trolls in dfw.*,
alt.paranormal, alt.astrology and alt.astrology.metapsych. Supreme Holy
Overlord of alt.fucknozzles. Winner of the 8/2000, 2/2003 & 4/2007 HL&S
award. July 2005 Hammer of Thor. Winning Trainer - Barbara Woodhouse
Memorial Dog Whistle - 12/2005 & 4/2008. COOSN-266-06-01895.
"You are the childish moron if you think anyone is dumb enough to think
that you harass me for fun." - Ed displays his sense of humor to all.
> It's a pleasure
>
> read the above again, moron.
>
> Try tracing the words S=L-O-W-L-Y with your finger this time.
And don't forget to come back quiclky before the hook rips your dumb
drooling mouth.
A lot of it remains in the archives, if anyone else wants to not
ignorre it... Google Groups search "Cythera" + "Interesting and good".
> I am very appreciative.
'Tis the season for appreciation, after all... no, that was last week!
--
Will Dockery art, music & poetry:
http://www.myspace.com/willdockery
Rob
--
Rob Evans
-----------
Poetry is the needle that pricks your finger;
everything else is the haystack.
This is pretty funny coming from you, a thief who brags about his
"collage" education, Michael.
Whatever happened to Mikey Cook? Hmm... Maybe he went to Disneyland?
Maybe he's taking more "collage" courses. I can only imagine what the
walls of his ghetto apartment look like now. heh...
http://www.myspace.com/chucklysaght
> ghetto apartment
> http://www.myspace.com/chucklysaght
That sums it up nicely. Thanks for speaking up.
--
Cujo - The Official Overseer of Kooks and Trolls in dfw.*,
alt.paranormal, alt.astrology and alt.astrology.metapsych. Supreme Holy
Overlord of alt.fucknozzles. Winner of the 8/2000, 2/2003 & 4/2007 HL&S
award. July 2005 Hammer of Thor. Winning Trainer - Barbara Woodhouse
Memorial Dog Whistle - 12/2005 & 4/2008. COOSN-266-06-01895.
"But that's how it's going to be until until we get some admins killing
trolls. Yes, it's boring. Yes, it's stupid. And yes, I will persist
until the admins act effectively." - Fucknozzle Jr.
1) It's not my fault that you scribble unspeakable shit and try to call it
poetry.
2) It's not my fault that you gargle (out of tune) your unspeakable shit (at
no admission charge) to any audience that's daft enough to drink near you.
3) It's not my fault that you don't like assertive intelligent woman or that
they don't like you.
4) Do not forget when we're 20 posts further down this thread to state "as a
fact" that I sniffed after you first.
5) Your only achievement here are that you are our best talentless,
two-faced, lying wanker.
Snip anywhere - I shall repost in full until you slime back under your
stone.
I remember you're a whistle-lisping, chopped-up-prose writing
mushmouth... then there's the facts that you still can't get over this
critique and have sniffed behind me ever since, so, yes, that's five
things for me to remember, Mushmouth.
And, of course that your photograph clearly shows the "drooling mouth"
you mention... so that's six things I remember about you, Mushmouth.
Welcome back, I knew you'd have to resume your sniffing eventually,
Mushmouth.
we know
So, again, five things for you to remember:
1) It's not my fault you scribble unspeakable shit and call it poetry.
2) It's not my fault that you gargle (off-key) your unspeakable shit to a
non-paying audience of drunks and call it song.
3) It's not my fault that you dislike independent intelligent women almost
as much as they despise you.
4) Don't forget that when we're 20 posts down-thread from here that you can
start whining that I "sniffed you" first.
5) It is entirely your fault that you're an untalented, narcissistic,
two-faced hopeless wanker.
Snip away, slime away, this will paste back in.
Actually, Mushmouth, interesting that you would come up with such a notion,
since as I've pointed about before, /you/ fit the description of a
misogynist.
Meanwhile, the archives show your vicious misogyny displayed here over the
years, in fact, you even seek women out to attack them: Vera, Pandora,
Sharon McElroy, to name a few... do you admit that by your logic you must
be a misogynist, Mushmouth?
I pointed out how you called Sharon McElroy a "dipstick" in a situation that
had nothing to do with poetry, and here's where you called Vera an
"arsehole", again with nothing to do with her poetry, but rather a personal
attack on her:
http://groups.google.com/group/us.arts.poetry/msg/d32236c6ea0d0228?hl=en
"... if you weren't such a brainless complacent arsehole..."
So you use the words "arsehole" or "dipstick" to demean women with,
Mushmouth, you nasty little piece of work.
And mushmouthed hypocrite that you are, where were you when your fellow
thugs were calling Vera a "crazy old bitch" (as Barbara's Cat did a dozen
times or more) or "loathsome bitch" and "loathsome, attention whore bitch"
(as the late JR Sherman repeatedly called her). Until eventually she was
driven away. and not only did you not object, as you pretend to do now,
since it suits your agenda, but you actually applauded this behavior.
But, what can be expected of a lying hypocrite such as you, Mushmouth?
Turns out that everything you try to attack me about you do often yourself,
Mushmouth: snipping, misogyny, burbling, whistle-lisping "poetry
performances" that can be considered undecipherable to some people... proven
facts by your own "logic".
So welcome back, and keep sniffing behind me, lying Mushmouth.
--
New poetry & music recordings by Will Dockery
http://www.myspace.com/willdockery
You might as well sit back and relax, Meat Plow, these threads usually
go on for a while.
Which is a good thing, since there's plenty for me and good old
Mushmouth to discuss as we look back on the year 2009 in Usenet
Poetry.
--
New poetry & music recordings by Will Dockery
http://www.myspace.com/willdockery
It has been an eventful year in Usenet Poetry, for sure... to kick off
the 2009 Retrospective, here's a sampling of a couple of my works
posted here in the last five months:
"Red Lipped Stranger":
http://www.youtube.com/watch?v=qBhcN1WK144
Red Lipped Stranger
Her creep crawls
the narrow stairway
of the Candlelight Motel
to watch for her
from a window.
Rethinking
his infatuation
but clinging
to his vision of her
as the red lipped stranger.
Downstairs
the desk clerk's cat
slithers through
the service entrance.
The vampirate
on a motorbike
passes below
to the westbound bridge
werewolf on her back.
Jennifer at riverbend
watches gunboats
smacks her foot
on the bright red clay.
Jennifer gives good lyric
she wrote this poem
she's no bum.
But she's not there
on the other side
of the greenish wall.
Through a three-inch-wall
he hears
bedsprings rattle
rustle of dry-hump,
some guy's mumbles.
Hears the fat blonde waitress
whip it in bondage
the sounds
lull him to sleep.
The hand of Uncle Sugar
still taking notes
as a new standard bearer
hands out trophies
to the winners.
His trillion dollar gash
flakes from the bone
as gravity tears
a pound of dust.
Clings to a picture book
the missing part of himself
as if perpetually
anchored
to his invisible erection.
At Lucky Seven Lounge
she tries
not to reveal herself
but she stubbornly clutches
her empty shoes.
Something
seems missing
in the broad daylight
when the details
are displayed.
All that remains are
her flat black hat
her oversized lantern
her broken laptop.
No poor boy on the street
can speak of her
or the island on the river.
Or about her return...
her resurrection.
-Will Dockery
"She Sleeps Tight" with Sandy Madaris:
http://www.youtube.com/watch?v=9uGY157cpiU
She Sleeps Tight
Sleeps so tight
she has a marksman's eye.
Maker's mark
tattoo firewater spine.
Leather shoes
but nowhere to go.
Dice and coins
scattered in the snow.
Dice and coins
scattered in the snow.
Won't be long,
until I see her face.
She's waiting
in an undisclosed place.
I've been conspired
banned from my muse.
This won't stick
poor boy's all confused.
This won't stick
poor boy's all confused.
In Salem town
she keeps her chin so high.
Darkened breeze
she smiles as I roll by.
Step inside
she looks for tables left.
Wink at time
nothing lasts except yourself.
Wink at time
nothing lasts except yourself.
Like a Steamboat
she plans to roll on down.
To the Gulf
out of this dirty town.
Copper mesh
kept stuffed in a jar.
Sharp cold hit
turning wine to water.
Sharp cold hit
turning wine to water.
We know him
eye deed by his ship.
In a trap
a kind of goosechase trip.
Whiskey fumes
and stale gunsmoke.
Sunk and drowned
with all her knives and jokes.
Sunk and drowned
with all her knives and jokes.
Sleeps so tight
she has a marksman's eye.
Maker's mark
tattoo firewater spine.
Leather shoes
but nowhere to go.
-Will Dockery
please be obsessed with me... make fun of me... accuse me of heinous
acts i would never think of doing... make fun of my family... my
job... my life... because you know, it's all about me... but you know
what they say... and they do say it... if you are obsessed with
someone's life, chances are you have no life of your own... but don't
let that stop ya... have at it...
http://www.myspace.com/chucklysaght
>
Looks like the "ladies" are upset with you again, Will. ; )
http://skywriter.diaryland.com
please be obsessed with me... make fun of me... accuse me of heinous
acts i would never think of doing... make fun of my family... my
job... my life... because you know, it's all about me... but you know
what they say... and they do say it... if you are obsessed with
someone's life, chances are you have no life of your own... but don't
let that stop ya... have at it...
http://www.myspace.com/chucklysaght
>
> ....heh- Hide quoted text -
> "Rob Evans" <mushmou...@spittle-spew.com> wrote:
>>
>>> drooling mouth.
>>>
>>> So, you're still suffering from that problem, Mushmouth?
> .>
>> It's not my fault that you don't like assertive intelligent woman
>
> Actually, Mushmouth, interesting that you would come up with such a
> notion, since as I've pointed about before, /you/ fit the description of a
> misogynist.
of course you did - but only after it had been used about you so often that
you actually managed to learn what the word meant. You're a monkey-see,
monkey-do type without one original thought (but hey, that's your "art", I
guess).
But I digress.
Five things for you to remember:
1) It's not my fault you scribble unspeakable shit and call it poetry.
2) It's not my fault that you gargle (off-key) your unspeakable shit to a
non-paying audience of drunks and call it song.
3) It's not my fault that you dislike independent intelligent women almost
as much as they despise you.
4) Don't forget that when we're 20 posts down-thread from here that you can
start whining that I "sniffed you" first.
5) It is entirely your fault that you're an untalented, narcissistic,
two-faced hopeless wanker.
Snip away, this will paste back in.
This is perfect, we can keep going on this one for a long, long time,
Mushmouth...
Well, /you/ have had quite a problem with the majority of women who have
posted poetry on these newsgroups, before you eventually drove them away,
Mushmouth.
From Sharon McElroy to Marg/Pandora to Angel to Vera, you've used the most
vulgar and misogynistic terms and attitude on them imaginable. Here's
another example from the archives, to Vera, and some of her responses:
http://groups.google.com/group/rec.arts.poems/msg/97d705ff45e11930?hl=en
From: "Vera" <veral...@iinet.net.au>
Subject: Rob Evans
Date: Monday, 8 January 2007 7:56 PM
On 7.1.'07 Rob lobbed in:
>And if you weren't such a brainless complacent arsehole, your pedestrian
>scribbling would be merely ignored, instead of butchered.
Let us analyze Rob's findings. . .
(1) "Complacent": How can he make such an assumption
not knowing the real me nor my habits?
For his information, I'm rarely satisfied with anything
I write and have changed poems even after they had
been published which is not considered ethical and
poets have been ticked off for doing the same.
I've already revised and changed the title of my last
posted poem, "May I have"
Is that complacency?
(2) "arsehole": What serious offence have I committed
to deserve this tag? Have I robbed him of money or
his reputation -- threatened him in some way?
I hadn't even known that he was around until he
addressed me (angrily) advising me to take note
of Gamble's criticism and to follow it!
If that wasn't an insult to any thinking person!
(3) What does he mean by "pedestrian scribblings"?
That I scribble poetry while walking the streets or
that I write with my feet?
(4) Who, but he, has butchered my verse in the last couple
of years?
As I've said before, few poems, whether published or not,
are beyond criticism. I'm always interested in comments
because another's viewpoint can be of help for future
"pedestrian scribblings".
Unfortunately, that is not the trolls' agenda.
Vera
Here's another one where you indulge in a fantasy to "fob" Vera "legless",
Mushmouth:
http://groups.google.com/group/rec.arts.poems/msg/fe357924ef1385f1?hl=en
In message
<44aa6eec$0$14093$5a62a...@per-qv1-newsreader-01.iinet.net.au>, Vera
<veral...@iinet.net.au> writes
>Will you (like GG) fob me off by using filthy language?
G'wan Dennis - fob 'er legless - she's gaggin' fer it.
Rob
(not one single filthy word - it's a gift, I tell you)
--
Rob Evans
So, Mushmouth, we can see that you're not only a gunkmouthed whistle-lisping
old fool, but a misogynistic hypocrite, as well.
No surprise, of course.
--
New poetry & music recordings by Will Dockery
http://www.myspace.com/willdockery
And will continue to, Mushmouth, with dozens of /different/ examples
of the "woman" you've verbally abused on these newsgroups, and had a
major hand in driving away. And keeping others from joining in, I can
also add.
But I digress... let's put it to your lie directly on-point, eh,
Mushmouth? Here's the facts:
> It's not my fault that you don't like assertive intelligent woman or
> that they don't like you.
Assertive, intelligent "woman" that I like & like working with me, I
can name three off the top of my head who I've collaborated with
during 2009, Mushmouth:
"Black Crow's Brother" by Will Dockery & Gini Woolfolk:
http://www.youtube.com/watch?v=WxO1RAYTIFA
"Red Lipped Stranger":
http://www.youtube.com/watch?v=qBhcN1WK144
"She Sleeps Tight" with Sandy Madaris:
http://www.youtube.com/watch?v=9uGY157cpiU
"Waking Up Now":
http://www.youtube.com/watch?v=v8_Yp-dIPCY
"Under The Radar" with Eileen d'Esterno:
http://www.youtube.com/watch?v=KEQDFMNcgLA
Meanwhile, you don't seem to have written anything at all during 2009,
unless you consider your drooling & sniffing behind my posts
"writing", Mushmouth.
And, Rob Evans, your attitude towards female poets here over the years
is fully document, you gunkmouthed, whistle-lisping old misogynist.
Is this one of the songs you do a cover version of, Meat?
Interesting history to the Hokey Pokey song:
http://en.wikipedia.org/wiki/Hokey_Cokey
"...According to one account,[1] in 1940, during the Blitz in London,
a Canadian officer suggested to Al Tabor, a British bandleader of the
1920s, 1930s and 1940s that he write a party song with actions similar
to "Under the Spreading Chestnut Tree". The inspiration for the song's
title, "The Hokey Pokey", that resulted, came from an ice cream vendor
whom Al had heard as a boy, calling out "Hokey pokey penny a lump.
Have a lick make you jump". He changed the name to "The Hokey Cokey"
at the suggestion of the officer who said that 'hokey cokey', in
Canada, meant 'crazy' and would sound better. A well known lyricist/
songwriter/music publisher of the time, Jimmy Kennedy, reneged on a
financial agreement to promote and publish it, and finally Al settled
out of court, giving up all rights to the number. There had been many
theories and conjectures about the meaning of the words "Hokey Pokey",
and of their origin. Some scholars[citation needed] attributed the
origin to the Shaker song Hinkum-Booby which had similar lyrics and
was published in Edward Deming Andrews' A gift to be simple in 1960:
(p. 42) .
" A song rendered ("with appropriate gestures") by two Canterbury
sisters while on a visit to Bridgewater, N.H. in 1857 starts thus:
I put my right hand in,
I put my right hand out,
I give my right hand a shake, shake shake
And I turn myself about.
As the song continues, the "left hand" is put in, then the "right
foot," then the "left foot," then "my whole head."
...Newell gave it the title, "Right Elbow In," and said that is was
danced " deliberately and decorously...with slow rhythmical motion."
--
New poetry & music recordings by Will Dockery
http://www.myspace.com/willdockery
>> > "Rob Evans" <mushmouth-p...@spittle-spew.com> wrote:
>>
>> >>> drooling mouth.
>>
>> >>> So, you're still suffering from that problem, Mushmouth?
>> > .>
>> >> It's not my fault that you don't like assertive intelligent woman
>>
>> > Actually, Mushmouth, interesting that you would come up with such a
>> > notion, since as I've pointed about before, /you/ fit the description
>> > of a
>> > misogynist.
>>
>> of course you did -
>
> And will continue to...
snip - of course you will.
Now, five things for you to remember:
or at least until you give up (as always).
Five things for you to remember:
1) It's not my fault you scribble unspeakable shit and call it poetry.
2) It's not my fault that you gargle (off-key) your unspeakable shit to a
non-paying audience of drunks and call it song.
3) It's not my fault that you dislike independent intelligent women almost
as much as they despise you.
4) Don't forget that when we're 20 posts down-thread from here that you can
start whining that I "sniffed you" first.
5) It is entirely your fault that you're an untalented, narcissistic,
two-faced hopeless wanker.
Snip away, this will paste back in.
Rob
Assertive, intelligent "woman" that I like & like working with me, I can
name three off the top of my head who I've collaborated with during 2009,
Mushmouth:
"Black Crow's Brother" by Will Dockery & Gini Woolfolk:
http://www.youtube.com/watch?v=WxO1RAYTIFA
"Red Lipped Stranger":
http://www.youtube.com/watch?v=qBhcN1WK144
"She Sleeps Tight" with Sandy Madaris:
http://www.youtube.com/watch?v=9uGY157cpiU
"Waking Up Now":
http://www.youtube.com/watch?v=v8_Yp-dIPCY
"Under The Radar" with Eileen d'Esterno:
http://www.youtube.com/watch?v=KEQDFMNcgLA
Meanwhile, you don't seem to have written anything at all during 2009,
unless you consider your drooling & sniffing behind my posts "writing",
Mushmouth.
And, Rob Evans, your attitude towards female poets here over the years is
fully document, you gunkmouthed, whistle-lisping old misogynist.
--
<Rob Evans' drool & paste snipped>
> Snip away, this will paste back in.
Yes it will, Mushmouth... see below for the post you can't seem to
respond to.
You have had quite a problem with the majority of women who have
posted poetry on these newsgroups, before you eventually drove them
away, Mushmouth.
From Sharon McElroy to Marg/Pandora to Angel to Vera, you've used the
most vulgar and misogynistic terms and attitude on them imaginable.
Here's another example from the archives, to Vera, and some of her
responses:
http://groups.google.com/group/rec.arts.poems/msg/97d705ff45e11930?hl=en
From: "Vera" <veral...@iinet.net.au>
Subject: Rob "Mushmouth" Evans
Date: Monday, 8 January 2007 7:56 PM
On 7.1.'07 Rob lobbed in:
>And if you weren't such a brainless complacent arsehole, your pedestrian
>scribbling would be merely ignored, instead of butchered.
Let us analyze Mushmouth Rob's findings. . .
(1) "Complacent": How can he make such an assumption
not knowing the real me nor my habits?
For his information, I'm rarely satisfied with anything
I write and have changed poems even after they had
been published which is not considered ethical and
poets have been ticked off for doing the same.
I've already revised and changed the title of my lastposted poem, "May
I have"
Is that complacency?
(2) "arsehole": What serious offence have I committed
to deserve this tag? Have I robbed him of money or
his reputation -- threatened him in some way?
I hadn't even known that he was around until he
addressed me (angrily) advising me to take note
of Gamble's criticism and to follow it!
If that wasn't an insult to any thinking person!
(3) What does he mean by "pedestrian scribblings"?
That I scribble poetry while walking the streets or
that I write with my feet?
(4) Who, but he, has butchered my verse in the last couple
of years?
As I've said before, few poems, whether published or not,are beyond
criticism. I'm always interested in commentsbecause another's
viewpoint can be of help for future"pedestrian scribblings".
Unfortunately, that is not the trolls' agenda.
Vera
Here's another one where you indulge in a fantasy to "fob" Vera
"legless",
Mushmouth:
http://groups.google.com/group/rec.arts.poems/msg/fe357924ef1385f1?hl=en
In message
<44aa6eec$0$14093$5a62a...@per-qv1-newsreader-01.iinet.net.au>, Vera
<veral...@iinet.net.au> writes
>Will you (like GG) fob me off by using filthy language?
G'wan Dennis - fob 'er legless - she's gaggin' fer it.
Rob
(not one single filthy word - it's a gift, I tell you)
--
Rob Evans
So, Mushmouth, we can see that you're not only a gunkmouthed whistle-
lisping old fool, but a misogynistic hypocrite, as well. No surprise,
of course.
--
I never mind setting the record straight and correcting Mushmouth's
lies, MP, so we can continue this as long as Mushmouth wants to drool
about it.
You *are* addicted you dancing & sniffing for The Chuck, aren't you, Meat?
"We know." -Dennis M. Hammes, Litt. D.
--
New poetry & music recordings by Will Dockery
http://www.myspace.com/willdockery
You're addicted to what, Meat? Certainly not writing songs... eh?
Here's a few of my new ones:
"Black Crow's Brother" by Will Dockery & Gini Woolfolk:
http://www.youtube.com/watch?v=WxO1RAYTIFA
"Red Lipped Stranger":
http://www.youtube.com/watch?v=qBhcN1WK144
"She Sleeps Tight" with Sandy Madaris:
http://www.youtube.com/watch?v=9uGY157cpiU
"Waking Up Now":
http://www.youtube.com/watch?v=v8_Yp-dIPCY
"Under The Radar" with Eileen d'Esterno:
http://www.youtube.com/watch?v=KEQDFMNcgLA
Meanwhile, you don't seem to have written anything at all during 2009,
unless you consider your drooling & sniffing behind Chuck's posts
"writing",
Meat Plow.
"We know." -Dennis M. Hammes, Litt. D.
--
Mushmouth is so senile at this point that I doubt he can /remember/ 5
months ago, much less ignore those events. He certainly seems to have
forgotten his posts over the last 5 /years/, and the 5 before that,
judging from his comments yesterday.
So, not to ignore the fact that Rob "Mushmouth" Evans has repeatedly
participated in the successful driving-away of female poets from this
and that "other" poetry group, as you put it, I posted a sampling for
him as a reminder to him and others who may have forgotten what a
drooling scumbag Rob "Mushmouth" Evans really is:
Rob "Mushmouth" Evans <drooli...@whistlelisp.com> wrote:
>
> It's not my fault that you don't like assertive intelligent woman
Since you've repeatedly labelled women "dipstick", "arsehole", "bitch"
and other nasty, misogynistic terms, Mushmouth, you appear to be
projecting your own dislike of "woman", as you put it.
You have, in public, broadcasted your hate constantly on Usenet for a
number of years, Mushmouth, as the examples of your sexual harrassment
and persecution of female poets that are archived prove. Sharon
McElroy, Vera, Pandora, Angel... you seem to have been there for all
of the sleaze slinging.
You are truly a hypocrite (as well as a misogynist), Mushmouth. I've
seen your vicious misogyny archived here over the years, in fact, you
even seek women out to attack them: Vera, Pandora, Sharon McElroy, to
name a few... do you admit that by your logic you must be a
misogynist, Mushmouth? You've called them "dipsticks", and did refer
to Sharon as a "bitch" at least once, while a couple of your friends
have used that term repeatedly against Vera, among others. Vera was
called a "crazy old bitch" and a "loathesome bitch" literally dozens
of times, with your smirking approval, Mushmouth.
You attacked Sharon McElroy personally in the earlier post, in which
you called her a "dipstick", which turns out to be something you
called her often on your participation in the sexual harrassment and
group persecutionof her here a decade ago.
Here's one I ran across -with nothing noticable to do with poetry-
where you and some other guy take what looks like a stalker stance,
which is even more creepy considering that in the post excerpted
earlier you were hangingaround 'about 9 miles' from Sharon McElroy's
house:
http://tinyurl.com/mushmouth-dipstick
August 2 1998
"...Contact with Shazz will do that, you know. My current plan is to
continue circling the McElroy homestead from a safe distance so that
you
have to stay there, guarding the front porch. From time to time,
Sharon will
bring you coffee and stop for a little chat. You were right - I am
evil..."
"This is why I sometimes call you a dipstick."
"...Rob Evans wrote: A warning, Robert - as the Chinese used to say
(in the good old days when they were inscrutable) "be careful of what
you wish for
in case you get it". I suspect the price of shaggin shazzer is that
you maybe required to achieve rapport. I offer this advice in order to
show my gratitude..."
Here, Rob "mushmouth" Evans indulges in fantasy-lies about the
personal life of Sharon McElroy, a track he's gone on repeatedly over
the years, calling her a "dipstick", apparently lying about her
personal life, and finally calling her a "bitch", of all things:
* *Sharon McElroy* * writes:
>> ------------------------------------------------
>And you don't know how to *believe*!
Rob Evans, mushmouth poet, wrote:
"...Which do you want us to believe first: that you have two
psychopathic
sons? that you own a sawn-off shotgun? that you own two trained attack
dogs?
that you've been getting much lately? None of the above are too
plausible."
More of Mushmouth's "dipstick" comments:
* *Sharon McElroy* * writes:
>You two are just like the insecure little boys in highschool who have to
>hang around other little boys. Makes you feel more secure and *adequate*
>because little boys are not.
Mushmouth wrote:
"C'mon, fair's fair - I was calling you a dipstick long before it
became
fashionable..."
"Tut, tut Sharon - a gentleman always lets a lady come first."
"Presumably, we are talking about your strapping sons again?"
Sharon: " Now Rob, this is going too far. Totally unacceptable. A
*real man*
would not talk badly about a woman's sons."
Mushmouth Evans: "And the bitch has a personality (look it up)."
----
Anyway, the thread goes on for hundreds of dreary posts, in typical
Mushmouth fashion, similar to your dreary chopped-up-prose "poetry"
and your sniffing behind everything I write.
please be obsessed with me... make fun of me... accuse me of heinous
acts i would never think of doing... make fun of my family... my
job... my life... because you know, it's all about me... but you know
what they say... and they do say it... if you are obsessed with
someone's life, chances are you have no life of your own... but don't
let that stop ya... have at it...
http://www.myspace.com/chucklysaght
>
Heh... well at least they've managed to s.t.f.u.
--
New poetry & music recordings by Will Dockery
the messenjah <theguyontheb...@veryfast.biz> wrote:
>>
>> Looks like the "ladies" are upset with you again, Will. ; )
>
> Heh... well at least they've managed to s.t.f.u.
>
don't be stupid (well, no more than usual).
Now, five things for you to remember:
1) It's not my fault you scribble unspeakable shit and call it poetry.
2) It's not my fault that you gargle (off-key) your unspeakable shit to a
non-paying audience of drunks and call it song.
3) It's not my fault that you dislike independent intelligent women almost
as much as they despise you.
4) Don't forget that when we're 20 posts down-thread from here that you can
start whining that I "sniffed you" first.
5) It is entirely your fault that you're an untalented, narcissistic,
two-faced hopeless wanker.
Snip away, slime away, this will paste back in.
>>> "Rob Evans" <mushmouth-p...@spittle-spew.com> wrote:
>>
>>> drooling mouth.
>
> <Rob Evans' drool & paste snipped>
>
>> Snip away, this will paste back in.
>
> Yes it will, Mushmouth... see below for the post you can't seem to
> respond to.
>
> You have had quite a problem with the majority of women who have
> posted poetry on these newsgroups, before you eventually drove them
> away,
>
> From Sharon McElroy to Marg/Pandora to Angel to Vera
That woulkd be the Pandora you described as "our bitch" but only because
she was "acting like one". How convenient that only YOU get to decide when
an insult is justified. It's the benefit of you being an two-faced
ignoramus, I guess.
I had no problems with Cythera, Renay, Robin, Leisha, Jeanne, Karla, Bette,
etc. but apparently those names are a minority compared to the "majority" of
four that you came up with.
Thus proving that, in addition to being a stumbling illiterate, you're also
dishonest and hopeless when it comes to counting.
So, you snivelling lying moron, five things for you to remember:
1) It's not my fault you scribble unspeakable shit and call it poetry.
2) It's not my fault that you gargle (off-key) your unspeakable shit to a
non-paying audience of drunks and call it song.
3) It's not my fault that you dislike independent intelligent women almost
as much as they despise you.
4) Don't forget that when we're 20 posts down-thread from here that you can
start whining that I "sniffed you" first.
5) It is entirely your fault that you're an untalented, narcissistic,
two-faced hopeless wanker.
Snip away, slime away, this will paste back in.
So, again, five things for you to remember:
Stop (according to your own drivel-snivel logic) trying to drive Cythera
away.
Or does she "deserve it"?
Like when you called Pandora "our bitch"?
Don't you realise that Sharon "deserved it".
Assertive, intelligent "woman" that I like & who like working with me, I can
name three off the top of my head who I've collaborated with during 2009,
Mushmouth:
"Black Crow's Brother" by Will Dockery & Gini Woolfolk:
http://www.youtube.com/watch?v=WxO1RAYTIFA
"Red Lipped Stranger":
http://www.youtube.com/watch?v=qBhcN1WK144
"She Sleeps Tight" with Sandy Madaris:
http://www.youtube.com/watch?v=9uGY157cpiU
"Waking Up Now":
http://www.youtube.com/watch?v=v8_Yp-dIPCY
"Under The Radar" with Eileen d'Esterno:
http://www.youtube.com/watch?v=KEQDFMNcgLA
Meanwhile, you don't seem to have written anything at all during 2009,
unless you consider your drooling & sniffing behind my posts "writing",
Mushmouth.
And, Rob Evans, your attitude towards female poets here over the years is
fully documented, you gunkmouthed, whistle-lisping old misogynist.
It sure will, Mushmouth, for as long as you want to play the sniff-and-
drool game, which is all you seem to be able to manage, these years.
> > Yes it will, Mushmouth... see below for the post you can't seem to
> > respond to.
>
> > You have had quite a problem with the majority of women who have
> > posted poetry on these newsgroups, before you eventually drove them
> > away,
>
> > From Sharon McElroy to Marg/Pandora to Angel to Vera
>
> That woulkd be the Pandora you described as "our bitch"
Besides being a vulture-faced whistle-lisping little bitch yourself,
Mushmouth, I'll remind you that you usually seem pretty comfortable
using the word when attacking women, and applauding the use of it by
others when it suits your agenda:
Mushmouth, as I've pointed about before, /you/ fit the description of
the misogynist.Meanwhile, the archives show your vicious misogyny
displayed here over the years, in fact, you even seek women out to
attack them: Vera, Pandora, Sharon McElroy, to name a few... do you
admit that by your logic you must be a misogynist, Mushmouth?
I pointed out how you called Sharon McElroy a "dipstick" in a
situation thathad nothing to do with poetry, and here's where you
called Vera an"arsehole", again with nothing to do with her poetry,
but rather a personalattack on her:
http://groups.google.com/group/us.arts.poetry/msg/d32236c6ea0d0228?hl=en
"... if you weren't such a brainless complacent arsehole..."
So you use the words "arsehole" or "dipstick" or "bitch" to demean
women with, Mushmouth, you nasty little piece of work.
And mushmouthed hypocrite that you are, where were you when your
fellow thugs were calling Vera a "crazy old bitch" (as Barbara's Cat
did a dozen times or more) or "loathsome bitch" and "loathsome,
attention whore bitch" (as the late JR Sherman repeatedly called her).
Until eventually she was driven away. and not only did you not object,
as you pretend to do now, since it suits your agenda, but you actually
applauded this behavior.
But, what can be expected of a lying hypocrite such as you, Mushmouth?
Turns out that everything you try to attack me about you do often
yourself, Mushmouth: snipping, misogyny, burbling, whistle-lisping
"poetry performances" that can be considered undecipherable to some
people... proven facts by your own "logic".
So welcome back, and keep sniffing behind me, lying Mushmouth... you
know you can't help yourself, you senile old fool.
Not at all, Cythera is very welcome here in my opinion, and in fact as far
as I know, we still have a "truce."
If she posts something funny, interesting, intelligent or stupid, I'll
respond or comment as I wish... just as I suppose you would, Mushmouth.
I know you're too senile to remember a couple of years ago when there may
have been a campaign to do just that (& in fact did drive Cythera away,
apparently), Mushmouth... by such posters as Dennis M. Hammes, Barbara's Cat
and ggamble, even Karla was mixed-up in this agenda, when wrote such
comments as: "Cythera is the new Tom Bishop." Perhaps the time has come to
have a little retrospective of those days, to set the record straight on
where things really stand around here.
I, as the archives show, was possibly the only person on the newsgroups who
didn't attack Cythera at the time.
"Look it up." -Dennis M. Hammes, Litt. D.
--
"Red Lipped Stranger & other stories" by Will Dockery:
http://www.myspace.com/willdockery
Nobody drove her anywhere - she pops back from time to time. So, more
Duckrish linguistic drivel. Though not as impressive as four women being
the "majority".
You are dumb but at least we can continue with your education.
Now, five things for you to remember:
1) It's not my fault you scribble unspeakable shit and call it poetry.
2) It's not my fault that you gargle (off-key) your unspeakable shit to a
non-paying audience of drunks and call it song.
3) It's not my fault that you dislike independent intelligent women almost
as much as they despise you.
4) Don't forget that when we're 20 posts down-thread from here that you can
start whining that I "sniffed you" first.
5) It is entirely your fault that you're an untalented, narcissistic,
two-faced hopeless wanker.
Snip away, this will paste back in.
Rob
As far as you know is about as far as your myopic bleary gaze, i.e. you know
nothing.
http://tinyurl.com/drooling-sniffer
"We know." -Dennis M. Hammes, Litt. D.
You've been drooling and sniffing behind me for over a year, now, Mushmouth,
so I really didn't expect you to be able to /really/ stop. After all, it
does seem to be all you have left, you poor senile old crone.
More to the point, Mushmouth, it is fine with /you/, as you've
repeatedly called women on these newsgroups "bitch", "asshole",
"dipstick" and who knows what else in the archives.
I've pointed about before, /you/ fit the description of the
misogynist.Meanwhile, the archives show your vicious misogyny
displayed here over the years, in fact, you even seek women out to
attack them: Vera, Pandora, Sharon McElroy, to name a few... do you
admit that by your logic you must be a misogynist, Mushmouth?
I pointed out how you called Sharon McElroy a "dipstick" in a
situation thathad nothing to do with poetry, as well as calling her a
"bitch", and here's where you called Vera an"arsehole", again with
nothing to do with her poetry, but rather a personalattack on her:
http://groups.google.com/group/us.arts.poetry/msg/d32236c6ea0d0228?hl=en
"... if you weren't such a brainless complacent arsehole..."
And mushmouthed hypocrite that you are, where were you when your
fellowthugs were calling Vera a "crazy old bitch" (as Barbara's Cat
did a dozentimes or more) or "loathsome bitch" and "loathsome,
attention whore bitch" (as the late JR Sherman repeatedly called her).
Until eventually she wasdriven away. and not only did you not object,
as you pretend to do now,since it suits your agenda, but you actually
applauded this behavior.
But, what can be expected of a lying hypocrite such as you, Mushmouth?
Turns out that everything you try to attack me about you do often
yourself, Mushmouth: snipping, misogyny, burbling, whistle-lisping
"poetry performances" that can be considered undecipherable to some
people... proven facts by your own "logic".
So, continue with your drooling and sniffing, lying Mushmouth, and
I'll continue to point out why you'd be better off just to s.t.f.u.
--
"Red Lipped Stranger & other stories" by Will Dockery:
http://www.myspace.com/willdockery
That would sure suit your pattern, Mushmouth, as you've repeatedly done just
that with female poets here for around a decade, with the list including,
Vera, Pandora, Angel and Sharon McElroy.
> > Not at all, Cythera is very welcome here in my opinion, and in fact as
> > far
> > as I know, we still have a "truce."
>
> As far as you know
We both agreed to one, Mushmouth.
By the way, you accidentally snipped (while sniffing) my post before you got
to responding to it:
> > Mushmouth, for as long as you want to play the sniff-and-
> > drool game, which is all you seem to be able to manage, these years,
> > I'll be here to show what a drooling senile hypocrite you really are.
>
> > Yes it will, Mushmouth... see below for the post you can't seem to
> > respond to.
>
> > You have had quite a problem with the majority of women who have
> > posted poetry on these newsgroups, before you eventually drove them
> > away, Mushmouth.
>
> > From Sharon McElroy to Marg/Pandora to Angel to Vera you've had a hand
> > in driving all of those, and more, from the newsgroups.
The "Interesting & good" critique you wrote was hands-down funniest,
really, Cythera.
> and best poetry
Except that he hasn't written any in years... heh.
> It's easy to spot who envies and maybe fears you.
Make a list?
--
"Red Lipped Stranger & other stories" by Will Dockery:
http://www.myspace.com/willdockery
Evans and his ilk are still trying to find their muse.
http://skywriter.diaryland.com/091216_89.html
I wish him luck... obviously he hasn't been in contact with one for a
very long time.
That's awfully hurtful but I expect I "deserved it", heh!
And Cythera deserves to be harassed by you because she has no sense of
humour.
And Pandora deserved to be called our stupid bitch by you because you said
she deserved it.
And no doubt your ex-wife dumped you because she finally got tired of
"deserving it".
>
> More to the point,
Ah yes, let's get to the point - five things for you to remember:
You accidentally snipped your "hurtful" attacks on others, though,
Mushmouth:
"We know" about your two-faced lying, Mushmouth you've made that
obvious in your archived posts... here's one you accidentally deleted,
by the way:
Since you've repeatedly labelled women "dipstick", "arsehole", "bitch"
andother nasty, misogynistic terms, Mushmouth, you appear to be
projecting yourown dislike of "woman", as you put it.
You have, in public, broadcasted your hate constantly on Usenet for a
numberof years, Mushmouth, as the examples of your sexual harrassment
and persecution of female poets that are archived prove. Sharon
McElroy, Vera,Pandora, Angel... you seem to have been there for all of
the sleaze slinging.
You are truly a hypocrite (as well as a misogynist), Mushmouth. I've
seen your vicious misogyny archived here over the years, in fact, you
even seek women out to attack them: Vera, Pandora, Sharon McElroy, to
name a few... do
you admit that by your logic you must be a misogynist, Mushmouth?
You've called them "dipsticks", and did refer to Sharon as a "bitch"
at least once, while a couple of your friends have used that term
repeatedly against Vera, among others. Vera was called a "crazy old
bitch" and a "loathesome bitch" literally dozens of times, with your
smirking approval, Mushmouth.
You attacked Sharon McElroy personally in the earlier post, in which
you called her a "dipstick", which turns out to be something you
called her often on your participation in the sexual harrassment and
group persecution of her here a decade ago.
Here's one I ran across -with nothing noticable to do with poetry-
where you and some other guy take what looks like a stalker stance,
which is even more creepy considering that in the post excerpted
earlier you were hanging around 'about 9 miles' from Sharon McElroy's
house:
http://tinyurl.com/mushmouth-dipstick
August 2 1998
Mushmouth wrote:
Keep sniffing and drooling your admitted two-faced lies, Mushmouth,
and I will continue to set the record straight and point out your two-
faced lies.
--
New poetry & music recordings by Will Dockery
http://www.myspace.com/willdockery
Assertive, intelligent "woman" that I like & like working with me, I can
name three off the top of my head who I've collaborated with during 2009,
Mushmouth:
"Black Crow's Brother" by Will Dockery & Gini Woolfolk:
http://www.youtube.com/watch?v=WxO1RAYTIFA
"Red Lipped Stranger":
http://www.youtube.com/watch?v=qBhcN1WK144
"She Sleeps Tight" with Sandy Madaris:
http://www.youtube.com/watch?v=9uGY157cpiU
"Waking Up Now":
http://www.youtube.com/watch?v=v8_Yp-dIPCY
"Under The Radar" with Eileen d'Esterno:
http://www.youtube.com/watch?v=KEQDFMNcgLA
Meanwhile, you don't seem to have written anything at all during 2009,
unless you consider your drooling & sniffing behind my posts "writing",
Mushmouth.
And, Rob Evans, your attitude towards female poets here over the years is
fully documented, you gunkmouthed, whistle-lisping two-faced liar.
You behave in exactly the same way but, being a self-obsessed and selfish
pillock, you somehow see this as right when you do it and wrong for others.
Now, let's get to the point - five things for you to remember:
So you are admitting to "attacking" people on Usenet, then, Mushmouth. A
rare bit of honesty from a drooling two-faced liar such as you is...
"refreshing."
here are based on what I think of their work, or their
> attitudes or their intellect - not their sex.
Exactly, but the facts are that you tilt your "attacks" on women (and men,
as well, sometimes, with your fantasies of them in homosexual stereotypes)
with sexual slurs. It goes beyond "intellect" and their work, and become
very personal, as the examples of your posts from the archives have shown.
> And I don't believe for one minute that I drive them away.
Why does it matter what you "believe", Mushmouth? You and the other thugs
attack them relentlessly and eventually they stop posting here, sometimes
after fighting back, sometimes being driven away easily with your
drooling-sniff attacks. The ones I mention that you helped drive from the
newsgroups with your persecution tactics, Vera, Sharon McElroy, et al, were
the ones who did fight back. But as has been shown by your sniffing behind
me for all these months, when you become obsessed you can't help yourself...
and now, in fact, this drooling and weak "attack" mode is all you can manage
to produce on the newsgroups at all.
So keep sniffing and drooling, Mushmouth, you two-faced, obsessed liar...
you know you can't help yourself.
> You behave in exactly the same way
No, not really, Mushmouth. This is Usenet, and I respond to posts that
interest me, that I find amusing, are directed at me, or post lies about me,
which I will continue to correct and set the record straight about, such as
the lies you've been copy-and-pasting for over a week now (complete with the
same typos over and over!):
> you dislike assertive intelligent woman
Sorry, Rob "Mushmouth" Evans, but your repetition of this drooling lie will
not change the fact that I like almost /all/ women, intelligent or not. It
takes a lot more than what Robert Crumb would call "marks on paper" for me
to dislike someone I've never even met, since you must be writing about
(allegedly, since there's no proof of gender for any of us on Usenet, after
all) women who post here on Usenet.
But, either way, you're a drooling, two-faced liar, Mushmouth, and I've
provided examples that show you're lying, below. Assertive, intelligent
"woman" that I like & like working with me, I can name three off the top of
my head who I've collaborated with during 2009, Mushmouth:
"Black Crow's Brother" by Will Dockery & Gini Woolfolk:
http://www.youtube.com/watch?v=WxO1RAYTIFA
"Red Lipped Stranger":
http://www.youtube.com/watch?v=qBhcN1WK144
"She Sleeps Tight" with Sandy Madaris:
http://www.youtube.com/watch?v=9uGY157cpiU
"Waking Up Now":
http://www.youtube.com/watch?v=v8_Yp-dIPCY
"Under The Radar" with Eileen d'Esterno:
http://www.youtube.com/watch?v=KEQDFMNcgLA
Meanwhile, you don't seem to have written anything at all during 2009,
unless you consider your drooling & sniffing behind my posts "writing",
Mushmouth.
And, Rob Evans, your attitude towards female poets here over the years is
fully documented, you gunkmouthed, whistle-lisping two-faced liar.
--
Well, thanks for watching and commenting, Cythera.
Will. I will. heh.. I will have a vid up soon of my new song "Getting
it Back". I'm not that computer versed.
http://skywriter.diaryland.com/091216_89.html
Definitely will be a major event when you release that video, Chuck,
with all the literally hundreds of people who hang onto your every
word, from PJR to GGamble, in some cases, the /only/ thing they can
focus on is "Chuck Lysghat".
As for loading the video, stick with YouTube rather than one of these
other vidsites, YouTube makes it really easy to load and edit, and has
some other feature that the others neglect for some reason. A few
YouTube examples:
"Black Crow's Brother" by Will Dockery & Gini Woolfolk:
http://www.youtube.com/watch?v=WxO1RAYTIFA
"Red Lipped Stranger":
http://www.youtube.com/watch?v=qBhcN1WK144
"She Sleeps Tight" with Sandy Madaris:
http://www.youtube.com/watch?v=9uGY157cpiU
"Waking Up Now":
http://www.youtube.com/watch?v=v8_Yp-dIPCY
"Under The Radar" with Eileen d'Esterno:
http://www.youtube.com/watch?v=KEQDFMNcgLA
> > --
As long as he has an internet connection he should be able to load a
video from anywhere.
--
"Ashes to Justice", vocals by Will Dockery & Sandy Madaris, guitars by
Brian Mallard:
http://www.youtube.com/watch?v=mzwD5-UI0p4
Getting this thread back on track:
> I feel like you're slighting old Miller just a bit there, George... I
> feel the big difference between Miller & Webb is more that JW slipped
> into some gravely pretentious songwriting, while RM would tend to go
> off on a more Jack Kerouac beatnik "goof", as JK described it in
> Visions of Cody & other writings. RM's bio clearly documents his
> legendary status as a songwriter as well as good-timing roustabout:
>
> http://en.wikipedia.org/wiki/Roger_Miller
>
> "...Nashville songwriter
> After his discharge, Miller traveled to Nashville to begin his musical
> career. Once there, he met with Chet Atkins, who asked to hear Miller,
> and loaned him his guitar after being notified that he did not own
> one. Out of nervousness, Miller played the guitar and sang a song in
> two different keys. Atkins advised him to come back at a later date,
> after a little more work. Miller remained in Nashville and worked as a
> bellhop at the Andrew Jackson Hotel, to make ends meet. He soon became
> known as the "singing bellhop." Meanwhile, Miller's musical career was
> beginning to progress. He was hired by Minnie Pearl to play fiddle in
> her band,[4] and later met up with George Jones, who introduced him to
> music executives from the Mercury-Starday label to set up an audition.
> The label was impressed with Miller and awarded him with a session in
> Houston. Jones accompanied him to the performance, and the two
> collaborated, writing the songs, "Tall, Tall Trees" and "Happy Child."
> The deal did not work out for Miller, who decided to leave Nashville
> and become a fireman in Amarillo.[1]
>
> “ The human mind is a wonderful thing, it starts working from before
> you're born and doesn't stop till you sit down to write a song ”
> —Roger Miller, [1]
>
> Miller worked as a fireman during the day and spent the nights
> performing gigs. He later recounted that as a fireman, he saw only two
> fires, a "chicken coop" and another that he "slept through." After the
> latter, the department "suggested that...[he] seek other employment."
> Miller met with Ray Price, and was hired as a member of his Cherokee
> Cowboys. He moved back to Nashville, and penned the song "Invitation
> to the Blues," which was covered by Rex Allen and later for Price, for
> whom it became a #3 hit on country charts.[5] Miller signed with Tree
> Publishing, working for $50.00 a week, and soon began composing a
> series of hits including "Half a Mind" for Ernest Tubb, "That's the
> Way I Feel" for Faron Young and his first #1 song, "Billy Bayou,"
> which along with "Home" were recorded by Jim Reeves. Miller soon
> became one of the biggest songwriters of the 1950s. But Bill Anderson
> would later remark that "Roger was the most talented, and least
> disciplined person that you could imagine" citing the attempts of
> Miller's Tree Publishing boss, Buddy Killen to force him to finish a
> piece. He was also known to give away lines, inciting many Nashville
> songwriters to follow him around since "everything he said was a
> potential song." (Killen)..."
>
> [...]
>
> "...Smash Records agreed to the proposal, and Miller performed at his
> first session for the company early in 1964. During this session he
> recorded the hits "Dang Me" and "Chug-a-Lug," which both were released
> as singles, peaking at #1 and #3 respectively on country charts. Both
> also fared well on the Billboard Hot 100 reaching #7 and #9.[6] The
> songs transformed Miller's career, although the former was penned by
> Miller in only four minutes. Later that year, he recorded the #15 hit
> "Do-Wacka-Do," and soon after the biggest hit of his career "King of
> the Road," which topped Country and Adult Contemporary charts while
> peaking at #4 on the Billboard 100. The song took months for Miller to
> write and was inspired by a sign in Chicago that read "Trailers for
> Sale or Rent" and a hobo happened upon by Miller while at an airport
> in Boise. The song was certified gold in May 1965 after selling a
> million copies. It won Miller numerous awards, and earned him a
> royalty check worth $160,000 that summer.[1] Later in the year Miller
> scored hits with "Engine Engine #9", "Kansas City Star" and "England
> Swings," an adult contemporary #1. He began 1966 with the hit
> "Husbands and Wives."..."
>
> And so on... Dang me...
Actually, Mushmouth, as I've pointed about before, /you/ fit the description
of the misogynist.
Meanwhile, the archives show your vicious misogyny displayed here over the
years, in fact, you even seek women out to attack them: Vera, Pandora,
Sharon McElroy, to name a few... do you admit that by your logic you must
be a misogynist, Mushmouth?
I pointed out how you called Sharon McElroy a "dipstick" in a situation that
had nothing to do with poetry, and here's where you called Vera an
"arsehole", again with nothing to do with her poetry, but rather a personal
attack on her:
http://groups.google.com/group/us.arts.poetry/msg/d32236c6ea0d0228?hl=en
"... if you weren't such a brainless complacent arsehole..."
So you use the words "arsehole" or "dipstick" to demean women with,
Mushmouth, you nasty little piece of work.
And mushmouthed hypocrite that you are, where were you when your fellow
thugs were calling Vera a "crazy old bitch" (as Barbara's Cat did a dozen
times or more) or "loathsome bitch" and "loathsome, attention whore bitch"
(as the late JR Sherman repeatedly called her). Until eventually she was
driven away. and not only did you not object, as you pretend to do now,
since it suits your agenda, but you actually applauded this behavior.
But, what can be expected of a lying hypocrite such as you, Mushmouth?
Turns out that everything you try to attack me about you do often yourself,
Mushmouth: snipping, misogyny, burbling, whistle-lisping "poetry
performances" that can be considered undecipherable to some people... proven
facts by your own "logic".
So welcome back, and keep sniffing behind me, lying Mushmouth.
--
New poetry & music recordings by Will Dockery
http://www.myspace.com/willdockery
"sniffs again".
1) It's not my fault you scribble unspeakable shit and call it poetry.
2) It's not my fault that you gargle (off-key) your unspeakable shit to a
non-paying audience of drunks and call it song.
3) It's not my fault that you dislike independent intelligent women almost
as much as they despise you.
4) Don't forget that when we're 20 posts down-thread from here that you can
start whining that I "sniffed you" first.
5) It is entirely your fault that you're an untalented, narcissistic,
two-faced hopeless wanker.
At least you can remember Point 4.
Rob
--
Rob Evans
-----------
When I see a swine,
I reach for 45-calibre pearls
"Will Dockery" <shado...@knology.net> wrote in message
news:77f17$4b3cb459$d8baf760$22...@KNOLOGY.NET...
Assertive, intelligent "woman" that I like & like working with me, I
can name three off the top of my head who I've collaborated with
during 2009, Mushmouth:
"Black Crow's Brother" by Will Dockery & Gini Woolfolk:
http://www.youtube.com/watch?v=WxO1RAYTIFA
"Red Lipped Stranger":
http://www.youtube.com/watch?v=qBhcN1WK144
"She Sleeps Tight" with Sandy Madaris:
http://www.youtube.com/watch?v=9uGY157cpiU
"Waking Up Now":
http://www.youtube.com/watch?v=v8_Yp-dIPCY
"Under The Radar" with Eileen d'Esterno:
http://www.youtube.com/watch?v=KEQDFMNcgLA
Meanwhile, you don't seem to have written anything at all during 2009,
unless you consider your drooling & sniffing behind my posts
"writing", Mushmouth.
And, Rob Evans, your attitude towards female poets here over the years
is fully documented, you gunkmouthed, whistle-lisping old misogynist.
I know the one you mean.
So,
>>> the messenjah <theguyontheb...@veryfast.biz> wrote:
>>
>> >> Looks like the "ladies" are upset with you again, Will. ; )
>>
>> > Heh... well at least they've managed to s.t.f.u.
>>
>> stupid sniffing drooler:
>
> http://tinyurl.com/drooling-sniffer
>
> "We know." -Dennis M. Hammes, Litt. D.
>
> You've been drooling and sniffing behind me for over a year, now,
> Mushmouth,
> so I really didn't expect you to be able to /really/ stop. After all, it
> does seem to be all you have left, you poor senile old crone.
So glad that at least you can remember Point 4.
Since you've repeatedly labelled women "dipstick", "arsehole", "bitch"
and other nasty, misogynistic terms, Mushmouth, you appear to be
projecting your own dislike of "woman", as you put it.
You have, in public, broadcasted your hate constantly on Usenet for a
number of years, Mushmouth, as the examples of your sexual harrassment
and persecution of female poets that are archived prove. Sharon
McElroy, Vera, Pandora, Angel... you seem to have been there for all
of the sleaze slinging.
http://tinyurl.com/mushmouth-dipstick
August 2 1998
Mushmouth wrote:
--
Hey, moron, good hygeine is no accident
(while sniffing) my post
I refere you to Point 4.
only 3 such angels? In the middle ages many more could dance on the head of
a pin.
Now, 5 things for you to remember.
Well, you have had quite a problem with the majority of women who have
posted poetry on these newsgroups, before you eventually drove them away,
Mushmouth.
From Sharon McElroy to Marg/Pandora to Angel to Vera, you've used the most
vulgar and misogynistic terms and attitude on them imaginable. Here's
another example from the archives, to Vera, and some of her responses:
http://groups.google.com/group/rec.arts.poems/msg/97d705ff45e11930?hl=en
From: "Vera" <veral...@iinet.net.au>
Subject: Rob Evans
Date: Monday, 8 January 2007 7:56 PM
On 7.1.'07 Rob lobbed in:
>And if you weren't such a brainless complacent arsehole, your pedestrian
>scribbling would be merely ignored, instead of butchered.
Let us analyze Rob's findings. . .
(1) "Complacent": How can he make such an assumption
not knowing the real me nor my habits?
For his information, I'm rarely satisfied with anything
I write and have changed poems even after they had
been published which is not considered ethical and
poets have been ticked off for doing the same.
I've already revised and changed the title of my last
posted poem, "May I have"
Is that complacency?
(2) "arsehole": What serious offence have I committed
to deserve this tag? Have I robbed him of money or
his reputation -- threatened him in some way?
I hadn't even known that he was around until he
addressed me (angrily) advising me to take note
of Gamble's criticism and to follow it!
If that wasn't an insult to any thinking person!
(3) What does he mean by "pedestrian scribblings"?
That I scribble poetry while walking the streets or
that I write with my feet?
(4) Who, but he, has butchered my verse in the last couple
of years?
As I've said before, few poems, whether published or not, are beyond
criticism. I'm always interested in comments because another's viewpoint can
be of help for future "pedestrian scribblings".
Unfortunately, that is not the trolls' agenda.
Vera
Here's another one where you indulge in a fantasy to "fob" Vera "legless",
Mushmouth:
http://groups.google.com/group/rec.arts.poems/msg/fe357924ef1385f1?hl=en
In message
<44aa6eec$0$14093$5a62a...@per-qv1-newsreader-01.iinet.net.au>, Vera
<veral...@iinet.net.au> writes
>Will you (like GG) fob me off by using filthy language?
G'wan Dennis - fob 'er legless - she's gaggin' fer it.
Rob
(not one single filthy word - it's a gift, I tell you)
--
Rob Evans
So, Mushmouth, we can see that you're not only a gunkmouthed whistle-lisping
old fool, but a misogynistic hypocrite, as well. No surprise, of course.