BIR meaning fur again - word branching - answering a reproach -
only God can see the world as one - multi-dimensional approach -
Indo-Uralic (Leiden 21)
***
The secret of Magdalenian is to look at language the other way, not from
the present backward in time, instead from a remote past forward in time.
I find ever more derivatives of Magdalenian words almost every week.
Last week a further derivative of KOD meaning tent, hut, namely Swiss
Gade (final 'e' a schwa) 'shed, small barn'. And this week another
derivative of BIR meaning fur, namely -wear- -wor- in swear sworn
that may preserve a Stone Age ritual of taking an oath on a ceremonial
fur, later on replaced by a flag or the Bible, in sci.lang by textbooks.
Not being a sworn believer in sound algebra I am an Old Norse vargr
'felon, criminal; wolf' from *h2/3wergh- '+- commit a crime' - someone
who does not take an oath, or broke his oath, or swore on a wolf fur
instead of the ceremonial fur of a shaman or shamaness, meaning I don't
swear on them holy textbooks. I read and consult and estimate textbooks
but I don't consider them the whole truth, Latin veritas 'truth' one
more reference to the ceremonial BIR fur ver-, so I am regarded as
black sheep having a fur of different color, if not as a wolf wearing
a sheepskin.
***
Sworn believers in sound algebra can't look at language my way. Another
derivative of BIR meaning fur is English _for_ that originally named an
exchange: I give you a fur for this or that ... Furs had been a bare necessity
in the Ice Age, and if I remember correctly, sabel furs had been an official
currency in Poland until the early 20th century. BIR is also present in purse
and German Börse 'stock exchange'. Then of course in wear, wearing a fur coat,
and in bear, to bear a fur or leather bag, Greek byrsa 'hide, fur, leather'.
Semitic Bir and Beer named wells as places where fur and leather bags had been
filled with water, Beersheba 'village of the Seven Wells'. Consider also German
Brunnen 'well, spring, fountain'. A next generation of linguists will have
no problem looking at language that way, and will enjoy following the semantic
ramifications of early words. Young ones who can still remember the pleasure
they found in playing with words when they had been children.
The pioneers of Indo-European discovered that words in different languages
can have the same origin. After centuries of IE and PIE studies we may go
further and discover that also varieties of words in one and the same language
can share a common origin. In that sense Magdalenian is the natural expansion
of PIE.
I don't believe that several ten thousands of PIE roots had been created
ex nihilo; my understanding is that a few early words branched into the marvel
of present language, parallel to the evolution of material culture.
A language is a collective work of art, shaped by millions of people who
always liked to play with words, happily invented numerous variations,
tried out combinations, and preserved the best among both of them.
***
The structuralists from the middle of the past century understood language
as exchange. I'd say language mediates exchange, and a witness to that notion
is English for German für Dutch voor. If you buy something you give money,
in former times furs for what you want or need. If you go forward you echange
the former position for a new one, step by step by step. If you go backward
you regain the former positions, going in the direction of your back, Old
English rycc, German Rücken 'back' rückwärts 'backward'. German vorsichtig
'cautious, with caution' says that conditions have changed: instead of a free
way there is now an obstacle or a danger. Pre- in English precaution derives
from the permutation group of PIR meaning fire, PRI meaning turning smoke,
wherefrom Greek peri 'round about' and English pre- in precaution: you walk
around the obstacle or danger. I think the good old structuralists were right
about their deep notion of exchange. Their model was the exchange of women
between tribes; mine are furs traded for something one needed or wanted.
***
You can bear a fur bag. A pregnant woman bears a child, then gives birth to
a child called bairn in Scottland. The Vinca (Vincha) people in the Neolithic
Balkans worshiped a divine bear mother and bear nurse, with hundreds of
figurines, imploring the fierce protection of a bear mother for her cubs.
From Hellenistic Greece we know the custom of placing a newborn on a bear
fur, a custom that survived in parts of the Slavic world until the 20th century.
The opposite is the end of life. English bier and German Bahre suggest that
also dead people were laid on a bear fur, in the hope that the goddess might
give birth to a worthy soul in a heavenly beyond.
Marija Gimbutas: The Goddesses and Gods of Old Europe: "The image of the
Great Goddess of Life, Death and Regeneration in anthropomorphic form with
a projection of her powers through insects and animals - bee, butterfly, deer,
bear, toad, turtle, hedgehog and dog - was the outward symbol of a community
concerned with the problems of the life and death cycle."
The mortality of children and women in childbirth had been high in the Stone
Age, the blessings of modern medicine unknown and undreamed of, so people
implored the help and blessing of the Great Goddess of many shapes, among
them the divine bear mother.
Sound algebra works in an abstract way; Magdalenian requires empathy.
***
When you follow words backward in time along sound laws you end up with
isolated roots, for example the six homonyms *bher-. When I start from
a hypothetical early word like BIR meaning fur I see it branch into many
derivatives. BIR explains all six homonyms *bher-, as demonstrated in 2008,
and again recently. Also German Form und Farbe 'shape and color' derive
from BIR, furs having colors, mostly brown (*bher- 'brown') but also white,
gray, black, and reddish, and they have a distinct form, the four legs
accounting for English four German vier (*kwetwores 'four' from KOD BIR
naming a tent or hut KOD made from or covered with a hide BIR of four legs).
The Stone Age people cooked their meat and vegetabilia in a pit laid out
with a hide, whereupon hot stones from a nearby fire place were rolled into
the water and made it boil (*bher- 'boil'). The Norse berserks applied
hallucinogenic herbs mixed with fat to the inside of their fur coats,
the drug was absorbed by the skin and made them go wild before a battle
(BIR ber-). From this ghastly practice we can infer a healing method,
shamans and shamanesses mixing medical herbs with fat and smearing the
ointment on the inside of a warming fur and covering a patient (*bher-
'heal'). English virgin suggests BIR GYN meaning fur woman, maidens
helping the shamaness by gathering herbs and berries, leaves, bark and
roots, carrying them in fur bags, and using them for making medicines,
ointments, and beverages. Chewing seeds of grasses, later on grains of
cereals, spitting them into a fur bag and making them germinate was the
origin of beer German Bier. Hungarian bor 'wine' indicates berry wine
made in the same way. The emblem of the shamaness GYN BIR who taught
and guided her maiden helpers would have been juniper from which Gin is
made, preserved in the female given name Ginevra Jennifer. Their goddess
would haven been the divine fur giver BIR GID whose sisters had been the
fire giver PIR GID and fertility giver BRI GID. All three of them became
the powerful Celtic triple-goddess Brigid. While BRI GID alone became the
Greek love goddess
BRI GID aBRI GIDe Aphrodite
BRI also accounts for English free German frei. Google employees are free
to spend one fifth of their working time on ideas and projects of their own,
which results in precious contributions benefitting the company.
***
Answering the reproach that I offer "nothing that anyone has ever found
useful"
My reconstructions of early and very early mathematical methods were
useful when I gave free lessons for two care organizations. They are useful
in establishing a fair history of civilization. My interpretations of art works
from various epochs will be useful for art historians. And my linguistic
work will become useful for a next generation of linguists who can also
read visual language, estimate the rich legacy of the Stone Age in the form
of cave art and rock art and mobile art, recognize symbols also in early
literature, and apply the methods of early mathematics when it comes to
calendars and symbolical numbers for example in the Bible.
Here again my triangle of language, a cultural program in nuce, summary
of half a century of studies and work in several fields. Language can be
seen as a triangle whose corners are
life with needs and wishes
mathematics as logic of building and maintaining
based on the formula a = a
art as human measure in a technical world
following the logic of equal unequal
Goethe: 'All is equal, all unequal ...'
a formula known to artists of all times
But of course my work is useless for worshippers of holy textbooks who
believe to own the Truth.
While the natural sciences make enourmous progress the humanities,
caught in a feudalistic bubble, wobble along behind the present (and
sci.lang behind the humanities, proactively ignoring decades old insights
from the humanities in academe). I aspire to lessen the gap, a fair
history of civilization being a sine qua non of a prospering global society.
Considering the size of the task with all the massive obstacles in the way
I came far, so far that others can take over.
Once again: I don't write for sci.langers who can only argue on meta-levels
and drop verdicts from above.
***
Galilei famously wrote that the book of nature is written in the language of
mathematics ... God may understand all of nature in mathematical terms,
while we deciphered only the first lines on the first page of the first volume
on the first shelf in the first hall of the divine library.
Next to the mathematical logic of a = a we need the logic of equal unequal.
Do we have a free will? or is our will determined by the laws of physiology,
neurology, economy, and so on?
Leonardo da Vinci posed a version of this question in his mural of the Last
Supper in the former refectory of the monastery Santa Maria delle Grazie
at Milan. Jesus announced that one of his disciples will betray him. They
are shocked. Who is the culprit? While asking for his name they reveal him
as if coincidentally with glances and gestures. Peter, turning toward John
the Younger, even places the knob of his knife on Judas' back and presses
him toward the table, as if trying to push him out of the picture space,
yet the long table holds him back as a barrier - also the traitor was needed
in God's plan of saving humankind.
The virtual picture space is a perfect prolongation of the real space,
however, the lines of the perspectives coincide only when seen from a special
viewpoint: some nine meters before the wall painting (no fresco), in a height
of some four and a half meters, opposite of Christ - only he can see the world
as one. From every other vantage point accessible to a visitor the lines of
the perspective are breaking.
The same notion can be gleaned from the background of the Mona Lisa,
an allegory of seeing. On either side of her appears a lake, but while we
look at the front of the lake on the left side, we look down on the lake
on the right side. So we have two perspectives which are incompatible
and made an art critic assume that Leonardo was a schizophrenic. No,
he made a philosophical statement: we can't see the world as one.
Light as a physical phenomenon has a double nature: wave and particle stream.
Relativity theory and quantum dynamics are still incompatible. The dream of
a Theory Of Everything remains an illusion. If we ever get something like it,
an alternative theory will arise ... Only God can see the world as one.
Sound algebra leads backward in time, whereas Magdalenian proceeds from a
remote past forward in time. Also these are contradictory and complementary
perspectives. We can't solve all problems with a single method, and if it is
a most successful one - in the given case the comparative method.
By the way, the Last Supper by Leonardo is a perfect illustration of equal
unequal. The virtual picture space is of a strict symmetry, while one wall
is dark, the other bright. We see Christ in the middle at the long table,
beside him six and six disciples, groups of three and three men, the
outer groups acting collectively, the figures of the inner groups close
to Christ individually. There is great variation in the way they behave
and reveal the traitor unconsciously. Jacobus the Elder points with his
index finger to the back of the head of Judas, if only in the reduction of
the virtual space to the picture plane. One second later John the Younger
will open his eyes and look directly at Judas, traitor of the Lord.
***
Goethe favored a multi-dimensional approach
Willst Du ins Unendliche schreiten
Geh nur im Endlichen nach allen Seiten
If you wish to get an idea of the infinite, explore the finite in all directions.
Currently I study Leiden 21 on the Indo-Anatolian and Indo-Uralic hypotheses.
My own approach is very different. I go for simple words of a way older
language, the grammar of body language and involving direct context,
rely on cave art and rock art and mobile art, legacy of the Stone Age,
and use early mathematics for the reconstruction of calendars.
My Magdalenian experiment began with an amazing lunisolar calendar
in early 2005, reconstructed from symbols in the Lascaux cave, moon bull
and sun horse and a pair of opposing midwinter ibices (Marie E.P. König),
and from accompanying ideograms. This calender made me recognize the
axial gallery of Lascaux as representation of a year, from the midwinter
niche (König) to the glorious midsummer rotunda (logical counterpart)
and back again, and helped me find names for the sun horse
CA LAB meaning sky CA cold LAB
naming the winter sun horse,
accounting for gallop, and German Klepper
for an old and tired horse
CA BEL or CA BEL IAS
meaning sky CA warm BEL healing IAS,
naming the lovely spring sun horse,
the warm sun of spring healing
ailments of a long and harsh winter
CA BAL meaning sky CA hot BAL
naming the summer sun horse,
accounting for Latin caballus 'horse'
(etymology unexplained says my dictionary)
Hear them run
CA LAB CA LAB CA LAB CA LAB ...
CA BEL CA BEL CA BEL CA BEL ...
CA BAL CA BAL CA BAL CA BAL ...
Postscript. I like the book mentioned above (Leiden 21) and found
a precious information. Petri Kallio says in his paper that a Finn by
the name of Daniel Europaeus 'truly launched' the Indo-Uralic hypothesis.
He was from Savitaipale in SE Finland, while the family of his father
probably came originally from Äyrääpä Latinized Europa Europaeus.
Äyrääpä goes along with OIR OC CO Europa AIR OC CO Europa in the
context of Syrian / Minoan astronomy. Lunisolar calendars are the spine
of Magdalenian. Two of them are encoded in the myth of Minotaur and
in the round stone kernos in the royal court of Mallia. Minoan bull leaping
had been the symbol of astronomy
http://www.seshat.ch/home/lasco23.htm origin of Europa
Early mathematics and visual language are integral parts of the alternative
approach called Magdalenian.
***
Daniel Europaeus, credited with having 'truly launched' the Indo-Uralic
hypothesis (Petri Kallio, Leiden 21), in a clinch with academe he called
'ossified', can partly be confirmed from my side.
Finnish aurinko 'sun' and a dive into the Kalevala (to which Europaeus
contributed the Kullervu cycle) told me that the Proto-Finns had once
come from the Goebekli Tepe region via the Aral Sea and settled in the
Middle Ural, region of Perm and Jekaterinburg, geographical latitude
ca. 58 degrees.
In the Bronze Age, a flat horizon provided, the midsummer sun rose 50
degrees north of due east, while the northern lunar extreme was 60 degrees
north of due east.
Angles of 60 degrees (and regular polygons of six corners and sides)
are easily constructed. 50 degrees north of due east means 40 degrees
east of due north. Angles of 40 degrees (and regular polygons of nine
corners and sides) can be obtained by means of the rectangle 7 by 10.
Draw the diagonals. Their angles are practically 70-110-70-110 degrees.
Now subtract 70 from 110 and you get 40 degrees.
Years earlier I derived a Pashupati lunisolar calendar from the Goebekli
Tepe calendar: 90 days of the tiger, 90 days of the elephant, 3 midsummer
days of Pashupati, 90 days of the rhinoceros, 90 days of the buffalo,
2 and occasionally 3 midwinter days of Pashupati's wife, in all 365 days
of a regular year, and 366 days of an occasional leap year. While 21
continuous periods of 90 days are 1,890 days and correspond to 64
lunations or synodic months.
Looking out for stars representing the four seasons (along my story of
Golden Boy) made me find Algol as eye of the tiger, Vega as eye of the
elephant, Arcturus as eye of the rhinocerso, and Procyon as eye of the
buffalo.
Draw the connecting lines Algol-- Arcturus and Vega--Procyon and you find
practically the angles 110-70-110-70 degrees, while the two lines intersect
closely above Thuban, then pole star, abode of Pashupati.
The angles of these lines correspond to the diagonals of the rectangle
7 by 10.
And now one more surprise. Daniel Europaeus "regarded the numerals for
'7', '10', '100' and '1000' as his strongest evidence for Indo-Uralic"
(Petri Kallio). 7 and 10 - numbers of a heavenly geometry.
***
Considering the rectangle 7 by 10 in the context of the previous message
we may have a look at Finnish tivas 'heaven' kymmenen '10' seitsemän '7'
and maa 'earth'.
Finnish tivas Hieroglyphic Luwian taipas 'heaven' can suggest Magdalenian
TYR PAS meaning the one who overcomes in the double sense of rule and give
TYR everywhere (in a plain) PAS, here, south and north of me, east and
west of me, under and above me (on earth but also from a god in the sky),
in all five places, Greek pas pan 'all, every' pente penta- 'five' and
Finnish viisi 'five'. TYR became emphatic Middle Helladic SsEYR (Phaistos
Disc, Derk Ohlenroth) Doric Sseus (Wilhelm Larfeld) Homeric Zeus. The shift
from Y to EY might have a parallel in Y > ai in Luwian taipas 'heaven'.
Another Luwian derivative of TYR PAS is Taruwisa 'Troy', ancient overcomer
on the crossing of once important tradeways (S-N, E-W). TYR PAS in the
sense of TYR SsEYR Sseus Zeus everywhere PAS has a strongly polished
derivative in French temps 'time, weather' that overcome everybody anywhere.
Inverse PAS TYR became English weather, while (TYR PA)Sää may have
become Finnish sää 'weather'
MUC named a bull, inverse CUM a group of bull hunters, and MAN originally
the right hand, preserved in Latin manus French main, and as pars pro toto
in English man, for example farm hand. MUC CUM may have named a group
of
ten bull hunters, the master bull hunter MAS carrying out the all deciding
first blow (a small man before a huge bull drawn in the cave Le Gabillou)
whereupon the others closed in. CUM MAN Finnish kymmenen 'ten (men
in a bull hunting group or 'company')'. The bull was also a symbol of the moon,
bull hunting became a symbol of astronomy, and bull leaping the symbol of
Minoan astronomy.
PAS means everywhere (in a plain), inverse SAP everywhere (in space), here,
south and north of me, east and west of me, under and above me, in all seven
places, wherefrom words for seven in many languages. SAP MAN might have
become Finnish seitsemän, indicating the seven places of human activities,
not only the five places in a plain, also mines below, hills or mountains
above. MAN DhAG meaning hand MAN able DhAG names the mind formed
by what we do with our hand, and the experiences we gained by being active
with our hands enable us to make a picture of the world in all seven places
in the mind. This might be the meaning of Finnish seitsemän 'seven'.
Magdalenian AMA means mother, DOM AMA TYR a Magdalenian camp DOM
ruled by a wise elder mother AMA in the function of the overcomer TYR.
Her divine emanation would have been Demeter, ruler of the earth and what
it brings forth, counterpart of TYR in the sky. DOM AMA TYR in the short form
of AMA could have become Finnish (A)MAa for the mother earth maa.
The alternative approach called MAgdalenian Mgdalenian is open and flexible,
of a poetic genius, and strong enough to carry the weight of an imposing language
tree (a higher-dimensional metaphorical tree allowing super-position).
***