> > On Monday, March 29, 2021 at 9:21:49 PM UTC-4, George J. Dance wrote:
>
> > > > > > >> > > > Today's poem on Penny's Poetry Blog:
> > > > > > >> > > > The Winds, by William Carlos Williams
> > > > > > >> > > >
> > > > > > >> > > > the winds of this northern March —
> > > > > > >> > > > blow the bark from the trees
> > > > > > >> > > > the soil from the field
> > > > > > >> > > > the hair from the heads of
> > > > > > >> > > > girls, the shirts from the backs
> > > > > > >> > > > [...]
> > > > > > >> > > >
> > > > > > >> > > >
https://gdancesbetty.blogspot.com/2021/03/the-winds-william-carlos-williams.html
> > > > > > >> > > I was just reading about William Carlos Williams today:
> > > > > > >> > >
> > > > > > >> > > "It is clear that Williams doesn't like to conform to little things like complete sentences, capitalization, or complete ideas, and he seems to like nature..." -McKinley
> > > > <snip>
> > > > > actually part of a literary tradition, but you'll need to post examples
> > > > Here, for starters:
> > > >
> > > >
https://cyberleninka.org/article/n/774895
> > > >
> > > > "Shirly Brice Heath characterizes William's poetry as "incomplete sentences, mixed genres, numerous openings of subgenres without closures of these, repetitious false starts, switches across topics within the midst of paragraphs, incomplete or unclear pronoun reference, incomplete references to other actual texts upon which this text depends, and direct dialogue cited without indication of speaker" (1985: 287). Such qualities are those of oral discourse rebelling against the written discourse. The rebelling of informal against the formal in literature and poetry goes parallel with the rebellion of the American youth against the old establishment imposed on America by the colonial presence of Britain..."
> > > >
> > > > "Gee, in 1985, refers to Williams' definition of universal art and defines it as "the authentic rendering of the object in all its immediacy and particularity" (375). He creates a link between Russian formalist aesthetics and Williams' formulation of great art. Moore, in 1986, holds that the self conscious ungrammaticality in Williams' writings, as well as his preference for the American speech make sense in a context where scholastic philosophy and logic came under severe attacks. Menzin, in 2014, analyses Williams' poetry and prose and holds that the cubist images and broken pieces in William's writings metaphor the notion of disintegration and loss of coherence in the modern world..."
> > > >
> > > > More later, I have to go run a few errands.
> > > No, Will.
> > >
> > > I am not asking you to copy/paste wikipedia articles.
> > >
> > > I am asking you to post a poem by WCW that contains incomplete sentences.
>
> > That was not a Wikipedia article.
>
> Who cares?