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HiKhaled, thanks for this!
I'm curious what folks here think would be a good Latin design to go with this? Perhaps something like https://www.google.com/fonts/specimen/Pirata+One but more flat/angular/sharp?
On 17 November 2015 at 06:07, Khaled Hosny <khale...@eglug.org> wrote:
Hi all,
I started working on a Fatimid Kufic typeface based on the work of the
great calligrapher Mohammed Abdul Qadir (who formalized the rules of
this style of Arabic calligraphy and lettering).
So far Arabic letters are more or less done, so will be working next on
the number and punctuations.
https://github.com/khaledhosny/reem-kufi
https://twitter.com/KhaledGhetas/status/665561262001098752
Regards,
Khaled
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--Cheers
Dave
>> I'm curious what folks here think would be a good Latin design to go with this?
I don’t see how Textura/Blackletter/Bastard can work with kufi. These are all fairly condensed styles while kufi is relatively wide and generously spaced (especially the early examples). There may be some potential in Romanesque. I think Gerard Unger’s Alverata could serve as an example.
>> I’d rather not have Latin altogether and let people pair the fonts as they please, as I don’t think any particular pairing will work for all situations given the nature of the two scripts, but Google Fonts insists on having a Latin.
It’s a challenge then. I don’t think if it’s impossible. You may not find an existing Latin typeface but you can certainly design one.
On Thu, Nov 19, 2015 at 11:04:15AM -0800, Borna Izadpanah wrote:
>
>
> >> I'm curious what folks here think would be a good Latin design to go
> with this?
>
> I don’t see how Textura/Blackletter/Bastard can work with *kufi*. These are
> all fairly condensed styles while *kufi* is relatively wide and generously
> spaced (especially the early examples). There may be some potential in
> Romanesque. I think Gerard Unger’s Alverata
> <http://www.gerardunger.com/allmytypedesigns/allmytypedesigns24.html> could
> serve as an example.
I what is most important when pairing two totally different scripts is
matching the feel of the design, not any particular feature, and I think
Blackletter for Latin as close as it can get to the feeling Kufic gives
for Arabic.

On Nov 20, 2015 3:28 AM, "Khaled Hosny" <khale...@eglug.org> wrote:
>
> On Thu, Nov 19, 2015 at 11:04:15AM -0800, Borna Izadpanah wrote:
> >
> >
> > >> I'm curious what folks here think would be a good Latin design to go
> > with this?
> >
> > I don’t see how Textura/Blackletter/Bastard can work with *kufi*. These are
> > all fairly condensed styles while *kufi* is relatively wide and generously
> > spaced (especially the early examples). There may be some potential in
> > Romanesque. I think Gerard Unger’s Alverata
> > <http://www.gerardunger.com/allmytypedesigns/allmytypedesigns24.html> could
> > serve as an example.
>
> I what is most important when pairing two totally different scripts is
> matching the feel of the design, not any particular feature, and I think
> Blackletter for Latin as close as it can get to the feeling Kufic gives
> for Arabic.
But a Romanesque like Alverata has the antique connotations...
How about something like Bastard for instance? It has very geometric shapes, and curves that begin at rectangular terminals. It would probably need to have some organic tapering added to the stroke structure.