I imagine you know this, but MW Unabridged and Oxford Shorter seem to
agree - at the moment - that the word curator has nothing to do with
how the word is used right now.
Bud
Sonnet Media LLC
New York, NY
http://sonnetmedia.net
212 699-1859
On Tue, Jun 15, 2010 at 4:37 PM,
<contentstra...@googlegroups.com> wrote:
> Today's Topic Summary
>
> Group: http://groups.google.com/group/contentstrategy/topics
>
> Curation and Content Strategy [9 Updates]
>
> Topic: Curation and Content Strategy
>
> Amy Thibodeau <amy.th...@gmail.com> Jun 15 11:38AM -0700 ^
>
> Hello everyone,
>
> I'm working on a blog article about the increasingly popularity of the buzz
> words "curation" and "curator" in relation to content creation online.
> Personally, I struggle with the term and that could be in part because of my
> background in museums; I have a very specific idea of what a curator is and
> does and it doesn't mesh with how I understand the online world. The term
> also seems like a bit of jargon without a lot of meaning behind it.
>
> On the other hand, as a content strategist in Phoenix recently pointed out
> to me on Twitter (she is @sara_ann_marie), curation implies putting content
> together to make meaning not just collection; I like this idea.
>
> For those of you who have a couple of spare minutes - any thoughts on what
> you think about the increased prominence of 'curation' to describe what we
> do online? Does the word work? Do clients understand it? Is there a better
> alternative? Is this all just a bunch of marketing jargon that doesn't mean
> much?
>
> Any feedback you have would be very much appreciated.
>
> Best,
>
> Amy
> http://contentini.com
> @amythibodeau
>
>
>
> "Alexa D. O'Brien" <alexa...@gmail.com> Jun 15 02:40PM -0400 ^
>
> Read Erin Scime's blog :
> http://www.dopedata.com/2009/12/08/the-content-strategist-as-digital-curator/
>
> best,
>
> alexa o'brien
> content strategist
> huge inc
>
>
> --
> alexa...@gmail.com
> www.alexaobrien.com
>
>
>
> Hilary Marsh <hilarym...@gmail.com> Jun 15 01:42PM -0500 ^
>
> Hi Amy,
>
> As someone working for an organization (and not an agency), "curation" is a
> great way to describe the strategic content work we do. Setting priorities
> for what content a user sees first -- and resetting them almost daily, as
> new content is created by a multitude of publishers -- is not a one-time
> effort. Promoting information and adding the context that the organization
> often forgets are the two main eleements of value we add.
>
> Let me know if you need more info.
>
> Best,
>
> Hilary
>
>
>
>
> Amy Thibodeau <amy.th...@gmail.com> Jun 15 11:53AM -0700 ^
>
> Thanks for the link Alexa - will do.
>
>
>
>
> Colleen Jones <jones...@gmail.com> Jun 15 02:56PM -0400 ^
>
> Hi Amy,
>
> I didn't like the term at first for content or design because it reminded me
> of dead butterflies in glass cases. It seemed static, cold, and not that
> interactive. However, I'm comfortable with the term now. Compared to
> aggregation, curation is a fresh, warm human element.
>
> I've used the term with clients, and, with a little explanation, they catch
> on to it pretty quickly--to my surprise.
>
> Colleen
>
>
> COLLEEN JONES
> Principal, Content Science
> Chair, CHI*Atlanta - Organizer, Atlanta Content Strategy
> E: jones...@gmail.com l col...@content-science.com
> T: @leenjones
> P: 770-296-0121
>
>
>
>
>
> Ruth Kaufman <ruth.k...@gmail.com> Jun 15 11:54AM -0700 ^
>
> I don't mind the term curation, but I see your point about how its meaning
> gets somewhat diluted as it moves from the museum to general online context.
> When I have used it with clients, they have had no issue understanding it.
> I've used it for marketing content as well as technical support content.
> Tech support people are usually allergic to jargon, and yet they didn't
> object to this term, so in my opinion, it's pretty safe to keep working with
> it.
>
> I think this term is, itself, an alternative to more general terms like
> relevant, manually selected, and personalized content (not to say that it
> means the same thing.) We needed a term to describe content that has some
> editorial thought behind it beyond parametric searches, and implying more
> than the manual process of compiling content with some editorial though
> behind it. Curation also implies the order in which the content is
> presented, beyond automated sequences such as date and relevance. It implies
> some amount of storytelling, and the skills behind the process to think in
> terms of storytelling -- i.e., not parametric.
>
> When I worked at IBM (this is from 4-5 years ago), the web editorial board
> also described some content strategy work as "information brokering". There
> were, in fact, information brokering job functions in the company. My memory
> on this is fuzzy, but I believe they were more focused on the intranet at
> the time, scavenging the far reaches of intranet content (which was not
> centrally managed) for relevant content that would help people do their
> jobs, as you might expect. Then (also fuzzy memory), I think the term was
> carried over to what was needed for the public site, to help make sense of
> the endless content on ibm.com. I ramble, but hopefully this provides some
> context to the evolution of this idea of curation.
>
> Best,
> Ruth
>
>
>
>
> "J. Todd Bennett" <stetso...@gmail.com> Jun 15 03:27PM -0400 ^
>
> Amy:
>
> I was really turned on to the concept from Erin's article as well. I've
> always liked the term. It works for me.
>
> In a really great museum exhibit, the curator uses the best content at
> his/her disposal to tell a vivid, real story. I don't think of the dead
> butterflies as much as I do the combination of sensory experiences that
> comes from a carefully chosen and displayed collection of artifacts, written
> word, imagery, audio and video. When these come together in a museum exhibit
> to tell a story of a people or time or place it can be pretty compelling. I
> think the same is true of a website.
>
> I've used that language with clients and it's like a light bulb goes off in
> their heads. Not everyone will think of curation or museums the same way, so
> it's important to make your examples real to the people in the organization.
> I've been able to do this well with higher education clients, particularly
> the faculty who are often the sources of a lot of great content, but not
> necessarily the people you want curating it (or even creating it for that
> matter!)
>
> Todd
>
>
> J. Todd Bennett
> managing partner | decimal152
>
> www.decimal152.com
> www.twitter.com/jtoddb
>
>
>
> James Callan <scare...@gmail.com> Jun 15 01:19PM -0700 ^
>
> Hi, Amy:
>
> I get what you're saying. My sister-in-law, who's an architect, has a
> pet peeve about the term information architect. So far as she's
> concerned, IA is not architecture because it has nothing to do with
> buildings or (physical) structures. She feels like using
> "architecture" in a more figurative sense somehow diminishes her
> career.
>
> While I understand her point, I think she's wrong: I think information
> architecture is a fine term. It's a metaphorical extension of some of
> the ideas behind architecture, true, but that's pretty normal for
> language, and it doesn't diminish the work of "real" architects. And
> the term helps explain what the position does to someone who might not
> have heard it before.
>
> Curation strikes me the same way. Is it the same as museum curation?
> No. Is it close enough to be a natural analogy? Yes. Does it help
> clarify for people what that position does? Yes. Approved!
>
> James
>
>
>
>
> Amy Thibodeau <amy.th...@gmail.com> Jun 15 01:35PM -0700 ^
>
> Thanks for all the great feedback everyone - you've definitely given me
> something to think about and I can't say that I disagree with any of the
> points made. For me there's also a difference between the act of curation
> (pulling disparate ideas together, making meaning and creating opportunities
> for experience) and being a Curator (capital 'C'). In my experience in
> museums, curators (at large institutions) tend to wear one hat and they are
> often seen as arbitrators of culture and taste and, with a few exceptions,
> slightly out of touch with the average gallery visitor. It's often the
> educators and the publishing department that create real meaning and access
> for a general audience by compiling resources and points of access and
> engagement. I love museums and think the curatorial role is crucially
> important; but it tends to happen in a bit of an ivory tower and is driven
> by the academic interests of the person filling the role, which may not
> necessarily be what the community wants or needs.
>
> I think that my problem with the term, coloured by my background, is that it
> can be perceived as too grandiose, old-fashioned, bureaucratic and somewhat
> alienating. As I read your comments and sift through some of the information
> in the various links, I am definitely having second thoughts about it as
> this new appropriation of the term certainly brings with it a wider sense of
> scope and a responsibility to audience that is quite different to that of a
> formal curator role in a museum.
>
> Obviously I haven't properly formed my thoughts on this, but I really
> appreciate all the great points you've made. I'll let you know if and when I
> come up with anything cohesive on this!
>
> Best,
>
> Amy
>
>
>
>
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