Are you sure you're matt? You sound a lot like ggamble.
You do seem to be in some pain, with all your years of bitterness,
Ggasfly.
--
"Red Lipped Stranger & other stories" by Will Dockery:
http://www.myspace.com/willdockery
> ggamble wrote:
>
> > Goober George "I AM NOT A DUCK!" Dance quacked:
> >
> > > ggamble.
> >
> >
> > Obviously, it still must really sting.
>
>
> What happened when you told him one of his poems was bad? When I said,
> "The Workers do not Dream" resembles "one long run-on sentence someone
> forgot to edit," and that it "consists of multiple unpunctuated
> sentences," he accused me of being dishonest: "I'd like to thank you
> and your friends for the -- 'honest critiques,' would you say?"
>
> http://groups.google.com/group/alt.arts.poetry.comments/msg/92be64bdb65d6a24?dmode=source
>
> It's weird that he didn't see the first two lines of the piece = a
> sentence: "The workers do not dream / of renouncing love /
> inexplicably / etc.
If you question the writings of a duck,
you will, without fail, get quacked at.
Live and learn, eh?
--
Cm~
"People ask for criticism,
but they only want praise."
- W Somerset Maugham
What's funny is I like ducks, myself, and have no problem being
associated with them.
Back in February, when you first posted the above, I asked you: "What
must really sting?" I'm still waiting for an answer.
It's puzzling, though, how he can never say *what* stings.
He can't seem to handle the "show, don't tell" rule very well.
That's obvious, considering that you've been caught songwriting,
performing, and recording with a Mallard.
"She Sleeps Tight" ©2009 by Dockery-Mallard
<http://www.youtube.com/watch?v=9uGY157cpiU>
"Ashes to Justice" Words and music by Dockery & Mallard.
<http://www.youtube.com/watch?v=mzwD5-UI0p4>
> "Red Lipped Stranger & other stories" by Will Dockery:
> http://www.myspace.com/willdockery
"Red Lipped Stranger' Written by Will Dockery, Brian Mallard & Henry
Conley
<http://www.youtube.com/watch?v=qBhcN1WK144>
I still say that you and Brian should start billing your partnership
ventures (writing and/or producing) as "The Duck Brothers." It'd be a
minor gimmick, and might not get any notice, but every little bit
helps.
You may be onto something there, George...
Birds of a feather...................
I remember you sure had a hissy-fit when someone had that opinion of
one of yours... at least you deleted the posts after you finished
whining, Cythera.
--
Black Crow's Brother by Will Dockery & Gini Woolfolk (video):
http://www.youtube.com/watch?v=WxO1RAYTIFA
The last time, I asked him to back up his criticism, and he ran away
from the thread. See:
http://groups.google.ca/group/alt.arts.poetry.comments/msg/4f97f53bbabebc8a?hl=en
> When I said,
> "The Workers do not Dream"
Didn't Dale Houstman claim that he had written that poem?
snip
When did I say that wasn't a sentence?
> <snip for focus>
I still don't. It can be punctuated as multiple sentences; but it can
also be punctuated as one sentence:
The Workers do not Dream
“The workers do not dream of renouncing love, inexplicably: they cling
to this final bastion of exploitation while the dogs piss on their
legs and dry-hump their empty dreams and the fat cats whip them in
bondage, while their severed hands make good paperweights for upper
management, even as their disillusionment is torn from them as the
wild dog tears flesh free from the bone, they will not gauge
themselves by their loss; still they cling to that missing
part of themselves as if perpetually anchored to an invisible echelon
watching gunboats approach; gracefully they cling to their final
slavery, their renunciation a eulogy to love, a torn sheet hanging
from a hotel window, death’s sweet dream as the management's dogs
enter unbidden; and if anything is missing when the bodies are
catalogued, no poor employee will speak up.”
> http://groups.google.com/group/alt.arts.poetry.comments/msg/92be64bdb...
>
> http://groups.google.com/group/alt.arts.poetry.comments/msg/92be64bdb...
>
> Message-ID: 1119cb8b-ea59-42be-8f37-
> f176a4572...@z30g2000yqz.googlegroups.com
>
> Newsgroups: alt.arts.poetry.comments
> From: "G&tSP" <gand...@yahoo.ca>
> Local: Tues, Sep 8 2009 7:23 am
> Subject: Re: The Workers do not Dream
>
> > > <snip for focus>
ggasfly
> > > Obviously, it still must really sting.
With ggasfly ggamble around, /stink/ is a better word...
> > What happened when you told him one of his poems was bad?
>
> The last time, I asked him to back up his criticism, and he ran away
> from the thread. See:
>
> http://groups.google.ca/group/alt.arts.poetry.comments/msg/4f97f53bba...
>
> > When I said,
> > "The Workers do not Dream"
>
> Didn't Dale Houstman claim that he had written that poem?
Yes, he did whine something like that... he didn't mention that he
probably borrowed the line from Alacrity Stone or some other obscure
poet.
Anyway, on to a subject dealing with a /real/ poet, are y'all coming
to Tom's party tomorrow?
On Nov 3, 12:50 pm, Tom Hendricks <tom-hendri...@att.net> wrote:
> Thursday, tomorrow (or today) the Fifth of November. Don't miss the
> online party. Drop in listen and drop out - or leave a comment or ask
> a question.
>
> The line up of songs has a song for the Kernels of the movie
> concession stands, a Christmas instrumental - simple and sweet as any
> hymn, a post-bands version of Elvis, The Beatles, Aretha, The Rolling
> Stones, and more. Short and sweet. Even an instrumental saluting
> records!
> Find that mix somewhere else!
>
> NOVEMBER 5 - th
> 5-TH CDhttp://www.Hunkasaurus.com
>
> You can discover sameness anywhere you look. But for revolution and
> new music that goes beyond what rock and popular music have slid down
> to - YOU GOT TO SEE ME!
>
> Drop by, I'll be there to greet you. (Or if the time zone is wrong for
> you, drop by the blog and leave a message that you couldn't be there
> then. (musea.wordpress.com)
>
> Remember 5-th on the 5-th. 7:01-9PM CST
>
> Tom Hendricks
> (editor of the 17 year old zine Musea)
>
> http://www.Musea.ushttp://www.Hunkasaurus.com( Music, 4 full CD's of free Post-Bands
> Music)http://www.Musea.wordpress.com
--
"Dream Tears" by Dockery & Mallard:
http://www.youtube.com/watch?v=gX035Ybafx4
"Black Crow's Brother" by Dockery & Woolfolk:
http://www.youtube.com/watch?v=WxO1RAYTIFA
A typical Cythera post, always asking (& demanding) but never an
answer from her to be had.
I like that: "It must really stink."
> > > What happened when you told him one of his poems was bad?
>
> > The last time, I asked him to back up his criticism, and he ran away
> > from the thread. See:
>
> >http://groups.google.ca/group/alt.arts.poetry.comments/msg/4f97f53bba...
>
> > > When I said,
> > > "The Workers do not Dream"
>
> > Didn't Dale Houstman claim that he had written that poem?
>
> Yes, he did whine something like that... he didn't mention that he
> probably borrowed the line from Alacrity Stone or some other obscure
> poet.
>
I decided to check that out on google. It looks like he "borrowed" it
from a Nobel Prize-winner: Maurice Maeterlinck, Belgian Symbolist
poet, dramatist, and essayist, who won the Nobel for Literature in
1911. It's from his 1901 essay, The Life of the Bee (translated by
Alfred Sutro), which states on p. 22:
Then having freed himself from his most dangerous vices, each
individual has to acquire a certain number of more and more painful
virtues. Among the humble-bees, for instance, the workers do not dream
of renouncing love, whereas our domestic bee lives in a state of
perpetual chastity.
http://www.doyletics.com/arj/lifebee.htm
Interestingly enough, there's a chance that Maeterlinck may have
"borrowed" the line from someone else. While no accusations of
plagiarism surround The Life of the Bee, Wikipedia treats him as a
proven plagiarist over his similar 1926 essay, The Life of the White
Ant:
<quote>
In 1926 Maeterlinck published La Vie des Termites (The Life of the
White Ant), an entomological book that plagiarised the book The Soul
of the White Ant, researched and written by the South African poet and
scientist Eugene Marais,[11] in what has been called "a classic
example of academic plagiarism" by University of London's Professor of
Biology, David Bignell.[12] [...]
# ^ "Die Huisgenoot", Nasionale Pers, 6 January 1928, cover story.
# ^ a b Professor David E. Bignell. "Termites: 3000 Variations On A
Single Theme </q>
<http://en.wikipedia.org/wiki/Maurice_Maeterlinck>
I expect to pop in at some point, at least to find out who won the CD.
(I entered this time.)
Well, well... what a surprise. Cythera will no doubt giggle that Dale
Houstman just pissed on himself.
Tom's a great guy, I've known him from the snail-mail zine-chapbook
trading days of the 1980s.
And you've got cooties, NYAAH-NYAAH-NYAAH! Go troll someone else, you
foolish old cow.
He was smart enough to find where Houstman borrowed the line from,
though... the line DMH made such a fuss about being the creator of,
btw.
Maybe...
--
You forgot to mention how much you want to suck Dreckery's cock.
But that's OK: you certainly implied it more than adequately.
--
PJR :-)
Sorry, PJR, I know you do, but I'm not gay... perhaps you should try the
same group I sent the Jim Morrison fan who made me the same offer this
morning to... or maybe the both of you could get a room... I'll leave that
up to y'all.
--
Please take your queer-baiting back to alt.usenet.kooks, AUKtard.
Here, let me help you with the crosspost.
<snip>
You "love" that Peter J Ross goes around calling other men
cocksuckers.
Does it make you giggle?
You love PJR's gay fantasies about me, Cythera? No surprise, there... after
all, you're also the person who giggled at Houstman's urine fetish fantasies
about George Dance, as we know.
--
Will, How are you suppose to talk to me here?
Zero, and you know it, dishonest little shitboy.
OTOH, you and PJ have both been going around calling other men
pedophiles, and there's plenty of evidence of that in the archives.
Will, i can't seem to do this so if you want to talk to me i am going
to myspace
a gay is different than a f--king pedophile thank you
To start with, ignore the hecklers, and I'm here... I will post the
interview with me here, if you're still there, and if you have anything to
add, this will be the place. I have to leave to go downtown soon to perform
some poetry & music, but should be back sometime after midnight, and then I
can answer your questions.
I'll go locate the interview now, and post it here, if you're still here...
--
I am still here
I am still here e.
I am here E
Hello, Eva!
It got so busy here suddenly that even I was having a dickens of a time
sorting through all the hubbub... I'll post the interview now, I had it
ready and was going to wait until you were still here. I have a few more
minutes before I have to go downtown to meet up and do some poetry reading &
a bit of song-and-dance, but we can get started now... the interview is 13
years old, so there's plenty of gaps to fill in with whatever questions you
want to ask me...
Certainly nowhere near as many times as you’ve tossed off into a
glass, mixed it with tea and gulped it down while watching
Brokeback...over and over and over again, ggumjob.
Will I am still here. E
yes i am here
I am here
> Poetry
> made by dockery
>
> Balek looking up the backwaters connections,
> He had a telescope on the government.
> "Machine Gun" Holliday hiding underground,
> I turned pale and almost died,
> four wheel to the place, a lakefront bomb shelter.
> Biblical Painter, telling of the Smith, making fun of my death,
> talking about the new phone company, and prison cookbooks,
> Balex talking computer art, zenlike, laughing behind my back,
> listening to Dharma cassettes ... tricky acting people
Psychedelic Whirlwind
an interview with Dockery
by Frank Saunders
Will Dockery is one of the most interesting people I know. It's a
pleasure to call him my friend. He b\nearly defies description. The
closest I've come to an accurate description of Will is this poem I
wrote for him at Al's apartment. Here's to you, Dock.
Pschedelic Whirlwind
Prowling about like a psychedlic cheetah
Roving Reporter of seamless nights.
F.S.
FS: Where and when were you born?
WD: La Grange GA, 1958.
FS: Who's been your biggest influence in writing poetry?
WD: Alec Lawson. (laughing) At this moment he's a big influence on me.
FS: (laughing) Really?
WD: I don't know if this is going to work now.
FS: Maybe not.
WD: Let's try outside.
*We leave Al's apartment and invite everyone down to the courtyard
behind the Loft.*
WD: I think the Southern South of the Sixties influenced me the most. I
don't think that Paul Westerberg show is sold out.
FS: You think I could get tickets?
Margie: I might have to work.
Alec: Blow it off.
FS: Sounds good to me.
WD: I gotta get a bead on this interview. Westerberg is a big
influence. Let's step back here (pointing to the courtyard). Here is
where I get most of my thoughts.
FS: Okay, where were we?
WD: You were asking me about my influences and I was gonna say Kerouac
and The Beats but they weren't around then. so I'd have to say Popeye
and Hank Williams.
FS: (big laughs and astonishment) What?
WD: Yeah, the '60s Popeye and Hank Williams.
FS: Well yes I loved the '60s Popeye, and Hank Williams is the greatest
songwriter ever.
WD: They were a big influence. And who was the guy that played Hank
Williams? George Hamilton? George Hamilton playing Hank Williams
impersonating Popeye. But I consider myself a Southern poet.
FS: What started your writing?
D: I would read Poe in Jr. High. I also used to draw a lot of comic
strips when I worked at Cartersville Spinning Mill in Jordan City. Then
I broke my wrist and George Bush got elected and the mill seemed to
shut down simultaneously.
*We have an intellectual but irrelevant discussion about our politics.
It adds to the Gestalt of the Will Dockery experience.*
WD: The great songwriters of the 80's Patti Smith, Paul Westerberg and
now Pavement influence me a lot. Paul Westerberg has a great line [In
Can't Hardly Wait] "Jesus rides beside me and never buys any smokes."
FS: Yeah, I love that line.
WD: ...He rhymes words that other people haven't before. I can't think
of any now.
FS: It's rare that you hear rhymes no one has used before.
WD: I attempted some Burroughs cut up work. I haven't done any lately.
My scissors are kind of dull.
FS: Some of your lines seem disconnected like that but they work.
WD: Well one time a man was reading over at the Street Preacher's box
Mark Coile gave us and it was really garbled. I could only make out a
few words here and there - mostly unprintable here in Playgrounds...
Hey look, somebody's socks. It's performance art of some kind, I'm
sure.
FS: A pair of dirty socks and a red solo cup.
WD: You were talking about the drive between here and LaGrange. I
remember making that drive when I was young and hearing "Riders on the
Storm" on AM radio. The line "His brain is screaming like a toad."
FS: Yeah, "Take a long holiday. Let your children play."
D: Yeah I used to get a lot of thoughts drivin' a delivery truck after
the mill shut down. You
get really close to God behind the wheel of an automobile.
FS: I know I can't help but feel it then. Especially long drives.
Speaking of which we are going to Paul Westerberg this weekend.
D: Yes that's kind of tragic though. I have an extra ticket because
the person that I bought it for is... well she won't be going.
FS: Well is there something you would like to say to her maybe in a
veiled refernce perhaps?
WD: You should have that in the interview where you ask me that.
FS: Okay.
WD: Okay, I know what to say. I've still got the ticket though the
show's over. If you want the ticket - it's better than nothing.
[from Playgrounds Mag November 1996 http://www.playgroundsmag.com ]
>>> "She Sleeps Tight" �2009 by Dockery-Mallard
>>> <http://www.youtube.com/watch?v=9uGY157cpiU>
>>
>>> "Ashes to Justice" Words and music by Dockery & Mallard.
>>> <http://www.youtube.com/watch?v=mzwD5-UI0p4>
>>
>>> "Red Lipped Stranger & other stories" by Will Dockery:
>>>http://www.myspace.com/willdockery
>>
>>> "Red Lipped Stranger' Written by Will Dockery, Brian Mallard & Henry
>>> Conley
>>> <http://www.youtube.com/watch?v=qBhcN1WK144>
--
Will, i don't see anything. so i probably will not be up when you get
home. E.
Here it is, Eva:
Ah, how encouraging gary-ggumjob, you read the term "illiterate" and
now you've learned a new word...we are pround of you...well, not
really.
twas once a dumb dumbass named gamble
who loved to so hear his mouth ramble
chicken-shit such was he
in 6 days he would flee
to his thumb and his skid mark hanky
I posted the interview, Eva, if you'd like to add any questions to
update it.
--
"Absolute elsewhere in the stones of your mind..." -John Lennon
http://www.myspace.com/willdockery
Yes. Peter, a lovely name, I want your cock!
--
Some of us are a lot like cement - all mixed up and permanently
set.
heh...Google Gropes...figures.
The new AOL'ers of UseNet.
--
K. A. Cannon
kevin.a.cannon at gmail dot com
Don't worry about the world coming to an end today.
It's already tomorrow in Australia.
-Charles Schultz
COOSN-266-06-02374
Hammer of Thor, April 2005
PIERRE SALINGER MEMORIAL HOOK, LINE & SINKER June 2007
Barbara Woodhouse Memorial Dog Whistle X 2
#9 People ruining UseNet lits.
#6 Top Assholes on the Net lits.
#5 Most hated Usenetizens of all time
#15 AUK psychos and felons lits
#5 Cog in the AUK Hate Machine
http://www.themonastery.org/dev/cert/ulc_certificate_view.swf?id=10010810040414
"Hecklers?"
People telling you that your alleged performances suck eggs and that you
can't do what you think you can do isn't a "heckler," Duckery, and even if
you thought that it was true it still would not be as hecklers are generally
meant for those on stage and this sure as hell ain't your stage.
>I will post the interview with me here, if you're still there, and if you
>have anything to add, this will be the place.
It's called e-mail, you schnutz. Use it, or find someone who can show you
how without the possibility of you thinking it means something else entirely
or snipping and cutting a response.
> I have to leave to go downtown soon to perform some poetry & music, but
> should be back sometime after midnight, and then I can answer your
> questions.
>
Get a room, you douchebags.
> I'll go locate the interview now, and post it here, if you're still
> here...
>
Interviewer: Hi.
Duckery: Heh. Thanks for the comment.
Sadly, yes, but with the proper amount of pest spray you should be gone
soon.
"A dickens of a time sorting through all the hubbub??"
Seriously, what the fuck are you trying to do here, be someone out of an
Oscar Wilde play? Goddamn geez.
I'll post the interview now, I had it
> ready
Big surprise.
>and was going to wait until you were still here.
It's called e-mail and chat. Use it instead of spamming Usenet with your
narcisstic drivel. Just because Eva is a moron doesn't mean you can use her
for your own advantages.
>I have a few more minutes before I have to go downtown to meet up and do
>some poetry reading & a bit of song-and-dance, but we can get started
>now... the interview is 13 years old, so there's plenty of gaps to fill in
>with whatever questions you want to ask me...
>
I've got a few questions.
1) How'd you get to be so stupid?
2) Why are you such a narcisstic ass?
3) How is it you can't tell the difference between music and mumblings?
4) How many beers have you had tonight?
5) Would you be willing to hurt yourself if I paid you five dollars?
6) FOAD
Could you please be somewhere else?
= snip =
And the world was better off for it.
= snip =
Far be it from me to call you an idiot, but, well, you're an idiot.
I posted the interview,
no shit, do you have to tell her three fucking times?
your fantasies are disgusting
>
> I'm not gay...
One more lie.
Can you ask Chuck and Dockery those same questions?
That was a Lorne Greene quote from Bonanza, actually.
Will email me please eva
Heh... y'all have fun...
--
"Red Lipped Stranger & other stories" by Will Dockery:
http://www.myspace.com/willdockery
> --
Like I said F--k off
Look Ass I am not like you!! so like I said before f--k off ok do you
get it now?
F--k off!!!!!!
I said to F--k OFF
Eva, that's Orson... my own personal stalker.
> >> > > Will, How are you suppose to talk to me here?
>
> >> > To start with, ignore the hecklers, and I'm here... I will post the
> >> > interview with me here, if you're still there, and if you have
> >> > anything to
> >> > add, this will be the place. I have to leave to go downtown soon to
> >> > perform
> >> > some poetry & music, but should be back sometime after midnight, and
> >> > then I can answer your questions.
>
> >> > I'll go locate the interview now, and post it here, if you're still
> >> > here...
>
> >> I am still here
>
> > Hello, Eva!
>
> > It got so busy here suddenly that even I was having a dickens of a time
> > sorting through all the hubbub...
>
> "A dickens of a time sorting through all the hubbub??"
>
> Seriously, what the fuck are you trying to do here, be someone out of an
> Oscar Wilde play?
That was a Lorne Greene quote from Bonanza, actually.
I don't care if George Reeves said it. It was completely idiotic and made
you sound even fruiter than usual.
Eva,
You and Will should get alone just fine. You're both clueless idiots.
Did you mean "Fuck off?" It's difficult to tell when you stupidly use
hyphens like that.
Look Ass? Are you asking someone to look at your ass, or are you saying
"Look! An ass!"? Please be more specific, thanks. I'd also suggest using a
bit of punctuation now and then, as it could improve your temper.
Eva, that's Orson... my own personal stalker
Duckery, if your ego and narcissism make you feel like you are being
"stalked," then there's nothing I can do about it. On the other hand, I
guess I *could* laugh at the idea and mock you for being so damn stupid.
F--k off!!!!!!
Fork off? But...why this sudden fascination with cutlery?
--
I'm afraid I was too busy mocking your ignorance to read any of your
remarks. Sorry!
So, why bother to respond, Orson?
Oh, right... your "Will Dockery obsession".
"We know." -Dennis M. Hammes, Litt. D.
Because I can, Duckery.
> Because I can, Dockery.
Same here, Orson.
> This was posted on May 5th 1997,almost 5 years before I'd even
>> discovered Usenet. I never even knew it
>> was here. The guy that first posted snipped it down from the original,
>> I'll add that *now*:
>>
>>> Poetry
>>> made by dockery
>>>
>>> Balek looking up the backwaters connections,
>>> He had a telescope on the government.
>>> "Machine Gun" Holliday hiding underground,
>>> I turned pale and almost died,
>>> four wheel to the place, a lakefront bomb shelter.
>>> Biblical Painter, telling of the Smith, making fun of my death,
>>> talking about the new phone company, and prison cookbooks,
>>> Balex talking computer art, zenlike, laughing behind my back,
>>> listening to Dharma cassettes ... tricky acting people
>>
>> Psychedelic Whirlwind
>> an interview with Dockery
>> by Frank Saunders
>>
>> Will Dockery is one of the most interesting people I know. It's a
>> pleasure to call him my friend. He b\nearly defies description. The
>> closest I've come to an accurate description of Will is this poem I
>> wrote for him at Al's apartment. Here's to you, Dock.
>>
>> Pschedelic Whirlwind
>>
>> Prowling about like a psychedlic cheetah
>> Roving Reporter of seamless nights.
>> F.S.
>>
>> FS: Where and when were you born?
>> WD: La Grange GA, 1958.
>> FS: Who's been your biggest influence in writing poetry?
>> WD: Alec Lawson. (laughing) At this moment he's a big influence on me.
>> FS: (laughing) Really?
>> WD: I don't know if this is going to work now.
>> FS: Maybe not.
>> WD: Let's try outside.
>> *We leave Al's apartment and invite everyone down to the courtyard
>> behind the Loft.*
>> WD: I think the Southern South of the Sixties influenced me the most. I
>> don't think that Paul Westerberg show is sold out.
>> FS: You think I could get tickets?
>> Margie: I might have to work.
>> Alec: Blow it off.
>> FS: Sounds good to me.
>> WD: I gotta get a bead on this interview. Westerberg is a big
>> influence. Let's step back here (pointing to the courtyard). Here is
>> where I get most of my thoughts.
>> FS: Okay, where were we?
>> WD: You were asking me about my influences and I was gonna say Kerouac
>> and The Beats but they weren't around then. so I'd have to say Popeye
>> and Hank Williams.
>> FS: (big laughs and astonishment) What?
>> WD: Yeah, the '60s Popeye and Hank Williams.
>> FS: Well yes I loved the '60s Popeye, and Hank Williams is the greatest
>> songwriter ever.
>> WD: They were a big influence. And who was the guy that played Hank
>> Williams? George Hamilton? George Hamilton playing Hank Williams
>> impersonating Popeye. But I consider myself a Southern poet.
>> FS: What started your writing?
>> D: I would read Poe in Jr. High. I also used to draw a lot of comic
>> strips when I worked at Cartersville Spinning Mill in Jordan City. Then
>> I broke my wrist and George Bush got elected and the mill seemed to
>> shut down simultaneously.
>> *We have an intellectual but irrelevant discussion about our politics.
>> It adds to the Gestalt of the Will Dockery experience.*
>> WD: The great songwriters of the 80's Patti Smith, Paul Westerberg and
>> now Pavement influence me a lot. Paul Westerberg has a great line [In
>> Can't Hardly Wait] "Jesus rides beside me and never buys any smokes."
>> FS: Yeah, I love that line.
>> WD: ...He rhymes words that other people haven't before. I can't think
>> of any now.
>> FS: It's rare that you hear rhymes no one has used before.
>> WD: I attempted some Burroughs cut up work. I haven't done any lately.
>> My scissors are kind of dull.
>> FS: Some of your lines seem disconnected like that but they work.
>> WD: Well one time a man was reading over at the Street Preacher's box
>> Mark Coile gave us and it was really garbled. I could only make out a
>> few words here and there - mostly unprintable here in Playgrounds...
>> Hey look, somebody's socks. It's performance art of some kind, I'm
>> sure.
>> FS: A pair of dirty socks and a red solo cup.
>> WD: You were talking about the drive between here and LaGrange. I
>> remember making that drive when I was young and hearing "Riders on the
>> Storm" on AM radio. The line "His brain is screaming like a toad."
>> FS: Yeah, "Take a long holiday. Let your children play."
>> D: Yeah I used to get a lot of thoughts drivin' a delivery truck after
>> the mill shut down. You
>> get really close to God behind the wheel of an automobile.
>> FS: I know I can't help but feel it then. Especially long drives.
>> Speaking of which we are going to Paul Westerberg this weekend.
>> D: Yes that's kind of tragic though. I have an extra ticket because
>> the person that I bought it for is... well she won't be going.
>> FS: Well is there something you would like to say to her maybe in a
>> veiled refernce perhaps?
>> WD: You should have that in the interview where you ask me that.
>> FS: Okay.
>> WD: Okay, I know what to say. I've still got the ticket though the
>> show's over. If you want the ticket - it's better than nothing.
>>
>> [from Playgrounds Mag November 1996 http://www.playgroundsmag.com ]
>>
>>>>> "She Sleeps Tight" �2009 by Dockery-Mallard
>>>>> <http://www.youtube.com/watch?v=9uGY157cpiU>
>>>>
>>>>> "Ashes to Justice" Words and music by Dockery & Mallard.
>>>>> <http://www.youtube.com/watch?v=mzwD5-UI0p4>
>>>>
>>>>> "Red Lipped Stranger & other stories" by Will Dockery:
>>>>>http://www.myspace.com/willdockery
>>>>
>>>>> "Red Lipped Stranger' Written by Will Dockery, Brian Mallard & Henry
>>>>> Conley
>>>>> <http://www.youtube.com/watch?v=qBhcN1WK144>
--
*Yawn*
>QUACK! QUACK QUACK *CLUCK*
Yes, that's true.
you're both clueless retards, except Eva doesn't snip posts in a douchebaggy
manner like you.
You heard the lady, Dink... now mind your manners.
Works for you, right, Cythera..?