Quality Article - copyright - Sujoy Chatterjee
kcp
corrections/feedback/suggestions on the same from knowledgeable and
reasonable people.....Some of them definitely are here in RMIM so
posting it here, with his permission.
His email id is soojoi underscore india at yahoo dot co dot in
I am sure music lovers need such quality articles which are well
written.
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Hi all,
I have written a script myself (given below), please read it and give
ur valuable suggestions, criticisms, and ways to improve upon, and
also any erroneous information contained in it.
Thanks in advance,
Sujoy
***********
Sabhi sunnewaalon ko hamara namaskaar. Doston, 14 March 1931 ko Hindi
ki pehli bolti film Alam Ara pradarshit huyi thi Bambai ke Majestic
Cinema mein. Aur usi film se shuruwaat huyi thi Hindi film sangeet ke
safar ka. In 75 saalon mein kai padaav, kai mod se guzarti huyi cine
sangeet ki sumadhur dhaara aaj bahut door tak behti chalee aayi hai.
Lokpriya Hindi film sangeet ki jab baat chalti hai, jab iske sunehre
yug ka zikr hota hai to baat aksar 1940 ke dashak ke aakhir ke kuchh
saalon se hi shuru hoti hai.
Medley: Clips of preludes of popular film songs of the 50s & 60s
decades.
In jaane pehchaane dhuno ko sunkar is sunehre yug ki yaaden aapke dil
mein taaze ho gaye honge. In geeton aur dhuno se jude sangeetkaaron
ke naam aapke zahan mein jhat se aa gaye honge. Is mein koi shaque
naheen hai ki in sangeetkaaron ka film sangeet ke dharohar ko
samriddha karne mein advitya yogdaan raha hai, lekin hum aksar un
fankaaron ko, un sangeetkaaron ko, aur un pratibhaaon ko bhool jaate
hain jinhone sabse pehle film sangeet ki neev daali thi, jinhone
filmi geeton ka safar sarvapratham shuru kiya tha. Aaj is techno
beats ke shor sharaabe mein hum un fankaaron ko bhool jaate hain
jinki ungli thaam kar film sangeet apne pairon par khadaa huya,
chalna seekha. Hindi Cine-Sangeet ke 75 varsh ki poorti ke avsar par
aaj ka yeh Sargam Ke Sitaare karyakram hum samarpit kar rahe hain
guzre zamaane ke kuchh aise hi bhoole bisre sangeetkaaron ko.
Clip: Prelude or instrumental piece of any 1930s number.
Yeh jo dhun aapne suni woh bhale hi aaj aapko aakarshit na kare,
bhale hi yeh aapke kadmon ko thirakne par majboor na kare, aur na hi
aap ke zahan mein yeh dhun rach bas jaaye, par itna yaad zaroor
rakhen ki yeh us zamaane ka sangeet hai, yeh us daud mein racha gaya
dhun hai, jab na to aaj jaise high-tech instruments the aur na hi
recording ki utkrisht vyavastha. Baawjood in sabke, us daud ke
sangeetkaaron, geetkaaron aur gaayak gaayikaaon ne apne pratibhaaon
ke balboote par aise aise geeton ko janam diya hai jo uske baad ke
fankaaron ke liye maargdarshak ban gaye. Yeh sangeet badrang
registaan mein bani us Rajmahal ki tarah hai jiske liye yeh jaanna
zaroori naheen hai ki kaise uski sajaawat kee gayi, balki zaroori yeh
hai ki kin katheen paristhitiyon mein uska nirmaan kiya gaya. Vishva
ki pehli bolti film san 1926 mein bani thee jiska naam tha Don Juan.
Uske theek paanch saal baad 1931 mein Bharat mein bani pehli bolti
film, jo thi Ardeshir Irani ki Alam Ara. Is film mein Wazir Mohammad
Khan ka gaaya huya naghma "De de bhagwaan ke naam par pyaare" pehla
Hindi filmi geet tha. Is film ke Sangeetkaar the Ferozshah Mistry aur
B.Irani jo bane film sangeet itihaas ke pehle sangeetkaar. Is film ke
gaane film ke parde par hi keval utaare gaye, atah is film ka koi bhi
geet aaj record par uplabdh naheen hai. Aayiye ab sune woh geet jise
kai log sabse puraana uplabdh Hindi filmi geet maante hain.
Song: Chhod aakaash ko sitaare zameen par aaye (Maya Machhinder)
1932 mein banee film Maya Machhinder ka yeh geet tha jise swarbaddha
kiya aur gaaya tha Govindrao Tembe ne. Govindrao Tembe, ek bahumukhi
pratibha. Marathi Natya jagat mein woh ek kingvadanti the. Woh film
sangeetkaar se zyaada ek uchcha koti ke stage actor, playwright,
stage director, geetkaar aur ek musicologist the. Woh unke harmonium
mein dakshata ke liye jaane jaate the. Jab Baburao Painter ne
Kolhapur mein apni Maharashtra Film Company ki sthaapna kee, unhone
Govindrao ko usme shaamil hone ka nimantran diya. Waheen pe sahaayak
ke roop mein maujood the V Shantaram jinhone aage chalkar chaar aur
saathiyon ke saath Prabhat Film Company ki sthaapna kee. Is company
ki pehli film Ayodhya Ka Raja mein Govindrao ne sangeet diya tha jise
bahut saraaha gaya. Govindrao ke sangeet se sajee kuchh filmon ke
naam hain - Ayodhya Ka Raja, Jalti Nishani, Maya Machhinder, Sati
Mahananda, Manjari, Rajmukut, Usha, Vish Vaman, vagerah. San 1933
mein Prabhat Company Kolhapur se Poona sthaanaantarit hone ke baad
isme do naye sangeetkaaron ka aagaman huya jinhone phir aage kai
saalon tak is company ke filmon ko apne dhuno se sajaaya. In mein se
ek the K. Bhole, jinke sangeet se sajee mahatwapoorna filmen hain
Amrit Manthan, Chandrasena, Rajput Ramani, Duniya Na Maane aur Mera
Ladka. Sunte hain film Amrit Manthan ka yeh geet jise gaaya hai
gaayika abhinetri Shanta Apte ne.
Song: Kamsini mein dil pe (Amrit Manthan)
Aur doosre sangeetkaar the Master Krishna Rao, jinhone apni dhuno se
sajaya Prabhat ki kai filmen jinmein shaamil hain Dharmatma,
Amarjyoti, Wahaan, aur Aadmi. Aayiye ek ke baad ek do geet sune
Shanta Apte Hublikar ki awaaz mein, pehla geet hai film Aadmi ka aur
doosra naghma hai film Amar Jyoti ka.
Song: Kisliye kal ki baat (Aadmi)
Song: Ab maine jaana hai prem kya hai (Amar Jyoti)
Jahaan ek or Maharashtra mein in sangeetkaaron ki sur lehriyaan goonj
rahi thi, waheen doosri or purvi Bharat mein bhi film nirmaan ka kaam
zor shor se chal raha tha. Kalkatta ki naamcheen drama company Madan
Theaters drama ke saath saath mook filmon ka nirmaan bhi kar rahi
thi. 1931 mein pehli bolti film Alam Ara ke kaamyaab hone ke baad,
Madan Theaters ne bhi bolti filmon ka nirmaan shuru kar diya. Yun to
us zamaane mein har film company ka apna staff hota the, apne
anubandhit sangeetkaar huya karte the, lekin Madan Theaters ne kai
alag alag sangeetkaaron ko mauka diya apni filmon ko unki dhuno se
sajaane ka. Inmein shaamil hain Brijlal Verma, Nagardas Naik, Master
Chhalia, S P Rane aur bhi kai doosre sangeetkaar. Madan Theaters ke
alaawa Kalkatta mein B.N. Sarkar dwara sthaapit New Theater Company
ne khoj nikaale teen sangeetkaaron ko. Rai Chand Boral, Pankaj
Mullick aur Timir Baran. Aur in teeno ne milkar agle kuchh saalon
mein apni pratibha se Hindi film sangeet ko ek nayee oonchaai par
pahunchaaya. Aayiye pehle zikr karen R C Boral ka. 1903 mein Kalkatta
mein janme R C Boral ke pita Dhrupad ke naami kalaakaar the. Is tarah
sangeet unke khoon mein hi tha aur is pratibha ko aur nikhaara Ustad
Mushtaq Hussain Khan, Tabla vaadak Masit Khan aur Sarod vaadak Ustad
Hafeez Ali Khan ne. R C Boral woh sangeetkaar hain jinhone pehli baar
playback technology ka prayog kiya tha apni film Dhoop Chhaon mein
san 1935 mein.
Song: Teri gathri mein laaga daag musafir jaag zara (Dhup Chhaon)
R C Boral ke suron se sajee kuchh hit filmon ke naam hain - Pooran
Bhagat, Chandidas, Dhoop Chhaon, Millionaire, Vidyapati, President,
aur Street Singer. Inme se kuchh filmon mein Pankaj Mullick unke
sahaayak rahe. Suniye K L Saigal aur Uma Shashi ka gaaya film
Chandidas ka yeh gaana jo us zamaane mein superhit saabit huya tha.
Song: Prem nagar mein banaayungi ghar main (Chandidas)
Gaayika abhinetri Kanan Devi ko break dene mein bhi unka bahut badaa
haath tha. Unhi ki banaayi tarz par Vidyapati ke geet gaakar Kanan
Devi New Theaters ki star kalakaar ban gayeen. Kaun bhulaa sakta hai
Vidyapati aur Street Singer ke geeton ko?
Clip: Babul mora naihar chhoot hi jaaye (Street Singer)
Clip: Ambua ki daali (Vidyapati)
R C Boral ke baad aaiye ab zikr chheden sangeetkaar Timir Baran ka.
Timir Baran Bhattacharya ek Sanskrit vidvaano ke parivaar se taallukh
rakhte the. Unhone pehle Radhikaparsad Goswami se Sarod bajaana
seekha, phir Ustad Allauddin Khan se taalim haasil kee. Unka nritya
sangeet nirdeshan mein koi jod naheen tha. New Theatres se judne ke
baad unhone Sarat Chandra Chattopadhyay ki vikhyaat upanyaas par
aadharit film Devdas ka sangeet nirdeshan kiya jo aaj ek itihaas ban
chuki hai. K L Saigal ki awaaz mein is film ka yeh gaana aaj bhi
sudhee shrota mann hi mann gungunaate hain.
Song: Baalam aao baso morey mann mein (Devdas)
Pankaj Mullick New Theaters ke ek behad pratibhashaali aur prayog
dharmi sangeetkaar rahe hain. Ek sangeetkaar hone ke saath saath woh
ek behatareen gaayak bhi the. Ek or jahaan unhone Rabindra Sangeet ko
apne sangeet ka aadhaar banaya waheen doosri or pashchimi sangeet ka
bhi apne sangeet mein swaagat kiya. Aur iska pramaan hai Kapalkundala
film ka yeh gaana K L Saigal ki awaaz mein.
Song: Piya milan ko jaana (Kapalkundala)
Kalkatta mein janme Pankaj Mallick apni sangeet ki shiksha paayee
Durgadas Banerjee aur Dinendranath Tagore se. Doston yeh woh daud tha
jab Kalkatta mein naya naya radio station khula tha. We radio se jud
gaye aur anek karyakramon mein bahut saare gair filmi gaane gaaye.
Yahaan tak ki apne jeevan ke antim dino tak poori nishtha ke saath
radio se jude rahe. Pankaj Mullick ki sangeet nirdeshan mein hi
Saigal sahab ne gaaya tha film Zindagi ki yeh lori jo aaj bhi ek
ajeeb samaa baandh deti hai.
Song: So jaa Rajkumari so jaa (Zindagi)
New Theater Company mein ek aur kalakaar the jo na keval ek achchhe
sangeetkaar the balki ek awwal darje ke abhineta aur gaayak bhi.
Krishna Chandra Dey, ya K.C. Dey New Theater ke saath saath A R
Kardar ki East India Film Company ke filmon mein bhi sangeet
nirdeshan aur gaayan karte the. Bataur sangeetkaar unhone 1932 se
lekar 1946 ke beech kareeb 15 filmon mein sangeet diya aur 27 filmon
mein abhinay aur gaayan kiya. Film Puran Bhagat mein unka gaaya yeh
gaana behad pasand kiya gaya tha.
Song: Jaao jaao mere saadhu (Puran Bhagat)
First Lady of Indian Cinema Devika Rani aur unke pati Himanshu Rai ne
jab Bombay Talkies ki sthaapna kee, to New Theaters ke sangeetkaaron
ka muqaabla karne hetu ek naye sangeetkaar ki talaash kar rahe the.
Aur unki yeh talaash us samay khatam huyi jab woh waakeef huye
Saraswati Devi ke sangeet pratibha se. Bombay Talkies aur Saraswati
Devi ka saath kai saalon tak raha aur isi dauraan unke sangeet
nirdeshan mein banee Bombay Talkies ki ek se ek hit musical film.
Suniye Ashok Kumar aur Devika Rani ka gaaya film Achhut Kanya ka yeh
gaana jise aksar Hindi film sangeet ka pehla lokpriya geet kaha jaata
hai.
Song: Main ban ki chidiya banke ban ban doloon re (Achhut Kanya)
Saraswati Devi ne us daud mein is film jagat mein kadam rakha tha jab
film aur uska geet sangeet mahilaaon ke liye sabhya naheen maane
jaate the. Aisee viparit sthiti mein unhone kalaa ke is kshetra mein
aakar na keval apne saahas ka parichay diya balki doosre mahila
kalaakaaron ko bhi is or pryotsaahit kiya. Agar R C Boral ne Kalkatta
mein pehli baar playback technique ka prayog kiya tha, to Bambai mein
isey pehli baar istemaal karne ka shrey jaata hai Saraswati Devi ko.
Huya yun ki 1934 mein film Jawani Ki Hawa mein ek geet Saraswati Devi
ki bahen Chandraprabha par filmaya jaanewala tha. Par us din unka
galaa kuchh naasaaz tha. Isliye Saraswati Devi ne woh geet gaaya aur
Chandraprabha ne keval honth hilaaye. Yeh Mumbai mein record kiya
gaya pehla playbacked song tha.
Song: Kit gaye ho khevanhaar (Achhut Kanya)
Aksar yeh sawaal kiya gaya hai ki kya Saraswati Devi hi Bharat ki
pehli mahila sangeetkaar hain? 1932-33 mein Mukhtar Begum aur Gauhar
Karnataki gaayan ke kshetra mein to aaye par bataur sangeetkaar
naheen. 1934 mein Ishrat Sultana ne sangeet to diya par unhe record
par naheen utaare gaye, balki unhe seedhe screen par utaar diya gaya.
Munni Bai aur Jaddan Bai ke bhi geet records par naheen utaare gaye
the. Is tarah se Saraswati Devi hi pehli mahila sangeetkaar bani
jinka sangeet pehli baar gramophone records par baazaar mein aaye.
Aayiye Saraswati Devi ke dhuno se sajee Bombay Talkies ke kuchh
charchit filmon ke hit geeton ke ansh sune.
Clip: Chali re chali re meri naao chali re (Jhula)
Clip: Bharne de mohe neer (Achhut Kanya)
Clip: Aaj mausam salauna re (Jhula)
Clip: Main to Dilli se dulhan laaya re (Jhula)
Clip: Chal chal re naujawaan (Bandhan)
Clip: Meri dil ki duniya (Janmabhoomi)
Pune ki Prabhat Film Company, Kalkatta ka New Theaters aur Mumbai ki
Bombay Talkies ke alaawa bhi film nirmaan ke kai aur companiyaan aayi
jaise Sagar Movietone, Minerva Movietone, Ranjit Cinetone, Wadia
Movietone aur Saroj Movietone. In companiyon ne bhi kai sangeetkaaron
ko apni pratibha ke johar dikhaane ke avsar diye aur in sabhi
sangeetkaaron ne us yug ke film sangeet ko apne apne tareeke se
samriddha kiya. Aaj bhale in sangeetkaaron ko hum roz-marra ki
zindegi mein yaad na aayen, par issey unke yogdaan ka mahatwa kam
naheen ho jaata. Sagar Movietone ke filmon se jaane gaye sangeetkaar
S P Rane, Pransukh Nayak, Anupam Ghatak aur Anil Biswas, to Sohrab
Modi ki Minerva Movietone mein sangeet diye Mir Saheb, Habib Khan aur
B.S. Hoogan ne. Ranjit Cinetone mein kai sangeetkaar aaye jaise Ustad
Zande Khan, Rewashankar, Banne Khan, Gangaprasad Pathak, Gyan Dutt
aur baad mein 40 ke dashak mein aaye Khemchand Prakash. Wadia
Movietone ke filmon mein sangeet dete the Master Mohd aur Madhavlal
Damodar Master. Lahore bhi usi samay film nirmaan ka ek aur mukhya
kendra ban gaya tha. 1932 mein bani film Heer Ranjha Punjab ki pehli
film thi. Hakim Ram Parshad ki Play Art Photo Tone ke banner taley
bani is film ko A.R. Kardar ne nirdeshit kiya Urdu mein aur is film
mein sitaare the Anwera Begum aur Rafiq Ghaznavi. Rafiq Ghaznavi, ek
aur sangeetkaar abhineta aur gaayak. Unhone ne bhi us daud ke kai
filmon mein bataur abhineta, gaayak aur sangeetkaar kaam kiya.
Doston, aapko shaayad pataa na ho ki Anwera Begum and Rafiq Ghaznavi
ki shaadi huyi thi aur aaj ke daud ki abhinetri gaayika Salma Agha ke
woh naana-naani the. Baherhaal, suniye Rafiq Ghaznavi ke suron se
sajee 1943 ki film Najma ka ek naghma Ashok Kumar aur Mumtaz Shanti
ke swaron mein.
Song: Nazar aaj kuchh aisa aa raha hai (Najma)
Aapko yeh bataa den ki isi saal yaani ki 1943 mein Rafiq Ghaznavi ke
sangeet se sajee do filmon ke gaane bade lokpriya huye the. Inmein se
ek thi film Najma jiska gaana aapne abhi abhi suna. Aur doosri film
thi Naukar. Is film mein Malika-e-Tarannum Noorjehan ka gaaya yeh
naghma aaj bhi humein apni saans rok kar isey dhyaan se sunne pe
majboor kar deti hai.
Song: Jinhe karna tha dil aabaad (Naukar)
Baat Punjab aur Lahore ki chal rahi ho, zamaana ho 30 aur 40 ke
dashakon ka, aur zikr na ho sangeetkaar Ghulam Haider ka, yeh bhalaa
kaise ho sakta hai? Sind ke Hyderabad mein janme Ghulam Haider
sangeet jagat mein aane se pehle ek dant chikitsak the. Lekin 5 saal
baad unhone yeh tay kar kiya ki ab sangeet ko hi apna sarvasva banana
hai. Unhone Babu Ganesh Lal se sangeet ki taalim lee aur Kalkatta ke
Alfred Theatrical Company mein bataur harmonium vaadak shaamil ho
gaye. Rafiq Ghaznavi ki tarah Ghulam Haider ko bhi A R Kardar sahab
ne 1932 mein apni film Swarg Ki Seerhi mein sangeet dene ka mauka to
diya par na to yeh film kuchh kamaal dikhaa paayi aur na hi Ghulam
Haider ka sangeet. Phir uske baad 8 saalon tak kadee jaddojahad karne
ke baad D.M. Pancholi ne apni Punjabi film Gul-e-Bakavali mein unhe
sangeet dene ka mauka diya aur is baar Ghulam Haider ke sur aur
Noorjehan ke swar ne aise kamaal dikhaaye ki is film ke gaane Punjabi
filmon ke shaukeeno ke zubaan zubaan par chadh gaye. Suniye Noorjehan
ki awaaz mein Ghulam Haider ki tarz par film Khandan ka naghma.
Song: Mere liye jahaan mein (Khandan)
1941 ki film Khazanchi mein Ghulam Haider ka sangeet sar chadhkar
bola. Is film ke geeton mein Ghulam Haider ne shastriya sangeet ko
Punjabi lokdhuno ke saath milaakar aisa jadoo rachaa ki film sangeet
mein ek kraanti aa gayi. Film sangeet shuddh shastriya sangeet ke
maya-jaal se aazaad ho gayi aur ek naye taazgi bhari libaas mein pesh
huyi jise shrotaaon ne khule dil se sweekar kiya. Noorjehan aur
Shamshad Begum ne bhi kya khoob gaaye unke geeton ko. Ghulam Haider
ke superhit sangeet se sajee kai Hindi filmen aayi jinme shaamil
hain Khandan, Zamindar, Poonji, Chal Chal Re Naujawaan, Phool,
Humayun, Bairam Khan aur Shama.
Song: Gori chali piya ke des (Shama)
Aur ab zikr ek behad pratibha-sampanna sangeetkaar ka jinhone film
sangeet ke us shuruwaati daud mein hi orchestration ke kai
srijanaatmak prayog kiye, jinki prayogdharmi vichaardhaara ne filmi
geeton mein counter melody aur raag mala ke prayog ka nyota diya,
jinhone ghazlon ko behad saral tareeke se filmi geeton ke roop mein
dhaalne ka pehli baar zimma uthaya aur ghazlon ko aam shrotaaon mein
lokpriya banaaya, jee haan, hum zikr kar rahe hain sangeetkaar Anil
Biswas ka.
Song: Kaahe karta der baraati (Aurat)
Bengal ke Barisal mein janme Anil Biswas chaar varsh ki aayu se hi
sangeet ki taraf jhukne lage the. Chhatravastha mein we
kraantikaariyon ke dal se jud gaye aur bhaag liya hamari azaadi ki
ladaai mein. Unhe chaar baar jail yatra bhi karni padee is khaatir.
Pita J.C. Bose ke nidhan ke baad kaam ki talash mein 1930 mein Anilda
Kolkata aa gaye jahaan kai jaddojahad karne ke baad unhe Megaphone
company mein geet likhne aur unhe sangeetbaddh karne ka mauka mila.
Kuchh samay baad we shaamil huye Rangmahal Theatres mein jahaan
unhone abhinay aur gaayan ke saath saath orchestration par bhi apna
haath jamaaya. Isi dauraan unhone khayaal, Dadra, Thumri mein
dakshata haasil kee, unka Shyama Sangeet gaane mein bhi kaafi naam ho
gaya. Teen saal baad woh Hiren Bose ke saath Mumbai aa gaye. Hindi
film jagat mein unka safar shuru huya Ram Daryani ki Eastern Arts
Productions ki kuch filmen jaise Baal Hatya aur Bharat Ki Beti mein
sangeetkaar Madhavlal Damodar aur Ustad Zande Khan ke sahayak ke roop
mein kaam karke. Bataur swatantra sangeetkaar unhe pehla break mila
isi banner ki film Dharam Ki Devi mein jo bani 1935 mein. Is film
mein unhone keval sangeet hi naheen diya balki abhinay aur gaayan bhi
kiya. Is film ka ek geet "Kuch bhi nahin bharosa" unka gaaya pehla
Hindi filmi geet tha jo unhi par filmaya bhi gaya. Isse pehle unka
gaaya pehla Hindi geet tha "Teri pujan kare sansaar" jo kaafi hit
huya tha. Phir iske baad do saalon mein Anilda ne kuchh 11 filmon
mein sangeet diya. Kuchh samay baad we Sagar Movietone mein chale
aaye jahaan unki mulaaqat huyi Mehboob Khan se. Sagar Movietone aur
National Theatres ke saath kuchh saalon tak jude rehne ke baad Devika
Rani ke nyote par woh chale aaye Bombay Talkies. San 1943 mein unke
sangeet se sajee Bombay Talkies ki blockbuster film aayi Kismat.
Song: Door hato ae duniyawaalon Hindustan hamara hai (Kismat)
Anil Biswas ke swarbaddha gaane gaakar kai gaayak gaayikaaon ne apaar
shohrat haasil kee jinmein shaamil hain Surendranath, Amirbai
Karnataki, Rajkumari aur Talat Mahmood. 40 aur 50 ke dashakon mein
Anil Biswas ke hit sangeet se sajee kai filmen aayi, aayiye unhi mein
se kuch geeton par nazar daalen:
Clip: Rooth ke tum to chal diye (Jalti Nishani)
Clip: Rahi matwale tu chhed ek baar (Waris)
Clip: Woh hans rahe hain aah kiye jaa raha hoon main (Roti)
Clip: Saanjh ki bela panchhi akela (Jwar Bhata)
Clip: Yaad rakhna chaand taaron is suhani raat ko (Anokha Pyar)
Clip: Door papeeha bola raat aadhi reh gayi (Gajre)
Clip: Tumhare bulaane ko jee chaahta hai (Laadli)
Clip: Mast pawan hai chanchal dhara (Jeet)
Clip: Zamane ka dastoor hai yeh purana (Lajawab)
Clip: Aa mohabbat ki basti basaayenge hum (Fareb)
Clip: Kuchh aur zamana kehta hai (Chhoti Chhoti Baaten)
To shrotaaon, yeh tha film sangeet ke shuruwaati daud ke
sangeetkaaron ko hamara salaam jinhe aaj hum kuchh bhool se gaye
hain. Is thode se bandhe bandhaaye samay mein us zamaane ke sabhi
sangeetkaaron ka zikr kar paana to sambhav naheen tha, par humne
kuchh aise sangeetkaaron ka ullekh kiya jinhone us daud ke film
sangeet ka nissandeh pratinidhitwa kiya. Aur in sangeetkaaron ke
maadhyam se us poore daud ke sabhi sangeetkaaron ko humne apni
shraddhanjali arpit kee. Chalte chalte sangeetkaar Khemchand Prakash
ke swarbaddha film Tansen ka yeh geet suniye Kundan Lal Saigal ki
awaaz mein.
Clip: Diya jalaao jagmag jagmag (Tansen)
Guzre zamaane ke in sangeetkaaron ne film sangeet ka jo deepak
prajwalit kiya tha, uski lau ko unke baad aanewaale sangeetkaaron ne
aur aage badhaaya jo aaj tak waisi hi roshni pradaan kar rahi hai aur
sunnewaalon ke dilon ke andhere ko door kar rahi hai apni chamak se.
Chalte chalte hum bas yahi aap se guzaarish karenge ki jab bhi aap is
daud ke sangeetkaaron ke chamakdaar geeton pe thirak uthe, ek baar un
bhoole bisre sangeetkaaron ko zaroor yaad kar len jinhone film
sangeet ki is atoot parampara ki shuruwaat kee thi. Aaj film sangeet
ke 75 varsh poorti ke upalakshya mein un sangeetkaaron ko Vividh
Bharati ka vinamra naman.
THE END
Ashok
>
>This is an article written by Mr Sujoy Chatterjee and he seeks
>corrections/feedback/suggestions on the same from knowledgeable and
>reasonable people.....Some of them definitely are here in RMIM so
>posting it here, with his permission.
>
>His email id is soojoi underscore india at yahoo dot co dot in
>
>I am sure music lovers need such quality articles which are well
>written.
The title of the article is "Quality Article"? :)
I find it distracting to read that much Hindi in ascii. A
quick glance came up with one serious error. The singer of
"piyaa milan ko jaanaa" is not Saigal, but Pankaj Mullick.
Ashok
Surjit Singh
Ashok wrote:
> In article <1132843157....@g43g2000cwa.googlegroups.com>, kcpi...@yahoo.com says...
>
>>This is an article written by Mr Sujoy Chatterjee and he seeks
>>corrections/feedback/suggestions on the same from knowledgeable and
>>reasonable people.....Some of them definitely are here in RMIM so
>>posting it here, with his permission.
>>
>>His email id is soojoi underscore india at yahoo dot co dot in
>>
>>I am sure music lovers need such quality articles which are well
>>written.
>
>
>
> The title of the article is "Quality Article"? :)
>
I stopped reading after dosto(n). What a joke!
>
> I find it distracting to read that much Hindi in ascii. A
> quick glance came up with one serious error. The singer of
> "piyaa milan ko jaanaa" is not Saigal, but Pankaj Mullick.
>
>
> Ashok
>
--
Surjit Singh, a diehard movie fan(atic), period.
http://hindi-movies-songs.com/index.html
skalr...@yahoo.com
taxing to the eyes and the brain.
Anyway, the song "terii gathrii mein laagaa daag...." is not
".daag...." but "......chor".
There are too many grammatical errors (gender/verb based related to the
noun/s) to point out.
Happy Listenings.
Satish Kalra
Abhijit
kcp wrote:
> This is an article written by Mr Sujoy Chatterjee and he seeks
> corrections/feedback/suggestions on the same from knowledgeable and
> reasonable people.....Some of them definitely are here in RMIM so
> posting it here, with his permission.
>
first making the article public by broadcasting or publishing in a
magazine or whatever, seeking public feedback, incorporating them in
the article and then finally publishing it in RMIM. But KCP, you should
have known that at least! RMIM takes quality matters seriously. :-)
Surjit Singh
He could have made millions and won national awards by expanding this
into a full-fledged book :)
Many people are doing just that!
I just bought and read a book on Dev Anand. Generally good info. Some
stuff I did not know before. But horrible misprints and grammatical
errors in English as well as Hindi. Even in popular songs that everybody
knows by heart. Published by Rupa and Co written by Alpana Chowdhury.