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* AND GOD SPOKE (THE MAKING OF...) -- Two young hotshots are making a low-budget movie based on the Bible, and the majesty of their subject is matched only by the feebleness of their abilities. Arthur Borman's comedy has some amusing moments, especially when veteran goofball Soupy Sales makes a brief appearance. Still, its inspiration falls very short when you remember the hilarity of ''This Is Spinal Tap'' and ''Fear of a Black Hat,'' its worthy predecessors in the mock-documentary genre. (Rated R, Live Entertainment)
Don Ryan, SVP Publishing, Oberon Media commented: "We're very excited to be the first publisher introducing this innovative category of game to mobile. 'Paparazzi Snapshot!'' in particular is a first class 'photo action adventure' game, where a tremendous job has been achieved to make the game as close as possible of the successful PC version, with exceptionally high quality graphics. The 'photo action adventure' category will bring fresh innovation to the mobile games market and accessible, original entertainment to mobile gamers everywhere."
I-play brings the best in mobile entertainment to an audience of over one billion people via a network of more than 120 carriers worldwide. I-play has been creating mobile games since 1998 and continues to spearhead the creation of mobile entertainment for the next generation.
Movielink, a joint venture of five Hollywood studios, is taking another step toward online delivery of movies with the adoption of digital rights management software from RealNetworks and Microsoft.
The studio executives' reasoning for Movielink goes like this: Napster and its free file-sharing sisters dented the music business. Let's devise legitimate Internet distribution for movies, with payments and digital rights protection. We'll make sure we don't get "Napsterized" and eliminate the usual middlemen--Blockbuster, HBO, theater owners--at the same time. It's a surefire hit.
While the Internet looks like a manageable distribution channel, it leads to a dead end--the PC. People don't want to watch movies on PCs, with their small screens in uncomfortable settings. Running a wire from the PC to the TV--or somehow linking their TV into a wireless network--is just too much tinkering for the average consumer. Music works fine on a PC--for listening, copying to an MP3 player or burning onto a CD. But movies on a PC are big, cumbersome files, typically viewed only once, which will soon come with the added burden of digital rights protection.
So where's the business model? Cable. Already, around 9 million digital cable households have video on-demand, supplied by their cable operator with a wide choice of movies for $3.99 each. You can start, stop and rewind just like a videotape or DVD, but without the bother of a trip to the local video store. Cable is pushing video on demand like mad--within two years, Forrester expects 85 percent of digital cable households, almost 24 million subscribers, to have it available. That's bigger than broadband.
Consumers will get used to video on demand. HBO on Demand is already here--watch "The Sopranos" anytime you want. Showtime and Starz have on-demand offerings. Discovery, NBC, Fox, ESPN and A&E have contributed content or plan to. Consumers will get used to looking at menus on their cable box for on-demand viewing. And best of all, video on demand is delivered right to the TV--where people want to watch it anyway--without the need for any new technology but the digital cable box they probably already have.
If studios think they can use the Internet to deliver movies to these set-top boxes, they should think again. More than 95 percent of current digital cable boxes have no broadband connection. And for those that do, the connection is controlled by the cable operator, not the consumer; studios can't get around it.
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