Baali Umar Ko Salaam Mp3 Song Download
Merlino Riviere
Bollywood has a song for every kind of love, specially the very first brush of love that happens at sweet sixteen. Pehla Pyaar or first love is a very common phrase in Bollywood songs, but Solah Baras Ki stands out as an exquisite piece of poetry exploring this impatient and passionate kind of love. Literally saluting the age of sixteen for its courage, it goes on to list everything young hearts love to do, from writing their names on a beach inside a heart to spending endless hours together.
The film, Ek Duje Ke Liye (Made for Each Other), the Hindi remake of the original Telugu film Maro Charitra (1979), is love story between two youngsters who come from a different cultural background. The film is funny and romantic at first with the lovers connecting despite the language barrier and the elders of the families obviously disapproving of the pair. Later, it moves on to more disturbing realities of India, where youngsters often find unrelenting opposition and even violence from their friends and family for falling in love/marrying outside of their cultural community, caste or religion. I feel this film is very important for its exploration of both real and psychological violence that forms the dark underbelly of the rosy appearances of Indian love stories featuring youngsters.
Duniya mein sabse pehle jisne yeh dil diya
Duniya ke sabse pehle dilbar ko salaam
Dil se nikalne waale raste ka shukriya
Dil tak pahunchne waali dagar ko salaam
Aye pyaar teri pehli nazar ko salaam
Salaam aye pyaar teri pehli nazar ko salaam
Milte rahe yahan hum yeh hai yahan likha
Is likhawat ki zerozabar ko salaam
Sahil ki rait par yun lehra utha yeh dil
Sagar mein uthne waali har lehar ko salaam
In mast gehri-gehri aankhon ki jheel mein
Jisne hamein duboya us bhanwar ko salaam
Ghoonghat ko chhod kar jo sar se sarak gayi
Aisi nigodi dhaani chunar ko salaam
Ulfat ke dushmanon ne
Ulfat ke dushmanon ne koshish hazaar ki
Phir bhi nahin jhuki jo us nazar ko salaam
Aye pyaar teri pehli nazar ko salaam
Solah baras ki baali umar ko salaam
Love Bollywood and passionate about translating poetry. Hence. bollywoodtarjuma, i.e. Bollywood Translations. On my blog you will find my take on my favorite Bollywood lyrics in English. More often than not, it will not be a literal translation and that's how I like it. Translating metaphor into metaphor has been my passion all along and now I wish to share it with the world. So please enjoy and let me know your feedback. If there are any songs/poetry/dialogue you want me to translate, I would love to give it a try. Just leave a comment with your request.PS: All original songs belong to the copyright owners. I have no intention of infringement, just a desire to partake in the joy those words bring to my world.
Since I am new to this group I would not know if such a thing had already
been done in the past and did not really catch on. Also if this group was
created with the clear intention of not deviating from lyrics and "info"
about a song, then this posting may be ignored. So what do you say, folks? Just to set the ball rolling here is some trivia about music from
Raj Kapoor's film music. --------------------------------------------------------------------- The Raj Kapoor and Shankar-Jaikishen team has produced some of the most
melodious music of Hindi film music history. Raj Kapoor loved the SJ
music so much that he had recorded hundreds of "basic tunes" created by
SJ which were not yet used in his movies. He wanted to keep them so
that they could be used to make music for many many more movies that he would
make, even if he had to change the music directors. I think it was only
after Jaikishen's death that Raj Kapoor switched to Laxmikant Pyarelal, for
the first time, in "Bobby". Another reason some say that Raj Kapoor
abandoned SJ (which was now only "S") was that Shankar didn't want
Lata to sing his songs any more- he prefered a new singer called
Sharada. (Examples: the film "Suraj" which had Sharada singing
"Tittalee udee", and "Around the world..." in which Sharada was the play-
back singer for Rajashree). Raj Kapoor and Laxmikant-Pyarelal produced hit music like Bobby (mega)
and Satyam-Shivam Sundaram (so-so). I cannot remember at this moment any
other hit music from this team. But Laxmikant Pyarelal also eventually fell
out with Raj Kapoor - and guess what their problem was: Raj Kapoor used
to insist that they use the music that he had recorded from SJ for the songs
in his movies! This is somewhat apparent in "Bobby". There is piece of
background music in Bobby that is played initially whenever Rishi Kapoor
"sees" Dimple Kapadia (it's an accordian piece that is very similar to
the tune of "Jeena YahaN marna YahaN" from "Mera Naam Joker"). I sometimes
wonder if "Main Shayar To NahiN" is also based on some SJ theme. I also
seem to remember from somewhere that SJ had composed the original of
"Ghe- Ghe-ghe rey, ghey rey sahiba" (of course this is also an old folk
tune) and it was never featured in any movie until "Bobby" came along. Another interesting background music piece from Bobby is the one that is
played during the time Dimple goes to Kashmir and Rishi K. follows her
there. That piece sounds EXACTLY like the beginning music of
"Sola baras kee" from "Ek Duje Ke liye". And here's one final observation of the SJ-RK music. A LOT LOT of SJ's
older compositions are based in the Raag Bharav(i) (not sure.) A lot of songs
from Awara, Aah, Shree 420, etc are in this raag. Probably it was
Raj Kapoor's favorite Raag.
------------------------------------------------------------------------ Well, folks that was some idle talk about Raj Kapoor's music. I would
like to "disclaim" at this point: some of the facts above may be wrong.
I am just trying to "chat" and my source is memories from articles in
Filmfare, may be some TV interviews and so on. This is in no way an
"authoritative" article. Hope you enjoyed reading it, and wish to see more of such "trivias".
-Varsha Mainkar
mai...@netcom.com
Other day at a party the conversation drifted from Movies--> Songs -->
Guess what the 'Mysterious' Chalte Chalte and we got stuck there for
for a long time. Not surprisingly we were all guessing about the Guy who
sings the title number 'Chalte Chalte' on screen. Well finally after getting
fed up of the arguments I decided to solve the mystery for good.
I went to the local video store and picked up the cassette and we had
a wager running, Two of us bet on Arun Govil, one on Anil Dhawan, 3 of us including
myself on Vijay Anand. Well the bad news was I lost but again the good news was nobody won..The hero of the Chalte Chalte is (.. To be continued....)
-P.
I think Prem-Rog (Rishi Kapoor, Padmini Kolhapure) also had the magic
of Laxmikant-Pyarelal music, though I am not sure whether RK directed it, was
definitely RK banner. Lot of good Suresh Wadkar numbers, my favorite being
Bhavare Ne Khilaya Phool Phool...... But all of RK films had beautiful songs
no matter which music director he choose, like Ram Teri Ganga Maili - sort of
revived Ravindra Jains's sagging career for a while. Hari
Ya, me too. I think "Sola baras kee" is from some Rishi Kapoor movie too
(Hum kisi se kam nahin?). Anyway, it's defly. after Bobby."Ek Duje ke liye" ofcourse has nothing to do with RK at all. It's a movie by
K. Balachandar, a remake of a Telugu movie "Maro charitra".>
> > -Varsha Mainkar
>
> J Anand.-KGB
The song "Solah baras kee, baali umar ko salam, ae yaar teri, pehli
nazar ko salam" is definitely from "Ek duje ke liye" as pointed out by
other netters.Cheers,-Prince
--
pko...@cc.gatech.edu "What's so unpleasant about getting drunk?"
Distributed Systems Group, "Ask a glass of water." Hitchhikers'....
College of Computing, Georgia Tech.
The piece of the music I am refering to is actually just the beginning
(and ending) piece in Sola Baras ki. It starts *right* after Anup Jalota
sings two lines (koshish karke dekh le, nadiya saree ... blah blah blah).
It is some string instrument being played almost solo.
The rest of the song is by Lata.
-Varsha