LAST WEDNESDAYS: NOBUO KUBOTA AND GUESTS PERFORM
Mallory Wilkinson
 |
|
EVENTS WEDNESDAY 26 FEBRUAR 2014, 7:00PM EXHIBITIONS ON NOW RANDI NYGÅRD | CAREFUL MANAGEMENT AND STUDY OF RELATIONS GALLERY HOURS FOR INTERVIEWS
LATEST RELEASES click titles to order online NEW! ISBN: 978-0-920397-61-9 ONE FOR ME AND ONE TO SHARE: ARTISTS' MULTIPLES AND EDITIONS ISBN: 978-0-920397-52-7 H& IT ON ISBN: 978-0-920397-60-2 ALSO AVAILABLE
Byproduct: On the excess of Embedded Art Pracitces Art and Cold Cash decentre Performance, [Performance] and Performers Pro Forma - Full Series afterthoughts
| LAST WEDNESDAYS | NOBUO KUBOTA AND GUESTS PERFORM
Nobuo Kubota: Score for Double Bass, 2001. As part of his exhibition Sonic Scores, Nobuo Kubota will be giving two vocal performances during the Last Wednesdays events in 401 Richmond. Joining him January 29, 2014 at 7:00pm, David Sait and Kubota will perform a duet at YYZ. DAVID SAIT channels a variety of styles and disciplines, primarily avant garde and World music through the guzheng (21 strong Chinese zither). He has over 25 years of formal/private music studies, live performance and recording experience, most recently studying under virtuoso guzheng teacher Yong Li Xue. Sait is currently active as a guzheng improviser collaborating in the Toronto area with various musicians with various backgrounds, performing and recording in a newly formed duo with Nobuo Kobuta (formed April 2012), working on a series of mixed media paintings and collages, co-editor of Soundlist (a weekly e-newsletter representing Toronto Experimental Music/ Free Improvisation/Sound Art), curator/presenter of the Gone Fishing Experimental Music Series, and member of the collective who operates the artist-run space "Somewhere There" in Toronto. NOBUO KUBOTA is a multi-media artist whose work includes sculpture, installations, video, music, and sound poetry. He received his Bachelor of Architecture from the University of Toronto (1959), and Doctor of Fine Art, Honoris Causa, from OCAD University (2011). He recently exhibited at the "LIVE" International Performance Art Festival, Vancouver, British Columbia. (2011), the Kelowna Art Gallery, Kelowna, British Columbia (2010), and at the Art Gallery of Peterborough, Peterborough, Ontario (2009). He received the Governor General's Award in Visual and Media Arts (2009). Kubota currently lives and works in Toronto, Ontario. Stay tuned for more information on Nobuo Kubota's February performance. Nobuo Kubota’s exhibition Sonic Scores represents a continuing engagement with sound that goes back to 1962 with the formation of the Artists’ Jazz Band, the improvising orchestra the CCMC between 1974 & 1990, the formation of the Music Gallery by the CCMC in 1975, and his introduction to sound poetry in 1984. In 1985, he constructed the Sound Cage within which he performed with the CCMC. Kubota also performedMouth Mechanics at YYZ in 1992. The exploration and experimentation of “phonics” was followed by intermedia works of three dimensional phonics titled Phonic Slices, Deep Text, and Phonic Traces. He created a video titled Loop Holes in 2002, an installation of vocal sound poetry on nine randomly arranged monitors. These events have in common his search for free expression and free improvisation in music and sound. Kubota began to develop a personal style of calligraphy more suited to new vocal sounds, electronic vocal manipulation, and noise related sounds which belonged more to the term “sonics” around 2002. In early 2013, as he was examining some of these calligraphic scores drawn around the year 2004, his attention focused on three scores titled Sonic Scores for Double Bass, Cello, and Violin. These scores were drawn with a fine Chinese calligraphy brush on a 10” x 13” size paper, almost in miniature. He examined these scores under magnification and discovered a world of details and attitudes that were not obvious with the naked eye. As sonic scores, these details were important as suggestions for improvisation. Kubota also discovered another set of drawings that had been exposed to toner manipulation. This exhibit is about the discovery and revelation of aspects of the 2006 Sonic Scores and its relationship to improvisation. RANDI NYGÅRD | CAREFUL MANAGEMENT AND STUDY OF RELATIONS
Randi Nygård: A System Is More than the Sum of Its Parts 4 El Gran Deshielo/Corea del Norte/Minerals en Conflicto, 2013, Magazine, 46 * 43 * 14 cm. Photo by Randi Nygård The main work in the exhibition is titled “Ecology and Economy, Careful Management and Study of Relations” which consists of a series of collages of text and images departing from the definitions of the terms ecology and economy in the Oxford Etymological Dictionary. By defining the words and then combining them, sentences are formed that function both as titles and guidelines for the work. The sculpture of layered mirrors and photos of patterns in nature is an attempt to manifest the hypothesis which explains that time is not a fundamental structure, but that it appears between things in the universe; so if you imagine cutting the world into pieces, the different parts may function as clocks for each other. Some people can learn a new language in two weeks. They say they can do it by applying an intuitive understanding of what a word means depending on its sound, length, and rhythm. Words starting or ending with the same sound will stand for similar visual forms to them. As such, in the drawing titled “Strek – Struktur” each line follows the former, starting with a straight line that is then repeated by hand creating bumps, cracks, and a complex structure. It is a visual and bodily meditation on the fact that in Germanic languages most words that containStr stand for something long and thin, such as strek, stripe, strøk, which all can mean “line”, in Norwegian. The work titled “To Imagine the Real -Climate Change and The Atlas of Human Brain Connections” consists of two books sliced into each other uniting and opening images of the climate change seen in landscapes and the human brain. In these intersections, between the flat and the spatial, the figurative and the abstract, the scientific and the poetic, there is a wish to see the world in a more open and interconnected manner. RANDI NYGÅRD received her Masters of Fine Art from the Kunstakademiet i Trondheim, NTNU, Norway (2006). She has exhibited her work internationally with recent exhibitions at Kunstverein Springhornhof, Germany (2013), Akershus Kunstsenter, Lillestrøm, Norway (2013), and Performa 13, New York (2013). In the fall of 2013, Nygård participated in the URRA Artist-in-residence program in Buenos Aires. Her work was recently acquired by The Collection of Stockholm Laen in Sweden. Nygård currently lives and works in Berlin, Germany and Oslo, Norway. Randi Nygård would like to acknowledge the generous support of the Office for Contemporary Art Norway.
YYZ ARTISTS' OUTLET T: 416.598.4546 |
| |
