Yellowjackets : Series 1 Episode 1 - (1x1) Full Series

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Yellowjackets : Season 1 Episode 1 - (1x1) Full Series

Nov 14, 2021, 12:39:03 PM11/14/21
to Yellowjackets : Season 1 Episode 1 - (1x1) Full Series
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Yellowjackets Season 1 Episode 1: Pilot

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Yellowjackets Season 1 Episode 1 recap:
On the eve of a fateful flight, a championship high school girls soccer squad celebrates being a team by betraying one another. 25 years later, the survivors do their best imitations of well-adjusted people.

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Title: Yellowjackets Season 1 Episode 1
Episode Title: Pilot
Runtime: 00:57:14 minutes
Genre: Drama
Stars: Melanie Lynskey, Juliette Lewis, Christina Ricci, Tawny Cypress, Ella Purnell, Sammi Hanratty, Sophie Thatcher, Sophie Nélisse, Steven Krueger, Jasmin Savoy Brown, Ray Strachan
Network: Showtime

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A television show, or simply a television show, is any content made for viewing on a television that can be broadcast over the air, satellite, or cable, excluding breaking 

news, commercials, or trailers that are typically placed in between. programs. Television programs are often scheduled to air well in advance and appear in electronic guides or 

other television listings, but broadcast services often make them available for viewing at any time. The content of a television program can be produced using different 

methodologies, such as recorded variety shows emanating from the stage of a television studio, animation, or a variety of film productions ranging from movies to series. 

Programs that are not produced on the stage of a television studio are generally contracted or licensed to be performed by well production companies.

Television programs can be viewed live (real time), recorded on home video, a digital video recorder for later viewing, viewed on demand through a cable box, or streamed over 

the Internet.

A television program is also called a television program (British English: program), especially if it lacks a narrative structure.

In the US and Canada, a television series is generally released in episodes that follow a narrative and are generally divided into seasons. In the UK, a television series is an 

annual or semi-annual set of new episodes. (In fact, a "series" in the UK is the same as a "season" in the US and Canada).

A small collection of episodes may also be referred to as a limited series or miniseries. A single collection of episodes may be referred to as a "TV special" or limited 

series. A television movie (also known as a movie) is initially broadcast as such rather than directly on video or on the traditional big screen.

The first television shows were experimental and sporadic broadcasts that could only be viewed within a very short range from the broadcast tower beginning in the 1930s. 

Televised events such as the 1936 Summer Olympics in Germany, the King George VI's coronation in 1937 in the UK and David Sarnoff's famous performance at the 1939 New York 

World's Fair in the US They spurred growth in the middle, but World War II put a stop to development. until after the war. The 1947 World Series inspired many Americans to buy 

their first television and then in 1948 the popular Texaco Star Theater radio show took the plunge and became the first weekly televised variety show, earning host Milton Berle 

the name "Mr Television" and proved that the medium was a stable and modern form of entertainment that could attract advertisers. The first live national television broadcast 

in the U.S. took place on September 4, 1951 when President Harry Truman's speech at the Japan Peace Treaty Conference in San Francisco was broadcast over the transcontinental 

broadcasting system of AT&T microwave and cable radio to broadcast stations in local markets.

The first national broadcast in color (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. Over the next ten years, most of the network broadcasts, and 

nearly all of the local programming, they continued to be black and white. A color transition was announced for the fall of 1965, during which more than half of all the 

network's primetime programming would be broadcast in color. The first primetime season of all colors came just a year later. In 1972, the last hurdle between the daytime 

network's shows turned to color, resulting in the network's first season in full color.

Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show can be fictional (as in comedies and 

dramas) or non-fictional (as in documentaries, news, and reality TV). It can be topical (as in the case of a local newscast and some television movies) or historical (as in the 

case of many documentaries and fiction series). They can be primarily instructive or educational, or entertaining as is the case with sitcom and game shows.

A theater program generally features an ensemble of actors playing characters in a historical or contemporary setting. The show follows their lives and adventures. Before the 

1980s, shows (except for soap opera-type series) generally remained static with no story arcs, and the main characters and premise changed little. [Citation needed] If any 

change occurred in the characters' lives during the episode, it was usually undone at the end. Because of this, the episodes could be broadcast in any order. Since the 1980s, 

many series feature progressive changes in plot, characters, or both. For example, Hill Street Blues and St. Elsewhere were two of the first US primetime drama television 

series to have this type of dramatic structure, while the later series Babylon 5 further exemplifies such a structure in the sense that he had a predetermined story that ran on 

his intention. five season run.

In 2012, television was reported to be becoming a larger component of top media company revenue than film. Some also noted the increased quality of some television shows. In 

2012, Oscar-winning film director Steven Soderbergh, commenting on the ambiguity and complexity of the character and narrative, stated: "I think those qualities are now seen on 

television and that people who want to see stories that have that kind of qualities are watching television. "

Most television networks around the world are "commercial" and depend on the sale of advertising time or the acquisition of sponsors. Broadcast executives' main concern about 

their programming is audience size. In the past, the number of 'free' stations was restricted by the availability of channel frequencies, but cable television technology 

(outside of the United States, satellite television) has allowed an expansion in the number of channels available to viewers (sometimes at premium rates) in a much more 

competitive environment.

In the United States, an average television drama costs $ 3 million per episode to produce, while cable dramas cost $ 2 million on average. The pilot episode can be more 

expensive than a normal episode. In 2004, the two-hour pilot of Lost cost between $ 10 and $ 14 million, in 2008 the two-hour pilot of Fringe cost $ 10 million, and in 2010, 

Boardwalk Empire cost $ 18 million for the first episode. In 2011, Game of Thrones cost between $ 5 and $ 10 million, Pan Am cost an estimated $ 10 million, while the two-hour 

Terra Nova pilot was between $ 10 and $ 20 million.

Many scripted network television programs in the United States are financed by deficit funding: a studio finances the cost of producing a show, and a network pays a license fee 

to the studio for the right to air the show. This license fee does not cover the production costs of the program, which creates the shortfall. Although the studio does not get 

its money back on the original airing of the show, it retains ownership of the show. This allows the studio to recoup its money and make a profit through the distribution and 

sale of DVDs and Blu-rays. This system places most of the financial risk on studies; however, a successful program in the home video and distribution markets can more than make 

up for mistakes. Although deficit financing poses minimal financial risk to networks, they lose future earnings from the greatest hits as they only license the shows.

Costs are recovered primarily from advertising revenue from broadcast networks and some cable channels, while other cable channels depend on subscriptions. In general, 

advertisers, and consequently advertising-dependent networks, are more interested in the number of viewers within the 18-49 age range than the total number of viewers. 

Advertisers are willing to pay more to advertise on successful young adult shows because they watch less television and are harder to reach. According to Advertising Age, 

during the 2007-08 season, Grey's Anatomy was able to charge $ 419,000 per commercial, compared to just $ 248,000 for a commercial during CSI, even though CSI had almost five 

million more viewers on average. Due to its strength with younger viewers, Friends was able to charge almost three times more for a commercial than Murder, She Wrote, even 

though the two series had similar total viewer numbers at the time. Glee and The Office drew fewer viewers overall than NCIS during the 2009-10 season, but they earned an 

average of $ 272,694 and $ 213,617 respectively, compared to $ 150,708 for NCIS.

After production, the show is delivered to the television network, which forwards it to its affiliated stations, which broadcast it at the specified broadcast programming 

schedule. If Nielsen's ratings are good, the show stays alive as long as possible. If not, the show is usually canceled. Then the creators of the show must compare the 

remaining episodes and the possibility of future episodes on other networks. On especially successful series, producers sometimes stop a series on their own such as Seinfeld, 

The Cosby Show, Corner Gas, and M * A * S * H ​​?? and end it with a final episode, which is sometimes the end of a series. great series.

On rare occasions, a series that has not attracted particularly high ratings and has been canceled may receive a reprieve if the home video viewership has been particularly 

strong. This has happened in the cases of Family Guy in the US and Peep Show in the UK.

In the United States, if the show is popular or lucrative, and a minimum number of episodes (usually 100) has been made, you can move on to broadcast syndication, where the 

rights to air the show are resold for cash or sold. they exchange. exchange (offered to a medium for free in exchange for airing additional commercials elsewhere during the 

station's broadcast day).

While network requests for 13- or 22-episode seasons are still ubiquitous in the television industry, several shows have deviated from this traditional trend. Written to be 

closed and shorter in duration than other programs, they are marketed under a variety of terms.

Miniseries: a very short, closed-ended series, typically six or more hours in two or more parts (nights), similar to an extended television movie. Many of the early miniseries 

were adaptations of popular novels of the time, such as The National Dream (1974), Roots (1977), and North and South (1985). In recent years, as described by several television 

executives interviewed by The Hollywood Reporter, the term miniseries has grown to have negative connotations within the industry, having been associated with heavy melodrama 

works that were commonly produced under the format, while series limited or events. series receive greater respect.

Limited Series: Other than the miniseries in that the production is considered to have potential for renewal, but without the requirement that it have as many episodes as a 

typical order per season. Under the Dome, Killer Women and Luther were marketed as limited series. Individual stories from a season of anthology series such as American Horror 

Story, Fargo, and True Detective are also described as "limited series." The Primetime Emmys have had to make numerous changes to their limited series / miniseries category to 

accommodate the anthology and other limited series.
Event Series - Largely considered a marketing term, falling under the general category of event television. The term can be applied to almost any new short-lived series, such 

as 24: Live Another Day. It has also been used to describe game shows like The Million Second Quiz, which aired for just two weeks.
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