The Girl in the Field by Jill Stockinger
after
Christina’s World by Andrew Wyeth
Is the field in her?
Or is she in the mind of the field?
The long, faded-red cotton dress
with short, square sleeves
is cinched by a thin black belt.
She carries a splash of white
from the sun on her shoulder.
With her back to us,
little (or much) is revealed.
Set in the vast expanse
of gray, brown and orange
(and subtle hints of red and green)
her body athwart the bristling grass
is like a ship crossing a sea—
or a snail heading for its shell.
Too broken to walk upright,
she pulls herself through the stubble,
ignoring pain. In the distance,
close to the large gray ramshackle house
which fits her well,
the laundry is
something like a Tibetan prayer wheel spinning,
but purely American, a ceaseless
flapping in the wind.
Like her body.
Refusing to give in.
Crossing the land,
do some words urge her forward?
Is there a song playing in her mind?