This is one of my EXPERIMENTAL POETRY poems.It was an exercise in AUTOMATIC WRITING.
The Symbolist and Surreal Poets did not WANT their poetry to have a CLEAR meaning--they usually offered a collage of ideas, symbols, pictures--everything "hazy"--nothing that can be "pinned down" as far as SPECIFIC MEANING. They often give a jumble of thoughts, feelings, and things that DON'T seem to "go together"- to evoke different, changing feelings and thoughts in the reader. So that's what I tried to do with this "exercise." To just let the words flow, jumping here and there . . . Jill
Jill Stockinger
Up the Stumbling Blocks
Beyond the pass of Mallarmé
flowers suicide in the night like
balanced swords of passion
floating in the air above every head
Will you jump onto
or off the bridge
of my nose
How many nose hairs does an elephant have,
circus charmer?
Trapeze the artist and float upward
See? No hands
Paste stars onto the circus of day and befuddle the wine
into leaving dreams in my glass
of morning
I will drink so deeply
you will not be able to see me
I am not the sun
or the moon
I burn as brightly as the teeth of the lion devouring prey
Madness cycles through thirteen phases
I am the vampire of love,
sinking teeth into the body that yearns for wholeness
Shadows change their clothes
with no way in and no way out
but hearts spill out, splitting,
tumbling, falling up, holding no flags
Fall up! Up.