Bison Hunters
by Curt Nelson
Being downwind keeps our scent from the herd.
The tall grass hides me only yards from my target.
Others in my tribe approach their kills.
Tradition, ability and practice define our task.
The lives of our families balance on our skills.
I, as leader, tie the tribe
to their ancestor’s essence
and the spirit of the bison.
We rise as one, freezing the bison
for that moment needed.
The herd panics and stampedes,
all but six bison depart.
Six carcasses of meat, innards and fur
await our people.
The hunters kneel and speak
thanks into the bison’s nostrils
for their sacrifice to our tribe.
Haunting Eyes
by Curt Nelson
The palette hitting the workbench
signaled to the nude model
that the session was over.
She stretched, threw a cover
about her and left to dress.
Although he had slept with her,
he did not notice her leaving.
Following the image on the canvas,
he traced the body he knew
not the model’s body, but her body:
he stopped at the neck,
his hands had caressed;
the pouty lips his lips had tasted;
the Roman nose; and those almond eyes.
Where were his dead Caressa’s eyes?
Eyes he searches for in all his paintings
and haunts his every waking hour.
The eyes his brush refuses to capture.
(I think this should still be in past tense)
Whoa!
Curt Nelson
Whoa!
Where are you coming from?
Wherever, you need to back off. (maybe: Wait! You need to back off.)
(or: What? You need to back off.)
Rethink what you said.
Reassess your attitude.
Recognize not to go there. (Maybe delete this line)
Realize there is a better approach.
Remember just who the hell you are talking to.
Whoa!
Way overboard.