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Team America: World Police is a 2004 puppetry comedy film directed by Trey Parker, from a screenplay by Parker, Matt Stone, and Pam Brady. Parker and Stone also star alongside Kristen Miller, Masasa Moyo, Daran Norris, Phil Hendrie, Maurice LaMarche, Chelsea Marguerite, Jeremy Shada and Fred Tatasciore. A satire of action film archetypes, American militarism, and the global implications of the politics of the United States, the film follows the titular paramilitary police force, who recruit a Broadway actor to assist in saving the world from Kim Jong Il and his conspiracy of Islamic terrorists and liberal Hollywood actors.
Team America, a paramilitary counterterrorist police force, eliminates a gang of terrorists in Paris, accidentally destroying the Eiffel Tower, Arc de Triomphe, and the Louvre in the process. The team includes Lisa, an idealistic psychologist; her love interest Carson; Sarah, a psychic; Joe, a jock who is in love with Sarah; and Chris, a martial arts expert who harbors a phobia towards actors. Carson proposes to Lisa, but a terrorist shoots him dead as he is doing it.
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Team America leader Spottswoode brings Broadway actor Gary Johnston to Team America's base in Mount Rushmore and asks him to use his acting skills to infiltrate a terrorist cell. Unbeknownst to the team, North Korean dictator and terrorist mastermind Kim Jong Il is supplying international terrorists with weapons of mass destruction. Gary infiltrates a terrorist group in Cairo. The team is discovered and a chase ensues, with the team killing the terrorists. However, the city is left in ruins, drawing criticism from the Film Actors Guild ("F.A.G."), a union of liberal Hollywood actors led by Alec Baldwin.
At the base, Gary tells Lisa that as a child his acting talent caused his brother to be savagely killed by gorillas. While the two grow close and have sex, terrorists blow up the Panama Canal in retaliation for the Cairo operation, killing thousands. The Film Actors Guild blame this on Team America, as well as Kim chastising the terrorists for detonating one bomb too early. Gary, feeling his acting talents have again resulted in innocent people dying, resigns from Team America. The remaining members depart for the Middle East, but are defeated and captured by North Korean forces while Michael Moore blows up Team America's base in a suicide attack. In North Korea, Kim invites the Film Actors Guild and world leaders to a peace ceremony, planning to detonate several bombs around the world while they are distracted.
Succumbing to depression, Gary is reminded of his responsibility by a rambling speech from a drunken tramp. Returning to the team's base, he finds Spottswoode has survived Moore's bombing. After regaining Spottswoode's trust by giving him a blowjob and undergoing one-day training, Gary goes to North Korea, where he uses his acting skills to infiltrate the base and free the team, although Lisa is held hostage by Kim. The team is confronted by the Film Actors Guild and kill most of the actors in their ensuing fight. After Gary uses his acting skills to save Chris from Susan Sarandon, Chris confesses to Gary that the reason he dislikes actors is because he was gang-raped by the cast of the musical Cats when he was 19 years old.
News broke of the duo signing on to create the film on October 17, 2002, with Stone revealing that it would be a homage to Anderson.[7] The news was confirmed in June 2003, with Variety quoting Stone as saying "What we wanted was to do a send-up of these super important huge action movies that Jerry Bruckheimer makes."[8]
The film's central concept was easier to conceive than to execute.[11] Team America was produced using a crew of about 200 people, which sometimes required four people at a time to manipulate a marionette. The duo were forced to constantly rewrite the film during production due to the limited nature of the puppets. The 270 puppet characters were created by the Chiodo Brothers, who previously designed puppets for films such as Elf and Dinosaur. The costumers of the crew were responsible for making sure the over 1,000 costumes remained in cohesive order and were realistic.
Production began on May 23, 2004.[6] The project was interrupted multiple times early on in production.[9] As soon as filming began, Parker and Stone labored to find the right comic tone; the original script for the film contained many more jokes. After shooting the very first scene, the two realized the jokes were not working, and that the humor instead came from the marionettes.[12] "Puppets doing jokes is not funny," Stone found. "But when you see puppets doing melodrama, spitting up blood and talking about how they were raped as children, that's funny."[11] Filming was done by three units shooting different parts at the same time. Occasionally, the producers had up to five cameras set up to capture the scene.[5] The film was mainly based on the 1982 cult classic action film Megaforce, of which Parker and Stone had been fans. Many ideas had been copied such as the flying motorcycle sequence.
Private First Class Edwin Ochoa, Center for Naval Aviation and Technical Training student, prepares a bag of popcorn during a Movies in the Park event at Little Rock Air Force Base, Arkansas, Aug. 7, 2020. This event was created by the 19th Force Support Squadron to allow Airmen and their families to enjoy a night of movies while mitigating the risk of exposure to COVID-19. (U.S. Air Force photo by Airman 1st Class Jayden Ford)
Clark Batungbakal, husband of a student from the Center for Naval Aviation and Technical Training, prepares to watch a movie during a Movies in the Park event at Little Rock Air Force Base, Arkansas, Aug. 7, 2020. This event was created by the 19th Force Support Squadron to allow Airmen and their families to enjoy a night of movies while mitigating the risk of exposure to COVID-19. (U.S. Air Force photo by Airman 1st Class Jayden Ford)
Students from the Center for Naval Aviation and Technical Training help ensure Airmen and families follow social distancing guidelines during a Movies in the Park event at Little Rock Air Force Base, Arkansas, Aug. 7, 2020. This event was created by the 19th Force Support Squadron to allow Airmen and their families to enjoy a night of movies while mitigating the risk of exposure to COVID-19. (U.S. Air Force photo by Airman 1st Class Jayden Ford)
Despite Avengers: Endgame teasing Marvel's A-Force, there has been no news regarding an official formation of the all-female team, but it still needs to happen. The final act of Avengers: Endgame brought practically every superhero from the MCU's history together in the battle against Thanos, providing the perfect moment to hint towards a team-up of Marvel Studios' most iconic female heroes. Unfortunately, this tease failed to have the impact Marvel Studios was envisioning, coming off as a token gesture instead of true representation.
A-Force debuted in Marvel Comics' 2015 A-Force #1 as part of the Secret Wars crossover event, featuring an alternate universe's team of female Marvel Avengers who later reemerged in main continuity. Striving for feminism and representation in Marvel's superhero roster, A-Force originally comprised of several iconic female heroes, including the likes of Captain Marvel, Jessica Jones, She-Hulk, and America Chavez. While not explicitly stated to be an A-Force set-up, Avengers: Endgame's tease was poorly received by critics and audiences alike, but this does not have to be the lasting legacy of the A-Force in the MCU.
The epic final act of Avengers: Endgame featured plenty of fan service, but perhaps the most divisive example was the A-Force tease. The MCU version of A-Force included the likes of Captain Marvel, Shuri, Wanda Maximoff, and Pepper Potts in her first appearance as Rescue, and while some of the most recognizable female heroes were showcased in this moment, the team-up failed to make the required impression upon both public consciousness and the final battle against Thanos itself. This tease felt forced, especially since Marvel Studios had come under scrutiny for ignoring their female superheroes previously.
While Avengers: Endgame's impromptu all-female scene was certainly not what audiences had in mind for an A-Force team-up, it would be even worse if the team never officially came together in the MCU. Avengers: Endgame set the stage for several future projects, such as Steve Rogers passing the Captain America mantle to Sam Wilson and setting up both Falcon & The Winter Soldier and Captain America: New World Order. A-Force could become another small tease from Avengers: Endgame that spirals into a brilliant new project for Marvel. If no proper MCU A-Force movie materializes, Avengers: Endgame's tease will look even worse for having no payoff
Avengers: Endgame was a groundbreaking and epic adventure, but certain moments divided audiences, and the attempt at a female-empowerment moment with the A-Force team-up scene was perhaps the most notable. This felt like Marvel Studios was trying to address accusations of gender inequality in the MCU without truly tackling the problem, creating a cringe-worthy scene where multiple female heroes offered their help to the all-powerful Captain Marvel. The tease was sudden, and over just as quickly as it started, and this lack of meaning made the first scene with the MCU A-Force less significant.
Despite past mistakes, Phase 4 of the MCU has taken huge steps towards representation in superhero movies, introducing and expanding on several new female superheroes. Even so, male heroes are still getting most of the focus in theaters, with releases including Shang-Chi and the Legend of the Ten Rings, Spider-Man: No Way Home, and Doctor Strange in the Multiverse of Madness, while female superheroes have seen more development on Disney+. That Marvel Studios only produced a Black Widow solo film after Natasha Romanoff's death proves there is still progress to be made. An all-female team-up movie such starring the A-Force would go a long way toward moving that needle.
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