Senseless Demolition of Iconic Work
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Rosli Mohd. Ali
Jul 4, 2016, 4:20:20 PM7/4/16
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Guys,
I'm in total agreement with the opinion of Mohamed Ghouse Nasuruddin, an
Emeritus Professor of Performing Arts in the School of Arts, USM, Penang.
He completed his Masters and Ph.D. degrees at Indiana University, USA,
under the Fulbright and Ford Foundation Scholarship respectively in dance,
music and theatre.
http://arts.usm.my/index.php/en/staf-drama/100-dato-prof-emiretus-mohamed-ghouse-nasuruddin
http://anthrologia.net/collaborations/mohamed-ghouse-nasuruddin/
http://anthrologia.net/collaborations/mohamed-ghouse-nasuruddin/
Very relevant indeed his opinion, as appeared in The Star, Monday 4 July 2016,
Page 34 views.
IT was a tragic day for all art lovers and practitioners when Kuala Lumpur City
Hall (DBKL) demolished the sculpture Puncak Purnama by Seniman Negara
(national art laureate) Datuk Syed Ahmad Jamal.
This senseless and inane action by DBKL is tantamount to desecrating the
This senseless and inane action by DBKL is tantamount to desecrating the
memory of a Malaysian art icon.
Syed Ahmad Jamal is not just an artist but also a philosopher, art administrator
and activist, and profound writer thinker and critic. His artistic prowess extends
into the realm of theatrical presentations by way of set designs for Tok Perak,
Alang Rentak Seribu and other plays by Syed Alwi, another national laureate and
artiste.
Syed Ahmad Jamal’ writings, paintings and sculpture feature prominently in the
art history and appreciation curriculum of our universities. This is the artist who
inspired a generation of scholars, teachers and art practitioners.
With his contemporaries, Ismail Zain, Redza Piyadasa, Mazli Matsom, Idris Salam,
Ismail Hashim, Eric Perez, Leong Thien Shih, Chung Kan Kow, Latif Mohideen,
Krishen Jit and Sulaiman Isa, he created such a vibrant art scene that challenged
both the lay and informed public through their art works to experience a different
dimension of existence beyond the mundane of reality. Therefore, demolishing his
seminal sculpture is an atrocity at best, a criminal act at worst. It is a mutilation of
not only the physical work but also the soul of the artist, and it is an affront and
insult to Malaysia’s art community.
It is an act of blasphemy that could be likened to the destruction by the Taliban of
the statues of Buddha in Bamiya, Afghanistan in March 2001.
What manner of bureaucrat sanctioned this atrocious act? It is obvious that the
perpetrators do not have the slightest inkling of the importance of art works as
non-verbal expressions that not only record the phenomena of existence for posterity
but challenges the perception of existence itself as well.
For all intents and purposes, these bureaucrats seem to be merely focused on
material gains and have scant knowledge of the visual and performing arts as the pride
and heritage of the nation.
There is, therefore, a need to educate these bureaucrats on the importance of the arts
in town and country planning, not only as architectural monuments but also as an
economic product with turnover and multiplier effects.
At the same time, this situation begs a question of the role of the National Arts Gallery
and the Department of Heritage and the Cultural Department (JKKN) of the Culture,
Arts and Tourism Ministry.
Have they been derelict in discharging their duties as the custodian of arts/heritage by
way of preservation, conservation and transformation?
One gets the impression that their responsibility is to house art works (National Art Gallery),
undertake event management (Cultural Department JKKN), and to identify works with
heritage value.
They have missed the most important aspect of their tasks which is to educate and
reeducate the public, especially students and administrative officers, to appreciate the
importance of the arts in our lives in both the physical and intellectual environments.
At the same time, our education system is also liable to this lack of knowledge of the arts.
Art subjects in schools and universities are relegated to the lowest possible priority as
emphasis is on science and technology. As a result, our graduates who later become
administrators, bureaucrats and politicians do not have the slightest inkling of the role and
function of both visual and performing arts in the architectonic structure of our lives. The
demolition of Syed Ahmad Jamal’s Puncak Purnama is the consequence of abject ignorance
in art appreciation and creation.
The arts community mourns the demise of both the physical structure and the desecration of
the memory of Syed Ahmad Jamal as well as the official attitude of affront and indifference to
the intrinsic moral, religious and ethical values of art.
MOHAMED GHOUSE NASURUDDIN
Universiti Sains Malaysia
Penang
--------------------------------------------------
I personally feel that it is unethical for anyone to sanctioned
such demolition.
And, the person who authorised it, should be expelled from the
such demolition.
And, the person who authorised it, should be expelled from the
community, or locked out, for he does not belong to be with us,
with such uncouth behaviour and certainly not one of us!
He is promoting lawlessness to be let loose, showing no respect
to our heritage, especially culture, arrogant and thick headed..
to our heritage, especially culture, arrogant and thick headed..
Kindly refer to this treading at Balai Seni Visual Negara facebook,
Balai Seni Visual Negara
Semalam pada pukul 4.50 pagiPuchong, Selangor
Salam semua. Di maklumkan akan diadakan satu Sidang Media esok,
11pagi di bilik VIP LPSVN mengenai ARCA SAJ-Lunar Peak 1986 yg
telah dirobohkn oleh pihak DBKL.
semua Rakan Media dan rakan penggiat Seni dijemput hadir.
Terima kasih banyak.
11pagi di bilik VIP LPSVN mengenai ARCA SAJ-Lunar Peak 1986 yg
telah dirobohkn oleh pihak DBKL.
semua Rakan Media dan rakan penggiat Seni dijemput hadir.
Terima kasih banyak.
KUALA LUMPUR: Dewan Bandaraya Kuala Lumpur perlu membincangkan
terlebih dahulu sebarang tindakan yang diambil terutama berhubung karya
seni tempatan.
terlebih dahulu sebarang tindakan yang diambil terutama berhubung karya
seni tempatan.
Pengerusi Lembaga Pembangunan Seni Visual Negara, Datuk Mahadzir
Lokman berkata perobohan arca Puncak Purnama yang merupakan karya
seniman terkemuka tanah air Datuk Syed Ahmad Jamal tidak sepatutnya
dilakukan.
Lokman berkata perobohan arca Puncak Purnama yang merupakan karya
seniman terkemuka tanah air Datuk Syed Ahmad Jamal tidak sepatutnya
dilakukan.
Seniman kena bangkit Puncak Purnama diroboh
"Peguam dan pengasas RIGHTS Foundation, Yusmadi Yusoff, berkata tindakan
merobohkan karya seni Puncak Purnama oleh pemaju dengan persetujuan
Dewan Bandaraya Kuala Lumpur (DBKL) dan menteri adalah pencerobohan hak
kebudayaan yang menjadi sebahagian daripada hak asasi manusia dipersetujui
di bawah Deklarasi Universal Hak Asasi Manusia PBB (UNDHR) 1948."
merobohkan karya seni Puncak Purnama oleh pemaju dengan persetujuan
Dewan Bandaraya Kuala Lumpur (DBKL) dan menteri adalah pencerobohan hak
kebudayaan yang menjadi sebahagian daripada hak asasi manusia dipersetujui
di bawah Deklarasi Universal Hak Asasi Manusia PBB (UNDHR) 1948."
"Perkara ini tidak sepatutnya berlaku memandangkan pihak kerajaan telah berjanji
akan mematuhi peruntukan-peruntukan UNDHR seperti yang di bawah Seksyen 4(4)
Akta Suruhanjaya Hak Asasi Manusia Malaysia (Suhakam) Akta 597 Tahun 1999,"
katanya ketika dihubungi Malaysiakini.
akan mematuhi peruntukan-peruntukan UNDHR seperti yang di bawah Seksyen 4(4)
Akta Suruhanjaya Hak Asasi Manusia Malaysia (Suhakam) Akta 597 Tahun 1999,"
katanya ketika dihubungi Malaysiakini.
From Time-out
Kuala Lumpur City Hall (DBKL) has demolished the 'Puncak Purnama' ('Lunar Peaks')
sculpture on Jalan Sultan Sulaiman created by late National Laureate
Datuk Syed Ahmad Jamal, and the local art community is not happy. According
to The Star, the DBKL sign board on site stated that the demolition was part of
the rejuvenation works on the landscape, which was described as 'lifeless'.
Meanwhile, a report by The Malay Mail Online quoted Federal Territories Minister
Datuk Seri Tengku Adnan Mansor, who claimed that DBKL had received 'complaints
against the sculpture from the public.' He went on to explain that demolition was the
'best option' in this case as the sculpture was ‘becoming an eyesore and we did not
want it to be bothersome to people.’
The local art community has since expressed its disagreement towards the sudden
demolition. Balai Seni Visual Negara hosted a press conference today to bring the issue
to light. Chairman of the gallery Dato’ Mahadzir Lokman said that they are aggrieved as
DBKL could have asked them or any of the other art galleries and institutions for input.
As it's now too late to do anything about it (‘nasi sudah menjadi bubur’), the chairman
emphasised that it's important this does not happen again in future.
Datuk Syed Ahmad's wife Datin Hamidah and son Syed Nabil were also present at the
Datuk Syed Ahmad's wife Datin Hamidah and son Syed Nabil were also present at the
press conference. Syed Nabil mentioned that the demolition was done in a way that it was
almost impossible for anyone to formally protest against it. Apparently, the family was not
informed by anyone from DBKL about the demolition and only found out through Facebook.
This is not the first time that the sculpture was thrown into the spotlight. In 2010,
This is not the first time that the sculpture was thrown into the spotlight. In 2010,
Datuk Syed Ahmad sued DBKL for altering it without permission and won the case. The sculpture,
commissioned by United Malayan Banking Corporation Finance, was originally made from
ceramic glass. It was altered during renovation efforts by DBKL when they changed the material
to stainless steel without the artist’s consent. Fun fact: Ceramic glass is also the same material
used by NASA to make spaceships. It was used for ‘Puncak Purnama’ for symbolic reasons.
Learn more about Datuk Syed Ahmad Jamal.
Learn more about Datuk Syed Ahmad Jamal.
Read about Syed Ahmad Jamal,
Marvel at these paintings by Syed Ahmad Jamal,
the man who made that sculpture DBKL destroyed
by The Daily SeniJuly 3, 2016
ROGUE city council Dewan Bandaraya Kuala Lumpur (DBKL) has been under fire
for wrecking a sculpture by national art laureate Datuk Syed Ahmad bin Syed Jamal.
But while Kuala Lumpur mayor Mohd Amin Nordin Abdul Aziz figures out how to
stop using taxpayer money in his journey to annihilate Malaysian heritage, let’s take a
moment to know the extra special man behind Puncak Purnama.
Gunung Ledang, Tanjung Kupang (1978)
Syed Ahmad Jamal was born in Bandar Maharani, Johor back in 1929.
He pursued his tertiary education at the Birmingham School of Architecture and the
Chelsea School of Art and then returned to Batu Pahat to became a high school teacher.
One year later, he would move to Kuala Lumpur to teach at Maktab Perguruan Harian.
At the age of 30, Syed Ahmad Jamal started gaining recognition for his art which boldly
stood out from anything in the national visual art scene at that time.
But the bright young man wasn’t quite done with learning yet; by the age of 34, he
would receive a scholarship from School of Art Chicago and ten years later would go
on to study art history at the University of Hawaii.
Known for saying “kesenian Malaysia bermula sekarang”, Syed Ahmad Jamal made big
strides as an educator at Universiti Malaya, but his biggest gig was heading
Balai Seni Lukis Negara (now Balai Seni Visual Negara) from 1983 to 1991.
He was eventually honoured with the National Art Award in 1995.
Senyuman (2009)
Syed Ahmad Jamal is often dubbed “Malaysia’s Father of Abstract Expressionism”.
Introducing emotive explosions of colour and action in an era grounded in realism,
he was quickly revered for his work.
There’s something instantly recognisable about his paintings; on first glance they
can seem quite psychedelic. One of his best-known pieces The Bait (1959) for
instance presents a flurry of movement and frenetic energy through vivid colours.
His art acquired a political edge during Mahathir’s years in power — works
such as Soal Palestin (1983) was his response towards world issues — but his
penchant for geometric shapes like the triangle would develop with age.
Consider M 50 (2007) for example, a piece intended to commemorate Malaysia’s
fiftieth year of independence.
Syed Ahmad Jamal passed away at the age of 82, five years ago.
He remains one of the nation’s most important artists and his works can be viewed
at Galeri Petronas (which really needs to get their shit together too judging from
their barely up-to-date online catalogue and other news we’ve been hearing from
within the industry — more on that soon).
In any case, here are some of the wondrous works of Syed Ahmad Jamal. Enjoy and
make sure to spread these images if they give you a good trip!
...even my youngest sister left her comment at this last page,
Roshaniza Ilmi Mohd Ali
a sad day for malaysian arts
- adibJuly 4, 2016 at 1:08 amnajib and umno are taking revenge on syed ahmad jamal for
designing the pkr logo theyre going to kill all his work someone
must stop them
It seems that the ignorance were pre-determined and
planned before any long break especially Hari Raya holidays.
Typical of officialdoms, government avoiding responsibilities.
WooeR
Rosli Mohd. Ali
Jul 7, 2016, 9:27:20 PM7/7/16
to woods...@googlegroups.com, Wan Ariffin, Nik ST.BUL-Azmi, Muhammad Alwi, Muhammad Alwi, GrandPa.احمد فظيل, Ahmad Fauzee, Ahmad Fuad, Idris Jais, Nikariff, Ahmad Fuad, ZainolAbidin AhmadShariff, Salehuddin Hashim, Raja Ahmad Aminullah Raja Abdullah, kamal.k...@gmail.com, Abed Onn, Wan Peng
Guys,
Here are more responses that came in recently.
I attach herein also a brief Press Media leaflet from Balai Seni Visual Negara,
held on Monday, 4 July 2016, in pdf, .
Plus, 2 comments in the Star:
One from ACA:M (Association of Consulting Architects Malaysia).
One from ACA:M (Association of Consulting Architects Malaysia).
And another, a Letter to Star Editor from PAM President.
Both I regard as a work of an idiosyncrasy federal minister who has undesirable
views in promoting slaves' heritage, deriving the exiled homeland, wherever he's from.
He himself, an idiotic manipulator, a scumbag, a useless bugger, not fit a leader.
He himself, an idiotic manipulator, a scumbag, a useless bugger, not fit a leader.
Star Metro, Tuesday 5 July 2016, News, Page 2
Architects condemn demolition job
by shalini ravindran
THE Association of Consulting Architects Malaysia (ACA:M) have condemned the
destruction of the Puncak Purnama sculpture by Kuala Lumpur City Hall (DBKL)
last Friday.
destruction of the Puncak Purnama sculpture by Kuala Lumpur City Hall (DBKL)
last Friday.
Its president Jasmeet Singh Sidhu said emphasis should have been placed on
preserving the nation’s built heritage.
preserving the nation’s built heritage.
“This destruction of the city’s art heritage raises many pertinent questions, like who
were the technical or art experts consulted before the decision to declare the structure
“an eyesore” was made?
were the technical or art experts consulted before the decision to declare the structure
“an eyesore” was made?
“Was any other option such as the relocation and care of the sculpture by other
authorities or NGOs considered?
authorities or NGOs considered?
“Most pertinent is why was the sculpture left to rot only to be bulldozed later,”
said Jasmeet.
He said the usual procedure was to get specialised input by independent industry
experts to prepare the necessary reports.
experts to prepare the necessary reports.
“In this case, were the dilapidation report or environmental impact assessment
done beforehand?
done beforehand?
“Major cities in the world take pride in maintaining their rich cultural and built heritage
which ensures the cities remain vibrant, living habitats with a colourful heritage.
which ensures the cities remain vibrant, living habitats with a colourful heritage.
“The majority of tourists come here to see our heritage, not marvel at sparkling glass
towers, as they have enough of those back home."
“That is something our authorities seem to be missing and it is important that we
maintain an identity that is uniquely Malaysian,” he said.
maintain an identity that is uniquely Malaysian,” he said.
Jasmeet added a committee on technical and art matters should be set up to handle
issues such as this.
issues such as this.
“Let the experts decide. For example, they will determine the structural stability of
such structures and the artistic credibility of these art."
such structures and the artistic credibility of these art."
“If these structures must be removed (and having first determined that these are
legitimate heritage pieces), then perhaps an alternative site should be found.
legitimate heritage pieces), then perhaps an alternative site should be found.
“No doubt in our tropical climate, our built structures do not last as long as in cold
European climates.
“However, over the past few years, we have been wantonly destroying ‘still solid’
buildings,” he said, citing the Bok House in Jalan Ampang.
“Bottomline is that DBKL as the custodian of public art and spaces need to be more
circumspect and responsible in its duties.
“Matters of public interest should be dealt with transparently and diligently,” he added.
The sudden demolition of the Puncak Purnama sculpture in Jalan Sultan Sulaiman,
Kuala Lumpur on July 1 had shocked the art fraternity and city folks.
In a statement on July 4, Federal Territories Minister Datuk Seri Tengku Adnan
Tengku Mansor said the site was located on the ongoing River of Life project.
“DBKL decided to demolish the structure because it was a threat to public safety,
subjected to vandalism and had become a hotspot for vagrants and drug addicts.
“We also found that the unmaintained drainage on the sculpture was a breeding
ground for mosquitoes,” he said.
Puncak Purnama was built by the late National Laureate Datuk Syed Ahmad Jamal
(1929-2011) using ceramic glass.
The sculpture was commissioned by United Malayan Banking Corporation Finance in
1986, after which it was handed over to DBKL in November the same year.
In 2010, The Star reported that in 1996, DBKL had altered the ceramic glass to stainless
steel without the consent of Syed Ahmad, who then brought DBKL to court and was
awarded RM750,000 in compensation for infringement of his moral rights.
It was learnt that the stainless steel facade was later removed, exposing the concrete
underneath and left as it was until its demolition last week.
------------------------------------------------------------------------------------------------------------------
The Star, Thursday 5 July 2016, Page 39 Views
Letter to the Editor.
Puncak Purnama could have been restored
THE Malaysian Institute of Architects, as an institute responsible for the promotion
of architecture and the various arts related to it, is dismayed and saddened that
Puncak Purnama, the sculpture by our late National Laureate Datuk Syed Ahmad Jamal,
has been demolished by Dewan Bandaraya Kuala Lumpur (DBKL).
This iconic piece of art, which was a landmark at Jalan Sultan Sulaiman for 30 years,
is now gone forever.
of architecture and the various arts related to it, is dismayed and saddened that
Puncak Purnama, the sculpture by our late National Laureate Datuk Syed Ahmad Jamal,
has been demolished by Dewan Bandaraya Kuala Lumpur (DBKL).
This iconic piece of art, which was a landmark at Jalan Sultan Sulaiman for 30 years,
is now gone forever.
Citing that the sculpture is an eyesore and beyond repair is not acceptable. As a
matter of fact, it was the responsibility of DBKL to regularly maintain the sculpture
after it was handed over by the United Malayan Banking Corporation Finance to the city
authorities in 1986.
authorities in 1986.
If the sculpture was in a bad state – as it was claimed to be – work could have been
carried out by specialist or professional conservationists to bring it back to its original state.
carried out by specialist or professional conservationists to bring it back to its original state.
We can restore dilapidated buildings such as the Suffolk House in Penang to its former
glory so why not a sculpture?
glory so why not a sculpture?
It would be truly sad if we as a nation have lost our appreciation of the value of art
works by our own national laureate.
works by our own national laureate.
AR MOHD ZULHEMLEE AN
President
Malaysian Institute of Architects
---------------------------------------------------------------------------------------------------------------------
So, let us not forget those other Heritage at Risk, worldwide as examples, and there
already a few in this country that exist already, especially from land corrosion. And,
here we have City Hall as the custodian, and more so DBKL is also a controlling authority.
But as a Corporation, it has not been wayward in exercising proper decisions towards
many its heritage structures. Especially when interventions come from a particular minister,
here we have City Hall as the custodian, and more so DBKL is also a controlling authority.
But as a Corporation, it has not been wayward in exercising proper decisions towards
many its heritage structures. Especially when interventions come from a particular minister,
who is NOT qualified to give the final decision on such matters.
We should abide by the Universal Declaration of Human Rights (UNDHR) 1946, and
there proper procedures to do so. Any changes towards sensitive Heritage matters
should be consulted given also Public option for opinions.
should be consulted given also Public option for opinions.
Please do not manage the country autocratically, the people determine its sovereignty.
Please refer the attached pdf, on The Press Media on Monday 4 July 2016,
attended by my youngest sister, describing briefly, the paper:
Kuala Lumpur 4 Julai 2016 -
"Karya arca Seniman Negara Datuk Syed Ahmad Jamal bertajuk Lunar Peaks/
Puncak Purnama yang terletak di Jalan Sultan Sulaiman Kampung Atap, Kuala Lumpur
ini menggunakan gelas seramik ( pyroceram glass) yang di bangunkan oleh NASA.
Kedutaan USA dan Wisma Putra telah berkerjasama membangunkan karya ini untuk
Syed Ahmad Jamal menggunakan bahan tersebut bagi memperingati manusia
menjejakkan kaki ke bulan.
Karya ini telah di tugaskan (commissioned) dibina oleh United Malayan Banking
Corporation Finance ( UMBC) pada 1986, dan telah diserahkan kepada DBKL pada
tahun yang sama.
Corporation Finance ( UMBC) pada 1986, dan telah diserahkan kepada DBKL pada
tahun yang sama.
Lunar Peaks adalah karya yang membawa elemen cahaya di langit, udara dan air
( tanah) memberi makna penyatuan. Seirama gerak gaya imbang menuju ke ufuk,
seperti konsep mistikal Gunung Ledang . lanya perlu dilihat sebagai kekuatan kepada
semangat manusia dengan cita-cita, lambang era sains dan teknologi, manusia
menjejakkan kaki ke bulan.
( tanah) memberi makna penyatuan. Seirama gerak gaya imbang menuju ke ufuk,
seperti konsep mistikal Gunung Ledang . lanya perlu dilihat sebagai kekuatan kepada
semangat manusia dengan cita-cita, lambang era sains dan teknologi, manusia
menjejakkan kaki ke bulan.
Pada 1996, DBKL telah mengubahsuai Arca tersebut dari bahan kaca seramik ke besi
tanpa karat tanpa mendapat persetujuan dari Syed Ahmad. Allahyarham kemudian
telah membawa kes ini ke mahkamah pada 2010 dan telah menang dengan mendapat
ganti rugi sebanyak RM750,000.00 sebagai melindungi hak cipta pengkarya. Akhirnya
tanpa karat tanpa mendapat persetujuan dari Syed Ahmad. Allahyarham kemudian
telah membawa kes ini ke mahkamah pada 2010 dan telah menang dengan mendapat
ganti rugi sebanyak RM750,000.00 sebagai melindungi hak cipta pengkarya. Akhirnya
stainless steel itu telah dibuang dan yang di lihat hanyakan lapisan konkrit.
Kemenangan ini telah membuktikan bahawa negera kita, Malaysia melindung hak
rekacipta pengkarya dan sebarang perubahan terhadap kerya tersebut.
Seniman Negara Datuk Syed Ahmad Jamal (1929-2011) adalah seorang pelukis
tersohor, Beliau adalah pemenang anugerah Seniman Negara Malaysia 1995. Beliau
merupakan antara tokoh yang memainkan peranan penting dalam perkembangan
Balai Seni Lukis Negara dan pernah memegang jawatan Pengarah Balai Seni Lukis
Negara dari tahun 1983 sehingga tahun 1991."
Seniman Negara Datuk Syed Ahmad Jamal (1929-2011) adalah seorang pelukis
tersohor, Beliau adalah pemenang anugerah Seniman Negara Malaysia 1995. Beliau
merupakan antara tokoh yang memainkan peranan penting dalam perkembangan
Balai Seni Lukis Negara dan pernah memegang jawatan Pengarah Balai Seni Lukis
Negara dari tahun 1983 sehingga tahun 1991."
Puncak Purnama
Pg 132/133 Catalog Syed Ahmad Jamal: Pelukis,
published by National Visual Arts Gallery
In 1986, Syed Ahmad Jamal produced another public sculpture entitled 'Puncak Purnama'
Pg 132/133 Catalog Syed Ahmad Jamal: Pelukis,
published by National Visual Arts Gallery
In 1986, Syed Ahmad Jamal produced another public sculpture entitled 'Puncak Purnama'
(1986, concrete sculpture covered in pyroceram, in UMBC Park, Kuala Lumpur) which
retains the triangular motif that can be found in the most of his paintings and studies.
'Puncak Purnama' requires appreciation not only of the visible space but also of the
invisible ones, and must also be seen from a 360 perspective.
Evidence of a great force applied from above and from underneath can clearly seen in
this sculpture. Slanted lines coming from opposite directions representing the 'dzahir'
(outer) and the 'batin' (inner) and between the two triangles add to the impression of
tension. The shape formed by the space between the two triangles is equivalent to the
slanted lines from the top right that appear in most of his paintings, for instance in
'Hujan Panas' (1958), 'Arjuna' (1967), 'Tumpal' (1975) and 'Janing Barat/Endau Rompin' (1985).
Each piece of pyroceram is arranged horizontally to give the impression of upward movement
of the horizon. The two triangular shapes rising in the circular shape serve as a pedestal
of the horizon. The two triangular shapes rising in the circular shape serve as a pedestal
filled with water to give a feeling of softness. This sculpture is reminiscent of the design from
the set of 'Desa Ria' in 1978. This also holds true in the sculpture entitled 'Growth' (1987,
marble, in Laman ASEAN) which, according to Syed Ahmad Jamat carries the following concept:
"The twenty slabs arranged in a curving movement, from a low profile to the
'Tumpal' shape pointing upwards, symbolises the dynamic growth of the ASEAN
region during the first twenty years."
Twenty slabs of marble are inclined striating from the base until they reach about
85'. This creates a dynamic movement from the ground level to the top."
marble, in Laman ASEAN) which, according to Syed Ahmad Jamat carries the following concept:
"The twenty slabs arranged in a curving movement, from a low profile to the
'Tumpal' shape pointing upwards, symbolises the dynamic growth of the ASEAN
region during the first twenty years."
Twenty slabs of marble are inclined striating from the base until they reach about
85'. This creates a dynamic movement from the ground level to the top."
------------------------------------------------------------------------------------------------
How good the concept is ...it's yours to ponder...
Also please make reference to Pyroceram ...and know all about it.
"Its development has been traced to Corning's work in developing photosensitive glass.[2]
Corning credits S. Donald Stookey with its discovery; while conducting research in 1953
on a photosensitive lithium silicate glass called Fotoform containing a dispersion of
Corning credits S. Donald Stookey with its discovery; while conducting research in 1953
on a photosensitive lithium silicate glass called Fotoform containing a dispersion of
silver nanoparticles, Stookey noted that an accidentally overheated fragment of the
glass resisted breakage when dropped.[3] Stookey's initial glass-ceramic became
Fotoceram, with Li2Si2O5 and quartz as its crystalline phases. Fotoceram evolved into
Pyroceram in 1959, with β-spodumene as the crystalline phase, which evolved into the
CorningWare line of cookware.[4]
glass resisted breakage when dropped.[3] Stookey's initial glass-ceramic became
Fotoceram, with Li2Si2O5 and quartz as its crystalline phases. Fotoceram evolved into
Pyroceram in 1959, with β-spodumene as the crystalline phase, which evolved into the
CorningWare line of cookware.[4]
The manufacture of the material involves controlled crystallization.[2] NASA classifies it
as a glass-ceramic product.[5] "
as a glass-ceramic product.[5] "
Manned Lunar landing (Moon landing) was on 20 July 1969
Also refer to dailyseni
The minister should be taught some lessons.
rosli.
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Rosli Mohd. Ali
Jul 10, 2016, 5:27:43 PM7/10/16
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Guys,
Upon perusing further what was scribbled behind the NVAG Press Media papers of
the event on 4 July 2016, attended by my sister, I saw four names written in cursive;
the event on 4 July 2016, attended by my sister, I saw four names written in cursive;
Samad Said, Nor Zuber, Siti Zainum, Raja Ahmad ....
Not familiar with two, but making speculation by associating name for who could
be that attended the event with another of our National Laureate A.Samad Said,
naturally I called Raja Ahmad Aminullah C72 for confirmation, and he said "yes, him".
When queried further for those other names familiar that came, he said Zain Azahari....
When queried further for those other names familiar that came, he said Zain Azahari....
then the conversation stopped abruptly...it went offline....
(Zain Azahari, the former chairman of UMBC.)
So I goggled further seeking development, thinking for sure there would be ramifications,
for this sudden calling of elite gathering of people from various arts fraternities. Not
realising our newspapers were also delivered on Hari Raya Day, Wednesday 6 July 2016,
but not the day after.
My goggling search found a writer by the name of Daryl Goh notifying he will issue an
My goggling search found a writer by the name of Daryl Goh notifying he will issue an
update article following the Press Media of 4 July 2016, saying it should be out the
following day.
Daryl Goh issued the article online on 5 July 2014, but the printed hardcopy was only
released on Hari Raya Day, STAR2, Wednesday 6 July 2016, Page 13 ART, entitling,
"The moon weep."
released on Hari Raya Day, STAR2, Wednesday 6 July 2016, Page 13 ART, entitling,
"The moon weep."
Here's the same article online version.
Kuala Lumpur City Hall (DBKL) demolished the historic public sculpture Lunar Peaks
(1986) by the late National Laureate artist Datuk Syed Ahmad Jamal on July 1. Photo:
The Star/P. Nathan
(1986) by the late National Laureate artist Datuk Syed Ahmad Jamal on July 1. Photo:
The Star/P. Nathan
Lunar Peaks: KL’s beloved public sculpture
must rise from ruins
By DARYL GOH
The National Visual Arts Gallery (NVAG), the art community and the family of the late
Datuk Syed Ahmad Jamal (1929-2011) are prepared to take the Kuala Lumpur City Hall
(DBKL) to task for its decision to demolish the Lunar Peaks (Puncak Purnama) public
sculpture in Kuala Lumpur on July 1.
Datuk Syed Ahmad Jamal (1929-2011) are prepared to take the Kuala Lumpur City Hall
(DBKL) to task for its decision to demolish the Lunar Peaks (Puncak Purnama) public
sculpture in Kuala Lumpur on July 1.
Lunar Peaks, arguably one of Kuala Lumpur’s prominent public sculptures, was created
by National Laureate artist Syed Ahmad in 1986.
by National Laureate artist Syed Ahmad in 1986.
“The abrupt destruction of Lunar Peaks is a great loss to the nation’s cultural heritage.
It came as a complete shock for the art community – to see a bulldozer already
demolishing the sculpture on July 1 . It is a regrettable move considering the iconic status
of the sculpture,” says Datuk Mahadzir Lokman, NVAG chairman, during a media
conference at NVAG on July 4.
It came as a complete shock for the art community – to see a bulldozer already
demolishing the sculpture on July 1 . It is a regrettable move considering the iconic status
of the sculpture,” says Datuk Mahadzir Lokman, NVAG chairman, during a media
conference at NVAG on July 4.
On July 1, Kuala Lumpur mayor Datuk Seri Mohd Amin Nordin Abdul Aziz said the structure
was in bad shape, while Federal Territories Minister Datuk Seri Tengku Adnan Tengku Mansor
echoed his sentiment by calling it an “eyesore” on July 2.
was in bad shape, while Federal Territories Minister Datuk Seri Tengku Adnan Tengku Mansor
echoed his sentiment by calling it an “eyesore” on July 2.
The public sculpture Lunar Peaks (Puncak Purnama) was commissioned by the United
Malayan Banking Corporation Berhad (UMBC) in 1986. Photo: National Visual Arts Gallery
Due to neglect, Lunar Peaks, through the years, had been in a state of considerable decay.
Malayan Banking Corporation Berhad (UMBC) in 1986. Photo: National Visual Arts Gallery
Due to neglect, Lunar Peaks, through the years, had been in a state of considerable decay.
“The preservation of culture, in a big city like KL, shouldn’t be a one-way street. There should
have been conversation and a shared plan to relocate Lunar Peaks. Private and public galleries
in Kuala Lumpur would have been open to the idea of rehoming this public work. This was an
important piece by Datuk Syed Ahmad Jamal, it was our artistic heritage,” adds Mahadzir, who
also walked the media around a pile of Lunar Peaks rubble at NVAG, which was rescued from
the demolition site in Jalan Sultan Sulaiman.
have been conversation and a shared plan to relocate Lunar Peaks. Private and public galleries
in Kuala Lumpur would have been open to the idea of rehoming this public work. This was an
important piece by Datuk Syed Ahmad Jamal, it was our artistic heritage,” adds Mahadzir, who
also walked the media around a pile of Lunar Peaks rubble at NVAG, which was rescued from
the demolition site in Jalan Sultan Sulaiman.
Mahadzir mentioned a possible crowdsourcing venture – initiated by NVAG and various local
art groups – to rebuild the sculpture.
art groups – to rebuild the sculpture.
Syed Ahmad’s widow Datin Hamidah Mohd Noor and son Syed Nabil Syed Ahmad Jamal,
didn’t rule out the possibility of legal action against DBKL.
didn’t rule out the possibility of legal action against DBKL.
National Visual Arts Gallery (NVAG) chairman Datuk Mahadzir Lokman (left) looking at
the ruins of Lunar Peaks brought to the NVAG compound. Datuk Syed Ahmad Jamal’s
widow Datin Hamidah Mohd Noor and son Syed Nabil Syed Ahmad Jamal (brown shirt)
were also present at the media gathering. On the right is Zain Azahari Zainal Abidin, the
former chairman of UMBC bank, who commissioned the Lunar Peaks sculpture in 1985.
Photo: Tan Sei Hon
the ruins of Lunar Peaks brought to the NVAG compound. Datuk Syed Ahmad Jamal’s
widow Datin Hamidah Mohd Noor and son Syed Nabil Syed Ahmad Jamal (brown shirt)
were also present at the media gathering. On the right is Zain Azahari Zainal Abidin, the
former chairman of UMBC bank, who commissioned the Lunar Peaks sculpture in 1985.
Photo: Tan Sei Hon
“Our family is deeply hurt and disappointed. In many ways, I’m glad my father isn’t here
to witness what has done to his sculpture. DBKL has to explain this decision. Instead of
viewing Datuk Syed Ahmad Jamal as a vital contributor to Malaysian modern art, part of
his legacy has been erased. What was the intent here?” asks Syed Nabil, who is an architect.
to witness what has done to his sculpture. DBKL has to explain this decision. Instead of
viewing Datuk Syed Ahmad Jamal as a vital contributor to Malaysian modern art, part of
his legacy has been erased. What was the intent here?” asks Syed Nabil, who is an architect.
This is the second – and tragically last – time that DBKL dismissed this cultural and historical icon.
In 1996, DBKL had altered Lunar Peaks’ ceramic glass to stainless steel without the consent
of Syed, who then brought DBKL to court and was awarded RM750,000 in compensation for
infringement of his moral rights in 2010. However, DBKL had the penalty reduced to RM150,000.
of Syed, who then brought DBKL to court and was awarded RM750,000 in compensation for
infringement of his moral rights in 2010. However, DBKL had the penalty reduced to RM150,000.
The judgment, seen as an important victory for the art community, saw Lunar Peaks’ stainless
steel facade removed. However, the sculpture’s concrete underneath was exposed. Lunar Peaks
was left as it was until the recent demolition.
steel facade removed. However, the sculpture’s concrete underneath was exposed. Lunar Peaks
was left as it was until the recent demolition.
At the media conference, Syed Nabil fondly recalls visiting the Lunar Peaks work site – with
his brother and mother – when it was being constructed.
“My father was very proud of this sculpture, it meant a lot to him,” says Syed Nabil.
his brother and mother – when it was being constructed.
“My father was very proud of this sculpture, it meant a lot to him,” says Syed Nabil.
Datuk Syed Ahmad Jamal (1929-2011), who was made National Art Laureate in 1995,
is one of the country’s most important artists who have played a role in the history of
Malaysian modern art. Photo: Filepic
is one of the country’s most important artists who have played a role in the history of
Malaysian modern art. Photo: Filepic
Syed Ahmad, who was 56 then, started building Lunar Peaks, a concrete sculpture
covered in pyroceram, in 1985. The sculpture, commissioned by United Malayan Banking
Corporation Berhad (UMBC), was unveiled at UMBC Park in Kuala Lumpur in 1986.
covered in pyroceram, in 1985. The sculpture, commissioned by United Malayan Banking
Corporation Berhad (UMBC), was unveiled at UMBC Park in Kuala Lumpur in 1986.
“DBKL received Lunar Peaks a few months after the bank launched it. It was gift from
UMBC to the masses. It was such a wonderful piece of art, a sculpture so well-recognised
in KL through the generations,” says Zain Azahari, former chairman of UMBC, who picked
Syed Ahmad for the commission.
UMBC to the masses. It was such a wonderful piece of art, a sculpture so well-recognised
in KL through the generations,” says Zain Azahari, former chairman of UMBC, who picked
Syed Ahmad for the commission.
For visual artist Saiful Razman, the tragic fate of Lunar Peaks is an eye-opener for the art
community.
community.
“This is a serious miscalculation on the part of DBKL. Will they take the blame? Or will
this (incident) be buried under red tape? I strongly feel the more sensible thing to do is to
get DBKL, the art institutions and artists to start talking. I would like to see Lunar Peaks
respectfully rebuilt and given pride of place in a new location. All parties should make it
their mission to make this happen,” says Saiful, the first of at least 10 artists who made
police reports in the last few days against DBKL for this “institutionalised vandalism”.
this (incident) be buried under red tape? I strongly feel the more sensible thing to do is to
get DBKL, the art institutions and artists to start talking. I would like to see Lunar Peaks
respectfully rebuilt and given pride of place in a new location. All parties should make it
their mission to make this happen,” says Saiful, the first of at least 10 artists who made
police reports in the last few days against DBKL for this “institutionalised vandalism”.
“We can argue about the aesthetics of the sculpture/installation by Datuk Syed Ahmad
Jamal (whom I knew very well), but the fact remains that it was of historical importance,
and it was the creation of a National Laureate, who was also one of the most important
and formative artists in our modern art history. He was also a teacher and a very influential
one,” says Eddin Khoo, founder/director of cultural organisation Pusaka.
Jamal (whom I knew very well), but the fact remains that it was of historical importance,
and it was the creation of a National Laureate, who was also one of the most important
and formative artists in our modern art history. He was also a teacher and a very influential
one,” says Eddin Khoo, founder/director of cultural organisation Pusaka.
“But this demolition reflects something deeper – the lack of an institutional memory. Whether
it is the destruction of an ancient temple site in the Bujang Valley, the nonsensical proscription
of traditional art forms, it is all rooted in a methodical failure to ‘Remember and Acknowledge.’
Nations are not made up of edicts and laws alone – that is the stuff of brittle paper. It is given
life by a collective memory. And we should be terribly ashamed that we consistently let ourselves
down in not allowing ourselves to have one,” adds Khoo.
it is the destruction of an ancient temple site in the Bujang Valley, the nonsensical proscription
of traditional art forms, it is all rooted in a methodical failure to ‘Remember and Acknowledge.’
Nations are not made up of edicts and laws alone – that is the stuff of brittle paper. It is given
life by a collective memory. And we should be terribly ashamed that we consistently let ourselves
down in not allowing ourselves to have one,” adds Khoo.
This demolition reflects something deeper – the lack … contempt for even … of an institutional
memory, says Eddin Khoo. Photo: The Star/P. Nathan
memory, says Eddin Khoo. Photo: The Star/P. Nathan
Outside his paintings, Syed Ahmad pushed public sculpture standards here with his revered
work Allah (1980), featuring Arabic letters expressed in concealed form. For those not well-versed
with Arabic calligraphy, the structure is nothing more than a stainless steel work standing in organic
and geometrical forms. However, it was Lunar Peaks that brought him a broader audience.
work Allah (1980), featuring Arabic letters expressed in concealed form. For those not well-versed
with Arabic calligraphy, the structure is nothing more than a stainless steel work standing in organic
and geometrical forms. However, it was Lunar Peaks that brought him a broader audience.
“I was told the history of aero space technology and the moon landing in 1969 have a lot to do
with the making of Lunar Peaks. The original material used was pyroceram glass, which was
developed by NASA. The US embassy and Wisma Putra worked towards securing this material
for Syed Ahmad to use,” says Zanita Anuar, NVAG’s director (office of the KL Biennale).
with the making of Lunar Peaks. The original material used was pyroceram glass, which was
developed by NASA. The US embassy and Wisma Putra worked towards securing this material
for Syed Ahmad to use,” says Zanita Anuar, NVAG’s director (office of the KL Biennale).
Dr Ibrahim Ghaffar, the chairman of PENA (Persatuan Penulis National Malaysia, who was a
sculptor himself in the late 1970s, remembers spending time with Syed Ahmad during the construction
process of Lunar Peaks. According to Ibrahim, Syed Ahmad’s paintings from his Gunung Ledang series
also played an important part in developing the ideas behind Lunar Peaks.
sculptor himself in the late 1970s, remembers spending time with Syed Ahmad during the construction
process of Lunar Peaks. According to Ibrahim, Syed Ahmad’s paintings from his Gunung Ledang series
also played an important part in developing the ideas behind Lunar Peaks.
“In our conversations, Syed Ahmad saw Ledang mountain (in Johor) as a starting point in Malay
civilisation and culture. He wanted to bring a part of the mountain’s spirituality to the heart of the
city. For me, Lunar Peaks operates on so many levels, it is one of his best works,” says Ibrahim.
____________________________________________________________________________
civilisation and culture. He wanted to bring a part of the mountain’s spirituality to the heart of the
city. For me, Lunar Peaks operates on so many levels, it is one of his best works,” says Ibrahim.
____________________________________________________________________________
My take:
This predisposes us to the concept of class. Class is defined by men as they live their own history,
and in the end, this is its only definition. A social and cultural formation, arising from processes
which they worked themselves out over considerable period.
Putting someone not worthy to shepherd the traditions would be of no value for his actions and
desires will be short the popular culture.
So there could be a possibility of legal action,
and police reports had been made.
Rosli Mohd. Ali
Jul 12, 2016, 6:13:52 PM7/12/16
to woods...@googlegroups.com, Wan Ariffin, Nik ST.BUL-Azmi, Muhammad Alwi, Muhammad Alwi, GrandPa.احمد فظيل, Ahmad Fauzee, Ahmad Fuad, Idris Jais, Nikariff, Ahmad Fuad, ZainolAbidin AhmadShariff, Salehuddin Hashim, Raja Ahmad Aminullah Raja Abdullah, kamal.k...@gmail.com, Abed Onn, Wan Peng
Oops I left out one of earlier news issued by The Star
ie. STARMETRO, Saturday 2 July 2016, Page 4 News.
Yes I did go to the site at Kampong Attap on Friday 1 July 2016,
before breaking fast, and see for myself the outcome of the
demolition activity that had taken place that evening.
before breaking fast, and see for myself the outcome of the
demolition activity that had taken place that evening.
Yup, before the long Hari Raya break starts....tsk,tsk...
Herewith reproduced the article on line.
Saturday, 2 July 2016
DBKL demolishes ‘Puncak Purnama’
by vijenthi nair
A DBKL signboard on site states that the demolition of the Puncak Purnama sculpture
by the late Datuk Syed Ahmad Jamal in Jalan Sultan Sulaiman is part of City Hall’s work
to rejuvenate the landscape. — P. NATHAN / The Star"
by the late Datuk Syed Ahmad Jamal in Jalan Sultan Sulaiman is part of City Hall’s work
to rejuvenate the landscape. — P. NATHAN / The Star"
THE sudden demolition of the Puncak Purnama (Lunar Peaks) sculpture in
Jalan Sultan Sulaiman, Kuala Lumpur, has shocked the art fraternity.
Jalan Sultan Sulaiman, Kuala Lumpur, has shocked the art fraternity.
A Kuala Lumpur City Hall (DBKL) signboard on site stated that the demolition was
part of work to rejuvenate the landscape that was described as “kejur” or lifeless.
part of work to rejuvenate the landscape that was described as “kejur” or lifeless.
Art historian Prof Dr Dzulhaimi Md Zain said he was worried for the nation
that did not appreciate its own national heritage.
that did not appreciate its own national heritage.
“There is something wrong in the way we preserve our national heritage.
“We fought and won a case in court when DBKL defaced the artwork, and now
the same piece is demolished. We have to do something as this can happen to
any of our works too,” he said.
the same piece is demolished. We have to do something as this can happen to
any of our works too,” he said.
Lunar Peaks was built by the late National Laureate Datuk Syed Ahmad Jamal
(1929-2011) using ceramic glass. The sculpture was commissioned by
United Malayan Banking Corporation Finance in 1986, after which it was handed
over to DBKL in November the same year.
United Malayan Banking Corporation Finance in 1986, after which it was handed
over to DBKL in November the same year.
According to a previous report in The Star, Lunar Peaks is a great work of art with
its play of light, the sky (air)-earth-water unity, and the stepped ascending/descending
contrapuntal rhythm based on the mythical Gunung Ledang.
its play of light, the sky (air)-earth-water unity, and the stepped ascending/descending
contrapuntal rhythm based on the mythical Gunung Ledang.
In 2010, The Star also reported that in 1996, DBKL had altered the ceramic glass
to stainless steel without the consent of Syed Ahmad, who then brought DBKL to
court and was awarded RM750,000 in compensation for infringement of his moral rights.
court and was awarded RM750,000 in compensation for infringement of his moral rights.
It was learnt that the stainless steel facade was later removed, exposing the concrete
underneath and left as it was until its demolition.
When contacted for comment, Kuala Lumpur mayor Datuk Seri Mohd Amin Nordin
Abdul Aziz said the structure was not well maintained and was in bad shape.
Abdul Aziz said the structure was not well maintained and was in bad shape.
Veteran artist Long Thien Shih said DBKL should have made the effort to restore the
sculpture instead of destroying it.
sculpture instead of destroying it.
“The Geneva Convention on artist copyright states that any artwork by a well-known
artist that is recognised by the country is considered a national heritage. And the artwork
cannot be destroyed or defaced because that is the moral right of the artist.
artist that is recognised by the country is considered a national heritage. And the artwork
cannot be destroyed or defaced because that is the moral right of the artist.
“DBKL is responsible to maintain the sculpture, so DBKL is at fault for the artpiece’s bad
condition. They can be taken to court for negligence.
condition. They can be taken to court for negligence.
“I passed by the stretch this morning and it was a sad thing to see an artwork being
treated like that. The authority is ignorant about our cultural heritage,” he said.
treated like that. The authority is ignorant about our cultural heritage,” he said.
An art gallery owner who declined to be named, rushed to the site after hearing about the
two triangular pieces being torn down yesterday morning.
two triangular pieces being torn down yesterday morning.
“I came to see it with my own eyes,” he said, adding that he could not understand the
purpose of demolishing the work when nothing much could be done in that small space.
purpose of demolishing the work when nothing much could be done in that small space.
Local art critic Ooi Kok Chuen said it was a shameful and callous act by the city administrators
whose job was to preserve such works of art.
whose job was to preserve such works of art.
“They should have made amends to their original mistake as this is one of the very few
heritage artpieces in the city. Though it is their legal right, the moral duty overrides all,” he said.
heritage artpieces in the city. Though it is their legal right, the moral duty overrides all,” he said.
According to lawyer and art collector Pakhruddin Sulaiman, despite the transfer of ownership,
the buyer does not retain full and absolute right to any artwork in Malaysia.
the buyer does not retain full and absolute right to any artwork in Malaysia.
“It was a great stride when Syed Ahmad won the case, which affirmed that any alteration or
changes made to an artist’s work is a clear breach of the provisions under the Copyright Act.
It has to be maintained as it was originally conceived.
changes made to an artist’s work is a clear breach of the provisions under the Copyright Act.
It has to be maintained as it was originally conceived.
“But the law is not clear about complete destruction of an artpiece, there is no particular case
to point,” he said, adding that he was “totally distraught”.
to point,” he said, adding that he was “totally distraught”.
-----------------------------------------------------------------------------------
Malay Mail online carries the minister's reply...
Monday July 4, 201603:38 PM GMT+8
Ku Nan: Court decision gives City Hall right to demolish Lunar Peaks
Datuk Seri Tengku Adnan Tengku Mansor said City Hall had received complaints about
the sculpture from the public and decided it was better to tear it down. ― Picture by Ida Lim
the sculpture from the public and decided it was better to tear it down. ― Picture by Ida Lim
KUALA LUMPUR, July 4 — Federal Territories Minister Datuk Seri Tengku Adnan
Tengku Mansor said today that it was not wrong for the City Hall to tear down the
Puncak Purnama (Lunar Peaks) sculpture as a court decision allowed it to do so.
Tengku Mansor said today that it was not wrong for the City Hall to tear down the
Puncak Purnama (Lunar Peaks) sculpture as a court decision allowed it to do so.
He was referring to the 2010 High Court decision which resulted in the KL Mayor
paying RM750,000 damages to the late National Art Laureate Datuk Syed Ahmad Jamal
Syed Jamil Sahil for modifying the sculpture without his consent.
paying RM750,000 damages to the late National Art Laureate Datuk Syed Ahmad Jamal
Syed Jamil Sahil for modifying the sculpture without his consent.
“After that, DBKL has taken full ownership of the sculpture. The court has also decided
that DBKL has the right to demolish it and that no party can order DBKL to maintain
the sculpture via public funds,” he said, referring to Malay acronym for City Hall.
that DBKL has the right to demolish it and that no party can order DBKL to maintain
the sculpture via public funds,” he said, referring to Malay acronym for City Hall.
“DBKL has also decided to demolish the sculpture as it was too old, it became a target
for vandalism and a breeding ground for aedes due to poor maintenance.
for vandalism and a breeding ground for aedes due to poor maintenance.
” In 2010, Syed Ahmad Jamal won a civil suit against the KL mayor who had carried out
modifications to the sculpture without notifying him or seeking his consent in 2000.
modifications to the sculpture without notifying him or seeking his consent in 2000.
His son, Syed Nabil Syed Ahmad Jamal, earlier today had described the demolition as
destroying his father’s legacy.
destroying his father’s legacy.
Last Friday, the sculpture built by late Syed Ahmad Jamal was seen being demolished by
City Hall.
Tengku Adnan then said City Hall had received complaints about the sculpture from the
public and decided it was better to tear it down.
Lunar Peaks was commissioned by the United Malayan Banking Corporation and was
completed in 1986 when it was then presented to City Hall.
Syed Ahmad Jamal died at the age of 81 in 2011.
-----------------------------------------------------------------
Can you believe it?
Rosli Mohd. Ali
Jul 13, 2016, 10:20:26 PM7/13/16
to woods...@googlegroups.com, Wan Ariffin, Nik ST.BUL-Azmi, Muhammad Alwi, Muhammad Alwi, GrandPa.احمد فظيل, Ahmad Fauzee, Ahmad Fuad, Idris Jais, Nikariff, Ahmad Fuad, ZainolAbidin AhmadShariff, Salehuddin Hashim, Raja Ahmad Aminullah Raja Abdullah, kamal.k...@gmail.com, Abed Onn, Wan Peng
Now, now, another eminent and distinguished guy has stepped in to participate
on this issue. And, he brings in the subject on "adab", a moral obligation.
A lesson, especially one concerning what is right or prudent,
that can be derived from this issue, a piece of information,
or an experience.
A person's standards of behavior or beliefs concerning what is
and is not acceptable for them to do.
on this issue. And, he brings in the subject on "adab", a moral obligation.
A lesson, especially one concerning what is right or prudent,
that can be derived from this issue, a piece of information,
or an experience.
A person's standards of behavior or beliefs concerning what is
and is not acceptable for them to do.
In Malaysian context, "adab" is about perilaku, perbuatan:
kebaikan, kesantunan, moral, sopan santun, kesusilaan, kemanusiaan (amount many).
And here it reflects back to the attitude of a minister and so called Lord Mayor.
Dzul Razak or Professor Tan Sri Dato’ Dzulkifli Abdul Razak is the current Vice-Chancellor
of the Albukhary International University. Prior to this, he was the 5th Vice-Chancellor
of Universiti Sains Malaysia (USM) and held the office from 2000 – 2011.
of the Albukhary International University. Prior to this, he was the 5th Vice-Chancellor
of Universiti Sains Malaysia (USM) and held the office from 2000 – 2011.
He is also the 1st Vice-President of the International Association of Universities (IAU),
a UNESCO-affiliated organisation. His other involvements include being a member of
the Asia-Europe Meeting (ASEM) – Advisory Education Hub Committee, Executive Council
of the Association of Commonwealth Universities (ACU), and Advisory Committee of the
World Universities Forum, Davos (2008).
a UNESCO-affiliated organisation. His other involvements include being a member of
the Asia-Europe Meeting (ASEM) – Advisory Education Hub Committee, Executive Council
of the Association of Commonwealth Universities (ACU), and Advisory Committee of the
World Universities Forum, Davos (2008).
He has also served as a member of the World Health Organisation (WHO) Expert Advisory
Panel on Drug Policy and Management since 1995; and the WHO Scientific Committee of
Tobacco Product Regulation (2004-2006).
Panel on Drug Policy and Management since 1995; and the WHO Scientific Committee of
Tobacco Product Regulation (2004-2006).
At the national level, he was the Chair of the Malaysian Vice-Chancellors’/Rector’s Committee
and Malaysian Examination Council including being an Advisor to the National Higher
Education Research Institute (IPPTN). He also chaired of METEOR Sdn. Bhd., the parent
organisation of the Open University of Malaysia (OUM).
and Malaysian Examination Council including being an Advisor to the National Higher
Education Research Institute (IPPTN). He also chaired of METEOR Sdn. Bhd., the parent
organisation of the Open University of Malaysia (OUM).
He was also a member of the National Economic Advisory Council established in 2009
(until 2011) and co-chaired of the Malaysian Industry-Government Group for High-Technology
(MIGHT) from 2006 to 2011.
Read more here, http://voicingconcern.net.my/index.php/ms/biodata and,
(until 2011) and co-chaired of the Malaysian Industry-Government Group for High-Technology
(MIGHT) from 2006 to 2011.
Read more here, http://voicingconcern.net.my/index.php/ms/biodata and,
Dzul Razak has been a weekly columnist for the New Straits Times since 1995 writing mainly
on issues about education, science, and current events.
And also for The Sun, under "My View by andhere, has been a columni
on issues about education, science, and current events.
And also for The Sun, under "My View by andhere, has been a columni
He .
Rosli Mohd. Ali
Jul 14, 2016, 12:13:16 AM7/14/16
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Now, now, another eminent and distinguished guy has stepped in to
participate on this issue. And, he brings in the subject on "adab", a
moral obligation.
A lesson, especially one concerning what is right or prudent,
that can be derived from this issue, a piece of information,
or an experience.
A person's standards of behavior or beliefs concerning what is
and is not acceptable for them to do.
participate on this issue. And, he brings in the subject on "adab", a
moral obligation.
A lesson, especially one concerning what is right or prudent,
that can be derived from this issue, a piece of information,
or an experience.
A person's standards of behavior or beliefs concerning what is
and is not acceptable for them to do.
In Malaysian context, "adab" is about "perilaku, perbuatan:
"kebaikan, kesantunan, moral, sopan santun, kesusilaan, kemanusiaan" .
And here it reflects back to the attitude of a minister and so called Lord Mayor.
Dzul Razak or Professor Tan Sri Dato’ Dzulkifli Abdul Razak is the current
Vice-Chancellor of the Albukhary International University. Prior to this, he was
the 5th Vice-Chancellor of Universiti Sains Malaysia (USM) and held the office
from 2000 – 2011.
Vice-Chancellor of the Albukhary International University. Prior to this, he was
the 5th Vice-Chancellor of Universiti Sains Malaysia (USM) and held the office
from 2000 – 2011.
He is also the 1st Vice-President of the International Association of Universities
(IAU), a UNESCO-affiliated organisation. His other involvements include
being a member of the Asia-Europe Meeting (ASEM) – Advisory Education Hub
Committee, Executive Council of the Association of Commonwealth Universities
(ACU), and Advisory Committee of the World Universities Forum, Davos (2008).
(IAU), a UNESCO-affiliated organisation. His other involvements include
being a member of the Asia-Europe Meeting (ASEM) – Advisory Education Hub
Committee, Executive Council of the Association of Commonwealth Universities
(ACU), and Advisory Committee of the World Universities Forum, Davos (2008).
He has also served as a member of the World Health Organisation (WHO) Expert
Advisory Panel on Drug Policy and Management since 1995; and the WHO
Scientific Committee of Tobacco Product Regulation (2004-2006).
Advisory Panel on Drug Policy and Management since 1995; and the WHO
Scientific Committee of Tobacco Product Regulation (2004-2006).
At the national level, he was the Chair of the Malaysian Vice-Chancellors’/Rector’s
Committee and Malaysian Examination Council including being an Advisor to
the National Higher Education Research Institute (IPPTN). He also chaired of
METEOR Sdn. Bhd., the parent organisation of the Open University of Malaysia
(OUM).
Committee and Malaysian Examination Council including being an Advisor to
the National Higher Education Research Institute (IPPTN). He also chaired of
METEOR Sdn. Bhd., the parent organisation of the Open University of Malaysia
(OUM).
He was also a member of the National Economic Advisory Council established in
2009 (until 2011) and co-chaired of the Malaysian Industry-Government Group for
High-Technology (MIGHT) from 2006 to 2011.
Read more here, http://voicingconcern.net.my/index.php/ms/biodata and,
2009 (until 2011) and co-chaired of the Malaysian Industry-Government Group for
High-Technology (MIGHT) from 2006 to 2011.
Read more here, http://voicingconcern.net.my/index.php/ms/biodata and,
Dzul Razak C'68 has been a weekly columnist for the New Straits Times since 1995
writing mainly on issues about education, science, and current events.
And also for The Sun, under "My View by Dzulkifli Abdul Razak" and here,
on this issue, his article appeared in The Sun, under Speak Up,
Page 12 on Wednesday 13 July 2016.
(*although he named the late National Art Laureate as Datuk Syed Ahmad Syed Jamal
instead of the correct full name, Datuk Syed Ahmad Jamal Syed Jamil Sahil ).
instead of the correct full name, Datuk Syed Ahmad Jamal Syed Jamil Sahil ).
Anyway the Article online, on this issue, appears in the link below.
http://www.thesundaily.my/news/1894936 , reproduced herein.
My View - When a sculpture is torn down
Posted on 12 July 2016 - 07:37pm
Last updated on 12 July 2016 - 07:59pm
Last updated on 12 July 2016 - 07:59pm
Dzulkifli Abdul Razak
ONE man's peak is another man's pits just about describes what is left of
Puncak Purnama, or Lunar Peaks, the celebrated sculpture by National Art Laureate
Datuk Syed Ahmad Syed Jamal.
Puncak Purnama, or Lunar Peaks, the celebrated sculpture by National Art Laureate
Datuk Syed Ahmad Syed Jamal.
Syed Ahmad was honoured as laureate in 1995 for his immense achievements in
the world of Malaysian art and culture. He was 82 when he passed away at his
residence in Gombak on July 3, 2011. Syed Ahmad is survived by his wife,
Datin Hamidah Mohd Noor, and two sons.
the world of Malaysian art and culture. He was 82 when he passed away at his
residence in Gombak on July 3, 2011. Syed Ahmad is survived by his wife,
Datin Hamidah Mohd Noor, and two sons.
His works are regarded as a "traditional treasure" or "heritage" that frame and affirm
national and cultural identity of the country and its proud people. The themes that
Syed Ahmad worked on reflect much of the country's well-being from its independence
to that of national development in particular during the tenure of the fourth prime minister.
He became a household name during the era of Malaysian modern art.
national and cultural identity of the country and its proud people. The themes that
Syed Ahmad worked on reflect much of the country's well-being from its independence
to that of national development in particular during the tenure of the fourth prime minister.
He became a household name during the era of Malaysian modern art.
The sculpture, Puncak Purnama, was commissioned by the United Malayan Banking
Corporation (UMBC) and was completed in 1986, and unveiled at UMBC Park in
Kuala Lumpur before it was presented to KL City Hall as a "gift from UMBC to the masses".
Corporation (UMBC) and was completed in 1986, and unveiled at UMBC Park in
Kuala Lumpur before it was presented to KL City Hall as a "gift from UMBC to the masses".
"It was a wonderful piece of art, a sculpture so well-recognised in KL through the
generations," Zain Azahari, former chairman of UMBC, was quoted as saying. He had
hand-picked Syed Ahmad, then 56, for the commission.
generations," Zain Azahari, former chairman of UMBC, was quoted as saying. He had
hand-picked Syed Ahmad, then 56, for the commission.
Arguably, it was one of Kuala Lumpur's most prominent public sculptures and would be
welcomed in cities proud of their heritage.
welcomed in cities proud of their heritage.
Lunar Peaks was linked to the history of aerospace technology and the lunar landing of
1969. The original material used was pyroceram glass allegedly developed by NASA.
1969. The original material used was pyroceram glass allegedly developed by NASA.
"The US embassy and Wisma Putra worked towards securing this material for Syed Ahmad
to use," said Zanita Anuar, director of the National Visual Arts Gallery (NVAG).
The sculpture had made headlines in 1996 when modifications were made to it by altering
the ceramic glass to stainless steel, allegedly without notifying Syed Ahmad or seeking his
consent. He took the case to court and won a civil suit against the then KL mayor for
infringement of "the artist's moral rights". The stainless steel facade was later removed,
exposing the sculpture's concrete body.
the ceramic glass to stainless steel, allegedly without notifying Syed Ahmad or seeking his
consent. He took the case to court and won a civil suit against the then KL mayor for
infringement of "the artist's moral rights". The stainless steel facade was later removed,
exposing the sculpture's concrete body.
When the current mayor reportedly declared that "the structure was in bad shape" he was
reiterating its derelict state (despite claims of being "upgraded") rendering the sculpture
reportedly "unsafe".
reiterating its derelict state (despite claims of being "upgraded") rendering the sculpture
reportedly "unsafe".
This and other statements from a minister the following day set the stage for the tragedy –
the demolition of a cultural heritage dedicated to the masses. "A regrettable move considering
the iconic status of the sculpture," lamented NVAG chairman Datuk Mahadzir Lokman on
July 4 at a news conference.
the demolition of a cultural heritage dedicated to the masses. "A regrettable move considering
the iconic status of the sculpture," lamented NVAG chairman Datuk Mahadzir Lokman on
July 4 at a news conference.
One would have thought that there is a precedent to be learnt, but unfortunately not! Not
just the physical and cultural loss is considered deplorable, more so the lack of adab. Many
people were left speechless by what had happened, especially members of Syed Ahmad's
family, who said that they were not informed of the move by City Hall and were upset when
they found out that the sculpture had been destroyed.
just the physical and cultural loss is considered deplorable, more so the lack of adab. Many
people were left speechless by what had happened, especially members of Syed Ahmad's
family, who said that they were not informed of the move by City Hall and were upset when
they found out that the sculpture had been destroyed.
Syed Ahmad's son Syed Nabil said that the family only found out on July 1 that his father's
sculpture had been demolished. Hamidah admitted that there were no words to describe
how she felt. The impact was understandably devastating.
sculpture had been demolished. Hamidah admitted that there were no words to describe
how she felt. The impact was understandably devastating.
The tearing down of an invaluable art piece dedicated to the people not only leaves behind
a pile of rubble but also broken hearts and hurt feelings. The scars run deep and it will be
difficult to forget this tragedy.
a pile of rubble but also broken hearts and hurt feelings. The scars run deep and it will be
difficult to forget this tragedy.
Resorting to legal argument may not be the end of it all if "the moral rights" of the artist are
not given due respect. It is this issue that is today in short supply and makes the absence
of decorum and etiquette a larger concern as the lack of adab becomes the order of the day
even at the most august of places, and for the most sacred of issues. In this context,
Puncak Purnama is one such manifestation where one man's "peak" becomes another man's "pits"
sans adab. Sad indeed.
not given due respect. It is this issue that is today in short supply and makes the absence
of decorum and etiquette a larger concern as the lack of adab becomes the order of the day
even at the most august of places, and for the most sacred of issues. In this context,
Puncak Purnama is one such manifestation where one man's "peak" becomes another man's "pits"
sans adab. Sad indeed.
With some four decades of experience in education
locally and internationally, the writer believes that
"another world is possible".
Comments: let...@thesundaily.com
locally and internationally, the writer believes that
"another world is possible".
Comments: let...@thesundaily.com
----------------------------------------------------
Now it goes back to my initial statement in the original thread
when engaging on this subject from the very beginning...
........such an uncouth behaviour....!!!
WooeR
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