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It seems fitting that Mira Nair, the renowned film director and producer who achieved international acclaim with her hit film Monsoon Wedding, would have come to Harvard because she saw the campus in a movie.
Love Story, the film inflicted upon thousands of first-years each fall during freshman week, presented Nair with her first picture of Harvard. Dissatisfied with her first year at the University of Delhi and on the lookout for a big American University that could give her a scholarship, Nair saw the film and figured that Harvard was a contender, she says.
Her first green attempts at making movies occurred when she was a sophomore at the College in a musty room in the basement of Sever Hall for the Department of Visual and Environmental Studies (VES). Since then, Nair has built an international reputation as a gifted independent filmmaker who declines to conform to the mainstream film industries of either Hollywood or Bollywood, the booming South Asian commercial film industry that produces as many as 800 motion pictures a year.
Nair rejects formulas in favor of spinning unvarnished, starkly honest stories of believable people. Her films resonate with audiences because of their fierce insistence on the truth. Her track record, which includes an Oscar nomination and a host of other accolades, testifies to the success of her efforts.
As for academics, she turned to sociology, in which she earned her A.B. degree. But a portfolio of landscape photographs, which she had taken as a summer school student, also gained Nair entrance into the expanding VES department, then capped at 10 students per year.
Mississippi Masala, an interracial love story set in the American South and Uganda and that starred Denzel Washington, won three awards at the Venice Film Festival, including Best Screenplay and the Audience Choice Award. Kama Sutra: A Tale of Love, which she directed and co-wrote, is a sexually explicit and opulent film, which weaves the tale of two women in 16th century India who look to the ancient text of the Kama Sutra to guide them in their exploration of love.
While working on these various projects, Nair divides her time primarily between New York, where her son Zohran attends school and her husband Mahmood Mamdani is a government professor at Columbia University, and her home in Kampala, Uganda, where Nair is an avid gardener. Her family also spends time in a home in New Delhi.