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Maribeth Seagers
The Dark Knight Returns (alternatively titled Batman: The Dark Knight Returns) is a 1986 four-issue comic book miniseries starring Batman, written by Frank Miller, illustrated by Miller and Klaus Janson, with color by Lynn Varley, and published by DC Comics. It tells an alternative story of Bruce Wayne, who at 55 years old returns from a decade of retirement to fight crime while facing opposition from the Gotham City police force and the United States government. The story also features the return of classic foes Two-Face and the Joker, and culminates in a confrontation with Superman, who is now a pawn of the government.
The Dark Knight Returns is widely considered to be one of the greatest and most influential Batman stories ever made, as well as one of the greatest works of comic art in general, and has been noted for helping reintroduce a darker and more mature-oriented version of the character (and superheroes in general) to pop culture during the 1980s. Various elements of the series have since been incorporated into depictions of Batman in other media, while a direct animated adaptation of the story, Batman: The Dark Knight Returns, was released as a two-part film across 2012 and 2013.
While foiling an armed robbery, Batman learns that the criminals are working for Harvey Dent. Previously known as Two-Face, Dent underwent extensive therapy and plastic surgery to reenter society before disappearing. Batman informs close to retirement Commissioner James "Jim" Gordon that Dent may be planning a larger scheme. Soon after, Dent announces his intention to hold Gotham ransom with a bomb. After Batman defeats Dent and his goons, he discovers that Dent's mind has completely warped into his Two-Face persona.
Inspired by Batman, Kelley buys an imitation Robin costume and searches for him. Batman attacks the Mutants at the city dump with the Batmobile, but the Mutant Leader goads him into a hand-to-hand fight. Batman, due to his age and a decade of physical inactivity, is beaten and almost killed. Kelley creates a diversion that allows her and Batman to return to the Batcave, where Wayne's butler Alfred Pennyworth tends to his wounds. Impressed with her bravery, Wayne decides to make Kelley his new protegee. Batman strategically defeats the Mutant Leader in a fight surrounded by the Mutants. Seeing Batman defeat their leader, most of the Mutants disband into smaller gangs. One of these gangs renames itself the "Sons of the Batman", using excessive violence against criminals.
At the White House, Superman and current President Ronald Reagan discuss the events in Gotham, with the latter suggesting that Batman may have to be arrested. Clark Kent talks with Wayne and is then deployed by Washington to the Latin American country of Corto Maltese, where he fights Soviet combat forces in a conflict that may escalate into World War III.
Gordon's successor as commissioner, Captain Ellen Yindel, declares Batman a wanted criminal for his vigilante activities. Batman's return stimulates his archenemy, Joker, to awaken from catatonia at Arkham Asylum. Joker manipulates his caretakers to allow him onto a television talk show, where he murders everyone with Joker venom and escapes. Batman and Robin (Kelley) track him to a county fair while evading a Gotham police pursuit. Batman fights Joker, vowing to stop him permanently, feeling responsible for every murder the villain has committed. Batman paralyzes the Joker but is unable to take his life. Disappointed with Batman's refusal to kill him, Joker breaks his own neck and dies.
A citywide manhunt for Batman begins. Elsewhere, Superman diverts a Soviet nuclear warhead which detonates in a desert, nearly killing him in the process, and survives only by absorbing the sun's energy from the plants in a nearby jungle. The United States is hit by an electromagnetic pulse as a result and descends into chaos during the following blackout. In Gotham, Batman and Robin turn the remaining Mutants and Sons of the Batman into a non-lethal vigilante gang, making Gotham the safest city in the country. The U.S. government orders Superman to take Batman into custody. Superman demands to meet Batman, and Wayne chooses Crime Alley.
Superman tries to reason with Batman, but Batman uses his technological inventions to fight him on equal ground. During the battle, Superman compromises Batman's exoframe. However, an aging Oliver Queen manages to shoot Superman with a kryptonite-tipped arrow to weaken him. Standing over the defeated Superman, Batman has a sudden heart attack, apparently dying. Alfred destroys the Batcave and Wayne Manor before suffering a fatal stroke, exposing Batman as Bruce Wayne, whose fortune has disappeared. After Wayne's funeral, it is revealed that his death was staged using a chemical that suspended his vital life signs. Clark attends the funeral and winks at the disguised Carrie after hearing Wayne's heartbeat. Some time afterward, Bruce Wayne leads Robin, Queen, and the rest of his followers into the caverns beyond the Batcave and prepares to continue his war on crime.
Since the 1950s, when the Comics Code Authority was established, the character of Batman had drifted from his darker, more serious roots. It was not until the 1970s when the character began to feature in darker stories once again; however, Batman was still commonly associated with the campy theme of the 1960s Batman TV series, and was regarded more as a father figure to Robin rather than as his original identity as a vigilante.[3]
In the early 1980s, DC Comics promoted Batman group editor Dick Giordano to editorial director for the company.[4] Writer-artist Frank Miller was recruited to create The Dark Knight Returns. Giordano said he worked with Miller on the story's plot, and said, "[t]he version that was finally done was about his fourth or fifth draft. The basic storyline was the same but there were a lot of detours along the way."[5]
"With Batman, you've got a character that you can describe in just a few seconds: His parents were murdered by criminals; he's warring on crime for the rest of his life," Miller explained in the documentary Comic Book Confidential. "He was created in 1938, and the character was just ruthless in his methods, terrifying to criminals. Over the years, that got softened and softened, because people started thinking that comics had to be just for kids... and Batman had to be made much nicer. And eventually, no kid could relate to him anymore."[6]
During the creation of the series, fellow comics writer/artist John Byrne told Miller, "Robin must be a girl", and Miller agreed.[7] Miller said that the comic series' plot was inspired by Dirty Harry, specifically the 1983 film Sudden Impact, in which Dirty Harry returns to crime-fighting after a lengthy convalescence.[citation needed] The series employed a 16-panel grid for its pages. Each page was composed of either a combination of 16 panels, or anywhere between sixteen and one panel per page.[8] Giordano left the project halfway through because of disagreements over production deadlines. Comics historian Les Daniels wrote that Miller's idea of ignoring deadlines was "the culmination of the quest towards artistic independence".[9]
While the comic's ending features Batman faking his death and leading up the Sons of Batman to continue with his crusade against crime, symbolizing that Bruce Wayne dies but Batman lives on, this wasn't the original intention. During the MCM London Comic Con 2018, Miller revealed that in his original plans for the ending of The Dark Knight Returns, Batman was going to be gunned down by the police while fighting them, but the story got away from him and changed his mind.[10]
Despite the cost of the single-issue packaging, The Dark Knight Returns sold well.[11] Pricing it at $2.95 an issue, DC Comics promoted The Dark Knight Returns as a "thought-provoking action story". Time said the series' depiction of a "semi-retired Batman [who] is unsure about his crime-fighting abilities" was an example of trying to appeal to "today's skeptical readers".[12] More than one million comics were printed.[13]
Retrospectively, the series is today widely considered one of the greatest works in the comic medium. IGN Comics ranked The Dark Knight Returns first on a list of the 25 greatest Batman graphic novels and called The Dark Knight Returns "a true masterpiece of storytelling" with "[s]cene after unforgettable scene."[14] In 2005, Time chose the collected edition as one of the 10 best English language graphic novels ever written.[15] Forbidden Planet placed the collected issue at number one on its "50 Best of the Best Graphic Novels" list.[16] Writer Matthew K. Manning in the "1980s" chapter of DC Comics Year By Year A Visual Chronicle (2010) called the series "arguably the best Batman story of all time."[3] It was placed second in a poll among comic book academics conducted by the Sequart Organization.[17]
The series also garnered some negative reviews. In April 2010, Nicolas Slayton from Comics Bulletin ranked The Dark Knight Returns second in his Tuesday Top Ten feature's Top 10 Overrated Comic Books behind Watchmen. Slayton wrote, "[t]here is no central plot to the comic, leaving only a forced fight scene between Superman and Batman as an out of place climax to the story." "Gone are the traits that define Batman," he said, also citing "misuse of the central character."[18]
The immense popularity of The Dark Knight Returns served both to return the character of Batman to a central role in pop culture, but also (along with Watchmen) started the era known as the Dark Age of Comic Books (also known as the Modern Age and the Iron Age).[19] The grim, seedy versions of Gotham and Batman updated the character's identity from the campy Adam West version from the 1960s Batman TV series, and proved critically and commercially successful enough that a new wave of "dark" superheroes were either created or re-popularized, and preexisting heroes were redesigned or retooled to fit this new trend.[citation needed]
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