Re: Download Passengers Movie Movie
Susanne Sima
Passengers is a 2016 American science-fiction romance film directed by Morten Tyldum, written by Jon Spaihts and starring Jennifer Lawrence and Chris Pratt. The supporting cast features Michael Sheen, Laurence Fishburne, and Andy García. The film follows two passengers on an interstellar spacecraft carrying thousands of people to a colony 120 light years from Earth, when the two are awakened 90 years early from their induced hibernation.
Sometime later, another pod failure awakens Gus Mancuso, a deck chief officer. Using Gus' personnel code, the group accesses the ship's bridge (which Jim unsuccessfully tried to breach). They discover multiple cascading failures throughout the ship's systems, but the computer does not reveal the cause. If left unrepaired, the ship will inevitably fail, causing the passengers and crew to perish. Gus realizes that Jim awakened Aurora; Gus does not condone Jim's actions but understands, and tells Aurora that a "drowning man" (meaning the suicidal Jim) will grab onto any lifeline. When Gus falls critically ill, the ship's automated medical suite, the Autodoc, diagnoses pansystemic necrosis and gives him hours to live. Gus attributes it to his hibernation pod's multiple failures. Before dying, Gus gives Jim and Aurora his ID badge and employee code to access crew-only areas, so he and Aurora can try to repair the ship.
In Jon Spaihts's original 2007 script, Aurora's surname was Dunn.[9] At one point in the film's development, it was set to star Keanu Reeves and Emily Blunt.[10] Other actors temporarily attached to it included Reese Witherspoon and Rachel McAdams.[11] Brian Kirk was originally set to make his feature directorial debut with Reeves in the lead.[12][13] On December 5, 2014, it was announced that Sony Pictures Entertainment had won the rights to the film,[14] and in early 2015, Morten Tyldum was chosen to direct.[15] He had always wanted to do a big-scale sci-fi movie, but also stressed the importance of character development over effects.[16]
The final cast was announced between February 2015 and January 2016.[17][18][19][20] Lawrence was paid $20 million against 30% of the profit after the movie broke even. Pratt received $12 million.[11][21]
Parents need to know that Passengers is a romantic sci-fi drama about two people (Jennifer Lawrence and Chris Pratt) who find themselves on spaceship headed toward a distant planet with nobody else to keep each other company. It takes on thought-provoking themes like loneliness, agency, identity, and mortality (as well as courage), and it all hinges on a decision that one character makes without another's ability to weigh in, removing her ability to make her own life choices. A spaceship has a massive mechanical failure that threatens the lives of those on board. Viewers see it play out in large-scale accidents, including a scene in which a character nearly drowns. You can also expect sex scenes (naked buttocks shown, but nothing more graphic), kissing/making out, and some swearing ("s--t," "damn," etc.) and drinking -- sometimes to excess. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
In PASSENGERS, Jim Preston (Chris Pratt) is an engineer who decides to join thousands of others on the Avalon, a spaceship whose passengers are supposed to stay in an induced state of deep sleep for 120 years while they travel to a deep space colony. But just 30 years in, Jim wakes up due to a mechanical glitch, effectively leaving him on a desert island, with the clock ticking toward death. He's alone and lonely, save for the company of an android (Michael Sheen). So when Jim spots Aurora Lane (Jennifer Lawrence), composed and beautiful in her sleep pod, he's smitten. He researches her and her life and grows more enamored by the day, ultimately arriving at the decision to wake her up. But this means taking away Aurora's plans to live out her days on the colony, forever altering her life plans and taking away her power over herself. Meanwhile, the Avalon seems to be in trouble.
Pratt and Lawrence are wonderful and share decent chemistry, and Sheen adds wit, but, there's no mistaking the disturbing nature of this movie's premise. Positioned as a romance and at times offering insight into the nature of relationships, Passengers nonetheless tries to succeed while grounded in a plot that's frankly off-putting. Are we to see Jim as a harmless romantic, when his love for Aurora is based on expectations he placed on her without truly knowing who she is and his subsequent decisions are pretty much positioned as forgivable in the face of love? The special effects make for a visually stunning movie, and the film's complicated themes make it a knotty, interesting watch. But the film's problematic nature does distract from its strengths.
Families can talk about how Passengers depicts relationships. Is Jim and Aurora's relationship healthy? How does the movie portray sex? Parents, talk to your teens about your own values regarding these topics.
The plot is that Jim (Chris Pratt) is on a spaceship going to an Earth-like planet. The flight is to take 120 years and so Jim together with the rest of the crew and the passengers are put under hibernation and are meant to awake only four months before the scheduled arrival date. Due to a malfunction, Jim awakes thirty years into the journey and quickly panics after he figures out that no one else is yet awake and that he still has ninety years left until his destination. Soon the realization that he will die on this spaceship and never reach the destination hits him.
From the beginning of the movie to around the last fifteen minutes, the mood changes a lot and turns more action-based with the two characters and another technical captain that wakes up, trying to save the ship and not have one of the reactors blow up. There is bunch of action scenes here and I enjoyed this part of the movie much less than the first one but it was still good. In one of the final scenes Jim is outside the ship, a bay door gets blown off and he is blown of into space, the metal attachment holding him onto the ship snapping. Aurora goes out to fetch him, finds him almost dead, and resuscitates him using some onboard medical machine and jumps onto him with kisses.
They decide that neither of them will go to sleep and that they will in fact build a life together here. Earlier on in the movie we saw Aurora watching some good-bye videos from her friends. One of them mentioned that she hopes that Aurora will find someone to bond with and let them in to her heart, and how she wishes she would stay on Earth but understand that she never really liked it here.
And the inclusion of two highly paid, pop culture-friendly would-be movie stars created an impression that Passengers, once conceived as a $40 million-ish sci-fi vehicle for the likes of Keanu Reeves and Rachel McAdams or Emily Blunt, would be a big-budget movie that required big-budget production values. Thus the mid-budgeted star vehicle became a $110m production, with $32m of that going to its two stars (who, to be fair, are between the two of them onscreen for nearly every second of the film). It also thus became a movie that somewhat needed an action-y ending for action-y trailers that (by default) negated the moral dilemma at the heart of the narrative. The big stars/bigger paychecks created unrealistic expectations for the film and for its financial performance in a brand-driven world.
Space travel often conjures images of high-tech control panels, air-lock doors, and modular furnishings. But for Passengers, the upcoming drama starring Jennifer Lawrence and Chris Pratt, production designer Guy Hendrix Dyas traded typical aerospace style for a luxurious, futuristic look. In the film, a spacecraft traveling to a new planet malfunctions during its 120-year journey, awakening two passengers, Jim (Pratt) and Aurora (Lawrence), 90 years too soon. The epic story demanded set designs of an equally grand scale, a feat Dyas was able to achieve in just ten weeks.
And then, through the Sirius-level glow of Lawrence's presence, The Imitation Game director Morten Tyldum's diverting sci-fi drifts into more familiar but still pleasing romantic comedy turf as Jim and Aurora's preordained courtship proceeds a-space. Jim tells Aurora that her awakening, like his, was a fluke, but we're all waiting for the scene in which she discovers he stole her future because he couldn't stand to be alone. That is a dramatically rich sin, more than enough for one movie. Unfortunately, this one ladles other, less interesting sources of conflict on top of it.
The further dynamics of the plot are somewhat perishable. One or two are genuinely surprising. Too many of them seem inspired by the marketing department's mandate for an explosion they can put in the trailer. And there's the rub: Every time Tyldum rustles two sticks together long enough to get some sparks going (and these two beautiful actors never seem particularly hot for one another), the movie undermines itself with a howler of a line or, more often, a decision by one of the characters that makes no sense. It doesn't help that the exterior shots, intended to give us scale and grandeur, have a flat, screensaver-y look. Yes, of course Passengers relies on CGI to depict the yawning eternity of space. Gravity and Interstellar made their digital environs seem real; Passengers does not.
The script, by Jon Spaihts, has kicked around Hollywood for nearly a decade. (He also wrote Prometheus, another space-quest that opened grand and finished dumb.) It was nearly made a few years ago, on a substantially lower budget, and the first act is weird and strong enough to make you pine for the thriftier, thinkier iterations that might've continued its sardonic tack. (Danny Boyle's Sunshine and Duncan Jones' Moon were both cheaper, smarter entries in this genre.) Because Jim was riding in steerage, basically, as an indentured servant who will tithe the company a cut of his earnings for the rest his life, the ship's systems keep denying him the perks it's saving for the first class passengers when they wake up in 90 years. So he can have plain coffee but not espresso, and eat what looks like some kind of synthesized protein paste but nothing that looks like real food. There's also a clever bit where he tries to make a mayday call about his janky sleep-pod and is directed to Customer Service.
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