Performance: 'Jeevit Ya Mrit' ('Living or Dead') on 14, 15 and 16 May 2012

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Karishma Pais

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May 2, 2012, 4:17:38 PM5/2/12
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Performance: 'Jeevit Ya Mrit' ('Living or Dead') on 14, 15 and 16 May 2012
14.05. - 16.05.2012, 6.30 p.m.
Siddhartha Hall, Goethe-Institut / Max Mueller Bhavan

Duration: 55 minutes
Language: Hindi (no English subtitles)

Entry free, registration required with: staro...@delhi.goethe.org
Please state 'Jeevit Ya Mrit' as subject and indicate your preferred date. Kindly note that registration is on a first come first serve basis due to a limited number of seats.

 

'Jeevit Ya Mrit' ('Living or Dead')

© scartptb@gmail.comTagore's Jeebito o Mrito, with its aphoristic conclusion, remains a sort of enigma in his bouquet of stories. Tagore had a consistent interest in representing disembodiment. Monihara verges on the supernatural, Mahamaya is a sectional cadaver, and in Streer Patro, is there a sort of assumption in to the sea?

Jeebito o Mrito confirms presence by absence. The woman's body remains, it would seem in this story, on the borderline, visible/invisible; material/immaterial; tangible/intangible.

Geetanjali Shree's adaptation of Jeevit ya Mrit is written up as a monologue, a soliloquy, tracing the inner journeys of Kadambari through dream, desire, and hallucination, after she wakens amidst the detritus of death in the cremation ground. And believes herself to be dead.

Performance
Seema Biswas

Lights Design
Daulat Vaid

Sound Execution
Sneha/ Nihal Kardam/ Prasanna D

Camera
Santanu Bose, Aditee Biswas, Biplob Borkakoti, Firos Khan PH

Editing
Firos Khan PH, Santanu Bose

Photography
Aditee Biswas, Thyagarajan

Stage Management
Nihal Kardam/ Biplob Borkakoti

Production Control
Daulat Vaid

Adaptation
Geetanjali Shree

Direction
Anuradha Kapur

With music composed by Karlheinz Stockhausen, Philip Glass, Mallikarjun Mansoor and gamelan music.

For further information please visit
http://www.goethe.de/ins/in/ned/ver/en9113475v.htm
or contact 011-23471139.

 
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