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The related word ʾaʿrāb is used to refer to Bedouins today, in contrast to ʿArab which refers to Arabs in general.[103] Both terms are mentioned around 40 times in pre-Islamic Sabaean inscriptions. The term ʿarab ('Arab') occurs also in the titles of the Himyarite kings from the time of 'Abu Karab Asad until MadiKarib Ya'fur. According to Sabaean grammar, the term ʾaʿrāb is derived from the term ʿarab. The term is also mentioned in Quranic verses, referring to people who were living in Madina and it might be a south Arabian loanword into Quranic language.[104]
The most popular Arab account holds that the word Arab came from an eponymous father named Ya'rub, who was supposedly the first to speak Arabic. Abu Muhammad al-Hasan al-Hamdani had another view; he states that Arabs were called gharab ('westerners') by Mesopotamians because Bedouins originally resided to the west of Mesopotamia; the term was then corrupted into Arab.
Not only is the Quran the first work of any significant length written in the language, but it also has a far more complicated structure than the earlier literary works with its 114 suwar (chapters) which contain 6,236 ayat (verses). It contains injunctions, narratives, homilies, parables, direct addresses from God, instructions and even comments on how the Quran will be received and understood. It is also admired for its layers of metaphor as well as its clarity, a feature which is mentioned in An-Nahl, the 16th surah.
A number of musical instruments used in classical music are believed to have been derived from Arabic musical instruments: the lute was derived from the Oud, the rebec (ancestor of violin) from the Maghreb rebab, the guitar from qitara, which in turn was derived from the Persian Tar, naker from naqareh, adufe from al-duff, alboka from al-buq, anafil from al-nafir, exabeba from al-shabbaba (flute), atabal (bass drum) from al-tabl, atambal from al-tinbal,[487] the balaban, the castanet from kasatan, sonajas de azófar from sunuj al-sufr, the conical bore wind instruments,[488] the xelami from the sulami or fistula (flute or musical pipe),[489] the shawm and dulzaina from the reed instruments zamr and al-zurna,[490] the gaita from the ghaita, rackett from iraqya or iraqiyya,[491] geige (violin) from ghichak,[492] and the theorbo from the tarab.[493]
These designers incorporate traditional Arab design elements into their collections, such as ornate patterns, luxurious fabrics, and intricate embellishments. In addition to fashion, Arab design is also characterized by its intricate geometric patterns, calligraphy, and use of vibrant colors. Arabic art and architecture, with their intricate geometric patterns and motifs, have influenced Arab design for centuries.[559] Arab designers also incorporate traditional motifs, such as the paisley and the arabesque, into their work. Overall, Arab fashion elements are rooted in the rich cultural heritage of the Arab world and continue to inspire designers today.[560]
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