Theone downside here is that the DVD and Blu Ray discs usually release almost a full year after the season airs. Great for older series but not so great for those using this as their go-to method for watching HBO shows online.
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Binge watching is a favorite pastime for many people. Binge watching dramas allows one to conveniently, and quickly, follow a series through the story arc. Although watching dramas is not part of my daily job, it is part of a routine when the workday ends.
I do not spend more than an hour watching streaming online series per day. I watch virtually no TV programs, and read most of the time. However, I like variety, and the number of series that are high quality - almost movie-like are growing, and readily available if you have one of the major streaming services like Netflix, Amazon, Hulu or others.
I have provided several people with a hand written list, however, I thought why not write it down so I can easily share with others when it comes up. Normally a good binge watching drama or series has multiple seasons available when I start to watch it or take an interest - there have been a few exceptions to the rule, however for the most part, I only invest in the series if there are multiple seasons available.
The first series I binge watch as actually 'Lost', which was a very beguiling show, that seems at some points to drag on, and eventually could not be resolved by the writers. But it was a great show nonetheless and the ending still has me wondering the meaning despite reading through many synopses and summaries from other more well known critics.
A Noise Within is streaming An Iliad by Lisa Peterson and Denis O'Hare now through May 16. Julia Rodriguez-Elliott directs. The lone witness of an ancient and ravaged Trojan battlefield weaves a tale of tragedy and triumph, with an enduring love for every victim of war. The Poet, an eternal being tasked with a passionate examination of deadly conflict, grapples with grief and dualities of victory and loss, power and fragility, heroism and hubris in an unforgettable modern take on Homer's classic. For tickets and more information, click here.
Roundabout Theatre Company's Tony-nominated production of The Importance of Being Earnest will stream May 1-31. Directed by and starring Tony Award nominee Brian Bedford in his final stage performance, The Importance of Being Earnest features the original Broadway company performing Oscar Wilde's comedic masterpiece. To get access, click here.
Kathleen Chalfant and Elliott Gould will star in the live stream play We Have To Hurry, a new work by acclaimed playwright, actor, and director Dorothy Lyman. The two-hander, about a pair of mature people reigniting their spark in life's third act, will stream live via Broadway on Demand for two performances only, Saturday, May 1 at 8pm and Sunday, May 2 at 3pm. Patricia Vanstone directs. All proceeds will go to the Actors Fund Home East and West. For tickets and more information, click here.
On Sunday, May 2, at 7:30pm ET, TITANIQUE: The Maiden Voyage Concert is sailing straight into your living room. Streaming live from New York City's Le Poisson Rouge, the story reveals what really happened to Jack and Rose on that fateful night, as told by Cline Dion (who hijacks a Titanic Museum tour and re-charts the course of Titanic's beloved moments). The evening will feature a powerhouse cast performing more than 15 of Cline's most iconic hits, including "My Heart Will Go On," "It's All Coming Back to Me Now," and "All By Myself." For tickets and more information, click here.
The Billie Holiday Theatre will present the fifth anniversary edition of it's 50in50 monologue series, titled Shattering the Glass Ceiling. The show will have its virtual premiere via the theater's Facebook on May 6 at 7pm. For this year's show, 50 original monologues were selected by women of African descent from across the globe, and will be read by Lisa Arrindell, Marsha Stephanie Blake, LaTanya Richardson Jackson, Sanaa Lathan, Dawnn Lewis, Audra McDonald, Celestine Rae, Retta, Angelica Ross, Michele Shay, Gabourey Sidibe, Phyllis Yvonne Stickney, Wanda Sykes, Pauletta Washington, Vanessa Williams, and more to be announced. For more information on the free event, click here.
NAATCO presents an all-Asian American cast to deliver the enduring messages of Thornton Wilder's Our Town: that the eternal exists in the everyday, that knowing true joy and happiness comes from taking the time to look and listen. The work will be presented online one night only, May 19, at 8pm ET. During this divisive time in our country, NAATCO's Our Town reflects and emphasizes the kinship among people of disparate cultures. For tickets and more information, click here.
Sleep Squad is a family-friendly, interactive, virtual theater experience that turns your home into a rocket ship to launch kids into their dreams. Featuring brand-new, unique, kid-driven comedy and music from the Story Pirates that you can't see or hear anywhere else, this world premiere on-demand production creates a new kind of bedtime ritual for kids ages 4-12. Sleep Squad stars Tony Award nominee Lilli Cooper as the Dream Queen, who guides adventurers through three different enchanting virtual experiences, adapted from stories written by real kids. Check out the trailer and buy tickets above.
Christopher Carter Sanderson's film telling of Shakespeare's Macbeth up close and personal in the 9/16 aspect ratio with a stellar cast led by TV's Leajato Robinson (Bull, Orange Is the New Black, Boardwalk Empire), based on the long-running critical success. Check out the trailer and buy tickets above.
From Broadway to off-Broadway, from music to magic, TheaterMania Streaming offers you the best live-streams and videos on demand in the world of performing arts. For more information, click here and watch the trailer below:
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When you talk to a parent, grandparent or great-grandparent about life at home before television, they will probably tell you that they listened to the radio and read books, magazines and newspapers. They may also mention spending time together telling old stories and listening to music on a record player.
This is not a dichotomy between the good old days of quality mass-market television and the modern garbage made to fill airtime on hundreds of digital channels. Rather, there has always been a dichotomy between informative programming and shows made purely for entertainment and distraction. As with all dichotomies, the boundary between the two is blurred.
Appointment viewing refers to the phenomenon of people watching television shows at the same time each week or each day. When most people watched television broadcast over the air or on cable, they generally had two options. They could watch the show live as it aired, or, once the VCR was invented, they could record programs to watch later. A major concern during the mid-20th century when appointment viewing was most popular was that people might not watch serial narratives on television because they would have to wait a week between episodes. If they missed an episode or two, they could feel lost and stop watching the show.
Thus, appointment viewing and episodic TV went hand in hand for a majority of shows during the 20th century. Episodic television shows usually featured a different story with each episode. Soap operas, however, were serialized. They told an ongoing story with several threads, and each episode picked up where the last one left off, but they aired almost every weekday, and the stories were not known for being complicated.
Socially, television is an incredibly powerful medium. Most media studies scholars agree that it has the potential to enable shared social understanding. Televised images of atrocities helped encourage the Civil Rights Movement and the end of the Vietnam War. Educational and informational programming is required of broadcasters, and many consumers find valuable shows amidst the information glut; however, the future of television might be darker than the present age of quality and variety.
As television content moves online and streaming services become more popular, there is a massive corporate push to give internet service providers (ISPs) the kind of control over content that cable television providers have had in the past. The end of net neutrality could make streaming services more expensive, and though it is not likely to happen rapidly, internet access could be divided into tiers of websites and web services with ISPs charging more for the most popular sites. If the most binge-worthy, least intellectually valuable content becomes the affordable option for most people, the social impact of the new internet-television regime could be negative for generations to come.
We now use all manner of devices to connect to television content. Over-the-air television is gaining in popular support as people cut the cable cord. Streaming services, as stated, are beginning to dominate the landscape. Smartphones and tablets offer ways of consuming streaming television as well as amateur video programs as well as the opportunity for a second screen experience, which refers to watching something on television and interacting with the show or with fans of the show on social media and other Web platforms. The convergence of media platforms opens up new ways of engaging with video content and the people who produce it.
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