A Spark Of Madness

[Niobe Hennigan]

Asrepresented in the comic, sparks in their fugue state experience three emotional states that are indicated by changes in both their facial expression and their voice, as may be seen through changes in the spark's word balloons.

Phase 3 is rarely seen and appears to occur only when the spark is extremely angry; it has generally tended to manifest as an active homicidal battle-rage aimed at specific targets[5][6][7]

Exceptional Sparks seem to have finer control over the state, and consequently can move in or out of the deeper phases as necessary. This level of skill is not common enough to prevent horrible outbreaks of War. Alternatively, Sparks may play up the well-known signs of madness in order to intimidate minions into doing what they need. Also, whenever they do this they risk working themselves up into a genuine fury.

The Madness Place may be influenced by methods of mind control, as the "measures" that Baron Wulfenbach inflicted on his son Gil to prevent manipulation by The Other initially seemed to have locked him in a continuous madness place. However, once Gil arrived in England (and was therefore not continually managing the Wulfenbach empire directly), he began spending more time in a normal state. It is possible that this is due to a "retreat" of his father's overlay, since most of his actions at this time don't influence the health of the empire so directly.

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Edinburgh-born Muriel Spark is one of modern Scotland's greatest writers. Examination of her work reveals that the subjects of madness and psychiatry are recurrent themes in her writing. She herself had a mental breakdown when she was a young woman and she took an interest in the world of psychiatry and psychoanalysis. In her short stories, Spark approaches the subject of madness in a variety of ways: she relates it to the supernatural; to writing fiction; and to religion. She frequently juxtaposes secular and supernatural explanations of mental disturbance. Spark adopts a sceptical and, at times, mocking view of psychiatrists and psychiatric treatment. Both psychoanalysis and pills are seen as problematic.

While the set-up for the men's teams included a number of power racks with Olympic bars and weights, the women were provided with a set of dumbbells and yoga mats for the three weeks they will be in the tournament bubble.

In support, WNBA player and last year's NCAA national player of the year Sabrina Ionescu tweeted, "Women's @NCAA bubble weight room vs Men's weight room... thought this was a joke. WTF is this?!? To all the women playing in the @marchmadness tournament, keep grinding!"

Another WNBA player and former Notre Dame University student-athlete Brianna Turner wrote, "In regards to the NCAA wbb tournament weight room that looks like it belongs in a senior care facility... it's inexcusable. It shows that they didn't care. It shows it wasn't a priority."

Following the backlash, NCAA Vice President Lynn Holzman put out a statement and said that the organization acknowledges the difference between the amenities provided in each tournament but that it was caused due to "space limitations" in the women's facility.

Sedona Prince, a forward for the University of Oregon, posted a TikTok video. Captioned, "it's 2021 and we're still fighting for bits and pieces of equality," it showed the extra space in the same building which could be used to build an equally equipped weight room for the women's teams.

"When I first saw the picture, I was like 'Oh, this has to be cropped. There's no way it's just the dumbbells,'" recalled Abbie Wolf, a former Northwestern University women's basketball player. "And then, I saw the video on TikTok and I was like, "Oh, it's really that bad. This is a big empty room."

"This is just a thing that a lot of female players are used to," said Wolf, who currently plays professional basketball in Spain. "Even if you just compare the games on national television, you'll see. Access is a big issue."

"If the men's teams are getting access to this type of weight room so should the women's teams," said Nancy Hogshead-Makar, civil rights attorney and founder of Champion Women, a non-profit providing legal advocacy for women in sports. "They're supposed to be spending equal amounts of money and equal effort on women's teams."

According to Hogshead-Makar, even though the NCAA is not covered under Title IX, a law that protects people from sex-based discrimination, universities are responsible for making sure that the organization is treating their male and female athletes the same way.

In a Friday morning press conference, Holzman and the NCAA admitted to falling short in providing equal amenities for the women's players and acknowledged the discrepancies that were being highlighted on social media.

"We fell short this year in what we've been doing to prepare in the last 60 days for 64 teams to be here in San Antonio and we acknowledge that," said Holzman. "We are actively working on that and things will be in place by tomorrow morning."

Madness and Civilization: A History of Insanity in the Age of Reason was written by French philosopher and historian Michel Foucault and published in 1961. In it, Foucault offers a deep and complex treatment of the role of madness in Western society in which he seeks to identify the cultural, intellectual, and economic structures that dictate how madness is constructed.

Read the overall summary, explanations of important quotes, and four Question & Answers about key ideas in Madness and Civilization. Or, learn more by studying SparkNotes guides to other works by Michel Foucault.

I have seen how the work of our team helps them move out of the feelings of sadness, depression, and anxiety, and I hope that it helps everyone who comes here feel that the world is just a bit safer, a bit more predictable, and certainly a bit more kind.

I will remember this invitation when I feel troubled by sadness or grief. I will try to let the wild and forceful energy that comes from difficult experiences create in me a creative type of madness, the type that breaks down barriers and opens the way for something new, something better than I might have imagined before.

The public tale of the 2012-2013 ANSMET Expedition, funded by various Institutions interested in acquiring Knowledge for its own sake, has been told elsewhere, most prominently in our public wireless reports. Here, today, with the last vestiges of my humanity and sanity in tatters, I feel compelled to tell the real story about the events that have taken place here on the aeons-old windswept Antarctic plateau, before it is too late. I am reluctant to tell my tale, since I know my story will likely not be believed, but I must rely upon the judgement of the dear reader.

As previously reported, we camped here in the Larkman region to find pieces of the heavens themselves that have fallen from the sky and been buried for untold ages in the dead ice beneath us, only filled area. Surrounding us, and exuding waves of menace, are the tops of various monstrous mountains of antiquity. It is a land of stark and deep, almost mind-numbing, emensity, which, from the start, also invoked in me, for no evident reason, feelings of dread and emptiness. If only I had listened to those vague feelings and fears! When I arrived here, I was reading The Worst Journey in the World, in an attempt to learn more of this merciless land that I was planning on spending months getting to know. As the days went by, I instead used the tale to feel better about our harsh conditions, which, though harsh, are far better and easier to endure than those which the early explorers experienced. Or so I thought. For example, I have been haunted by the howling winds

that never stop, streaming North from the Pole, filling our tent with what sounds like the eerie cries of the long damned, while drawing the life from our skins and producing the dead flesh of frost nip in mere minutes. This cold wind also drives hard crystals of snow against all of our sledges and tents and transport, leaving long deep drifts that we easily stumble into when the light gets cold and flat, as it often does, when clouds blot out the sun. Wraithlike streamers of such flowing crystals move across the blue ice in formations that defy description, etching and cutting all they touch; they are like ghost fingers searching for and draining any spark of life and heat they can find. We try hard to lessen our impact on this dreadfully dry and crushingly cold environment, but the heat of our stoves and of our very bodies cannot be hidden from the denizens that lurk here. And they are jealous of such warmth. And they do not wish to be disturbed. But, unwittingly, disturb them we have.

Humanity will always explore and seek Knowledge, so I know others will come here and fall under the same curse that we have, no matter what I write here today. I shiver at what the final result may be. But the Truth had to be told.

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