Youtube . Come
Jemima Torguson
Come came into being after a mutual acquaintance invited Brokaw, O'Brien, and Johnson to play with him. Brokaw was playing drums with Codeine, Johnson had previously drummed for Athens, Georgia, band Bar-B-Q Killers, and O'Brien had played with two other 1980s Athens bands, Kilkenny Cats and Fashion Battery. After playing one show together, Brokaw, O'Brien, and Johnson decided to split off into their own project and invited Thalia Zedek to join them. Zedek had played in the bands Uzi and Dangerous Birds and had met and befriended Brokaw in the mid-1980s.[2] Her most recent band at the time, the post-no wave New York City band Live Skull, had disbanded in 1990 and Brokaw and Zedek had been talking about playing together.
In 1991, Come released the 12-inch single "Car", a seven-minute epic in the post-punk, blues-noir style of The Birthday Party, These Immortal Souls, and The Gun Club, on Sub Pop. Spin wrote that it "delivers all the satisfaction of... the definitive Hendrix box set."[3] The release encapsulated what was to become Come's trademark style: thematically dark, emotionally intense, and lengthy songs marked by Zedek's distressed vocals, abrupt rhythms, and the tension-filled guitar interplay between Zedek and Brokaw. Even before the release of its first album, the band received critical praise. Spin called the band "ferocious, bending a head-on adrenaline rush into a staggering blues crawl, churning noise-damage into aching melody, and letting it fall apart", adding that Come was "poised on the brink of the big time."[4]
In 1992, Come released its debut album, 11:11, on Matador Records. 11:11 received acclaim from both the independent and established media, with David Browne from Entertainment Weekly characterizing it as "enthralling, like watching someone howl into a rainstorm."[5] After the release of 11:11, Brokaw left Codeine, devoting himself full-time to Come. Come received praise from Dinosaur Jr.'s lead singer J. Mascis, Hsker D's Bob Mould, Chavez's guitarist Matt Sweeney, and Nirvana's frontman Kurt Cobain,[6][7] among many others, with Indigo Girls' Amy Ray lauding Zedek's voice, describing it as an "old Marlene Dietrich film"[8][9] Cell guitarist Jerry DiRienzo praised their ability to "[bridge] the masculine and feminine."[10]
Come's second album, Don't Ask, Don't Tell, was released in 1994. It was calmer than its predecessor but still grave. Among the highlights of the album were the two dark ballads, "Let's Get Lost" and "Arrive," each closing a side of the vinyl edition.[opinion] Johnson and O'Brien left the band after Don't Ask, Don't Tell to pursue other careers. The next album, the short Near-Life Experience, was recorded with a number of different musicians, including drummer Mac McNeilly of the Jesus Lizard and Bundy K. Brown of Tortoise. In 1998, Come released the 66-minute Gently, Down The Stream, which mirrored the energy of Near Life Experience but featured a more fluent integrated soundscape and included the stand-out track "Saints Around My Neck."[opinion] Zedek and Brokaw took a break after Gently, Down the Stream and each went on to release multiple solo albums. They performed together on a few occasions to play some Come songs live but never reconvened to create a new album.
Since the start of its unofficial break, Come has performed several reunion gigs. On November 11, 2007, Brokaw and Zedek came together for a two-song set,[11] to celebrate the 20th anniversary of the Middle East Club in Cambridge, which had been the site of Come's last performance.[12] A year later, in November 2008, a full band reunion occurred when the Gently, Down the Stream line-up of the band came together for a one-off performance in Castelln, Spain, as part of that year's Tanned Tin Festival. They performed songs from their entire discography.[13] In 2010 and 2011, the original line-up of Come sporadically re-united to play a number of shows,[14][15][16] including a set at the TraniWreck festival in Cambridge, Massachusetts, featuring songs exclusively from its first two albums and the "Car" EP.[17] In early 2013, it was announced that there would be a small international tour[18][19][20] with the original band line-up to commemorate the 20th anniversary of 11:11. The tour took place in May and June 2013, in support of the re-issue of Come's debut album.[21]
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Black people are 3.5 times more likely than white people to be killed by police when they are not attacking or have a weapon: George Floyd. Black teenagers are 21 times more likely than White teenagers to be killed by police: Tamir Rice and Antwon Rose. A Black person is killed every 40 hours by police: Jonathan Ferrell and Koryn Gaines. One in every 1,000 Black people are killed by police: Breonna Taylor. And, as sobering as these statistics are, they are improvements to the past. These statistics are the reason why from Minneapolis to Los Angeles people are protesting, marching, and rioting.
As I turn 40, I had the realization that I have been stopped by police more times than my age. I have been stopped while driving cars, sitting in parked cars, riding on buses and trains, walking, running, studying, eating, and clubbing. I have been cussed out, thrown up against concrete walls, and arrested by police. I have a PhD, am a professor at a major university, and do not have a criminal record. I also have several members of my family who are retired or former police and military. My great uncle, Walter J. Gooch, was the first Black chief of police in my hometown of Murfreesboro, TN. My grandfather, Clarence Williams, served in two wars, receiving a Purple Heart and Bronze Star. I should not even have to say these things because they do not seem to matter much.
As the father of two Black boys, I worry about the moment they will go from cute to criminal in the eyes and minds of so many people; how people will dehumanize their minds, weaponize their Blackness, and criminalize their bodies; how no credential, no degree, no level of income or wealth, no smile, no level of professionalism or grace can protect my babies from the gaze and guise of police violence and white supremacist stereotypes: Christian Cooper and Omar Jimenez.
For the past decade, I have worked with dozens of police departments, the Department of Homeland Security, and the U.S. military. I have researched body-worn camera programs and conducted countless implicit bias courses. While these solutions to police brutality matter, they fall short of dealing with the rotten trees because they focus on the bad apples.
My policy recommendation is for police department insurances to replace taxpayer money concerning civilian payouts for police misconduct. This restructuring will allow for police chiefs to better identify bad apples and justify their removal. Healthcare uses this model to make determinations about physicians. When hospital premiums increase due to medical malpractice, hospitals perform a cost-benefit analysis to determine if physicians should allow to continue surgeries.
Furthermore, bad apples should not be allowed to proliferate and spread to other trees. For many people, it is clear that the Minneapolis officers should have been fired long ago. Chavin has had 18 misconduct complaints against him, as have some of the other officers involved. While being fired instantly sends a clear message about accountability, this should be commonplace in a country that should treat every human life like it matters. However, it needs to be ensured they cannot work in law enforcement again. If this happened with the officers who killed Tamir Rice and Antwon Rose, those teenagers may still be alive.
Marine debris is a worldwide issue that affects everyone, no matter where they live. It comes from people and can enter our waterways, ocean, and Great Lakes in many ways from activities on land and at sea. Marine debris is identified as land-based, ocean-based, or disaster debris, depending on its source. Land-based marine debris comes from human activities that take place on land, while ocean-based marine debris comes from trash, fishing gear, and other items lost off of vessels or platforms at sea. When a storm, natural disaster, or accident at sea creates large amounts of marine debris, this is called disaster debris, and can include abandoned vessels or pieces of buildings.
Our trash travels. Whether it is properly thrown away or dumped on purpose, it can find its way into our ocean and Great Lakes. This could happen at the beach, while boating on the water, or even many miles inland where trash can be blown and swept into waterways. Wherever trash comes from, it can eventually make its way into the ocean and Great Lakes and cause a lot of problems.
Marine debris comes from people, but we can also be the solution. No matter where marine debris comes from, we all have the power to prevent it! The NOAA Marine Debris Program funds projects across the United States and territories that remove marine debris from shorelines, research the issue to better understand the problem, and prevent it from entering the ocean in the first place.
If you think about an overflowing sink, the first step before cleaning up the water is to turn the faucet off. By preventing marine debris, we can turn the faucet off and keep this problem from growing! The NOAA Marine Debris Program supports projects that prevent marine debris from ever entering our ocean and waterways through outreach and education efforts that raise awareness of the issue and change behaviors related to common marine debris items.
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