Aphorismwas originally used in the world of medicine. Credit Hippocrates, the Greek physician regarded as the father of modern medicine, with influencing our use of the word. He used aphorismos (a Greek ancestor of aphorism meaning "definition" or "aphorism") in titling a book outlining his principles on the diagnosis and treatment of disease. That volume offered many examples that helped to define aphorism, beginning with the statement that starts the book's introduction: "Life is short, Art long, Occasion sudden and dangerous, Experience deceitful, and Judgment difficult." English speakers originally used the term mainly in the realm of the physical sciences but eventually broadened its use to cover principles in other fields.
The concept is generally distinct from those of an adage, brocard, chiasmus, epigram, maxim (legal or philosophical), principle, proverb, and saying; although some of these concepts may be construed as types of aphorism.
Often aphorisms are distinguished from other short sayings by the need for interpretation to make sense of them. In A Theory of the Aphorism, Andrew Hui defined an aphorism as "a short saying that requires interpretation".[2]
The word was first used in the Aphorisms of Hippocrates, a long series of propositions concerning the symptoms and diagnosis of disease and the art of healing and medicine.[3] The often-cited first sentence of this work is: "Ὁ βίος βραχύς, δὲ τέχνη μακρή" - "life is short, art is long", usually reversed in order (Ars longa, vita brevis).
This aphorism was later applied or adapted to physical science and then morphed into multifarious aphorisms of philosophy, morality, and literature. Currently, an aphorism is generally understood to be a concise and eloquent statement of truth.
Aphorisms are distinct from axioms: aphorisms generally originate from experience and custom, whereas axioms are self-evident truths and therefore require no additional proof. Aphorisms have been especially used in subjects to which no methodical or scientific treatment was originally applied, such as agriculture, medicine, jurisprudence, and politics.[3]
Two influential collections of aphorisms published in the twentieth century were Unkempt Thoughts by Stanisław Jerzy Lec (in Polish) and Itch of Wisdom by Mikhail Turovsky (in Russian and English).[4]
Misquoted or misadvised aphorisms are frequently used as a source of humour; for instance, wordplays of aphorisms appear in the works of P. G. Wodehouse, Terry Pratchett, and Douglas Adams. Aphorisms being misquoted by sports players, coaches, and commentators form the basis of Private Eye's Colemanballs section.
Professor of Humanities Andrew Hui, author of A Theory of the Aphorism offered the following definition of an aphorism: "a short saying that requires interpretation".[2] Hui showed that some of the earliest philosophical texts from traditions around the world used an aphoristic style. Some of the earliest texts in the western philosophical canon feature short statements requiring interpretation, as seen in the Pre-Socratics like Heraclitus and Parmenides. In early Hindu literature, the Vedas were composed of many aphorisms. Likewise, in early Chinese philosophy, Taoist texts like the Tao Te Ching and the Confucian Analects relied on an aphoristic style. Francis Bacon, Blaise Pascal, Desiderius Erasmus, and Friedrich Nietzsche rank among some of the most notable philosophers who employed them in the modern time.
Andrew Hui argued that aphorisms played an important role in the history of philosophy, influencing the favored mediums of philosophical traditions. He argued for example, that the Platonic Dialogues served as a response to the difficult to interpret fragments and phrases which Pre-Socratic philosophers were famous for. Hui proposes that aphorisms often arrive before, after, or in response to more systematic argumentative philosophy.[2] For example, aphorisms may come before a systematic philosophy, because the systematic philosophy consists of the attempt to interpret and explain the aphorisms, as he argues is the case with Confucianism. Alternately, aphorisms may be written against systematic philosophy, as a form of challenge or irreverence, as seen in Nietzsche's work. Lastly, aphorisms may come after or following systematic philosophy, as was the case with Francis Bacon, who sought to bring an end to old ways of thinking.[2]
Knowing the aphorism definition is one thing, but how do aphorisms work, and what purpose do they serve in writing? An aphorism allows you to teach a complex moral lesson or make a philosophical point without having to craft an entire argument. For this reason, they can be a powerful rhetorical tool that should be used carefully since it can be irresponsible to make bold assertions without backing them up with evidence or elaborating on them further.
Some aphorisms only apply in specific contexts. For example, ancient Greek physician Hippocrates wrote a collection of aphorisms that have little application outside the medical profession. However, aphorisms with broad general applications tend to have the greatest staying power. Some have become such a part of our daily speech that we no longer know where they came from:
You may think that you are safer relying on well-known, time-honored aphorisms, but the danger here is that you may choose one that has become clich. In other words, it has been used so often that it no longer means anything. Not everyone may agree on which aphorisms have become clich and which are still relevant, but here are some that, in my opinion, have lost their meaning through overuse:
Now that you know the aphorism definition, as well as its potential perils, you can put it to good use in your writing. Do you have a favorite aphorism? Have you ever invented a clever saying? Tell us about it in the comments.
The general sense of "short, pithy statement containing a truth of general import" (e.g. "life is short, and art is long") is from 1580s in English. Distinguished from an axiom, which is a statement of self-evident truth; an epigram is like an aphorism, but lacking in general import. Maxim and saying can be used as synonyms for aphorism, but maxims tend to be more practical than aphorisms, and sayings tend to be more commonplace and have an author's name attached.
also epigramme, "short poem or verse which has only one subject and finishes by a witty or ingenious turn of thought," mid-15c., from Old French pigramme, from Latin epigramma "an inscription," from Greek epigramma "inscription (especially in verse) on a tomb, public monument, etc.; a written estimate," from epigraphein "to write on, inscribe" (see epigraph). "The term was afterward extended to any little piece of verse expressing with precision a delicate or ingenious thought" [Century Dictionary]. Related: Epigrammatist.
A typical university course in the history of philosophy surveys the great thinkers of Western civilisation as a stately procession from Plato to Aristotle to Descartes to Kant to Hegel to Nietzsche. These magnificent intellects offer their ideas in weighty philosophical tomes, stuffed with chiselled definitions, well-reasoned arguments and sustained critiques. In turn, instructors present the grand narrative of ideas to a new generation of students.
Immanuel Kant typifies this magisterial approach. In the closing pages of his Critique of Pure Reason (1781), the German philosopher narrates the history of Western philosophy from Plato to Aristotle to Locke to Leibniz to himself as a series of attempts to construct systems. Indeed, he is nothing if not a scrupulous architect of thought:
That is, science turns what is a mere aggregate of random thoughts into something coherent. Only then can philosophy become a doctrine or method of judgment of what is knowledge and what is not. No systems, no real philosophy.
Much of the history of Western philosophy can be narrated as a series of attempts to construct systems. Conversely, much of the history of aphorisms can be narrated as an animadversion, a turning away from such grand systems through the construction of literary fragments. The philosopher creates and critiques continuous lines of argument; the aphorist, on the other hand, composes scattered lines of intuition. One moves in a chain of logic; the other by leaps and bounds.
His philology on fragments became a philosophy of fragments when he abandoned his profession as a classicist in the late 1870s. Rather than just studying aphorisms, he started producing them. In the most fertile stretch of his life, from Human, All Too Human (1878) to Ecce Homo (1888), he composed thousands upon thousands of pithy sayings and maxims. The fragmentary form became the preferred style for the rest of his life. The prophet in Thus Spoke Zarathustra (1883-85) speaks in enigmatic dithyrambs reminiscent of the wisdom literature of antiquity.
It is no accident that, when Schlegel compares an aphorism to a hedgehog (ein Igel), the most famous hedgehog in Western thought comes from a fragment of Archilochus that Isaiah Berlin later popularised:
An aphorism makes a definitive statement, sets boundaries, establishes property. Yet any good definition is aware of its own limits, what is within and without. To define anything, after all, is to delimit it. The curvature of the globe, like the shape of thinking, means that there is always a limit to our field of vision. An aphorism, in this sense, is a mark of our finitude, ever approaching the receding horizon. Beyond the horizon of language, thinking can go no further.
In these days of COVID-19 lockdowns, many of us are housebound. Is not a well-wrought aphorism, supple and limber, precisely that which walks, leaps, climbs, and dances? Perhaps by reading more aphorisms, and composing some of our own, we can improve our art of living in these dark times. After all, who can really read Hegel outdoors anyway?
An aphorism is a brief saying or phrase that expresses an opinion or makes a statement of wisdom without the flowery language of a proverb. Aphorism comes from a Greek word meaning "definition." The term was first coined by Hippocrates in a work appropriately titled Aphorisms.
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