This report shows you when your viewers are online across YouTube in the last 28 days. You can use it to help build your community, understand when to schedule a Premiere, or to plan your next live stream.
This report shows you what other videos, Shorts, live streams, and podcasts your viewers watched outside your channel over the past seven days. You can use it to find topics for new videos and titles. You can also use the info for thumbnail ideas and collaboration opportunities. If you have an Official Artist Channel, you won't see videos where you're the primary artist, even if the video is outside your Official Artist Channel.
This report shows you what other channels your viewers consistently watched outside your channel over the past 28 days. You can use it to find out what channels your viewers are interested in and for collaboration opportunities.
This report shows you what other types of formats people are watching in the last 28 days. The formats could either be videos, Shorts, or live streams. You can use this to see what formats people are watching the most to adapt your content to that format.
The UEFA Champions League tie is available in most countries through the rights holders' online platform, if they have one. Your best bet is to check who is broadcasting the game in your country and see if they have an online platform or iOS or Android app to watch it through.
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Researchers and journalists often need to verify user-generated video content from social networks and file sharing platforms, such as YouTube, Twitter and Facebook. But there is no silver bullet that is able to verify every video, and it may be nearly impossible to verify some videos, short of acquiring the original file from the source.
However, there are methods which can help to verify most content, particularly to ensure that videos showing breaking news events are not recycled from previous incidents. There are already numerous guides available online for verifying video, most notably in the Verification Handbook.
There are two ways to conduct this search. The first is to manually take screenshots of the video, best either at the very beginning or during key moments in the clip, and then upload them onto a reverse image search service, such as Google Images. The second is to rely on the thumbnails generated by the video host, most often YouTube.
For example, a YouTube aggregator called Action Tube recently posted a video supposedly showing a convoy of military equipment in Lithuania, but without providing any source material for it. Additionally, there are no indications of when the video was filmed, meaning that it could have been from yesterday or five years ago. The video was eventually taken down from YouTube.
If we search for this video on the Amnesty International tool, we find out the exact date and time that Action Tube uploaded the video, along with four thumbnails to reverse search to find the original source of the video.
If we do a simple search on the uploader, we see that he has written articles for the US Army website about NATO activities in Europe, meaning that he is likely a communications official, thus lending additional credence to his upload being the original source for Action Tube.
When looking through the results, almost all of them are for around the same time that the video was uploaded, giving the appearance that the video could genuinely show fighting near Svitlodarsk in December 2016.
One of the best ways to do this is to try thinking like the person who shared a potentially fake video. With the example above, the laughing soldier gives you a clue that perhaps this is not real fighting, leading to the question of under what circumstances a Russian-speaking soldier would be filming this incident and laughing.
On September 19, 2016, reports came in that the man responsible for three bomb explosions in New York City and New Jersey was arrested in Linden, New Jersey. A few photographs and videos emerged from different sources, including the two below showing the suspect, Ahmad Khan Rahami, on the ground surrounded by police officers.
The exact address in Linden, NJ where he was arrested was not clear, but it was a safe bet that these two photographs were real, considering how they showed roughly the same scene from two perspectives. The video embedded below also emerged from a local citizen. Clearly, the video is real, as it was shared widely on news outlets throughout the day, but how could we have done lightning-fast verification to know it was real in the middle of the breaking news situation?
While there seems to be a lot of work involved in each of these steps, the entire process should not take much longer than five minutes if you know what to look for. If you do not have access to the eyewitness who provided video materials from the incident, verifying their footage will only require an attentive eye for detail and some legwork on Google Maps and Street View. Verifying video materials should be a routine part of reporting, as well as sharing content on social networks, as this is one of the quickest ways that fake news can be spread.
A lot of effort and skill is required to digitally alter videos, which need the addition or subtraction of elements while still looking natural. Often, videos are altered not just to elude fact checkers, but to avoid the detection of algorithms looking for copyrighted content. For example, movies, television shows or sporting events may be uploaded to YouTube with the video mirrored, so that it is still watchable (albeit a bit off-putting), but avoid Digital Millennium Copyright Act violations. The best way to quickly detect if a video has been mirrored is to look for any text or numbers, as they will look strange after being flipped.
Many see technological advancements as a future remedy to fake news and content, but it is hard to imagine any digital methods which will be able to discover fake videos and verify content with anything close to complete precision. In other words, an arms race between developers and semi-creative fake video creators is a losing battle at this point, barring strict content sharing controls on social networks and YouTube. While the digital tool set is important in verifying fake content, the creative one is even more important.
Aric Toler has been working at Bellingcat since 2015. He focuses on verification of Russian media, the conflict in eastern Ukraine, Russian influence in the American/European far-right and the ongoing investigation into MH17.
Investigative journalists intending to cover social media and its societial effects must understand the intricacies of the companies that drive them, and think critically about novel angles of coverage.
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