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18 de junio de 2021 en Disney + / 1h 36min / Animación, Familia

Dirigida por Enrico Casarosa

Guion Jesse Andrews, Mike Jones

Reparto Jacob Tremblay, Jack Dylan Grazer, Emma Berman

SINOPSIS:

De los creadores de Del revés (Inside Out) y Buscando a Dory nos llega la nueva producción animada de la factoría Pixar. En esta ocasión, el espectador se traslada a la costa italiana conocida como La Riviera para conocer a Luca, un muchacho que pasa el verano junto a su mejor amigo y conocen a una niña, Giulia, hija de un pescador, con la que crean una especie de club de los bichos raros. Pero la felicidad se verá truncada cuando un oscuro secreto sobre su verdadera identidad puede amenazar ese vínculo: los protagonistas son en realidad dos monstruos marinos de otro mundo que viven en las profundidades del océano y se transforman en humanos al salir a la superficie.

Será entonces cuando los dos amigos se embarquen en una aventura veraniega por la costa transalpina en la que descubrirán el verdadero sentido de la amistad.

Tercera entrega de la saga de terror The Conjuring, este tercer episodio tras los filmes Expediente Warren: El caso Enfield (2016) y Expediente Warren: The Conjuring (2013) vuelve a estar producido por James Wan.

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STREAMING MEDIA ❏

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method krom the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.

Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera,https://twitter/2021Place an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it krequently is.

Streaming is an alternative to file downloading,https://twitter/Unlugartranqui1 a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming,https://twitter/UmSilencioso an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio,https://twitter/AQuietPlacePa14 such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.

❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational,https://twitter/BokunoAcademia3 or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.

Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work,https://twitter/BokunoAcademia3 and who are commonly referred to as rights holders.[citation needed] These rights krequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.

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