Primus Discography Rar
Nettie Rosier
This will list stuff done by Primus and its band members. Theannotations are obtained from various places around the net. The waythe discography is organised is as follows: for any album/item name,there is a short comments list, of which the song list is a part of.If there is sufficient information, a separate page will be createdfor the item and you will see a clickable link to this page. Allcomments related to the item will be on this page. Read the warnings before you buy any bootlegs.
The person who started this is Brady Gaughan. So a veryspecial thanks goes to him. I converted it into HTML, added theannotations, and will continue to maintain this in HTML. Please mailany additions or deletions to him and to me. All other credits arelisted on the creditspage.
This Complete List Of Primus Albums And Songs presents the full discography of Primus studio albums. The band Primus was first formed in the middle to early 1980s. The band comes from the city of El Sobrante, California. The band sound is distinctly metal fused with elements of funk and a deep sense of humor that make Primus one of the most original bands of the past forty years.
This complete Primus discography also includes every single Primus live album. All these spectacular albums have been presented below in chronological order. We have also included all original release dates with each Primus album as well as all original album covers. Every Primus album listed below showcases the entire album tracklisting.
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The chants of "Primus sucks!" were audible from the crowds gathered on the stairs in front of the Peabody Opera House on a Sunday night. With a certain amount of arrogance, the crowds loudly touted their resume of shows they've attended, t-shirts they've collected and the depth of their discographies of various formats. Everybody wanted to prove their worth as a dedicated fan and most could boast well beyond twenty years of pious support for the celebrated trio. In the lobby, the lines at the bars were dwarfed by the mob that swarmed the merchandise table as patrons eagerly grabbed at the newest shirts and posters for their collection. While it may not have been the first Primus concert for many, the anticipation shook the room as the crowds slowly filled the seats.
The lights faded and the band entered the stage almost unseen to a recorded selection from Primus and the Chocolate Factory. Front man and bassist Les Claypool started the show with repetitive eighth notes that left even the dedicated fans guessing which song would lead off the set. As the song developed, it was soon apparent that the show would start with the same selection as their studio discography, "To Defy the Laws of Tradition" from the 1990 release Frizzle Fry. The early releases highlighted the early set, including two more selections from the same album and including an excursion into "Sgt. Baker," from the trio's second release Sailing the Seas of Cheese.
After starting with some of the early favorites, Primus took a leap from their roots to the more recent era with "HOINFODAMAN," from 2011's Green Naugahyde, the first album released after the band took more than a decade hiatus from creating new music. It was a only a brief excursion however as they returned to the '90s for the entirety of the remaining set, dabbling with tracks from all five of their earliest releases, with only a short jaunt into "Candyman" from their relatively recent theme album, Primus & the Chocolate Factory with the Fungi Ensemble. While the middle of the set ventured more into the experimental and psychedelic selections, they brought the energy back to a peak with one of their most popular songs of all time, "My Name is Mud," from the 1993 release "Pork Soda" for the set finale, leaving the crowd in an uproar as they rather abruptly dropped the curtain and left the stage.
The intermission was far from short, giving the crowds ample time to take care of any needs, purchase more merchandise, and sadly, lose some of the fervor that the previous set had built. The stage production of the first set blended both simplicity and technology, leaving the stage largely barren with five LED panels and a few basic lights at the rear of the stage. The panels offered video displays, each catered to the song they accompanied and featured footage from the music videos when possible. With the lighting also dominant at the rear, the band largely appeared as shadows and silhouettes, favoring the the production and music over any direct attention on the musicians.
The rising curtain at the start of the second set revealed a significantly more developed stage, highlighted by an enormous woodlands backdrop with a fantasy style. The LED panels that once seemed opaque suddenly became translucent, offering a clear view of the background scene whenever not illuminated. Across the stage, the various mic stands, instrument racks and other structures were lined with leaves and vines, adding depth to the dcor and absorbing the band into the visual composition. Once simple lighting now incorporated smoke and lasers, all set-up to encapsulate the experience of the second set.
While the first set featured fan favorites and other hand-picked selections, the second set had a much more deliberate and cohesive intent. At the end of September, the band released The Desaturating Seven, a theme album based on Italian author's Ul de Rico's The Rainbow Goblins, inspired not only by the children's book's story but by the artwork that was the base of much of the stage production. Claypool and company presented the new album in it's sequential entirety, joined by videos of animated goblins and other characters dancing across the translucent panels. The album carried a distinctive style, far more passive and psychedelic than their earlier works. It was a substantial change of energy, but certainly an artistic journey for both eyes and ears.
The set closed to a standing ovation from a crowd that was both appreciative and eager for more, leading into a lengthy encore that combined the sounds of old with the fuller stage production of the second set. Dipping into the relatively unpopular Brown Album for the second time, the encore opened with "Fisticuffs," a playful narrative that was well backed with old, bare-knuckle footage. It was followed with one of the most successful singles, "Wynona's Big Brown Beaver," accompanied by an arrangement from the official video in the background. The final selection was a fan favorite, "Southbound Pachyderm," with the extra treat of blending into the only song of the night that was never released on a Primus album, "La Villa Strangiato," a 1978 favorite from Rush, the progressive rock trio that Claypool has regularly credited as an immense influence on the group.
The performances largely favored reproducing the studio releases without many solos, jams or other excursions that allowed the musicians to demonstrate the depth of their talent, but that was certainly not a necessity for Les Claypool, Ler LaLonde and the return of the popular drummer Tim "Herb" Alexander, who have long endeared themselves to the dedicated fans that filled the venue. With a focus on the old as well as a demonstration of the new, the show celebrated the energy, creativity and artistic insanity that makes Primus the band they've been for decades.
Vibrant blends of musical innovation and genre-defying artistry, the best Primus albums present an engaging sonic experience for fans of eclectic and cutting-edge rock. As a band known for their eclectic style and unique blend of funk, punk, and progressive rock, Primus has produced several standout records showcasing the group's inimitable talents and contributions to the world of music.
The best Primus albums catalogue the band's incredible journey through ever-evolving styles and sounds, reflecting their artistic growth and the resounding success that followed each release. From innovative arrangements and thought-provoking lyrics to chart-topping success and critical acclaim, these albums highlight the finest moments in Primus's career. As the band's style evolved over time, so too did the richness and depth of their work, with each album representing another step in their impressive journey.
The best albums by Primus include incredible works like Sailing the Seas of Cheese, which features the unforgettable hit "Tommy the Cat" and showcases the band's ability to blend multiple genres seamlessly. Another notable album, Frizzle Fry, highlights Les Claypool's virtuosic bass playing and exemplifies the unique sound that has earned Primus a dedicated fanbase. Pork Soda, yet another fantastic addition to the Primus discography, offers darker themes and intricate compositions, further solidifying the band's status as a creative powerhouse. These albums are just a few examples of this band's exceptional body of work.
In the realm of rock history, Primus stands as a beacon of innovation and artistic brilliance. The best Primus albums encompass an array of diverse influences, captivating listeners with their genre-defying sounds and undeniable talent. These records not only showcase the depth and range of Primus's musical abilities but also mark their indelible impact on the musical landscape. By exploring Primus's best album selections, fans and newcomers alike can appreciate and celebrate the incredible legacy of this remarkable band.
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