> But if an artist has got extraordinary ability ("genius") and if his
> artwork is not just technically superb but has also got the capacity
> to evoke lofty emotions (sentiments) in the viewer, (and thus uplift
> him) - would such work still be considered the product of someone in
> sudra varna (predominantly mode of ignorance)?
Dhanesvara Prabhu replied:
> The answer is yes, the arts are all considered to be in the sudra
> category because of the nature of the work. But this is not to say
> that such people have no sattva or rajas whatsoever. Certainly they
> can and do. But the influence of tamas here is that which limits the
> extent to which they can apply their talents and abilities to the
> welfare of others, to the time frame in which they typically operate,
> and in the responsibility for others that they are generally able to
> accept.
I think there are some other considerations also.
I was once asked to find a vastu expert who could help us evaluate the
Mayapur masterplan and give us advise as to how to best develop it.
In the course of searching for such a person I visited south India. Near
Chennai I discovered a brahmana named Ganapati sthapati who has an institute
to teach sthapana veda. He was describing to me the art of creating a deity
or a building. He was saying that to be able to create a truly harmonious
work one should know rhythm and how to dance.
We know everything in the material world comes from sound: "It is stated
also in the Vedanta-sutra that sound is the origin of all objects of
material possession and that by sound one can also dissolve this material
existence." SB 3.36.32, so the sthapati said that it is very important to be
in harmony with universal rhythm. I thought that was very interesting.
Apparently he teaches his young students about dance and rythm as a prelude
to the study of sthapana veda.
Then I met a Madhava Brahamana at his house in Bangalore. He had written
many books on vastu. What I liked about him was that he approached vastu
from the perspective of a brahmana. Many vastu 'experts' realise that they
can make money by scaring people into thinking that they need to change the
vastu of their living space. He however was simply interested in the art and
presented it in such a way. He also happened to be an artist and some of his
art was hanging in the house.
If we look at Dronacarya, he was a brahmana, but his interest was in
teaching martial art. Bhakti Vidya Purna swami makes the point that when he
was teaching, he was a brahhmana and was treated as such, but when he fought
on the battlefield, he was treated as a Ksatria. That is an example of how a
brahmana can take up any work in an emergency, just as Srila Prabhupada
would cook, serve, and clean up when he was preaching to the first American
people. In the early days of ISKCON he was everything, he did everything.
"Hridayananda: So brahmana can teach how to fight?
Prabhupada: Yes. Brahmaaa means intelligent, brain. So in intelligent brain
one can learn anything and teach anything."
One consideration is how we think of ourselves. If a person thinks, "I am an
artist", then that identification puts them in the sudra category. But
having ability as an artist does not necesarily restrict one. If one relies
on art to survive (to earn) then it is in the sudra category. But one can be
a detached brahmana and at the same time have artistic ability. It would
seem to be rare, but Dronaracarya is a bold example of a brahmana who
excelled at an art.
Finally on the subject of Kayastha and Sudra, here are some interesting
purports: "In Orissa, however, the kayastha class, which includes the
karanas, is considered in the sudra category. Srila Ramananda Raya belonged
to this karana class; therefore he was considered a sudra. He was also the
governor of South India under the regime of Maharaja Prataparudra of
Orissa." CC Madhya 7.63
"At that time, accompanied by the sounds of music, Ramananda Raya came there
on a palanquin to take his bath...Many brahmanas following the Vedic
principles accompanied Ramananda Raya. According to the Vedic rituals,
Ramananda Raya took his bath and offered oblations to his forefathers."
Madhya 8.15-16
This shows how varna is not necesarily indicative of social status. On
another level many people who we may consider to be sudras in the modern age
are actually less than animals. Sudra is the beginning of human life, it is
an elevated platform.
Prabhupada said in a Bhagavad Gita Lecture in Bombay: "Vedic civilization
means four varnas and four asramas. Brahmana, kssatriya Vaisya sudra. We
have begin. We have began our lecture on the basis, catur-varnyam maya
srstam guna-karma-vibhagasaha [Bg. 4.13]. So this is civilization. Unless
one comes to this standard of civilization, varnassrama-dharma, that is
animal civilization."
Your servant
Samba das