Thanks
-Scott
--
You received this message because you are subscribed to the Google Groups "urbanSTEW" group.
To post to this group, send email to urba...@googlegroups.com.
To unsubscribe from this group, send email to urbanstew+...@googlegroups.com.
For more options, visit this group at http://groups.google.com/group/urbanstew?hl=en.
Keeping in mind I’ve only used this program a few times, and apologies
if this is an issue you’ve already considered and addressed…
I’ve used Rehearsal Assistant mostly to record wav files of musical
ideas while singing and playing acoustic guitar into my Motorola
Droid. Those recordings have a somewhat unpleasant quality -- beyond
that which can be blamed on my own playing and singing. :)
I think the problem is that there’s a strong peak in the upper
midrange of the recording. This makes sense, as the microphone is
probably designed to emphasize those frequencies for phone calls
because they are crucial to intelligibility. For recording music, I
wonder whether it would be possible, as part of the program, to
digitally re-equalize the recording to eliminate that peak – to render
the recording “flat” (in music-recording-speak). Professional sound
people have equipment that plays pink or white noise into a room or
recording system, and analyzes the signal coming back to them to
determine which frequencies are being emphasized or deemphasized by
the room or system. They can then take steps to counteract the
emphasis and flatten the signal being heard or recorded. If you have
access to this equipment you could record some pink noise on, say, a
Moto Droid, analyze it, and have Rehearsal Assistant tweak it to sound
more flat.
A lower-tech alternative would be to have someone with good ears
record something, digitally re-equalize it to sound more flat, and
tell you what frequencies he or she changed.
A complicating factor to this would be that the equalization profiles
could be significantly different between phones, though I suspect all
of them will have an upper mid-range peak.
-Scott
On Jan 4, 8:30 pm, Stjepan Rajko <stje...@urbanstew.org> wrote:
> Totally - your suggestions would be most welcome here.
>
> Best,
>
> Stjepan
>
>
>
> On Mon, Jan 4, 2010 at 3:37 PM, SMcK <npi...@gmail.com> wrote:
>
> > ...to make suggestions regarding Rehearsal Assistant?
>
> > Thanks
> > -Scott
>
> > --
>
> > You received this message because you are subscribed to the Google Groups
> > "urbanSTEW" group.
> > To post to this group, send email to urba...@googlegroups.com.
> > To unsubscribe from this group, send email to
> > urbanstew+...@googlegroups.com<urbanstew%2Bunsubscribe@googlegroups.com>
> > .
> > For more options, visit this group at
> >http://groups.google.com/group/urbanstew?hl=en.- Hide quoted text -
>
> - Show quoted text -
To unsubscribe from this group, send email to urbanstew+...@googlegroups.com.
I would think a better, or different, microphone would be an easy
solution, though I'm not sure how the signal would get into the
phone. Maybe via Bluetooth?...
-Scott
> > > >http://groups.google.com/group/urbanstew?hl=en.-Hide quoted text -
I would think a better, or different, microphone would be an easy
solution, though I'm not sure how the signal would get into the
phone. Maybe via Bluetooth?...
I would think a better, or different, microphone would be an easy
solution, though I'm not sure how the signal would get into the
phone. Maybe via Bluetooth?...
Stjepan, does Rehearsal Assistant support an audio codec at 44.1K, 16 bit? And does it have capability for apt-X format? http://www.aptx.com/Technology-Portfolio/apt-X-Bluetooth.aspx
On Jan 11, 9:38 pm, Stjepan Rajko <stje...@urbanstew.org> wrote:
According to my audio playback program (ancient Cool Edit '96 demo)
the wav file is indeed 44.1, 16 bit.
For my purposes it would really be handy to just use the onboard mic.
If I had to use an external USB mic it wouldn't need to be great
quality. I've been pretty happy with recordings made with old Radio
Shack PZM mics and run-of-the-mill dynamics. I know that there are
USB mics out there, both condenser and dynamic. I suspect most USB
condensors are built to use phantom power from the USB port, but I
there may be some that can run off their own on-board batteries.
I still suspect it wouldn't be terribly difficult to to write some
code to re-EQ the recording to compensate for peaks imposed by the
cellphone mic. If I had my home recording computer up and running I
would record something with the phone, re-EQ it to taste by ear and
make some suggestions as to how to tweak the signal to flatten it
some. Of course I could also just do that, post-recording, with *all*
my phone recordings, thereby saving folks the headache of writing code
to EQ it on the phone. Still, I can imagine a Flatten Feature might
make RA more attractive to paying customers.
Having said all the above, I made my initial comments based on a very
few voice and acoustic guitar recordings. Maybe before anyone takes
on any work based on my opinion, I should do some more recording, or
some other music recordists should chime in.
Cheers,
-Scott