Cinema 4d R13 Serial Number
Floriana Monterroza
I try to run reference based motion correction but the job stopped at the beginning with error: All movies must have the same number of frames.
I run the job with default settings, the inputs are the volume from non-uniform refinement and the output from Patch CTF job. The dataset is a single dataset.
@martinpacesa and @matt1
Thanks for sharing. My datasets were collected on Krios with K3 detector and 60 frames/movie. We use Latitude S for data collection, and our facility has an internal setup to convert raw files (.gtg) to .tif files.
I found my problem can also be solved by running an import movie job without skip header check. This helps me to identify the bad movies. I manually removed those movies, then everything ran successfully.
@matt1 Just a check, are all the movies that provide your particles included in your inputs? I have a job that keeps crashing so decided to split my movies into subsets to see if I can get at least some of my particles to extract. However, my job crashed with the frame error (and obviously the number of frames is correct). It might be worth doing a count of your files and see if it matches with the number of exposures
Is there a way sort of work backwards, taking the full particle stack and separate the particles according to their acquisition sessions (or Import Jobs), such that maybe I can narrow down the culprit and/or motion-correct at least some of the particles?
Alternatively, as suggested above by @martinpacesa , can the Job be modified such that rogue frame counts are simply ignored? Would be a shame to not be able to apply Reference-based MotionCorr after such a long haul.
to a Manually Curate Exposures job and, inside the job and without modifying any selection criteria, push the Done button. The Particles Accepted output should contain particles derived from that single session only.
The number of town population is around 9.5 million and there are 108 shopping malls in the town. The tickets price are differs by days and class (such as regular, 3D, or premiere). The highest number of visitors is during weekends.
Hi,
This market sizing question is better solved with a supply approach.
So estimate based on the following components
- Share of this cinema chain in all the malls
- On avg how many halls this cinema has in a mall
- Number of movies per day in a hall (may need to differentiate by weekday and weekend)
- Avg capacity of each hall, i.e. seats
- Occupancy rate of each hall (need to make assumption for weekday and weekend separately; also clarify whether you need to adjust for Friday night or not)
- Ticket prices (weekday, weekend)
- Other revenue stream e.g. F&B (can be a simple % of the total ticket sales for simplicity)
Best,
Estimate the number of rooms, the average occupancy, the average movies per day and the average price. Calculate it both form the weekend (higher prices, higher occupancy, longer shifts) and for weekdays.
Where can I find the serial number for Creative Cloud Cinema4d Lite please? I want to upgrade to Broadcast version and can get a discount for upgrading. I need the serial number though and don't know where to find it.
The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production companies, film studios, cinematography, animation, film production, screenwriting, pre-production, post-production, film festivals, distribution, and actors. Though the expense involved in making films almost immediately led film production to concentrate under the auspices of standing production companies, advances in affordable filmmaking equipment, as well as an expansion of opportunities to acquire investment capital from outside the film industry itself, have allowed independent film production to evolve.
In 2019, the global box office was worth $42.2 billion.[1] When including box office and home entertainment revenue, the global film industry was worth $136 billion in 2018.[2] Hollywood is the world's oldest national film industry, and largest in terms of box-office gross revenue. Indian cinema is the largest national film industry in terms of the number of films produced, with 2,446 feature films produced annually as of 2019[update].[3]
The worldwide theatrical market had a box office of US$42.2 billion in 2019. The top three continents/regions by box-office gross were Asia-Pacific with US$17.8 billion, the U.S. and Canada with US$11.4 billion, and Europe, the Middle East and North Africa with US$10.3 billion. As of 2019[update], the largest markets by box office were, in decreasing order, the United States, China, Japan, South Korea, the United Kingdom, France, and India.[1] As of 2019[update], the countries with the largest number of film productions were India, Nigeria, and the United States.[4] In Europe, significant centers of movie production are Italy, France, Germany, Spain, and the United Kingdom.[5]
The cinema of the United States, often generally referred to as Hollywood, has had a profound effect on cinema across the world since the early 20th century. The United States cinema (Hollywood) is the oldest film industry in the world and also the largest film industry in terms of revenue. Hollywood is the primary nexus of the U.S. film industry with established film study facilities such as the American Film Institute, LA Film School and NYFA being established in the area.[6] However, four of the six major film studios are owned by East Coast companies. The major film studios of Hollywood including Metro-Goldwyn-Mayer, 20th Century Fox, and Paramount Pictures are the primary source of the most commercially successful movies in the world,[7][8] including movies such as The Sound of Music (1965), Star Wars (1977), Titanic (1997), and Avatar (2009).
On 27 October 1911, Nestor Film Company established Hollywood's first permanent film studio. The California weather allowed for year-round filming. In 1912, Universal Studios was formed, merging Nestor and several other motion picture companies, including Independent Moving Pictures (IMP).
France is the birthplace of cinema and was responsible for many of its significant contributions to the art form and the film-making process itself.[12] Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.[12]
French cinema is sometimes intertwined with the cinema of foreign nations. Directors from nations such as Poland (Roman Polanski, Krzysztof Kieślowski, and Andrzej Żuławski), Argentina (Gaspar No and Edgardo Cozarinsky), Russia (Alexandre Alexeieff, Anatole Litvak), Austria (Michael Haneke), and Georgia (Gla Babluani, Otar Iosseliani) are prominent in the ranks of French cinema. Conversely, some French directors have had careers in other countries, such as Luc Besson, Jacques Tourneur, or Francis Veber in the United States.
Another element supporting this fact is that Paris has the highest density of cinemas in the world, measured by the number of movie theaters per inhabitant,[13] and that in most "downtown Paris" movie theaters, foreign movies which would be secluded to "art houses" cinemas in other places are shown alongside "mainstream" works. Philippe Binant realized, on 2 February 2000, the first digital cinema projection in Europe, with the DLP CINEMA technology developed by Texas Instruments, in Paris.[14] Paris also boasts the Cit du cinma, a major studio north of the city, and Disney Studio, a theme park devoted to the cinema and the third theme park near the city behind Disneyland and Parc Asterix.[15]
The cinema of China is one of three distinct historical threads of Chinese-language cinema together with the cinema of Hong Kong and the cinema of Taiwan. Cinema was introduced in China in 1896 and the first Chinese film, Dingjun Mountain, was made in 1905, with the film industry being centered on Shanghai in the first decades. China is the home of one of the largest film studios in the world, the Hengdian World Studios, and in 2010 it had the third largest film industry by number of feature films produced annually. For the next decade the production companies were mainly foreign-owned, and the domestic film industry was centered on Shanghai, a thriving entrepot and the largest city in the Far East. In 1913, the first independent Chinese screenplay, The Difficult Couple, was filmed in Shanghai by Zheng Zhengqiu and Zhang Shichuan.[20]
As the Sixth Generation[clarification needed] gained international exposure, many subsequent films were joint ventures and projects with international backers, but remained quite resolutely low-key and low budget[citation needed]. Jia's Platform (2000) was funded in part by Takeshi Kitano's production house,[21] while his Still Life was shot on HD video. Still Life was a surprise addition and Golden Lion winner of the 2006 Venice International Film Festival. Still Life, which concerns provincial workers around the Three Gorges region, sharply contrasts with the works of Fifth Generation Chinese directors like Zhang Yimou and Chen Kaige who were at the time producing House of Flying Daggers (2004) and The Promise (2005). It featured no star of international renown and was acted mostly by non-professionals. In 2012 the country became the second-largest market in the world by box office receipts. In 2014, the gross box office in China was 29.6 billion (US$4.82 billion), with domestic films having a share of 55%.[22] China has also become a major hub of business for Hollywood studios.[23][24]
In 2018, China's gross box office was US$8.9 Billion[25]In 2013, China's gross box office was 21.8 billion (US$3.6 billion), the second-largest film market in the world by box office receipts[26] It increased to $4.8 Billion in 2014 box office grosser in film industry.[27] Due to the COVID-19 pandemic, in 2020 China overtook North America as world's biggest box office, being the first country to achieve this status.[28] China retained this status in 2021. However, in 2022, North America once again overtook China as the global box office's biggest market.[29]
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