Larken Variable Font Free Download
Ashely Wolfgram
This versatile font family will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques, as a magazine font and as well as for any business that wants to achieve an elegant, chic look.
All these 3 subfamilies have their soft versions with rounded corners, giving the fonts more gentle and organic feel. Montreux contains also the Outline fonts of each style, giving a total of 12 Outline styles (6 upright and 6 italic).
Larken is a confident serif. Designed to reflect nature, it creates a sense of natural softness and expressiveness. We pushed the concept into a usability focused direction, to work as a bold tool and beautiful communicator.
True italics advance the aesthetics, bringing energy and making it suitable for modern design. At large point sizes you can appreciate the letter shapes, whilst the same restraint and focus creates an even texture for small point sizes and long reading. The font broadens its use by supplying weights all the way from thin to black. The natural curves, swells and sloping trunks, grow in character as the font gains weight. Whilst the thinner weights have lowered contrast and optical corrections to create a warm and gentle appearance.
A high contrast version of a famous Didot look that has been synonymous with fashion for decades. This font has over 100 glyphs with multilingual letters included. This font is both modern and nostalgic and works great for logos, mastheads and pull quotes. It pairs beautifully with a minimal sans serif or light script font.
The family contains a lowercase alphabet that hugely broadens its versatility. Thanks to the lowercases and multiple widths it can be used not only as a powerful headline font, but it works very well in paragraph text, especially where space saving is needed. These feature s make Ltschine the magazine font of choice for any designer that needs to make a magazine cover or a headline stand out.
Sundays is a modern serif font that mixes the modern and classic. Inspired by fonts like Baskerville, I have thinned out the classic serif font adding subtle curves and minimal serifs. Great for mastheads, magazine covers, logos and headers.
It has been designed as a variable font to give lots of options and access to unique type looks; however it also includes nine weights to give just as much access to creativity to those without access to variable supporting software.
Marigold is a unique font mixing classic serif and minimal sans serif for that perfect mix. It is paired with Marigold Sans, a minimal tagline and body copy font. I have added 6 bonus editable logos created around this font duo.
It is the result of observation, research and study of the latest global trends. Trend tries to capture the aesthetics of fashion or even fashion itself, integrating elements of a very popular and current trend.
This beautiful font explores 3 very individual styles of one typeface. Each style pays homage to classic sans serif typefaces whilst adding contemporary flair to its characteristics. With both formal and informal styles, Aestetico explores how the shapes and curves of letters changes their perception and focus. The informal letters, are rounder and more quirky whilst the formal style utilises more traditional sans serif letterforms. The whole set (54 styles) consists of 3 sister families. Each in 9 weights with matching italics.
The 3 variants ensure every design project is covered by Aestetico; its versatile nature is perfect for a huge variety of applications from editorial design to branding, advertising, publications and digital.
You can make a unique branding with this font. This powerful bold font also includes oblique and outline style and suitable to use for posters, branding, merchandise, magazine covers and any street art style!
The New Elegance has two versions of the font, namely Serif & Sans Serif which are equipped with an italic version style, very suitable for your design needs such as very suitable for creating nostalgic designs but still clean and elegant such as headlines, magazines, logos, packaging, editorial, and so on. much more.
Chopard is an elegant and modern sans-serif font family. It includes upright and Italic style, each of them has six weights from light to bold. This is a multi-purpose font that is perfect for any project, it is contrasted, modern and easy to read. With it, you can create logos, use in advertising, packaging, book covers and magazines, headings, descriptions and much more.
Laro is a modern sans-serif font that includes nine weights from thin to black and nine weights in Italic style. This multi-purpose font captures a huge range for the design and creation of your project. Laro will perfectly work on a variety of tasks and it will always look stylish and modern.
You can use it to create logos, labels, use in advertising, packaging, branding, book covers and magazines, cosmetics, banners, posters, headings, descriptions and much more. This font is easy to use has OpenType features.
It's been a crazy two years. We've been so caught up in how the pandemic's affected the way we work and our lives in general, it's easy to have missed some of the smaller stuff, like how typography has evolved quite dramatically.
Right now, maximalism and creativity are being pushed to their limits. And we're expecting retro styles to continue to play their part, alongside a growing art nouveau trend and a resurgence of 1990s fonts. But as we try to forget the misery of the last two years, we expect a lot of future-facing, groundbreaking type designs to be coming our way too.
Environmental concerns will be frontline, certainly. "I'd like to think there'll be more awareness of fonts that save ink and therefore carbon like Ryman's Eco font in print," says designer Berenice Smith. She's also hoping for "more rounded sans to improve legibility; a less is more digital approach, again to reduce effort and therefore carbon load."
"One of the biggest drives in graphic design for next year and beyond will be inclusivity," believes Christy Davies, design director at Echo. "An example in typography is how a classic font such as Futura had adapted its form, making it more accessible and usable as Futura Now.
"With our ageing population and their degrading eyesight, we need to act now," she adds. "Fonts selected will need to be legible for those with sight issues, particularly when considering how packaging can be seen from the shop shelf."
"More and more brands are discovering that a custom font can communicate as powerfully and effectively as other visual tools," he says. "Each font speaks with a certain tone of voice and communicates specific values, and a custom font can express nuances that an off-the-shelf font cannot while serving to differentiate a brand in a crowded marketplace.
"Companies like Plenty, a vertical farming brand designed by &Walsh, has a custom font with an approachable, organic sensibility, while Footlocker recently introduced Foot Locker Sans by F37 to build on the equity of its heritage."
Software innovation is also driving this trend. Newly launched font design software Glyphs 3 (recently rebranded by Matteo Bologna and Andrea Trabucco-Campos) makes designing custom fonts more intuitive and accessible for designers who haven't created fonts before.
"The power of the software is also driving another design trend: variable fonts," Matteo adds. "Now designers aren't limited to sans or serif, condensed or extended. They can use a single typeface with all these characteristics to create richer, more customised experiences. In fact, the website for Glyphs was designed with a newly launched variable typeface Arizona, by ABC Dinamo, that showcases both the functionality of the software and the versatility of the font."
Axiforma is a geometric sans-serif font family designed and published by Galin Kastelov.Based on a robust sans-serif typeface, it comes in 20 weights plus matching Italics for each weight. It includes numerous OpenType features such as old-style numbers, fractions, case sensitive alternates, localised forms, stylistic sets. Recommended for branding, posters, headlines, display, presentation materials, websites and logotypes, Axiforma is a paid-for font and should not be confused with the similarly named Axiforma Free Font.
Bison is a sophisticated and strong family of sans serif fonts, designed by Ellen Luff, recommended for branding, logos, magazines and films. Bison's sturdy, uncompromising style is felt through controlled letterforms and modern touches. With a balance of hard lines and smooth curves, each font in the family is dynamic and authoritative in its own right.
The third version of the popular geometric sans serif, TT Norms Pro, was designed by Ivan Gladkikh, TypeType Team and Pavel Emelyanov. It's intended for a wide range of applications and works well both in large text arrays or headlines and on the web. It's available in 67 styles, including 33 upright, 33 italics, and one variable font with three axes of variability.
"Matt and the team at Pangram Pangram are producing some brilliantly useful type, with a great balance of creativity and distinctiveness," enthuse the folks at Ogre Studio. Case in point: Pangram Sans is a powerful and extensive geometric workhorse, as bold and intense as it is subtle and flexible. Developers Mat Desjardins and Valerio Monopoli have taken this free-to-try geometric sans to a whole new level with a fully variable slanting, from Reclined to Italic. It also includes support for the Cyrillic Alphabet.
Rapor is built from a combination of sans serifs with strong geometric foundations such as Futura and grotesque fonts based on the equal-width system. It's slightly softened, evenly converging diagonal corners add distinctiveness to it. Designed by Oğuzhan Cengiz, it has ten weights ranging from Thin to Black and consists of twenty styles with matching italics.
CoFo Sans is based on the idea of harmony between rationality and emotion and between Latin and Cyrillic. In short, it's the perfect balance between simplicity and personality. Designed by Maria Doreuli, it comes in four weights and is perfect for anyone looking for clarity and adaptability without sacrificing character.
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