Kaon Decay Lament: Alif-Lam-Mim

[Dara Shayda]

Chant for Azizam Jaan-e Jaan 

Kaon Decay image from CERN chamber:

http://cdsweb.cern.ch/record/39472 

was scanned from left to right and at each pixel a chant was synthesized i.e. Alif-Lam-Mim, the y-value controlled the pitch, the intensity the volume and the colour the R-L output. 

Alif: Impassable barrier, what we call universe is on one side of the barrier, F-sound  indicates all the nonwherediferentiable structures e.g. Brownian motion, background noise, vacuum fluctuations

Lam: L-sound in language of Arab indicating distance, far-ness, far-ness in time space and in also in design and engineering of entities:

http://www.untiredwithloving.org/harf_lam.html 

Mim: SpiritoGenomical circle of humanity, nasalized thus indicating self-entanglement self-interference, ultimately self-awareness, 'eeee' sound connecting the two M-sounds of Mim is same 'eeee' sound indecent 'I' as me myself:

http://www.untiredwithloving.org/sabbihi.html#kitab_mim

Chanter: Sheikh Saad Al-Ghamdi 

Software: 

MetaSynth 5.3 

http://www.uisoftware.com/MetaSynth/index.php

Composition Notes:

Alif-Lam-Mim Lament 

{

IMAGE: http://lossofgenerality.devzing.com/files/alm_ghamdi1.tif 

A1

X=1024, Y=512

Effects Grid = 64   /* for longer reverb since the sample is long */

Reverb 

MultiSampler = from sound file: 

http://lossofgenerality.devzing.com/files/alm2_short.wav

MAP = Micro50

BPM=10

Stereo

// shorten and attack numbers produce variations

Shorten 2 times the Attack = 1 time

Scale along y-axis to reduce the super tenors 

}

Dara