Hey, an otome/BL hybrid, that's a rare one! I do find the idea of it being otome most intriguing though, with a female protagonist having to assume authority as a royal tutor and navigate the political schemes in this setting. Do you plan to have any significant differences when it goes to dialogue and how the protagonist is treated depending on their gender?
It's been a while since I last viewed the animation. The name of the main character is a bit unclear, but it's either Nazire or Nasir. He hails from a royal background and was destined to meet his demise through a thunderstorm at a specific age due to being wrongly perceived as evil instead of the inherently good person he was supposed to be.
For a lonely orphan, there is almost only one career path to success. That is to get a national qualification as an alchemist. After graduating from the Royal Alchemist Training Academy, which requires nothing but ability, Sarasa is presented with the rights to a store by her master. After being sent off by her generous mentor, Sarasa sets off on her journey, dreaming of a slightly elegant life as an alchemist, but upon arrival, she is shocked to find that the countryside is even more rural than she had imagined. However, even in such a place, she has to manage a store somehow to make a living.
(Source: Crunchyroll)
The Restoration led to the re-establishment of the Church of England, and Ashmole presented new prayer books to Lichfield Cathedral. In 1684, Dugdale wrote to his son-in-law that "the vulgar sort of people" were not "yet weaned from the presbyterian practises, which was long prayers of their own devising, and senseless sermons".[28] Like many royalists, Ashmole's circle was contemptuous of non-conformity.[15] Though Ashmole was "one of the earliest Freemasons, [and] appears from his writings to have been a zealous Rosicrucian",[29] John Gadbury wrote that "Anthony Wood hath falsely called him a Rosicrucian, Whereas no man was further from fostring such follies."[30] Ashmole's involvement with Freemasonry and Rosicrucianism may have been social or the interest of an antiquarian, rather than born out of any religious fervour. However, the notion of a repository of universal knowledge is described in Rosicrucian writings and this idea may have partly inspired Ashmole's desire to found a great museum.[20]
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The crest and coat of arms are surrounded by classical architectural motifs. The lower panels depict the laboratory and tools of an early alchemist or apothecary. The window, dating from around 1900, was originally in the examination hall of the Society's first headquarters at 17 Bloomsbury Square, London.
The alchemist had settled down in the house at Provaznická Street and beganto create cocktails. He would mix such delicious drinks that even the Emperorhimself had forgotten about the elixir of youth because the idea of leaving theworld in the caress of Alchemist's liquor was too tempting. Just prior to hisdeath, the Alchemist had hidden the greatest secret in the world, which he hadwheedled from the withered emperor earlier, and sworn that those words are tonever see the light of day again.
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