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Monster House is a 2006 American animated supernatural horror comedy film[3] directed by Gil Kenan in his directorial debut, from a screenplay written by Pamela Pettler and the writing team of Dan Harmon and Rob Schrab. The plot revolves around a neighborhood being terrorized by a sentient haunted house during Halloween. The film features the voices of Mitchel Musso, Sam Lerner, Spencer Locke, Steve Buscemi, Maggie Gyllenhaal, Kevin James, Nick Cannon, Jason Lee, Fred Willard, Jon Heder, Catherine O'Hara, and Kathleen Turner.
Produced by Columbia Pictures, Relativity Media, and executive producers Robert Zemeckis' ImageMovers and Steven Spielberg's Amblin Entertainment, respectively, the human characters were animated using motion-capture animation, which was previously utilized in Zemeckis' The Polar Express (2004). It was also Sony's first computer-animated film produced by Sony Pictures Imageworks and Relativity's first animated film.[4]
On the day before Halloween, 12-year-old Dustin James "D.J." Walters documents his elderly neighbor, Horace Nebbercracker, stealing a little girl's tricycle and scaring her away from his house, one of many similar incidents that have occurred. That same day, D.J.'s parents leave for a convention, placing him in the care of his teenage babysitter Elizabeth, or Zee. Later, D.J.'s friend, Charles "Chowder" Peterson, loses his basketball on Nebbercracker's lawn; D.J. tries to retrieve it, but is stopped by Nebbercracker. He appears to suffer a heart attack and is presumed dead by the duo as he is taken away in an ambulance.
When Zee's boyfriend Bones later pays a visit, he recalls the time Nebbercracker stole his kite, as well as relating rumors of him cannibalizing his wife. After Zee kicks him out, Bones notices his kite in the front door of Nebbercracker's house, tries to retrieve it and is abducted. D.J. and Chowder later investigate and learn that the house is possessed by a poltergeist. On Halloween, they save Jennifer "Jenny" Bennett, who is selling candy, from the house. Jenny calls police officers Landers and Lister, but the house stays quiet when the officers arrive and they dismiss the report.
The trio consults supernatural expert Reginald "Skull" Skulinski, who speculates the house must be a rare type of monster created by the fusion of a human's spirit and a man-made object that can only be unbound when its heart is struck. Ascertaining that the presumably-deceased Nebbercracker is the cause, the trio construct a dummy filled with cough syrup Chowder stole from a pharmacy owned by his father. They offer the dummy to the house to eat, hoping to put it to sleep so they can find its "heart" (its furnace). Landers and Lister then inadvertently foil the plan as the former discovers the stolen medicine; as they attempt to arrest the trio, the house soon eats them all. Separated from the officers, the children explore the sleeping house and end up in its basement. They find all the toys Nebbercracker had stolen and a shrine to his wife, Constance the Giantess, whose skeletal remains are encased in cement. The house soon awakens and attacks them, but they trigger its gag reflex by grabbing its uvula equivalent (a chandelier), forcing it to vomit them outside.
Nebbercracker returns from the hospital alive and well and it is revealed that Constance is the house. When they first met, Constance was an unwilling participant in a circus freak show who was ridiculed for her obesity. Nebbercracker developed feelings for her as he helped her escape and they later got married. On Halloween, during their house's construction, some children began tormenting Constance. Provoked, she attempted to chase them off as Nebbercracker tries to stop her, only to be knocked out as she stumbled and fell into the unfinished basement with her body accidentally being coated in cement, suffocating her. Nebbercracker then finished the house's construction in Constance's memory, but her vengeful spirit soon merged with it. Over the years, Nebbercracker feigned aggression to protect innocent people from her.
D.J. convinces Nebbercracker that they must put Constance to rest. Overhearing this, Constance becomes enraged, uses two trees to lift the house from its foundation, and chases her husband and the children. Nebbercracker tries to comfort Constance and explain everything is for the best, but when she realizes his intent to destroy her with some dynamite, she attacks him. Chowder combats Constance with an excavator from a nearby construction site, into which the trio then lure her. D.J. swings out on a crane's hook with the dynamite, dropping it into the house's chimney and vanquishing Constance. Finally freed, her spirit briefly reunites with Nebbercracker before ascending to the afterlife; he thanks the trio for freeing them from their suffering.
In the aftermath, the quartet gather at the house's still-intact basement, returning everything Nebbercracker stole to their rightful owners. During the credits after everyone leaves, the house's victims emerge from the basement unharmed, including Bones, who discovers that Zee is now dating Skull.
Monster House was initially set up at DreamWorks Animation SKG, based on a pitch by newcomer Gil Kenan.[5] Having just finished film school recently, Kenan had been having meetings with film producers for a while, but hadn't found any success, with a screenplay based on the Pac-Man video game series going unproduced. After Kenan received Dan Harmon's and Rob Schrab's screenplay for ImageMovers, Kenan had a meeting with the head of story Bennett Schneir, where he was able to pitch his vision for the film. Schneir worked for Robert Zemeckis as the head of development at ImageMovers, and Kenan had a meeting with Zemeckis quickly thereafter, apparently due to the filmmakers wanting to get a director for the project as fast as they could. Upon impressing Zemeckis with his pitch, Kenan then had a meeting with Steven Spielberg, where he pitched the film to Spielberg in a presentation with some sketches and drawings he had drawn before meeting Zemeckis.[6] By 2004, the studio put the film in turnaround, after which Sony Pictures Entertainment picked up the project and began production on August 23 of that year.[5]
The original screenplay of Monster House was, in Kenan's words, "absolutely brilliant and laugh-out-loud funny". Due to his experience as a storyteller, Kenan decided to preserve all the characters and the tone from Harmon's and Schrab's story, but added the idea that the titular house was possessed by a soul, leading to the creation of Constance Nebbercracker and the house's backstory. To help him revise the script and introduce Constance and Horace Nebbercracker into the plot, Kenan brought Pamela Pettler after reading her script for Corpse Bride (2005). They worked on the script at her house, and to meet the established deadline, they finished a draft quickly and sent it to Amy Pascal at Sony's Columbia Pictures. As work on the screenplay was underway, in a few months of preparation, Kenan had assembled a team of storyboard artists led by Simeon Wilkins in Studio City, Los Angeles to put up rudimentary boards with scratch dialogue and temporal score, with Khang Lee and Chris Appelhans collaborating on paintings for the film.[6]
The film was shot using motion-capture, in which the actors performed the characters' movement and lines while linked to sensors, a process pioneered by Zemeckis for his film The Polar Express (2004).[7] Zemeckis was in the process of starting filming on The Polar Express when he met Kenan, who visited the set to see how that film was filmed and discussed with Kenan how they would exactly shoot Monster House, deciding that they should prioritize the story before the filming technology, though Kenan always felt that the story should use animation to create a world with a living house, as he opined that making the house a viable threat and character would better work in an animated setting.[6]
The casting for Monster House was a laborious process, especially for the lead trio, who were portrayed by Mitchel Musso, Sam Lerner and Spencer Locke. Kenan agreed with head of animation Troy Saliba that actors were needed to portray the roles in a believable way. Many of the film's artists interpreted the roles on set and enhanced the lead actors through posed animation that drove the exaggerations of their performances to make them feel subtle and real.[6]
Ed Verreaux served as the production designer of Monster House. To design the neighbourhood where the story takes place, Verreaux realized that the film's setting needed to resemble that of 1980s films, like E.T. the Extra-Terrestrial (1982). During his discussions with Harmon and Schrab, Kenan was told that the film's setting was inspired by that of Wisconsin and Minneapolis. Verreaux and Kenan went together on a scouting trip to design the film's locations, which involved a visit to Universal Studios' backlot, during which they were granted access to the suburban street of The 'Burbs (1989), the neighborhood of the show Desperate Housewives and the house of Psycho (1960).[6]
Monster House was the first animated feature film using the Arnold rendering software (co-developed at Sony Pictures Imageworks), and the first feature film entirely rendered with unbiased, brute-force path tracing.[8][9]
Years after the film was released, Harmon received a letter from a woman whose 7-year-old daughter was having nightmares due to the film. Harmon wrote back, explaining that the story went the way it did because he had not finished the script when the studio took it, and hired other writers to change it in ways he did not approve of. He further denounced it by stating that Kenan was a hack and called Spielberg a moron (although he later clarified he was just venting, and did not really mean the latter).[10]
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