The Jester Tamil Dubbed Movie _VERIFIED_ Download
Syreeta Malick
A jester, court jester, fool or joker was a member of the household of a nobleman or a monarch employed to entertain guests during royal court. Jesters were also traveling performers who entertained common folk at fairs and town markets, and the discipline continues into the modern day, where jesters perform at historical-themed events.
During the Post-classical and Renaissance eras, jesters are often thought to have worn brightly coloured clothes and eccentric hats in a motley pattern. Their modern counterparts usually mimic this costume.
Jesters entertained with a wide variety of skills: principal among them were song, music, and storytelling, but many also employed acrobatics, juggling, telling jokes (such as puns, stereotypes, and imitation), and performing magic tricks. Much of the entertainment was performed in a comic style. Many jesters made contemporary jokes in word or song about people or events well known to their audiences.
The modern use of the English word jester did not come into use until the mid-16th century, during Tudor times.[1] This modern term derives from the older form gestour, or jestour, originally from Anglo-Norman (French) meaning 'storyteller' or 'minstrel'. Other earlier terms included fol, disour, buffoon, and bourder. These terms described entertainers who differed in their skills and performances but who all shared many similarities in their role as comedic performers for their audiences.[1][2][3]
In ancient Rome, a similar tradition of professional jesters were called balatrones.[4][full citation needed] Balatrones were paid for their jests, and the tables of the wealthy were generally open to them for the sake of the amusement they afforded.[5]
During the reigns of Elizabeth I and James I of England, William Shakespeare wrote his plays and performed with his theatre company the Lord Chamberlain's Men (later called the King's Men). Clowns and jesters were featured in Shakespeare's plays, and the company's expert on jesting was Robert Armin, author of the book Foole upon Foole. In Shakespeare's Twelfth Night, Feste the jester is described as "wise enough to play the fool".[12]
In Scotland, Mary, Queen of Scots, had a jester called Nichola. Her son, King James VI of Scotland, employed a jester called Archibald Armstrong. During his lifetime Armstrong was given great honours at court. He was eventually thrown out of the King's employment when he over-reached and insulted too many influential people. Even after his disgrace, books telling of his jests were sold in London streets. He held some influence at court still in the reign of Charles I and estates of land in Ireland. Anne of Denmark had a Scottish jester called Tom Durie. Charles I later employed a jester called Jeffrey Hudson who was very popular and loyal. Jeffrey Hudson had the title of "Royal Dwarf" because he was short of stature. One of his jests was to be presented hidden in a giant pie from which he would leap out. Hudson fought on the Royalist side in the English Civil War. A third jester associated with Charles I was called Muckle John.[13]
Jester's privilege is the ability and right of a jester to talk and mock freely without being punished. As an acknowledgement of this right, the court jester had symbols denoting their status and protection under the law. The crown (cap and bells) and sceptre (marotte) mirrored the royal crown and sceptre wielded by a monarch.[14][15]
Martin Luther used jest in many of his criticisms against the Catholic Church.[16] In the introduction to his To the Christian Nobility of the German Nation, he calls himself a court jester, and, later in the text, he explicitly invokes the jester's privilege when saying that monks should break their chastity vows.[16]
There are two major groups when it comes to defining fools: artificial fools and natural fools. Natural fools consisted of people who were deemed "mentally defective," or as having a "deficiency in their education, experience or innate capacity for understanding," and stood as someone for the rest of society to laugh at.[17][full citation needed] This policy was not generally criticised during its time. Groups of people even saw this act as a positive one, as these "natural" comedians were not typically able to have a job or earn any sort of living on their own. The second group, artificial fools, is what most people in modern times imagine when they hear the word "jester": someone who comes up with witty and original jokes in order to entertain a royal court. The main difference between the two groups is that a natural fool's comedy is not done intentionally while an artificial fool's is.
Scholar David Carlyon has cast doubt on the "daring political jester", calling historical tales "apocryphal", and concluding that "popular culture embraces a sentimental image of the clown; writers reproduce that sentimentality in the jester, and academics in the Trickster", but it "falters as analysis".[18]
Jesters could also give bad news to the King that no one else would dare deliver. In 1340, when the French fleet was destroyed at the Battle of Sluys by the English, Phillippe VI's jester told him the English sailors "don't even have the guts to jump into the water like our brave French".[7]
After the Restoration, Charles II did not reinstate the tradition of the court jester, but he did greatly patronise the theatre and proto-music hall entertainments, especially favouring the work of Thomas Killigrew. Though Killigrew was not officially a jester, Samuel Pepys in his famous diary does call Killigrew "The King's fool and jester, with the power to mock and revile even the most prominent without penalty" (12 February 1668).
In the 18th century, jesters had died out except in Russia, Spain, and Germany. In France and Italy, travelling groups of jesters performed plays featuring stylised characters in a form of theatre called the commedia dell'arte. A version of this passed into British folk tradition in the form of a puppet show, Punch and Judy. In France the tradition of the court jester ended with the abolition of the monarchy in the French Revolution.
In Germany, Till Eulenspiegel is a folkloric hero dating back to medieval times and ruling each year over Fasching or Carnival time, mocking politicians and public figures of power and authority with political satire like a modern-day court jester. He holds a mirror to make us aware of our times (Zeitgeist), and his sceptre, his "bauble", or marotte, is the symbol of his power.
Tonga was the first royal court to appoint a court jester in the 20th century; Taufa'ahau Tupou IV, the King of Tonga, appointed JD Bogdanoff to that role in 1999.[26] Bogdanoff was later embroiled in a financial scandal.[27]
In literature, the jester is symbolic of common sense and of honesty, notably in King Lear, where the court jester is a character used for insight and advice on the part of the monarch, taking advantage of his licence to mock and speak freely to dispense frank observations and highlight the folly of his monarch. This presents a clashing irony as a greater man could dispense the same advice and find himself being detained in the dungeons or even executed. Only as the lowliest member of the court can the jester be the monarch's most useful adviser.
The Shakespearean fool is a recurring character type in the works of William Shakespeare. Shakespearean fools are usually clever peasants or commoners that use their wits to outdo people of higher social standing. In this sense, they are very similar to the real fools, and jesters of the time, but their characteristics are greatly heightened for theatrical effect.[29] The "groundlings" (theatre-goers who were too poor to pay for seats and thus stood on the 'ground' in the front by the stage) that frequented the Globe Theatre were more likely to be drawn to these Shakespearean fools. However they were also favoured by the nobility. Most notably, Queen Elizabeth I was a great admirer of the popular actor who portrayed fools, Richard Tarlton. For Shakespeare himself, however, actor Robert Armin may have proved vital to the cultivation of the fool character in his many plays.[30]
Today, the jester is portrayed in different formats of medieval reenactment, Renaissance fairs, and entertainment, including film, stage performance, and carnivals. During the Burgundian and the Rhenish carnival, cabaret performances in local dialect are held. In Brabant this person is called a "tonpraoter" or "sauwelaar", and is actually in or on a barrel. In Limburg they are named "buuttereedner" or "buutteredner" and in Zeeland they are called an "ouwoer". They all perform a cabaret speech in dialect, during which many current issues are reviewed. Often there are local situations and celebrities from local and regional politics who are mocked, ridiculed and insulted. The "Tonpraoter" or "Buuttereedner" may be considered successors of the jesters.[33]
Format:
- 100 files
- Each file has name init1.html,...,init100.html
- The numbers refer to the ID's of the jokes in the Excel files
- jester_dataset_1_1.zip: (3.9MB) Data from 24,983 users who have rated 36 or more jokes, a matrix with dimensions 24983 X 101.
- jester_dataset_1_2.zip: (3.6MB) Data from 23,500 users who have rated 36 or more jokes, a matrix with dimensions 23500 X 101.
- jester_dataset_1_3.zip: (2.1MB) Data from 24,938 users who have rated between 15 and 35 jokes, a matrix with dimensions 24,938 X 101.
Dataset 3: 2.3 million ratingsValues from (-10.00 to +10.00) of 100 jokes from 73,421 users: collected between April 1999 - May 2003Includes 150 jokes( 50 not in Dataset 1) and an updated version of our old Dataset 2 with over 115,000 newratings from 82,366 total users: data collected from November 2006 - Mar 2015The text of the 150 Dataset 3 jokes: jester_dataset_2/3_joke_texts.zip (29KB)
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