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A verse is formally a single metrical line in a poetic composition.[1] However, verse has come to represent any grouping of lines in a poetic composition, with groupings traditionally having been referred to as stanzas.[2]

Verse in the uncountable (mass noun) sense refers to poetry in contrast to prose.[3] Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph.[4]

This module is intended for use when encoding texts which are entirely or predominantly in verse, and for which the elements for encoding verse structure already provided by the core module are inadequate.

The tags described in section 3.13.1 Core Tags for Verse include elements for the encoding of verse lines and line groups such as stanzas: these are available for any TEI document, irrespective of the module it uses. Like the modules for prose and for drama, the module for verse additionally makes use of the module defined in chapter 4 Default Text Structure to define the basic formal structure of a text, in terms of front, body and back elements and the text-division elements into which these may be subdivided.

Like other kinds of text, texts written in verse may be of widely differing lengths and structures. A complete poem, no matter how short, may be treated as a free-standing text, and encoded in the same way as a distinct prose text. A group of poems functioning as a single unit may be encoded either as a group or as a text, depending on the encoder's view of the text. For further discussion, including an example encoding for a verse anthology, see chapter 4 Default Text Structure.

Note the use of the type attribute to name the type of unit encoded by the lg element; this attribute is common to all members of the att.divLike class (see section 4.1.1 Un-numbered Divisions).32 When used on lg, the type attribute is intended solely for conventional names of different classes of text block. For systematic analysis of metrical and rhyme schemes, use the met and rhyme attributes, for which see below, section 6.4 Rhyme and Metrical Analysis.

One reason for using div rather than lg elements is that the former may contain non-metrical elements, such as epigraphs or dedications and other members of the model.divTop class, whereas lg elements may contain only headings or metrical lines.

It is often convenient for various kinds of analysis to encode subdivisions of verse lines. The general purpose seg element defined in the tag set for segmentation and alignment (section 17.3 Blocks, Segments, and Anchors) is provided for this purpose:

In classical prosody, the caesura, which occurs within a foot, is distinguished from a diaeresis, which occurs on a foot boundary (not to be confused with the division of a diphthong into two syllables, or the diacritic symbol used to indicate such division, each of which is also termed diaeresis). This distinction is rarely made nowadays, the term caesura being used for any division irrespective of foot boundaries. No special-purpose element is therefore provided.

It is possible that certain textual structures may span multiple lines of verse, either by incorporating more than one, or by crossing line hierarchy. This is common, for example, when lines contain reported thought or speech (i.e. said), or other forms of quotation (i.e. q). For these cases, it is recommended practice to fragment and reconstruct the elements representing the textual structures.

These attributes may be attached to the lg element, or to the higher-level text-division elements div, div1, etc. In general, the attributes should be specified at the highest level possible; they may not however be specifiable at the highest level if some of the subdivisions of a text are in prose and others in verse. All these attributes may also be attached to the l and seg elements, but the default notation for the rhyme attribute has no defined meaning when specified on l or seg. The value for these attributes may take any form desired by the encoder, but the nature of the notation used will determine how well the attribute values can be processed by automatic means.

The primary function of the metrical attributes is to encode the conventional metrical or rhyming structure within which the poet is working, rather than the actual prosodic realization of each line; the latter can be recorded using the real attribute, as further discussed below. A simple mechanism is also provided for recording the actual realization of a rhyme pattern; see 6.5 Rhyme.

Because both rhyme pattern and metrical form are consistent throughout the poem, they may be conveniently specified on the div element; the values given for the attributes will be inherited by any metrical unit contained within the div elements of this poem, and must be interpreted in the appropriate way.

Since the notation used in the met, real, and rhyme attributes is user-defined, no binding description can be given of its details or of how its interpretation must proceed. (A default notation is provided for the rhyme attribute, which however the encoder can replace with another; see section 6.5 Rhyme.) It is expected, however, that software should be able to support these attributes in useful ways; the more intelligent the software is, and the more knowledge of metrics is built into it, the better it will be able to support these attributes. In the extract given above, for example, the met and rhyme attribute values specified on the div element are inherited directly by the lg elements nested within it. Since the met value specifies the metrical form of a single verse line, the structure of the lg as a whole is understood to involve as many repetitions of the pattern as there are lines in the verse paragraph. The same attribute value, when inherited in turn by the l element, must be understood not to repeat. With sufficiently sophisticated software, segments within the line might even be understood as inheriting precisely that portion of the formula which applies to the segment in question; this will, however, be easier to accomplish for some languages than for others.

The rhyme attribute in this example uses the default notation to specify a rhyme scheme applicable only to pairs of lines. As elsewhere, the default notation for the rhyme attribute has no meaning for metrical units at the line level or below. In verse forms where line-internal rhyme is structurally significant, e.g. in some skaldic poetry, the default notation is incapable of expressing the required information, since the rhyme pattern may need to be specified for units smaller than the line. In such cases, a user-specified rhyme notation must be substituted for the default notation, or else the rhyme pattern must be described using some alternative method (e.g. by using the link mechanism described below).

The precise semantics of the met attribute and the inferences which software is expected or able to draw from it, are implementation-dependent; so are the semantics and processing of the rhyme attribute, when user-specified notations are used.

Where the real attribute is used to over-ride the default or conventional metrical pattern, it applies only to the element on which it is specified. The default pattern for any subsequent lines is unaffected.

Here the met attribute specifies a metrical pattern for each of the twenty-one lines making up a stanza of the canzone. Each stanza inherits this definition from the parent div element. The rhyme attribute specifies a rhyme scheme for each stanza, in the same way.

Note that, in the same way as for the real attribute, over-riding of this kind does not affect subsequent elements at the same hierarchic level. Any lg element following the commiato above would be assumed to use the same metrical and rhyming scheme as the one preceding the commiato. Moreover, although it is quite regular (in the sense that the last stanza of each canzone is a commiato), the over-riding must be specified for each case.

Like the met attribute, the rhyme attribute can be used with a user-specified notation documented by the metDecl element in the TEI header. Unlike met, however, the rhyme attribute has a default notation; if this default notation is used, no metDecl element need be given.

The default notation for rhyme offers the ability to record patterns of rhyming lines, using the traditional notation in which distinct letters stand for rhyming lines. For a work in rhyming couplets, like the Pope example above, the rhyme attribute simply specifies aa, indicating that pairs of adjacent lines rhyme with each other. For a slightly more complex scheme, applicable to groups of four lines, in which lines 1 and 3 rhyme, as do lines 2 and 4, this attribute would have the value abab. The traditional Spenserian stanza has the pattern ababbcbcc, indicating that within each nine line stanza, lines 1 and 3 rhyme with each other, as do lines 2, 4, 5 and 7, and lines 6, 8 and 9.

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