Download Film Brownies 2005 Chev
Hermelindo Sauceda
I have a Six-20 Brownie Junior.Recently,I've gotten interested in wanting to get it out and actually use it.This group and all of the other information on the web has been a great help.I have found so much on adapting 120 film to 620 reels.It's been great.
If you want to use 35 mm in your Brownie, be sure to roll the 35 mm film into a 120 paper backing which you can get from a pro lab (it is thrown away after developing 120 film). And look out for that red window in the back, it should be blacked out.
It may be easier to adapt the 120 film to work. I remember from a past post that you may just need a couple of coins at each end of the supply spool to take up the extra space. Assuming you have the correct 116 take up spool that would be a big time saver over respooling 35mm film onto 120 backing paper.
What i do with my old Brownies, is to make my own roll film. Using the Arisa APHS Ortho film.Have a 130 and a 124 roll film Brownie. The film, being Ortho, can be cut under a red safelight. I buy the 16x20 or 20x24. Cut it into the proper width. Make some paper backing. It can also be done with a 4x5 cut sheet of Ortho film, (Have used Efke 25 Ortho 4x5), taped to a very thin piece of modeler's plywood. About 1/8" or so. That makes it a one shot camera. I have liked the results so much. That I will not use any other film in those cameras. The most common film that those old Brownies used were slow and most likely Ortho. have tried modern film in my 120 Brownies. They looked more flat than the Ortho pictures. This might be more time consuming, but to give you another option.
I've used 35mm film in a big Kodak folder. Just wedge the cassette in with a lump of blue tak or something. I'm assuming that 616 is a large film size so the film chamber should be big enough to accommodate a 35mm cassette.
Pull the film across and engage it with the old take up spool. You can make new film guides the correct width with two lengths of balsa wood glued or taped into the film gate, there should be no need to use roll film paper backing. Block the red window and guess how many turns to make on the film winder for each exposure - practice with scrap film first.
I do feel that 120 film would be far easier. Unless, the OP wants the sprocket holes in the picture. Using 35mm film with a camera that has a negative of 4 1/4" long. And, with a normal lens. 120 film could be cropped to the width of 35mm film. Then, why not use 35? Well, if a person took a photo of 4 people standing side by side with the 35. The photo would probably just show their mid sections! 35 would be a severe case of guessing.
You want slow film with good exposure latitude. They were designed with a fixed exposure suitable for ASA 50 film in full sun (over the photographer's shoulder). Plus-X would be a good B&W chioce, Kodak Gold 100 a fine color choice. (Forget about slide film.) While Ilford Pan-F is closer to the original film speed, it's more fussy about exposure.
I think it might be a lot easier to use 120 roll film.
I don't know about your particular camera, but I have a Brownie box camera, and I used 120 film with it. It's a Brownie 2A (Model B), from the early 1920's I think. It's supposed to use 116 film, but I used 120 size film by putting spacers on the ends of the spool. I just used plastic drywall screw anchors (you can get them from any hardware store). The film advanced fine and I didn't have any problems. I used Kodak Plus-X. You can change the aperture on the Brownie 2A, but you can't change the shutter speed. Your camera is probably similar. What I did was shoot on every third frame...so 3, 6, 9, 12, 15, etc. I only ended up with 5 shots that way, but that's fine. You can use the red window on the back to advance your film, but it's probably faded so keep a piece of tape or something on it until you advance the film. The images on the negatives were HUGE! It did look panoramic. I just made contact prints. The pictures actually looked pretty sharp, a lot better than what I expected from a camera that's almost 100 years old!
So no camera is perfect. I usually own around 40 working classic film cameras at any given point in time and have used/owned probably hundreds. So I, as much as anyone else, knows that no camera is perfect. So here are a few strikes against the TL70.
I find myself remembering the old methods of moving in reverse in order to compose with the TLR viewfinder. When doing this for a serious photo, one may get aggravated, I know I did, but when the end product is a tiny instant film image, the silliness of turning left in order to move the image right is fun and makes you think and observe differently.
A quick case for Will Forte as the most underrated cast member in SNL history. He didn't get the fête that Kristin Wiig and Andy Samberg received on their exits and, along with Jason Sudekis, he pushed SNL's male WASP count too high. But Forte, more than any other recent cast member, could walk the line between funny and genuinely unsettling. His nondescript face was the perfect canvas for shut-ins and right-wing conspirators like his recurring character the Falconer. In the Falconer's time travel sketch, each cast member (and host Kevin Spacey) mimics Forte's character, but they're unable to match the barely-contained psychosis of the original. This kind of absurdist Forte was too often relegated night's final segment. In some way, his outsider characters have prepared him for his acclaimed role in the Oscar-nominated film Nebraska. We're sure to see more of him soon.
Transformers: Revenge of the Fallen is a 2009 American science fiction action film based on Hasbro's Transformers toy line. The film is the second installment in the Transformers film series and the sequel to Transformers (2007). The film is directed by Michael Bay and written by Ehren Kruger, Roberto Orci, and Alex Kurtzman. Taking place two years after the previous film, the story revolves around Optimus Prime (voiced by Peter Cullen), Sam Witwicky (Shia LaBeouf) and the Autobots allying once again in the war against the Decepticons, led by Megatron (voiced by Hugo Weaving). Sam begins seeing strange Cybertronian symbols in his right eye, and is being hunted by the Decepticons under the orders of Megatron's master the Decepticon named the Fallen (voiced by Tony Todd), who seeks to get revenge on Earth by finding and activating a machine that would destroy the Sun and all life in the process.
With deadlines jeopardized by possible strikes by the Directors Guild of America and the Screen Actors Guild, Bay managed to finish the production on time with the help of previsualization and a scriptment. Shooting took place between May and September 2008, with locations in Egypt, Jordan, Pennsylvania, New Jersey, and California, as well as air bases in New Mexico and Arizona. It is the last film in the series to star Megan Fox.
Transformers: Revenge of the Fallen premiered on June 8, 2009, in Tokyo and was released on June 24 in the United States, by Paramount Pictures. The film received generally negative reviews from critics. It won three Golden Raspberry Awards at the 30th Golden Raspberry Awards ceremony and became the highest-grossing film to win the Worst Picture award. Nonetheless, the film surpassed its predecessor's box office gross worldwide with $836.5 million, making it the fourth-highest-grossing film of 2009. It was nominated for the Academy Award for Best Sound Mixing, at the 82nd Academy Awards. With over 11 million home media sales in 2009, it was also the top-selling film of the year in the United States. It was followed by Transformers: Dark of the Moon in 2011.
In September 2007, Paramount announced a release date for the sequel to Transformers in late June 2009.[25] The film was given a $200 million budget, which was $50 million more than the first film,[26] although Variety put the budget spend at over $210 million, after rebates.[5][1][27] Some of the action scenes rejected from the first film were written into the sequel.[28] Producer Lorenzo di Bonaventura later stated the studio proposed filming two sequels simultaneously, but he and Bay agreed that the idea was not the right direction for the series.[29]
Prior to the first film's release, producer Tom DeSanto had "a very cool idea" to introduce the Dinobots,[30] while Bay was interested in including a Transformer who transforms into an aircraft carrier, a concept which was dropped from the 2007 film.[31] Orci claimed they did not incorporate these characters into Revenge of the Fallen because they could not think of a way to justify the Dinobots' choice of form,[17] and were unable to fit in the aircraft carrier.[32] Orci later admitted that he was dismissive of the Dinobots because he does not like dinosaurs, saying "I recognize I am weird in that department."[33] However, he became fonder of them during filming because of their popularity with fans.[34] He added "I couldn't see why a Transformer would feel the need to disguise himself in front of a bunch of lizards. Movie-wise, I mean. Once the general audience is fully on board with the whole thing, maybe Dinobots in the future."[35] When asked on the subject, Michael Bay said he hated the Dinobots and they had never been in consideration for being featured in the movies.[36]
During production, Bay attempted to create a misinformation campaign to increase debate over what Transformers would be appearing in the film, as well as to try to throw fans off from the story of the film; however, Orci confessed it was generally unsuccessful.[32] The studio went as far as to censor MTV and Comic Book Resources interviews with Mowry and Furman, who confirmed Arcee and The Fallen would be in the picture.[37] Bay told Empire that Megatron would not be resurrected, claiming his new tank form was a toy-only character,[26] only for Orci to confirm Megatron would return in the film in February 2009.[38] Bay also claimed he faked the leaking of daily call sheets from the first week of filming, that revealed Ramón Rodríguez's casting,[39] and the appearance of Jetfire and the twins.[40]
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