Alien Covenant 3

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Alien: Covenant is a 2017 science fiction horror film directed and produced by Ridley Scott, and written by John Logan and Dante Harper from a story by Michael Green and Jack Paglen. A joint American and British production, it is a sequel to Prometheus (2012), the second entry in the Alien prequel series, and the sixth installment in the series but counting crossovers eighth film in the overall Alien franchise (three of which have been directed by Scott). It features returning star Michael Fassbender, with Katherine Waterston, Billy Crudup, Danny McBride, and Demin Bichir in supporting roles. It follows the crew of a colony ship that lands on an uncharted planet and makes a terrifying discovery.

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In 2012, before the release of Prometheus, Scott discussed the prospects of a sequel and new trilogy, and this film was confirmed that August. Principal photography began on April 4, 2016, at Milford Sound in Fiordland National Park, New Zealand, and wrapped on July 19, 2016. Effects houses Odd Studios and CreatureNFX provided the film's makeup and animatronic creature effects. Scott said the film's first cut was 2 hours and 23 minutes, which was edited down by over twenty minutes.

Alien: Covenant premiered in London on May 4, 2017. It was released by 20th Century Fox on May 12 in the United Kingdom, and on May 19 in the United States. It received mostly positive reviews from critics but underperformed at the box office; its worldwide gross was $240 million against a production budget of approximately $100 million, not including marketing costs.

In a prologue,[a] business magnate Peter Weyland speaks with his newly activated android in a lakeside apartment. The android chooses the name "David" for himself after observing Michelangelo's statue. Weyland states that one day they will search for mankind's creator together. David comments on his unlimited lifespan as compared to Weyland's, which unsettles Weyland.

In 2104 AD, 11 years after the Prometheus expedition, the colonization ship Covenant is seven years from reaching planet Origae-6 with 2,000 colonists in stasis and 1,140 human embryos in cold storage. The ship is monitored by Walter, an advanced android model that physically resembles David. When a neutrino burst damages the ship, Walter reanimates the human crewmates. The ship's captain, Jake Branson, is incinerated when his stasis pod malfunctions. While repairing the ship, the crew picks up a transmission of a human voice from a nearby planet which appears eminently more habitable than Origae-6. Despite the protests of Daniels, Branson's widow, that this new "perfect" planet is too good to be true, the new captain, Christopher Oram, decides they will investigate.

With pilot Tennessee maintaining Covenant in orbit, his wife Faris flies a lander to the planet's surface, where an expedition team tracks the transmission's signal to a crashed alien ship. Crewmembers Ledward and Hallett are infected by spores from fungus-like organisms. Oram's wife, Karine, helps the rapidly deteriorating Ledward back to the lander, where Faris quarantines both inside the med-bay. A small pale alien creature (neomorph) bursts from Ledward's back, killing him, and mauls Karine to death. Faris tries to kill the creature with a shotgun but triggers an explosion that kills her and destroys the lander. Nearby in the fields, another neomorph bursts from Hallett's mouth, killing him. The creatures attack the remaining crew, killing crew member Ankor. The remaining crew kills one neomorph before David, who survived the Prometheus mission, appears and scares off the other.

David leads the crew to a temple in a city full of dead humanoids. He tells them that, upon his and fellow Prometheus survivor Elizabeth Shaw's arrival at the planet, their ship accidentally released a pathogen that annihilated all fauna on the planet and that Shaw perished when the ship crashed. Attempts to radio the Covenant are prevented by ion storms. When the remaining neomorph infiltrates the temple and kills crewmember Rosenthal, David tries to communicate with it and is incensed when Oram shoots it dead. Oram questions David, who reveals the aliens are a result of his releasing and experimenting with the pathogen to produce new lifeforms, before tricking Oram into being attacked by a facehugger. A new form of creature later erupts from Oram's chest, killing him.

As the others search for Oram and Rosenthal, Walter finds Shaw's dissected corpse, used by David as material for his evolving creature designs. David states that humanity is a dying and unworthy species and that his designed creature is a "perfect organism" that will eradicate them. When Walter disagrees, David incapacitates him and threatens Daniels. Walter heals himself and engages David, allowing Daniels to escape.

Elsewhere, another facehugger attacks security chief Dan Lope. Crewmember Cole quickly cuts it off, leaving Lope with acid burns on his face. The now fully grown xenomorph kills Cole, while Lope escapes and meets up with Daniels. Tennessee arrives in a lander to extract Daniels, Lope and Walter, who says David has "expired". They kill the attacking xenomorph and return to the Covenant.

The next morning, Daniels and Tennessee discover a xenomorph has burst from Lope's chest, killing him, and is loose on the Covenant. It matures and kills crewmembers Ricks and Upworth while they are in the shower having sex. Daniels and Tennessee lure the creature into Covenant's terraforming bay and eject it into space.

Covenant resumes its voyage to Origae-6. As Walter puts Daniels in stasis, she realizes he is actually David but is unable to escape from her pod before falling asleep. David regurgitates two facehugger embryos, which he places in cold storage with the human embryos and inspects the colonists. Posing as Walter, he sends a transmission in which he says all crew members except Daniels and Tennessee were killed by the earlier solar-flare incident.

A number of actors appear in uncredited roles. Guy Pearce reprises his role as Peter Weyland, the trillionaire founder and CEO of Weyland Corporation (the Weyland-Yutani Corporation in "later" storylines) who died shortly before the destruction of the Prometheus.[16] James Franco appears onscreen in photos and a video as Jacob Branson, the original captain of the Covenant and deceased husband of Daniels; he also appears in deleted scenes and a short promotional prologue to Covenant.[17] Noomi Rapace, who played archaeologist Dr. Elizabeth Shaw in Prometheus, appeared in a short promotional prologue to Covenant that was set in the period between the two movies, but does not act in the final cut of the movie itself, though her voice is heard from the planet early in the film and her image and voice appear later.[18][19]

Other credited parts include Lorelei King as the voice of the Covenant's computer "Mother".[20] Goran D. Kleut is credited in two roles, as both a neomorph and a xenomorph,[21] while Andrew Crawford is credited as a neomorph.[22]

Alien: Covenant is the second film in the Alien prequel series, and the sixth installment in the Alien franchise. It is the third Alien film to be directed by Ridley Scott. In 2012, prior to the release of the first prequel (the fifth Alien film overall), Prometheus, director Ridley Scott began hinting at the prospect of a sequel, as Prometheus had left many questions unanswered.[23][24][25] He said a sequel would follow Shaw, the protagonist of Prometheus, to her next destination, "because if it is paradise, paradise cannot be what you think it is. Paradise has a connotation of being extremely sinister and ominous." Prometheus co-writer Damon Lindelof cast doubt on his own participation, saying, "if [Scott] wants me to be involved in something, that would be hard to say no to. At the same time, I do feel like the movie might benefit from a fresh voice or a fresh take or a fresh thought."[26] In June, Scott said an additional film would be required to bridge the >100-year gap between the Prometheus sequel and Alien.[27]

As of August 1, 2012[update], Fox was pursuing a sequel with Scott, Noomi Rapace, and Michael Fassbender involved, and talking to new writers in case Lindelof did not return.[28] In December 2012, Lindelof ultimately chose not to work on the project.[29] Early on, Scott stated the film would feature no xenomorphs as he wanted to phase the xenomorph out to focus on David 8, whose A.I. was the new alien lifeform.[30][31] He later made statements confirming the xenomorph's presence in the film, mainly due to feedback to Prometheus.[32][33]

On September 24, 2015, Scott disclosed the film's title as Alien: Paradise Lost.[34] In November 2015, he revealed the new title was Alien: Covenant, and that filming would begin in February 2016 in Australia.[35] An official logo, synopsis and release date were released on November 16, 2015.[36] In an interview about the development of the David character since Prometheus, Scott described the dark turn David would take in Covenant: "He hates them. He has no respect for Engineers and no respect for human beings."[37]

The initial screenplay was written by Transcendence screenwriter Jack Paglen in June 2013.[38] In March 2014, Michael Green was hired to rewrite Paglen's script.[39] Dante Harper later wrote a new script, but an extensive rewrite was performed by screenwriter John Logan. Logan had previously worked with Scott on Gladiator.[32]

For Logan, the main concept was to adopt a dual plot line for the film that would combine the horror elements of Alien with the philosophical elements of Prometheus. He said, "With Alien: Covenant, I just really wanted to write something that had the feel of the original Alien, because seeing that movie was one of the great events of my youth. It was so overpowering in terms of what it communicated to me and its implications, that when I started talking to Ridley about what became Alien: Covenant, I said, 'You know, that was a hell of a scary movie.' I wanted to write a horror movie because the Grand Guignol elements of Alien are so profound. We tried to recapture that with Alien: Covenant, while also trying to pay homage to the deeper implications of Prometheus. In terms of tone, pace, and how we chose to play this particular symphony, we wanted to create a really frightening movie."[32]

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