Brian Gaff <
brian...@gmail.com> wrote:
> They used to have one that you pressed your face against. Raymond Baxter
> used to use on at the air shows he was commentating on.
>
> Sadly these days they use a normal cardiod and attempt to filter with naff
> digital processing and it sounds like the is underwater most of the time, or
> do nothing and you have to put upwith what you get often reflected from the
> walls of the building.
> One might also ask why is it that audiences here in the UK are getting more
> like in the US where even at concerts the audience seem to make so much
> noise you can't hear the artists.
I once had to give a broadcast talk as part of a series at an exhibition
in a square room, about 100ft x 100ft, that had bare flat reflective
walls with no scattering features and dreadful acoustics. It
incidentally had an immense amount of absorber in the ceiling, but that
achieved nothing because the sound was never reflected into the ceiling.
The broadcaster had been working in that room for several weeks and at
every event they found the only way to deal with the situation was to
pass a close-speaking mic from hand-to-hand, This made group
discussions somewhat hesitant ...and tedious for performers and
audience alike.
I turned up with my own Fig-8 'pseudo-ribbon' mic which, as it didn't
actually contain a ribbon, could be mounted horizontally. I put it on a
high stand well above and just in front of my head, with one sensitive
side towards my face and the other facing the ceiling. The horizontal
plane of deadness include all four walls.
When I did a trial run, one of the technicians came flying out of the
control room and yelled at his colleagues "Hey! Come and listen to
this!" They all marvelled at what they were hearing (the sound quality,
not my delivery) but none of them appeared to have the slightest clue
how I had achieved it.
After I had given the talk, I offered to loan them the mic for the rest
of the exhibition but they preferred to revert to the hand-held system,
which at least they understood, so.I packed up the mic and took it home
with me. Ribbon mics can sometimes be wonderful at getting you out of a
hole, but you have to put in a bit of effort first, to make sure you
understand how they work.
--
~ Liz Tuddenham ~
(Remove the ".invalid"s and add ".
co.uk" to reply)
www.poppyrecords.co.uk