Licensing-So why U-turn?
Roger Gall
So why did licensing minister Gerry Sutcliffe announce the dramatic u-turn
on possible licensing exemptions for small gigs?
Was it because the government had finally accepted the evidence of the Live
Music Forum, UK Music, the all-party Culture, Media and Sport Committee,
Equity, the Musicians Union, and campaigners, that the Licensing Act is
harming small gigs?
Not a bit of it. A close reading of what the minister actually said, and a
recent DCMS letter, make clear that DCMS does not now accept this evidence.
The new line is that problems are perceived, not real.
Only a few months ago, government spokesperson Lord Carter of Barnes almost
managed to admit that they had got it wrong:
'... the Government recognise that there is evidence to suggest that
small-scale, informal gigs may have been negatively affected by the Act.'
[Minor variations debate, House of Lords, 15 June 2009]
http://www.publications.parliament.uk/pa/ld200809/ldhansrd/text/90615-0013.htm#09061538000351
But during the 22nd October Westminster Hall licensing debate Sutcliffe gave
this reason for the decision to consult on a new exemption:
'My right hon. Friend the Secretary of State [Ben Bradshaw] and I understand
that many people who are passionate about live music are sincere in their
view that some small events are being deterred or restricted because of
unnecessary regulation.'
And a letter from the DCMS licensing team dated 23rd October offers this
version:
'... we recognise that many people still feel that small events are being
deterred or restricted because of unnecessary regulation.'
These statements could hardly be more patronising. They demonstrate the
intense hubris that infects the DCMS licensing department, and an almost
maniacal determination to conceal the truth.
The facts are simple: the Licensing Act 2003 extended entertainment
licensing control for live music to thousands of venues and events that had
never previously required such licensing. For the first time performances
in public spaces were caught, as were private charity fund-raising events,
and one or two musicians in bars and restaurants. Inevitably that means
that thousands of places have had to make, and in most cases pay for, 'new'
applications for permission to host live music - applications that DCMS
trots out to the press and to Parliament as evidence of improvement.
Brown paper bag anyone?
ENDS