Forked Tongue <whiterabbit...@yahoo.co.uk> wrote in message
news:8vgonk$pdi$1...@nnrp1.deja.com...
> Who do you all think are the most overrated and underrated
> Brookie actors/actresss ever? (past or present).
>
> ----------------------------------------
> Helen Grace- http://www.helengrace.co.uk
> Me- http://uk.geocities.com/thisispanic
> ~ We scratch our eternal itch ~
>
>
> Sent via Deja.com http://www.deja.com/
> Before you buy.
I know you won't like but I'm going to say it anyway. ANNA FRIEL IS SO
OVERRATED. On the back of one sensational storyline she's managed to
bluff her way to the top. I seen Rogue Trader for the first time a
couple of weeks back and what ruined the entire film was Friel's
acting. McGregor had also clearly worked on the accent for the film
where as everytime Friel spoke I was cringing! I hope she sticks with
Stage acting for a while so I don't have to put up with her. And
despite the great debt she owe's to brookside for quick starting her
career she now seems to want to totally wipe Brookside from the memory.
She's another one who's ashamed that "Brookside" appears on her CV. I
don't like the woman and don't think much of her acting either.
As for current stars (?) of brookside. I think Sarah White is actually
underrated and the same goes for Alex Fletcher. 10 years on Brookside
now and she's easily the best of the all the youngsters that grew up on
brookie. (Not exactly hard I know but still something to be proud of)
Yet there has never been a period when they have tried pushed her out
into the limelight (Could be AF'S fault I suppose but I'm not
convinced) instead in recent years it's been Claire Sweeney (Overrated)
that has been given the exposure (prepare for a onslaught on Claire
Sweeney by eagleye now!). The thing with Claire Sweeney is that the
viewing public clearly don't rate her as a actress so she's not
overrated in that sense. It's the last 2 producers on Brookside that
have overrated her.
Underrated: At the moment, Alex Fletcher, Sue Jenkins, Stephen Pinder.
Diane Burke has mastered the art of looking as miserbale as possible on
screen and deserves an award for it. I wouldn't put her in either
category at the moment as she's seen once every 2 months at the moment
so can't really be underrated or overrated.
>
> Forked Tongue <whiterabbit...@yahoo.co.uk> wrote in message
> news:8vgonk$pdi$1...@nnrp1.deja.com...
The exceptions are Sue Jenkins, who has played a wonderful and trying part
for so many years so convincingly, and Sarah White, who is at her best when
bits of the old Bev sometimes shine through.
Neither here nor there is Tiffany Chapman, who after a few years of
woodenness when she arrived, really came into her own. I'd like to see more
good storylines for her. The rest of the cast could disappear for all I
care.
Katrina, the Moffets, Victoria Website-Designer - you can keep 'em!
One name I've not seen mentioned once on this NG is that of my all time
favorite, Gladys Ambrose, better known as Julia Brogan. She deserved more
recognition than she ever did get, God bless her. There'll never be another
one of her.
Underrated : Dean Sullivan.
He had some of the most classic few lines many years ago, when he
pinched one or more stone lions from a park to sell to a neighbour on
the close, but Sinbad recognised them from when he wa in the children's
home and made Jimmy take them back.
Jimmy, reflecting on his life as a scally : "What have I got? I'm forty
years old, and I can't even make a living as a robber."
top of what? bad films and average TV?
She hasn't. Makes the media attention more absurd. Nobody has gone on to
anything after Brookside because of it as opposed to despite it. Except Lisa
Faulkner, but Mal Young has a special interest in promoting Brookside
actors.
White Shite
var...@cableinet.co.uk
ICQ 88954483
Yes, awful films but that rogue trader was billed as being a top film
but was ruined by Friel. She manages to this with anything she appears
in. Except mad cows which was just crap anyway. Basically what I'm
saying is she's got a lot of film roles because of one sensationalist
storyline and she didn't deserve them.
Friel has probably done the best which is a travesty. The likes of Ricky
Tomlinson and Sue Johnston have done far better than Faulkner.
Are they stupid?
> > ----------------------------------------
> > Helen Grace- http://www.helengrace.co.uk
> > Me- http://uk.geocities.com/thisispanic
> > ~ We scratch our eternal itch ~
> >
STEPHEN FLETCHER plays Plank Murray. Brookside got him, complete with
no acting experience whatsoever, straight off the dole queue.
> The exceptions are Sue Jenkins, who has played a wonderful and trying
part
> for so many years so convincingly, and Sarah White, who is at her
best when
> bits of the old Bev sometimes shine through.
>
> Neither here nor there is Tiffany Chapman, who after a few years of
> woodenness when she arrived, really came into her own. I'd like to
see more
> good storylines for her. The rest of the cast could disappear for
all I
> care.
Tiffany Chapman, too one dimensional. You won't see her for dust for
already. The next time you do, she'll be two stone heavier yet.
> Katrina, the Moffets, Victoria Website-Designer - you can keep 'em!
>
> One name I've not seen mentioned once on this NG is that of my all
time
> favorite, Gladys Ambrose, better known as Julia Brogan. She deserved
more
> recognition than she ever did get, God bless her. There'll never be
another
> one of her.
>
>
They didn't immediately though. If someone's success is due to Brookside
then they would have been snapped up after they left, instead of a gap.
I think thats probably mostly to do with Anna being more attractive. Ability
wise, neither are anything very special,
Underated:
The murray family
Tim ( he is realy good at acting and at least he had some experiance)
Lance ( he is cool!)
Jerome
> Tim ( he is realy good at acting and at least he had some experiance)
He should be with a relative like the legendary Laurence Olivier. Must be
in the blood.
Regards
Jack
"Tom Hawley" <onio...@which.net> wrote in message
news:irjT5.633$nM6....@news11-gui.server.ntli.net...
Would You ????? !!!! <Grin>
<SNIP>
Myfyr
> I agree with you entirely, but isn't it a shame that the actor,
> himself, apparently can't see that? It's time Dean Sullivan faced up to
> that and turned down any further monetary stipend offered to stay.
God Almighty Marion what planet are you living on? Brookside is this guy's
job, his livelihood. Yes the character has been burned out in recent years
but Dean Sullivan, like the rest of us, maybe likes a steady well paid job.
And who can blame him?
IIRC he was offered a lucrative contract by ITV last year. So he would have
had a *very* steady, *very* well-paid job.
--
Robert Hampton, Liverpool, UK
r_ha...@blueyonder.co.uk
http://www.fabland.co.uk/
> IIRC he was offered a lucrative contract by ITV last year. So he would
have
> had a *very* steady, *very* well-paid job.
IIRC it was RUMOURED that Dean Sullivan was offered a lucrative contract by
ITV last year. Anyway the point I was making was a generic one in that
actor's don't always have control over the way their characters are
developed but they aren't necessarily in a financial position to make a
major stand on the issue.
I think your're thinking of "The Tribe". This was the biggest load of crap
I've ever seen and nobody wanted it. Rogue Trader was actually a half decent
film but Friel failed miserably with her Cockney accent and yes she
attempted (?) a Aussie accent in mad cows and again she failed.
> IIRC it was RUMOURED that Dean Sullivan was offered a lucrative contract by
> ITV last year. Anyway the point I was making was a generic one in that
> actor's don't always have control over the way their characters are
> developed but they aren't necessarily in a financial position to make a
> major stand on the issue.
Yes, but I doubt Dean Sullivan falls into that category. He's a major
long-running character in a soap -- not exactly million-pound pay cheque
territory, but he must be earning a comfortable living. I'm sure other parts
would be offered to him if he left Brookside, and if Sullivan doesn't think
so, he should have more faith in his acting ability.
And if the writers are too arrogant to even consider what an actor
thinks about his character, then the actor should have the conviction
to walk and not compromise ... like Paul Usher did when Phil Redmond
insisted on domesticating Barry Grant in 1995.
Sullivan is a senior member of the show, as is Vince Earle, who has
been VERY vocal in his discontent with the way Ron Dixon has been
developed. If they are dissatisfied in anyway with the development of
their character, they should throw their weight behind their own
defence or walk it. With Sullivan, I got the impression that he got a
better offer from the mega budget PM had received and opted to stay.
His character has definitely reached his sell-by date. What next for
Jimmy? A gender crisis and a sex change?
> Yes, but I doubt Dean Sullivan falls into that category. He's a major
> long-running character in a soap -- not exactly million-pound pay
cheque
> territory, but he must be earning a comfortable living. I'm sure
other parts
> would be offered to him if he left Brookside, and if Sullivan doesn't
think
> so, he should have more faith in his acting ability.
>
> --
> Robert Hampton, Liverpool, UK
> r_ha...@blueyonder.co.uk
> http://www.fabland.co.uk/
>
>
What sort of comments did Vince Earle make?
He has been the butt of silly comments and atrocious storylines even
moreso and to such a degree under the Marquess regime, that many
viewers find it hard to realise that Vince Earle's character wasn't
half as bad originally as he is portrayed now. For example, in the
current UK Living repeat (late 1992), Ron Dixon is seen to side with
Mick and Ellis against George Webb, to the point of joining in their
campaign of harassment. And it was Ron who prevented this crew torching
Mick's house. Not many people remember that.
A couple of months ago, Paul Marquess, in an interview with Inside
Soap, reiterated that Ron Dixon was his favourite character and then
added, 'although I know Vince Earle doesn't believe me'. The following
month, in the same magazine, Vince Earle gave an interview in which he
was virtually crying out for a good storyline and representation. Like
Wendy Richard recently, Earle said he sees Ron as a devoted family man,
who values financial security from having been raised to work for what
he got, that Ron would do anything for his family. He also said that he
would like to see Ron in a few lighter storylines, to show that he has
a sense of humour, and not be portrayed as negatively as he is.
> >
> > What sort of comments did Vince Earle make?
> >
> >
> When Paul Marquess took over as Brookside series producer in August
> 1999, one of the first on-the-record comments he made was that his
> favourite Brookside characters were Ron Dixon and Tim O'Leary. He went
> on to say that they had been pitifully sidelined in 1999 and that he
> was going to remedy that for the coming year. (The first part of his
> comment was true; Ron was sidelined in 1999 and we hardly ever saw Tim).
> Whilst he was true to his word re Philip Olivier, Vince Earle's
> character was portrayed as an even more buffoonish bigot. There was
> even an incident in an episode where Ron was seen to surreptitiously
> take a phoney prossie card and go to ring a prostitute (only to find
> out that this was Susannah).
Quite true. Ron Dixon hasn't really played any part in the show for
some years in my opinion.
He has been reduced to the level of being a total joke and an
outright idiot in most cases.
> He has been the butt of silly comments and atrocious storylines even
> moreso and to such a degree under the Marquess regime, that many
> viewers find it hard to realise that Vince Earle's character wasn't
> half as bad originally as he is portrayed now. For example, in the
> current UK Living repeat (late 1992), Ron Dixon is seen to side with
> Mick and Ellis against George Webb, to the point of joining in their
> campaign of harassment. And it was Ron who prevented this crew torching
> Mick's house. Not many people remember that.
I very clearly remember it first time around and am watching it again
on the Sunday omnibus on UK living.
> A couple of months ago, Paul Marquess, in an interview with Inside
> Soap, reiterated that Ron Dixon was his favourite character and then
> added, 'although I know Vince Earle doesn't believe me'. The following
> month, in the same magazine, Vince Earle gave an interview in which he
> was virtually crying out for a good storyline and representation. Like
> Wendy Richard recently, Earle said he sees Ron as a devoted family man,
> who values financial security from having been raised to work for what
> he got, that Ron would do anything for his family. He also said that he
> would like to see Ron in a few lighter storylines, to show that he has
> a sense of humour, and not be portrayed as negatively as he is.
I think the difference the writers need to establish for Ron is the
borderline between humor and stupidity.
I think what you say regarding his family background is very valid.
In the UK living repeats he appears most concerned that his children
are not getting mixed up with George Webb.
I noticed this last few weeks that the writers have started
developing the relationship of Ron and Josh, seen playing football
with his grandson in the garden. Bev even mentioned that Josh was to
be spending some time with his father, Mike Dixon.
This is a possible avenue for development of Ron.
Another possibility is the reintroduction of the "Jimmy Corkhill
killed our Tony" story. The loss of a child is a wound that i'm sure
never heals.
Then again they could just kill him off altogether - something which
members of this newsgroup were all too keen on doing a couple of years back!
> > He has been the butt of silly comments and atrocious storylines even
> > moreso and to such a degree under the Marquess regime, that many
> > viewers find it hard to realise that Vince Earle's character wasn't
> > half as bad originally as he is portrayed now. For example, in the
> > current UK Living repeat (late 1992), Ron Dixon is seen to side with
> > Mick and Ellis against George Webb, to the point of joining in their
> > campaign of harassment. And it was Ron who prevented this crew
torching
> > Mick's house. Not many people remember that.
>
> I very clearly remember it first time around and am watching it again
> on the Sunday omnibus on UK living.
>
And also it was Ron who was the bastion of the family and held quite an
open-minded attitude when Derek's crisis reared itself. It was DD who
came across as narrow-minded and bigoted.
It would be nice to see some interplay between Mike and his son. The
situation with Josh at the moment is not ideal. His mother is living
with a man who's a known drug dealer and a lesbian who uses the place
like a hotel (and all in front of a child). Mike seems to go out of his
way to ignore the child. He is as much his responsibility as Beth is.
> This is a possible avenue for development of Ron.
>
> Another possibility is the reintroduction of the "Jimmy Corkhill
> killed our Tony" story. The loss of a child is a wound that i'm sure
> never heals.
>
It amazes me how everyone has forgotten this story, as well as Katie
Rogers failing to remember that it was Jimmy Corkhill who was
responsable for her father's death. If Sinbad can spend years holding a
grudge against Ron for destroying his business and gain sympathy in
that regard for this, why does everyone think Ron should be able to
forget the fact that Jimmy Corkhill was responsable for Tony Dixon's
death? Or Mick to forget how Ron put his neck on the line for Mick's
family in the days of George Webb.
I would like to see Ron Dixon treated sympathetically for once.
> Then again they could just kill him off altogether - something which
> members of this newsgroup were all too keen on doing a couple of
years back!
The DE-habilitation of Ron Dixon can be dated from ca. 1995, when he
was quite vocal in his criticism of Brookside storylines at the time. I
remember reading that the first heart attack was introduced at a time
when Earle was, indeed, considering leaving the show, but thought
better.
I would like to see the Corkhills go away and some more positive
emphasis put on Ron for a bit. Jimmy Corkhill and his equine daughter
have been overused to the point that it's ridiculous.
> And if the writers are too arrogant to even consider what an actor thinks
> about his character, then the actor should have the conviction to walk and
> not compromise ... like Paul Usher did when Phil Redmond insisted on
> domesticating Barry Grant in 1995.
And to see what *can* happen if you have that conviction, Paul Usher is
appearing in BBC1's daytime series Doctors next Monday, according to the
CreamGuide mailing list.