"Paul Hyett" <
vidc...@invalid83261.co.uk> wrote in message
news:IB03txoQ...@blueyonder.co.uk...
> Singles
> -------
> Avicii take over at #1.
Avicii takes over. Avicii and Nicky Romero take over.
Boring song anyway.
> New Entries/New Peaks
> ---------------------
> Top 5 : Baauer #3,
The latest online meme is apparently people dancing to this song by the
young US producer Harry Rodriguez. Unusually, this seems to have led to a
significant number of them buying the track it is sound-only form,
presumably to make their own videos.
> Top 10 : Gabrielle Aplin #6,
Her second hit, though it would presumably have been her first had it been
released when originally planned. She seems like a nice enough person but
this song is a dull ballad so sappily overproduced it makes Birdy sound like
an underground punk band.
> Bruno Mars (WIWYM) #7
Speaking of weak ballads, the big climber of the week. It's the second
single from Unorthodox Jukebox and finds him back in more typical territory.
> Top 30 : Foals #23,
The jury's still out as to whether "guitar bands are back" (or to whether
they were ever away, come to that) but this surprise hit for them might seem
to point in that direction, especially since it got there without the
benefit of a separate single release. It's the second track to come out from
their new album: last year, 'Inhaler' was released as an instant grat but
wasn't eligible to chart under the rules at the time.
> Pink (JGMAR) #24,
Apparently this is her first single with a featured guest vocalist (not
counting her contribution to 'Lady Marmalade'). That vocalist is Nate Ruess
from Fun..
>Drake (SFTB) #25,
Unusually, this looks like it might be selling beyond his fanbase, even
though Rihanna doesn't appear on it.
> Justin Timberlake (Mirrors) #28
His second single within a month, after more than six years without new solo
material. He doesn't seem to have spent the time coming up with a lot of new
ideas, which might explain why there hasn't exactly been a rush to purchase
this.
Mind you, he's due to sing this at the Brits next week so it's likely to
climb after that.
> Top 40 : Zedd #37
Debut chart appearance for this German producer and for British singer
Foxes. Perhaps it's a grower?
> Re-entries T40 : Adele (SF) #39
I presume that trails for the DVD release of the latest Bond film feature
this title song quite prominently. That and perhaps a little coverage of her
appearance at the Grammies (where she was both a winner and a presenter)
were enough to push this back up three places.
Bit of a clearout this week, pity we couldn't have had some of this last
week to keep Nickleback and the Fray out.
> New Entries outside the top 40 (plus new peaks) : Stereophonics (IS) #45,
Another success for OAOS.
>Example (PR) #54,
A single that's doing surprisingly well after the last one underperformed.
It seems to be helping keep his album in the lower end of the Top 75 too.
>Haim (Fall) #70,
OAOS singles don't always succeed of course.
>1975 (Choc) #71
Another unusual run: so far it's gone 84-158-71.
> Re-entries T75 : Mumford (IWW) #46,
Maybe for once the Grammies did have some effect, although this track is
hardly new to people.
> Gotye (STIUTN) #61,
A pedant writes: only one Gotye song could re-enter the Top 75.
>Carly Rae Jepson (CMM) #62,
Didn't win a Grammy, apparently. Not that I care as I never liked it anyway.
> Florence (Spec) #66,
As far as I can tell this is just climbing by default.
>Fun (WAY) #69
This did win a Grammy. For Song Most Likely To Be Used In Slow Motion
Montages or something.
> Albums
> ------
> The Les Miserables soundtrack remains at #1, despite trailing the Foals
> most of the week.
Not a terribly surprising outcome, though as you say Foals gave it more of a
run for its money than we might have expected.
In other unsurprising news, they've now confirmed the release of an expanded
version featuring all the songs from the film; that's due next month.
> New Entries/New Peaks
> ---------------------
> Top 5 : Foals #2
Their third album has been said in some places to be an attempt at greater
mainstream success, although not in the most obvious ways: it's rockier as
well as more straightforward and the band claim to have "killed their inner
Woody Allen". It's Number One in Australia, which is ironically where they
first tried (and failed) to record this album.
> Top 20 : Bullet For My Valentine #11,
At some point it must have seemed like a cute idea to release this album on
the 11th of February, ie just in time for Valentine's Day. But the ploy
seems to have backfired as this fails to follow their previous two albums
into the Top 5. Then again, the album seems widely to have been recognised
as disappointing, especially the lyrics.
>Richard Thompson #16
More than 40 years into his solo career, Thompson has proved himself to be a
reliable purveyor of brilliant albums (and terrible sleeve designs) without
most people having any idea who he is.
I don't think Electric will change that much, although it is now his
highest-charting solo work, having beaten the Number 20 peak of 2010's Dream
Attic. Whilst that was an unusual live album of new material, this is a more
conventional studio recording (well, it was the producer's house but that's
still more normal). It features guest appearances from Alsion Krauss and
former River City People singer Siobhan Maher Kennedy. I believe that its
entry at 75 in the US is also his highest placing over there.
A deluxe version adds four studio outtakes (also on the vinyl version) and
three tracks from previous live albums.
> New entries/new peaks outside the top 20 : Emelia Mitiku #22,
People who remember 1990s music might recall her massive Top 5 hit 'Big Big
World' over Christmas 1998. Only one subsequent single troubled the Top 75
though and it's taken until now for her to breach the UK album chart at all.
She has of course continued to release records in her native Sweden and has
now reinvented herself as a retro singer and suddenly a massive Radio 2
favourite.
> Modestep #23,
Debut album from the dubstep quartet which includes their hits as well as
collaborations with various MCs.
>Tegan & Sara #38,
More newcomers to this country's charts: this is the seventh album from the
Canadian twins but the first to trouble British chart compilers. It's still
some distance from its US peak at 3 behind Justin Bieber and Andrea Bocelli.
>Ocean Colour Scene #49,
The tenth studio album from the band who'll celebrate their 25th anniversary
next year. Though never an act known for their originality, they continue to
plugh their own furrow combining elements of rock, folk and psychedelia.
This is however their first album to fall short of the Top 40 since their
1992 debut set, which ultimately peaked at 54 in 1996.
>Mic Righteous #72
No relation to the Righteous Brothers, this is the debut mini-album from the
up-and-coming MC from Margate, though he's been involved in several
collaborations before, including with Reverend & The Makers spin-off act
Mongrel.
> Re-entries : Carole King (Tap) #62,
This must be on special offer somewhere??
>Of Monsters & Men #64,
I suppose this must be somewhere.
>Pink Floyd (WYWH) #65,
Last week's 76 getting a bit more of the boost that recharted Dark Side Of
The Moon last week.
>Jessie Ware #69,
Will probably climb next week.
>Amy McDonald #70,
She still seems to be promoting this one, so fair enough I guess.
> Led Zeppelin (CB) #72
An album that I didn't expect to rechart. Unless it was on telly or
something?
> Next Week
> ---------
> Singles
> -------
> I suspect One Direction's Comic Relief song will be #1.
They seem unstoppable, even before their Brits appearance (which is
presumably the reason for the early release).
> Top 5 : Baauer,
Given that it's already at 3, it's unlikely not to be T5 - but I don't think
it's likely to overtake 1D and Mackelmore to get a new peak.
> Bruno Mars
You'd normally expect that but I think the Brits effect could preclude that.
> Top 20 : Justin Timberlake,
Probably. Might even flirt with T10 if the Brits appearance gets people
talking enough.
> Alicia Keys,
If it couldn't make the Top 100 when it was played on the biggest TV show at
this time of year or when it was officially released, where is the climb
going to come from now?
> Pink
This seems likely.
> Top 30 : Train
Surely we're safe from another actual hit from them for at least a couple of
years?
> Top 40 : Overtones
Well, maybe on some planet but not this one. They're evidently not a singles
act.
> There may be more unexpected OA/OS releases, though.
And probably Brits re-entries.
> Albums
> ------
> I would expect Emeli Sande to return to #1 on the back of the Brit Awards.
Seems the most likely guess. Particularly if people hold off for the
expanded Les Mis now.
> Very little new out this week, though
Possibly for that very reason.
Busy week next week though.
> Top 10 : Emeli Sande (Live) #
I'm going to assume that # is to a footnote saying "if eligible" or
something like that. I would probably agree if so.
> Others : Joe Cocker,
Odd that his last-but-one album was pretty big, then the last one was a
flop. He's probably due a decentish entry with this one, maybe even T20
although the Brits effect will make that harder.
>Nick Cave
Why wouldn't he even go Top 20? Even Grinderman albums do that. I'll be
surprised if this isn't the highest new entry.
Chris
--
"Back next week with another ridiculous tie knot"
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