New Entries/New Peaks
---------------------
Top 10 : Ne-Yo #3, Sara Bareilles #5, Gabriella Cilmi #6, Chris Brown #8
Top 20 : Alex Gaudino ft Shena #16
Top 30 : Fall Out Boy #21, Jordin Sparks ft CB #22, Mystery Jets #24,
Feeder #25, Scooter #28
Top 40 : Madonna (GI2M) #36, We Are Scientists #37, Music #38,
Flo-Rida/Timbaland #40
Re-entries T40 : none
New Entries outside the top 40 (plus new peaks) : Nerd #41, Nickelback
(Ph) #42, Bryn Christopher #45, Little Man Tate #60, Potbelleez #16,
Coldplay (Lost) #62,
Re-entries : Jesse McCartney #48, Foo Fighters (BoY) #59, Foo Fighters
(Pret) #65, Britney (BTI) #71, SFG (SSL) #72, Taio Cruz #74
Albums
------
Coldplay get off at the expected gallop, shifting well over 200k in just
three days.
New Entries/New Peaks
---------------------
Top 10 : Fratellis #5
Top 20 : Nerd #20
New outside the top 20 : Lil' Wayne #23, Dolly Parton #35, Whitesnake
#38, Emmylou Harris #40
T75 not available at the time of posting - will update tomorrow
Re-entries :
Next Week
---------
Singles
-------
With the wind gone from their sails, I expect Mint Royale to lose the
top spot - probably to Ne-Yo, but preferably to *anyone* else!
My personal preference would be Ms Cilmi, of course.
Outside of Xmas, this has to be the sparsest crop of potential NE's for
a long time. :(
Top 5 : Gabriella Cilmi, Chris Brown
Top 10 :
Top 20 :
Top 30 : PATD, Potbelleez, Subways, N-Force v Darren Styles
Top 40 : Infadels, MJ/Akon, Urbnri, Jonas Brothers
Any other possibilities?
Albums
------
Nothing released this Monday looks like it could remotely challenge even
Coldplay's 2nd week sales.
Top 10 NE : Feeder, Sara Barielles, Weezer
Top 20 NE : Music, Offspring, UB40
Others : Darren Styles, Jesse McCartney, Judas Priest, Mattafix, Nigel
Kennedy, Petula Clark, Sirens, Sonny J,
--
Paul Hyett, Cheltenham (change 'invalid83261' to 'blueyonder' to email me)
Indeed so. But then so did the first two!
> New Entries/New Peaks
> ---------------------
> Top 10 : Ne-Yo #3,
Influenced by British dance music, apparently.
> Sara Bareilles #5,
Apparently written as some sort of broadside to her record company. But why
punish the rest of us?
>Chris Brown #8
Since when has he been big enough to have three Top 40 hits at once anyway?
> Top 20 : Alex Gaudino ft Shena #16
Follow-up to 'Destination Calabria', which makes every possible effort to
avoid sounding different, to the extent that the big crowd noise bit in the
middle seems to have been pasted straight in from the earlier record.
Meanwhile, the brass sample this time comes from Pigbag's 'Papa's Got A
Brand New Pigbag', although if he's expecting present-day clubbers to
recognise it he probably has the Perfecto Allstars version in mind.
> Top 30 : Fall Out Boy #21,
I suppose the question is, at what point do they start to worry that this is
charting higher than most of their self-penned hits?
> Jordin Sparks ft CB #22,
First time I've heard this. Dull isn't it?
>Mystery Jets #24,
See, maybe people really do like that sophisticated Eighties sound!
> Feeder #25,
Comeback single after 2006's succesful singles collection, although on this
evidence the public may think that drew more of a line under their career
than the band would want.
> Scooter #28
Not gaining as much as might have been expected, which possibly hints at how
few people buy CD singles nowadays. Of course, releasing it after a
successful album doesn't always help.
> Top 40 : Madonna (GI2M) #36,
Out on CD on the 7th of July.
>We Are Scientists #37,
'Chick Lit' follows the biggish hit 'After Hours' but proves less successful
for the now-duo. The Western-themed video was, of course, filmed in the
Republic of Ireland.
There's a remix by Matt Helders available to download.
>Music #38,
Their first single since January 2005. The interval has seen a change of
record label but not, on this evidence, a radical shift in musical approach,
despite the co-production from Paul Hartnoll.
And yes, this single really does seem to be called 'Strength In Numbers',
even though they sing "strength in numbers" all the way through.
> Flo-Rida/Timbaland #40
Now out on CDs on the 23rd.
> New Entries outside the top 40 (plus new peaks) : Nerd #41,
Physicals on the 7th of July.
> Nickelback (Ph) #42,
Not exactly a flop yet.
>Bryn Christopher #45,
If the quest was for a big hit, he's still looking.
>Little Man Tate #60,
Rather the runts of the litter of "Get Me The New Arctic Monkeys!" bands,
finally ending a run of mostly small Top 40 hits.
>Potbelleez #16,
Fortunately only 61!
Out tomorrow on CD & 12".
> Coldplay (Lost) #62,
Allegedly there are seven further tracks in the Top 200, leaving only 'Viva
La Vida' excluded.
> Re-entries : Jesse McCartney #48,
He now seems to have cut the long hair that was his most distinctive
feature. But the fans don't seem put off.
> Foo Fighters (BoY) #59,
Their highest-charting single ever, back in 2005. Now revived by last week's
stadium shows.
>Foo Fighters (Pret) #65,
Mmm... sandwiches...
Presumably more tracks will crop up further down the chart. In fact, I've
got a Top 100 here and I can see two more: 'Long Road To Ruin' at 96 and 'My
Hero' at 88, although these were both in the Top 100 last week.
Interestingly, neither of these were especially big hits first time around.
Also revived by live shows, 'Livin On A Prayer' climbs 12-78.
New entries are Sonny J at 77, N Force vs Darren Styles at 87, Foals at 89
and MGMT at 92.
> Albums
> ------
> Coldplay get off at the expected gallop, shifting well over 200k in just
> three days.
Although of course selling any number in three days (or in a week) is a less
meaningful concept in this online age.
It appears that this album is a reaction to the flaws of X&Y - it's
certainly a lot shorter.
> New Entries/New Peaks
> ---------------------
> Top 10 : Fratellis #5
Difficult second album. As I said, it seemed when Costello Music was Number
2 for several weeks that they were pretty much guaranteed a Number One
second time around. Of course, only one act could have topped the chart in
this particular week, but they've ended up missing out on the runner-up slot
too.
Perhaps the blame lies with 'Mistress Mabel', which despite a slight rebound
this week remains their lowest-charting eligible physical single to date.
> Top 20 : Nerd #20
Third album from the Neptunes and their friend, following a reformation that
may or may not relate to the failure of Pharrell's solo album.
> New outside the top 20 : Lil' Wayne #23,
Well on its way to becoming the year's fastest seller in the US. The
interesting aspect is that this has apparently been helped rather than
hindered by Internet leaks.
Guest stars include Jay-Z, Busta Rhymes, Betty Wright, T-Pain (of course!)
and D. Smith.
> Dolly Parton #35,
Repromoted after a previous soft launch, Backwoods Barbie is said to be one
of Dolly's best in a long time. There are two unexpected covers here: Smokey
Robinson's 'Tracks Of My Tears' and The Fine Young Cannibals' '[She] Drives
Me Crazy'.
> Whitesnake #38,
The 30th Anniversary Collection assembles 52 tracks (including a few by
Coverdale Page) over 3 CDs, but you have to wonder how many people there are
who want this much Whitesnake and haven't already bought it.
>Emmylou Harris #40
Her 24th solo album, but her first in five years. Produced by her ex-husband
Brian Ahern.
It's her first solo album to reach the Top 40 since the imaginatively-titled
1980 compilation Her Best Songs. Her last studio album to manage this was in
1978, although she reached the Top 10 in collaboration with Mark Knopfler
two years ago.
> T75 not available at the time of posting - will update tomorrow
Still not there now.
> Re-entries :
Probably include the Mystery Jets.
> Next Week
> ---------
> Singles
> -------
> With the wind gone from their sails, I expect Mint Royale to lose the top
> spot - probably to Ne-Yo, but preferably to *anyone* else!
Er, Chris Brown?
> Outside of Xmas, this has to be the sparsest crop of potential NE's for a
> long time. :(
Well, about three weeks anyway.
> Top 5 : Gabriella Cilmi,
Any particular reason?
> Chris Brown
Very likely. I suspect he can't quite bound to the top from where he is now.
> Top 30 : PATD,
You would think if this was going to be a really big hit, it'd be selling
better on downloads.
>Potbelleez,
I have to admit I don't really know what this is, but the name isn't
appetising.
>Subways,
Probably, although it's not exactly been a radio hit.
> N-Force v Darren Styles
He seems to have flopped too many times before.
> Top 40 : Infadels,
Unless this has had a lot of extra promo somewhere I don't know of, it
doesn't seem very likely.
>MJ/Akon,
Is this being released then?
> Urbnri,
What changed your mind?
> Jonas Brothers
If the reports about how many kids follow them about are accurate, this
could be doing a lot better.
> Any other possibilities?
Well, that Ironik record that everyone seems to be going on about is
apparently out to download tomorrow. Hitting the physical shelves (if there
are any left) are the awful-but-hyped Cage The Elephant and the
well-connected but obscure Rascals.
> Albums
> ------
> Nothing released this Monday looks like it could remotely challenge even
> Coldplay's 2nd week sales.
Nope. And that may not be wholly accidental.
On the one hand, this being their first full week of sales might help this
hold up better than average; that said the Father's Day factor will push
overall sales down.
> Top 10 NE : Feeder,
Despite what happened to the single I'll agree.
> Sara Barielles,
Of course.
> Weezer
They've never had a (UK) Top 10 album before, and this doesn't seem the
obvious time to start. But who knows?
> Top 20 NE : Music,
Probably.
>Offspring,
Their last soft-launched album went in at 74.
>UB40
This has already been given away with a Sunday paper, apparently. And they
seem to have lost their record deal too.
> Others : Darren Styles,
If he can't even sell singles, who the bottom is going to buy his albums?
>Jesse McCartney,
I suppose so, but not very high.
> Judas Priest,
Low T40 I suspect.
> Mattafix,
Big in some countries, but only one UK hit which (deservedly or otherwise)
few people seem to remember. And even the album with the hit on it only got
to 142!
>Nigel Kennedy,
Even big classical names can't be relied upon to chart nationally.
Especially not with jazz records.
> Petula Clark,
Probably. Bit surprising this wasn't a week or two earlier.
> Sirens,
I don't think they're the same ones. Oh, no apparently they are, but they're
not all that popular anyway.
> Sonny J,
See Darren Styles, only more so.
I wouldn't rule out Fleet Foxes for Top 75 action, though.
Chris
--
"It's always hard meeting your heroes. Especially when they punch you in the
face."
http://thehitparade.blogspot.com
More of my blathering is available at
http://faynights.users.btopenworld.com
302,074 copies sold, to be exact...
--
Robbie
But its sales are declining rapidly now, since its *one* big promo was
now 2 weeks back.
>
>> New Entries/New Peaks
>> ---------------------
>> Top 10 : Ne-Yo #3,
>
>Influenced by British dance music, apparently.
>
As in - lets see what dance music fans like, then do the exact opposite?
:)
>> Sara Bareilles #5,
>
>Apparently written as some sort of broadside to her record company. But why
>punish the rest of us?
The song is OK.
Gabriella Cilmi #6 : can she finally make T5 next week, to justify the
prediction I made all of four months ago...
>
>>Chris Brown #8
>
>Since when has he been big enough to have three Top 40 hits at once anyway?
Full release this week.
>
>> Top 20 : Alex Gaudino ft Shena #16
>Meanwhile, the brass sample this time comes from Pigbag's 'Papa's Got A
>Brand New Pigbag', although if he's expecting present-day clubbers to
>recognise it he probably has the Perfecto Allstars version in mind.
Or 40-somethings going through their mid-life crisis... :)
>
>> Top 30 : Fall Out Boy #21,
>
>I suppose the question is, at what point do they start to worry that this is
>charting higher than most of their self-penned hits?
It *does* seem to have gained some unexpected momentum.
>
>> Jordin Sparks ft CB #22,
>
>First time I've heard this. Dull isn't it?
Zzzz... huh?
Sorry, I was trying to listen to it... :)
>
>>Mystery Jets #24,
>
>See, maybe people really do like that sophisticated Eighties sound!
Their album benefited even more - up 113 places to a new peak of #42,
though there may also be some price-cutting involved?
>
>> Feeder #25,
>
>Comeback single after 2006's succesful singles collection, although on this
>evidence the public may think that drew more of a line under their career
>than the band would want.
Yet another band suffering from relative unpopularity in the virtual
market.
>
>> Scooter #28
>
>Not gaining as much as might have been expected, which possibly hints at how
>few people buy CD singles nowadays. Of course, releasing it after a
>successful album doesn't always help.
It certainly appears they released the wrong single first, though
obviously the album itself couldn't have gone any higher.
>
>> Top 40 : Madonna (GI2M) #36,
>
>Out on CD on the 7th of July.
The video has her cavorting around like a woman half her age - though to
be fair she does look *better* than many women half her age. :)
>
>>We Are Scientists #37,
>
>'Chick Lit' follows the biggish hit 'After Hours' but proves less successful
>for the now-duo. The Western-themed video was, of course, filmed in the
>Republic of Ireland.
As if many have actually see it...
>There's a remix by Matt Helders available to download.
When even the original struggles, the latter is hardly going to help
much.
>
>>Music #38,
>And yes, this single really does seem to be called 'Strength In Numbers',
>even though they sing "strength in numbers" all the way through.
Am I missing something here? Surely that's what you'd *expect* them to
sing in a song of that title?
>
>> Flo-Rida/Timbaland #40
>
>Now out on CDs on the 23rd.
The rate this one is going, it might reach T10 by Xmas...
BTW, I see Rockstar *still* won't go away - back up 2 to #31 on it's
35th chart week!
>
>> New Entries outside the top 40 (plus new peaks) : Nerd #41,
>
>Physicals on the 7th of July.
Can't wait (yeah, right...)
>
>> Nickelback (Ph) #42,
>
>Not exactly a flop yet.
CD reissued on 23rd.
>
>>Bryn Christopher #45,
>
>If the quest was for a big hit, he's still looking.
Big R2 airplay often doesn't impress *singles* buyers...
>
>>Little Man Tate #60,
>
>Rather the runts of the litter of "Get Me The New Arctic Monkeys!" bands,
>finally ending a run of mostly small Top 40 hits.
Yet another band with fairly consistent sales figures - but when the
market is rising around you, you will be left drowning without new fans.
>
>>Potbelleez #16,
>
>Fortunately only 61!
>Out tomorrow on CD & 12".
Haven't heard it (that I recall, anyway).
>
>> Coldplay (Lost) #62,
>
>Allegedly there are seven further tracks in the Top 200, leaving only 'Viva
>La Vida' excluded.
Though why the album track download should be, I don't know.
>
>> Re-entries : Jesse McCartney #48,
>
>He now seems to have cut the long hair that was his most distinctive
>feature. But the fans don't seem put off.
Well, not *more* so, anyway. :)
>Also revived by live shows, 'Livin On A Prayer' climbs 12-78.
That sounds like a McFly-like *fall* to me... :)
>
>New entries are Sonny J at 77, N Force vs Darren Styles at 87, Foals at 89
>and MGMT at 92.
All of which should probably have done better.
>
>> Albums
>> ------
>> Coldplay get off at the expected gallop, shifting well over 200k in just
>> three days.
>
>Although of course selling any number in three days (or in a week) is a less
>meaningful concept in this online age.
For single perhaps, but why albums?
>It appears that this album is a reaction to the flaws of X&Y - it's
>certainly a lot shorter.
In number of tracks, running time, or both?
>
>> New Entries/New Peaks
>> ---------------------
>> Top 10 : Fratellis #5
>
>Difficult second album. As I said, it seemed when Costello Music was Number
>2 for several weeks that they were pretty much guaranteed a Number One
>second time around. Of course, only one act could have topped the chart in
>this particular week, but they've ended up missing out on the runner-up slot
>too.
By *some* distance!
>Perhaps the blame lies with 'Mistress Mabel', which despite a slight rebound
>this week
Presumably due to album track downloads?
>remains their lowest-charting eligible physical single to date.
>
>> Top 20 : Nerd #20
>
>Third album from the Neptunes and their friend, following a reformation that
>may or may not relate to the failure of Pharrell's solo album.
Not that #20 is a stunning success, and it seems unlikely to go higher.
>
>> New outside the top 20 : Lil' Wayne #23,
>
>Well on its way to becoming the year's fastest seller in the US. The
>interesting aspect is that this has apparently been helped rather than
>hindered by Internet leaks.
It's even had TV ads here, to little apparent avail.
>Guest stars include Jay-Z, Busta Rhymes, Betty Wright, T-Pain (of course!)
Why 'of course'?
>
>and D. Smith.
>
>> Dolly Parton #35,
>
>Repromoted after a previous soft launch, Backwoods Barbie is said to be one
>of Dolly's best in a long time.
According to at least one R2 DJ, at least...
>There are two unexpected covers here: Smokey
>Robinson's 'Tracks Of My Tears' and The Fine Young Cannibals' '[She] Drives
>Me Crazy'.
I'm almost curious as to how those would sound. :)
>
>> Whitesnake #38,
>
>The 30th Anniversary Collection assembles 52 tracks (including a few by
>Coverdale Page) over 3 CDs, but you have to wonder how many people there are
>who want this much Whitesnake and haven't already bought it.
Not a bad position for a triple-CD set, though.
>
>>Emmylou Harris #40
>
>Her 24th solo album, but her first in five years. Produced by her ex-husband
>Brian Ahern.
>It's her first solo album to reach the Top 40 since the imaginatively-titled
>1980 compilation Her Best Songs.
I dare say she's done *slightly* better back home, though!
>
>> T75 not available at the time of posting - will update tomorrow
>
>Still not there now.
It is now - see other post.
>
>> Next Week
>> ---------
>> Singles
>> -------
>> With the wind gone from their sails, I expect Mint Royale to lose the top
>> spot - probably to Ne-Yo, but preferably to *anyone* else!
>
>Er, Chris Brown?
Not from #8 with just a few thousand extra CD sales.
>
>> Top 5 : Gabriella Cilmi,
>
>Any particular reason?
Well usually, through more people buying it than the #6... :)
>
>> Chris Brown
>
>Very likely. I suspect he can't quite bound to the top from where he is now.
Though two T20 songs look likely for him.
>
>> Top 30 : PATD,
>
>You would think if this was going to be a really big hit, it'd be selling
>better on downloads.
Which is why I *only* predicted T30.
>
>>Subways,
>
>Probably, although it's not exactly been a radio hit.
More so than, say, Mint Royale...
>
>> N-Force v Darren Styles
>
>He seems to have flopped too many times before.
The singer does look like Natalie Horler though...
On that subject, there's another Cascada video doing the rounds on Sky -
this time 'Because The Night'. No definite release date yet, though.
>
>>MJ/Akon,
>
>Is this being released then?
I thought I saw a video, at least.
>
>> Urbnri,
>
>What changed your mind?
Just covering my ass. :)
>
>> Jonas Brothers
>
>If the reports about how many kids follow them about are accurate, this
>could be doing a lot better.
I have no idea who they are, so I'm predicting solely on that 'buzz'.
>
>> Any other possibilities?
>
>Well, that Ironik record that everyone seems to be going on about
Except myself, who's never heard of it...
> is
>apparently out to download tomorrow.
>
>> Albums
>> ------
>> Nothing released this Monday looks like it could remotely challenge even
>> Coldplay's 2nd week sales.
>
>Nope. And that may not be wholly accidental.
>On the one hand, this being their first full week of sales might help this
>hold up better than average; that said the Father's Day factor will push
>overall sales down.
Of course, even they'd released on Monday as normal, their 2nd week
sales would surely *still* have held off all opposition.
>
>> Top 10 NE : Feeder,
>
>Despite what happened to the single I'll agree.
Probably #2, unless they do a 'Fratellis'.
>
>> Others : Darren Styles,
>
>If he can't even sell singles, who the bottom is going to buy his albums?
That could be said of many artists, but that doesn't seem to stop them.
>
>>Nigel Kennedy,
>
>Even big classical names can't be relied upon to chart nationally.
<Cough>Katherine Jenkins<cough>
Of course, she has does have the advantage of Playboy looks... :)
>Especially not with jazz records.
NK can usually sell enough, though.
>
>I wouldn't rule out Fleet Foxes for Top 75 action, though.
WTF are they?
Sounds like 'well over 200k' to me... :)
Mystery Jets #42, Coldplay (Live 2003) #46, Joan As Police Woman #55,
Journey #68
>
Re-entries : Jeff Wayne (WotW) #58, Coldplay (P) #61, Coldplay (AROBTTH)
#64, Michael Buble (CMI) #66, Led Zep (MS) #67, Queen (GH123) #70, U2
(JT) #73, Foo Fighters (C&TS) #75
Also noteworthy - Take That's 'Rule The World' has been at #83 for the
last 5 weeks!
>>New Entries/New Peaks
>>---------------------
>>New outside the top 20 : Lil' Wayne #23, Dolly Parton #35, Whitesnake #38,
>>Emmylou Harris #40
>
> Mystery Jets #42,
Re-released to cash in on the success of the single, now with a bonus cover
version of 'Somewhere In My Heart' and the band's name more prominent on the
cover.
>Coldplay (Live 2003) #46,
Another new peak, although it would presumably have got higher still had it
been eligible for an album chart position at the time of original release.
> Joan As Police Woman #55,
Joan Wasser used to be one of Antony's Johnsons, and was apparently also an
ex-girlfriend of the late Jeff Buckley. Her first solo album received
rapturous reviews and evidently all the people it impressed have run to get
the follow-up.
> Journey #68
Thirteenth album from the old rockers, now with new frontman Arne Pineda.
Presumably to attract Sopranos fans, a second CD adds re-recordings of 11
"classic" hits.
> Re-entries : Jeff Wayne (WotW) #58, Coldplay (P) #61, Coldplay (AROBTTH)
> #64, Michael Buble (CMI) #66, Led Zep (MS) #67, Queen (GH123) #70, U2 (JT)
> #73,
Actually listed on the OCC site as the Deluxe Edition, for whatever reason.
> Foo Fighters (C&TS) #75
Father's Day much?
Chris
Yup, although the tour might be helping. George Sampson is certainly doing a
lot to promote it, considering his limited benefit from it.
>>> New Entries/New Peaks
>>> ---------------------
>>> Top 10 : Ne-Yo #3,
>>
>>Influenced by British dance music, apparently.
>>
> As in - lets see what dance music fans like, then do the exact opposite?
> :)
I'm not denying that. Apparently he's done another track that sounds like
Billy Joel.
>>> Sara Bareilles #5,
>>
>>Apparently written as some sort of broadside to her record company. But
>>why
>>punish the rest of us?
>
> The song is OK.
Once, yes.
>>> Top 20 : Alex Gaudino ft Shena #16
>
>>Meanwhile, the brass sample this time comes from Pigbag's 'Papa's Got A
>>Brand New Pigbag', although if he's expecting present-day clubbers to
>>recognise it he probably has the Perfecto Allstars version in mind.
>
> Or 40-somethings going through their mid-life crisis... :)
Not as guaranteed a market though.
>>> Top 30 : Fall Out Boy #21,
>>
>>I suppose the question is, at what point do they start to worry that this
>>is
>>charting higher than most of their self-penned hits?
>
> It *does* seem to have gained some unexpected momentum.
This may be because they've started promoting it.
>>>Mystery Jets #24,
>>
>>See, maybe people really do like that sophisticated Eighties sound!
>
> Their album benefited even more - up 113 places to a new peak of #42,
> though there may also be some price-cutting involved?
See other post, but yes this is doing good things for them.
>>> Feeder #25,
>>
>>Comeback single after 2006's succesful singles collection, although on
>>this
>>evidence the public may think that drew more of a line under their career
>>than the band would want.
>
> Yet another band suffering from relative unpopularity in the virtual
> market.
To some extent, although they have had some download chart success before. I
can't imagine this was one of their bigger physical sellers either.
>>> Scooter #28
>>
>>Not gaining as much as might have been expected, which possibly hints at
>>how
>>few people buy CD singles nowadays. Of course, releasing it after a
>>successful album doesn't always help.
>
> It certainly appears they released the wrong single first, though
> obviously the album itself couldn't have gone any higher.
So perhaps it works out better to have the bigger single after it? Or
perhaps the other single would have done this well with a physical release?
>>>We Are Scientists #37,
>>
>>'Chick Lit' follows the biggish hit 'After Hours' but proves less
>>successful
>>for the now-duo. The Western-themed video was, of course, filmed in the
>>Republic of Ireland.
>
> As if many have actually see it...
That I can't vouch for, but NME.com had a big feature about it.
>>There's a remix by Matt Helders available to download.
>
> When even the original struggles, the latter is hardly going to help much.
Tell that to Cornershop!
There was at least a chance that it might sell to his fans.
>>>Music #38,
>
>>And yes, this single really does seem to be called 'Strength In Numbers',
>>even though they sing "strength in numbers" all the way through.
>
> Am I missing something here? Surely that's what you'd *expect* them to
> sing in a song of that title?
You spotted my deliberate mistake then! ;-)
They actually sing "safety in numbers".
>>> Flo-Rida/Timbaland #40
>>
>>Now out on CDs on the 23rd.
>
> The rate this one is going, it might reach T10 by Xmas...
>
> BTW, I see Rockstar *still* won't go away - back up 2 to #31 on it's 35th
> chart week!
I wonder if the people buying 'Photograph' are picking it up as well.
>>> Nickelback (Ph) #42,
>>
>>Not exactly a flop yet.
>
> CD reissued on 23rd.
Still touch and go whether it can beat the original peak.
>>>Bryn Christopher #45,
>>
>>If the quest was for a big hit, he's still looking.
>
> Big R2 airplay often doesn't impress *singles* buyers...
Evidently not.
>>>Little Man Tate #60,
>>
>>Rather the runts of the litter of "Get Me The New Arctic Monkeys!" bands,
>>finally ending a run of mostly small Top 40 hits.
>
> Yet another band with fairly consistent sales figures - but when the
> market is rising around you, you will be left drowning without new fans.
Which would matter less if you were making impressive music - but when your
entire career is based on sounding a little bit like somebody more popular,
you're in trouble. And all the more so if fashion changes.
>>>Potbelleez #16,
>>
>>Fortunately only 61!
>>Out tomorrow on CD & 12".
>
> Haven't heard it (that I recall, anyway).
I think I might have once. But I got away with it.
>>> Coldplay (Lost) #62,
>>
>>Allegedly there are seven further tracks in the Top 200, leaving only
>>'Viva
>>La Vida' excluded.
>
> Though why the album track download should be, I don't know.
It's presumably because some were sold ahead of the album, and they don't
want to count them twice. How that applies in future weeks I don't know
though.
>>> Re-entries : Jesse McCartney #48,
>>
>>He now seems to have cut the long hair that was his most distinctive
>>feature. But the fans don't seem put off.
>
> Well, not *more* so, anyway. :)
I'd guess he's selling as many now as he ever has. In fact, he'd be in the
Top 40 if nobody was allowed more than one hit at a time.
>>Also revived by live shows, 'Livin On A Prayer' climbs 12-78.
>
> That sounds like a McFly-like *fall* to me... :)
Maybe I need a new keyboard.
>>New entries are Sonny J at 77, N Force vs Darren Styles at 87, Foals at 89
>>and MGMT at 92.
>
> All of which should probably have done better.
MGMT may yet do so. Why should the others?
>>> Albums
>>> ------
>>> Coldplay get off at the expected gallop, shifting well over 200k in just
>>> three days.
>>
>>Although of course selling any number in three days (or in a week) is a
>>less
>>meaningful concept in this online age.
>
> For single perhaps, but why albums?
Because it's so much easier, and more common, to pre-order online nowadays.
In fact, that probably applies more to albums than singles.
>>It appears that this album is a reaction to the flaws of X&Y - it's
>>certainly a lot shorter.
>
> In number of tracks, running time, or both?
Both - X&Y is 13 tracks/62 minutes (including the hidden one) and this one
is 10 tracks in 46 minutes. That means that the average length of a track is
a bit longer, which I'm not wild about.
>>> New Entries/New Peaks
>>> ---------------------
>>> Top 10 : Fratellis #5
>>
>>Difficult second album. As I said, it seemed when Costello Music was
>>Number
>>2 for several weeks that they were pretty much guaranteed a Number One
>>second time around. Of course, only one act could have topped the chart in
>>this particular week, but they've ended up missing out on the runner-up
>>slot
>>too.
>
> By *some* distance!
Increasing day-by day. I bet the View are bricking it.
>>Perhaps the blame lies with 'Mistress Mabel', which despite a slight
>>rebound
>>this week
>
> Presumably due to album track downloads?
Presumably. Or people deciding the album version isn't as good as the radio
edit.
>>remains their lowest-charting eligible physical single to date.
>>
>>> Top 20 : Nerd #20
>>
>>Third album from the Neptunes and their friend, following a reformation
>>that
>>may or may not relate to the failure of Pharrell's solo album.
>
> Not that #20 is a stunning success, and it seems unlikely to go higher.
Unless the single does a lot for it.
>>> New outside the top 20 : Lil' Wayne #23,
>>
>>Well on its way to becoming the year's fastest seller in the US. The
>>interesting aspect is that this has apparently been helped rather than
>>hindered by Internet leaks.
>
> It's even had TV ads here, to little apparent avail.
Top 30 is not bad for an urban album without a big hit though.
>>Guest stars include Jay-Z, Busta Rhymes, Betty Wright, T-Pain (of course!)
>
> Why 'of course'?
It just seems like every album by an American act in the last five year
involves him somewhere. With the possible exception of Neil Diamond, but I
haven't checked all the sleeve notes...
>>and D. Smith.
Very hardcore name there!
>>> Dolly Parton #35,
>>
>>Repromoted after a previous soft launch, Backwoods Barbie is said to be
>>one
>>of Dolly's best in a long time.
>
> According to at least one R2 DJ, at least...
The playlist committee made it Album Of The Week a fortnight or so ago.
>>There are two unexpected covers here: Smokey
>>Robinson's 'Tracks Of My Tears' and The Fine Young Cannibals' '[She]
>>Drives
>>Me Crazy'.
>
> I'm almost curious as to how those would sound. :)
The former is more or less exactly what you'd expect. The latter seems quite
interestingly arranged, but for some reason she sings "You drive me crazy".
>>> Whitesnake #38,
>>
>>The 30th Anniversary Collection assembles 52 tracks (including a few by
>>Coverdale Page) over 3 CDs, but you have to wonder how many people there
>>are
>>who want this much Whitesnake and haven't already bought it.
>
> Not a bad position for a triple-CD set, though.
Not unprecdentedly.
>>>Emmylou Harris #40
>>
>>Her 24th solo album, but her first in five years. Produced by her
>>ex-husband
>>Brian Ahern.
>>It's her first solo album to reach the Top 40 since the
>>imaginatively-titled
>>1980 compilation Her Best Songs.
>
> I dare say she's done *slightly* better back home, though!
I don't think we'll know for a few more days. But for reference, her last
two albums charted at 45 and 52 here, 54 and 58 over there.
>>> Next Week
>>> ---------
>>> Singles
>>> -------
>>> With the wind gone from their sails, I expect Mint Royale to lose the
>>> top
>>> spot - probably to Ne-Yo, but preferably to *anyone* else!
>>
>>Er, Chris Brown?
>
> Not from #8 with just a few thousand extra CD sales.
No, but if he did it'd be worse.
>>> Top 5 : Gabriella Cilmi,
>>
>>Any particular reason?
>
> Well usually, through more people buying it than the #6... :)
Or more people buying it than the Number 7, and Number 4 not being counted.
>>> Top 30 : PATD,
>>
>>You would think if this was going to be a really big hit, it'd be selling
>>better on downloads.
>
> Which is why I *only* predicted T30.
And it's why I agreed.
>>>Subways,
>>
>>Probably, although it's not exactly been a radio hit.
>
> More so than, say, Mint Royale...
Actually, excluding chart rundowns I think I've heard them both equally
often this year.
>>> N-Force v Darren Styles
>>
>>He seems to have flopped too many times before.
>
> The singer does look like Natalie Horler though...
I'm guessing that's N-Force then, because Darren Styles certainly does.
> On that subject, there's another Cascada video doing the rounds on Sky -
> this time 'Because The Night'. No definite release date yet, though.
Considering the last one flopped, they may not bother.
>>>MJ/Akon,
>>
>>Is this being released then?
>
> I thought I saw a video, at least.
Well, I'm sure there is one. But why should it chart in this particular
week?
>>> Urbnri,
>>
>>What changed your mind?
>
> Just covering my ass. :)
Unless, of course, they now go in at 132.
>>> Jonas Brothers
>>
>>If the reports about how many kids follow them about are accurate, this
>>could be doing a lot better.
>
> I have no idea who they are, so I'm predicting solely on that 'buzz'.
Some people are already calling them the new Hanson.
Of course, because their appeal is (so far) to such a limited demographic,
it's hard for the rest of us to judge.
>>> Any other possibilities?
>>
>>Well, that Ironik record that everyone seems to be going on about
>
> Except myself, who's never heard of it...
There was a thread on Buzzjack. Apparently it samples Westlife.
>> is
>>apparently out to download tomorrow.
And apparently the Busta Rhymes/Linkin Park thing is out tomorrow (ie
Tuesday).
>>> Albums
>>> ------
>>> Nothing released this Monday looks like it could remotely challenge even
>>> Coldplay's 2nd week sales.
>>
>>Nope. And that may not be wholly accidental.
>>On the one hand, this being their first full week of sales might help this
>>hold up better than average; that said the Father's Day factor will push
>>overall sales down.
>
> Of course, even they'd released on Monday as normal, their 2nd week sales
> would surely *still* have held off all opposition.
Knowing what they sold this week, yes.
>>> Top 10 NE : Feeder,
>>
>>Despite what happened to the single I'll agree.
>
> Probably #2, unless they do a 'Fratellis'.
Which is conceivable, since the single was similarly successful, although
their following is probably more durable than the Frats. Having said which,
they've never had a Number One album before, have they?
>>> Others : Darren Styles,
>>
>>If he can't even sell singles, who the bottom is going to buy his albums?
>
> That could be said of many artists, but that doesn't seem to stop them.
Yes, but typically of the ones who work in non-single-driven genres (jazz
and so on).
>>>Nigel Kennedy,
>>
>>Even big classical names can't be relied upon to chart nationally.
>
> <Cough>Katherine Jenkins<cough>
>
> Of course, she has does have the advantage of Playboy looks... :)
That's not what I mean - of course there are some acts who can sell albums,
but that's not the case for everyone with a recogniseable name.
>>Especially not with jazz records.
>
> NK can usually sell enough, though.
That'll be why he hasn't had a Top 75 album since 2002 then?
>>I wouldn't rule out Fleet Foxes for Top 75 action, though.
>
> WTF are they?
Indie band from Seattle. I mention them because they were at the top of the
Amazon pre-order chart for a couple of days (ie after Coldplay were out of
the way).
Chris
>>>> Singles
>>>> -------
>>>> Mint Royale hold on for a 2nd week, but their sales are declining
>>>> rapidly,
>>>> so a 3rd week at the top looks unlikely.
>>>
>>>Indeed so. But then so did the first two!
>>
>> But its sales are declining rapidly now, since its *one* big promo was now
>> 2 weeks back.
>
>Yup, although the tour might be helping. George Sampson is certainly doing a
>lot to promote it, considering his limited benefit from it.
Even so, I'd be surprised if it was still #1 on today's mids.
>
>>>> New Entries/New Peaks
>>>> ---------------------
>>>> Top 10 : Ne-Yo #3,
>>>
>>>Influenced by British dance music, apparently.
>>>
>> As in - lets see what dance music fans like, then do the exact opposite?
>> :)
>
>I'm not denying that. Apparently he's done another track that sounds like
>Billy Joel.
Unless you mean Uptown Girl, that doesn't sound like a good thing...
>
>>>> Top 20 : Alex Gaudino ft Shena #16
>>
>>>Meanwhile, the brass sample this time comes from Pigbag's 'Papa's Got A
>>>Brand New Pigbag', although if he's expecting present-day clubbers to
>>>recognise it he probably has the Perfecto Allstars version in mind.
>>
>> Or 40-somethings going through their mid-life crisis... :)
>
>Not as guaranteed a market though.
I dare say sellers of sports cars might disagree... :)
>
>>>> Scooter #28
>>>
>>>Not gaining as much as might have been expected, which possibly hints at
>>>how
>>>few people buy CD singles nowadays. Of course, releasing it after a
>>>successful album doesn't always help.
>>
>> It certainly appears they released the wrong single first, though
>> obviously the album itself couldn't have gone any higher.
>
>So perhaps it works out better to have the bigger single after it?
In terms of sustaining album sales, quite possibly.
> Or
>perhaps the other single would have done this well with a physical release?
I don't think so.
>
>>>>Music #38,
>>
>>>And yes, this single really does seem to be called 'Strength In Numbers',
>>>even though they sing "strength in numbers" all the way through.
>>
>> Am I missing something here? Surely that's what you'd *expect* them to
>> sing in a song of that title?
>
>You spotted my deliberate mistake then! ;-)
>They actually sing "safety in numbers".
If I'd actually heard the song, I might have spotted that. :)
>>.
>>
>> BTW, I see Rockstar *still* won't go away - back up 2 to #31 on it's 35th
>> chart week!
>
>I wonder if the people buying 'Photograph' are picking it up as well.
It's now outsold 'How You Remind Me'. Also, it has now been #1 on the
Rock singles chart for 19 consecutive weeks, though Feeder may perhaps
depose it this week.
>
>>>> Nickelback (Ph) #42,
>>>
>>>Not exactly a flop yet.
>>
>> CD reissued on 23rd.
>
>Still touch and go whether it can beat the original peak.
I doubt it, myself.
>
>>>>Potbelleez #16,
>>>
>>>Fortunately only 61!
>>>Out tomorrow on CD & 12".
>>
>> Haven't heard it (that I recall, anyway).
>
>I think I might have once. But I got away with it.
Away with it, or over it?
Checked it out on Youtube - wasn't keen.
>
>>>> Coldplay (Lost) #62,
>
>I'd guess he's selling as many now as he ever has. In fact, he'd be in the
>Top 40 if nobody was allowed more than one hit at a time.
Of course, if that was the case, rappers would probably be suing the OCC
for 'racial discrimination'... :)
Of course, that system would also fall down where people like Jordin
Sparks was concerned - *she* only has one T40 single, but her 'featured
artist' has three...
>
>>>New entries are Sonny J at 77, N Force vs Darren Styles at 87, Foals at 89
>>>and MGMT at 92.
>>
>> All of which should probably have done better.
>
>MGMT may yet do so. Why should the others?
Well, I like the first two.
>
>>>> Albums
>>>> ------
>>>> Coldplay get off at the expected gallop, shifting well over 200k in just
>>>> three days.
>>>
>>>Although of course selling any number in three days (or in a week) is a
>>>less
>>>meaningful concept in this online age.
>>
>> For single perhaps, but why albums?
>
>Because it's so much easier, and more common, to pre-order online nowadays.
Are you talking about physical on-line pre-orders here?
>
>>>It appears that this album is a reaction to the flaws of X&Y - it's
>>>certainly a lot shorter.
>>
>> In number of tracks, running time, or both?
>
>Both - X&Y is 13 tracks/62 minutes (including the hidden one) and this one
>is 10 tracks in 46 minutes. That means that the average length of a track is
>a bit longer, which I'm not wild about.
But you're not buying it, I assume, so why would you even care?
>
>>>> New Entries/New Peaks
>>>> ---------------------
>>>> Top 10 : Fratellis #5
>>>
>>>Of course, only one act could have topped the chart in
>>>this particular week, but they've ended up missing out on the runner-up
>>>slot
>>>too.
>>
>> By *some* distance!
>
>Increasing day-by day. I bet the View are bricking it.
Why them, particularly?
>>>
>>>> Top 20 : Nerd #20
>>>
>>>Third album from the Neptunes and their friend, following a reformation
>>>that
>>>may or may not relate to the failure of Pharrell's solo album.
>>
>> Not that #20 is a stunning success, and it seems unlikely to go higher.
>
>Unless the single does a lot for it.
Unless it shot to #1, that's unlikely - b-list urban albums tend to drop
fast.
>
>>>Guest stars include Jay-Z, Busta Rhymes, Betty Wright, T-Pain (of course!)
>>
>> Why 'of course'?
>
>It just seems like every album by an American act in the last five year
>involves him somewhere.
Unsurprisingly, not something I keep track of.
>
>>>> Dolly Parton #35,
>>>
>>>There are two unexpected covers here: Smokey
>>>Robinson's 'Tracks Of My Tears' and The Fine Young Cannibals' '[She]
>>>Drives
>>>Me Crazy'.
>>
>> I'm almost curious as to how those would sound. :)
>
>The former is more or less exactly what you'd expect. The latter seems quite
>interestingly arranged, but for some reason she sings "You drive me crazy".
Am I to assume you bought the album then? :)
>
>>>>Emmylou Harris #40
>>
>> I dare say she's done *slightly* better back home, though!
>
>I don't think we'll know for a few more days. But for reference, her last
>two albums charted at 45 and 52 here, 54 and 58 over there.
Well, I was thinking of sustained sales, rather than peak chart
position, given there's a significant Country music market over there.
>
>>>> Next Week
>>>> ---------
>>>> Singles
>>>> -------
>
>>>> Top 5 : Gabriella Cilmi,
>>>
>>>Any particular reason?
>>
>> Well usually, through more people buying it than the #6... :)
>
>Or more people buying it than the Number 7, and Number 4 not being counted.
I can't see Viva La Vida selling that much this week (even if
chart-eligible), with 300k album sales (plus lots more this week) being
a factor.
>
>>>>Subways,
>>>
>>>Probably, although it's not exactly been a radio hit.
>>
>> More so than, say, Mint Royale...
>
>Actually, excluding chart rundowns I think I've heard them both equally
>often this year.
You mean, never?
>
>>>> N-Force v Darren Styles
>>>
>>>He seems to have flopped too many times before.
>>
>> The singer does look like Natalie Horler though...
>
>I'm guessing that's N-Force then, because Darren Styles certainly does.
*He* looks like Natalie Horler?? :)
>
>> On that subject, there's another Cascada video doing the rounds on Sky -
>> this time 'Because The Night'. No definite release date yet, though.
>
>Considering the last one flopped, they may not bother.
Then why even make a video?
IMO this is a much stronger track though, and if it gets any sort of
airplay, should have no trouble in doing better than 'What Do You Want
From Me'.
It also has the advantage of not having a puke-inducingly obese man in a
speedo in the video... :)
>
>>>>MJ/Akon,
>>>
>>>Is this being released then?
>>
>> I thought I saw a video, at least.
>
>Well, I'm sure there is one. But why should it chart in this particular
>week?
Because I loathe Akon?
>
>>>> Jonas Brothers
>>>
>>>If the reports about how many kids follow them about are accurate, this
>>>could be doing a lot better.
>>
>> I have no idea who they are, so I'm predicting solely on that 'buzz'.
>
>Some people are already calling them the new Hanson.
[Runs screaming in terror!] :)
>Of course, because their appeal is (so far) to such a limited demographic,
>it's hard for the rest of us to judge.
With any luck, they'll just be another 'Ben's Brother'.
As it turns out, I *had* seen the video, but they sounded so much like
McFly that I ignored them.
>
>>>> Any other possibilities?
>>>
>>>Well, that Ironik record that everyone seems to be going on about
>>
>> Except myself, who's never heard of it...
>
>There was a thread on Buzzjack. Apparently it samples Westlife.
Someone borrowing from Westlife - that's rather ironic. :)
>
>>> is
>>>apparently out to download tomorrow.
>
>And apparently the Busta Rhymes/Linkin Park thing is out tomorrow (ie
>Tuesday).
Sounds potentially horrendous...
>
>>>> Albums
>>>> ------
>>>> Nothing released this Monday looks like it could remotely challenge even
>>>> Coldplay's 2nd week sales.
>>
>> Of course, even they'd released on Monday as normal, their 2nd week sales
>> would surely *still* have held off all opposition.
>
>Knowing what they sold this week, yes.
>
I'd guess 150-200k this week.
>
>>>> Others :
>
>>>>Nigel Kennedy,
>>>
>>>Even big classical names can't be relied upon to chart nationally.
>>
>> <Cough>Katherine Jenkins<cough>
>>
>> Of course, she has does have the advantage of Playboy looks... :)
>
>That's not what I mean - of course there are some acts who can sell albums,
>but that's not the case for everyone with a recogniseable name.
But NK is rather better known than most classical performers.
>
>>>Especially not with jazz records.
>>
>> NK can usually sell enough, though.
>
>That'll be why he hasn't had a Top 75 album since 2002 then?
Has he even released one?
I always find it strange when the name and/or title is hard to spot on
an album cover.
>
>>Coldplay (Live 2003) #46,
>
>Another new peak, although it would presumably have got higher still had it
>been eligible for an album chart position at the time of original release.
Which begs the question as to what has changed to make it eligible now?
>
>> Joan As Police Woman #55,
>
>Joan Wasser used to be one of Antony's Johnsons, and was apparently also an
>ex-girlfriend of the late Jeff Buckley. Her first solo album received
>rapturous reviews and evidently all the people it impressed have run to get
>the follow-up.
All 4,000? :)
>
>> Re-entries : Jeff Wayne (WotW) #58, Coldplay (P) #61, Coldplay (AROBTTH)
>> #64, Michael Buble (CMI) #66, Led Zep (MS) #67, Queen (GH123) #70, U2 (JT)
>> #73,
>
>Actually listed on the OCC site as the Deluxe Edition, for whatever reason.
My spreadsheet draws no distinction.
>
>> Foo Fighters (C&TS) #75
>
>Father's Day much?
Looks like it - though in their case, probably more due to their tour.
Unless it's by somebody very embarassing...
>>>Coldplay (Live 2003) #46,
>>
>>Another new peak, although it would presumably have got higher still had
>>it
>>been eligible for an album chart position at the time of original release.
>
> Which begs the question as to what has changed to make it eligible now?
I don't know this, but I'd guess that when labels release this sort of
CD+DVD package they have to register it with the OCC as either an album or
DVD so as to determine which of the charts it appears in.
>>> Joan As Police Woman #55,
>>
>>Joan Wasser used to be one of Antony's Johnsons, and was apparently also
>>an
>>ex-girlfriend of the late Jeff Buckley. Her first solo album received
>>rapturous reviews and evidently all the people it impressed have run to
>>get
>>the follow-up.
>
> All 4,000? :)
About that yeah.
>>> U2
>>> (JT)
>>> #73,
>>
>>Actually listed on the OCC site as the Deluxe Edition, for whatever
>>reason.
>
> My spreadsheet draws no distinction.
At this juncture I suppose it's only relevant if they both chart
simultaneously.
Thinking of it, it may be that all the 2007 versions are combined.
>>> Foo Fighters (C&TS) #75
>>
>>Father's Day much?
>
> Looks like it - though in their case, probably more due to their tour.
Yes, the Foos being the last in that last slightly spoils the effect.
Of course, this album has its own deluxe edition.
Chrus
>>
>>>>> New Entries/New Peaks
>>>>> ---------------------
>>>>> Top 10 : Ne-Yo #3,
>>>>
>>>>Influenced by British dance music, apparently.
>>>>
>>> As in - lets see what dance music fans like, then do the exact opposite?
>>> :)
>>
>>I'm not denying that. Apparently he's done another track that sounds like
>>Billy Joel.
>
> Unless you mean Uptown Girl, that doesn't sound like a good thing...
No, I told you, it sounds like Billy Joel! ;-)
>>>>> Top 20 : Alex Gaudino ft Shena #16
>>>
>>>>Meanwhile, the brass sample this time comes from Pigbag's 'Papa's Got A
>>>>Brand New Pigbag', although if he's expecting present-day clubbers to
>>>>recognise it he probably has the Perfecto Allstars version in mind.
>>>
>>> Or 40-somethings going through their mid-life crisis... :)
>>
>>Not as guaranteed a market though.
>
> I dare say sellers of sports cars might disagree... :)
Good point.
>>>>> Scooter #28
>>>>
>>>>Not gaining as much as might have been expected, which possibly hints at
>>>>how
>>>>few people buy CD singles nowadays. Of course, releasing it after a
>>>>successful album doesn't always help.
>>>
>>> It certainly appears they released the wrong single first, though
>>> obviously the album itself couldn't have gone any higher.
>>
>>So perhaps it works out better to have the bigger single after it?
>
> In terms of sustaining album sales, quite possibly.
And that's obviously where the money is.
>> Or
>>perhaps the other single would have done this well with a physical
>>release?
>
> I don't think so.
This new one hasn't done a lot better as a download though.
>>>>>Potbelleez #16,
>>>>
>>>>Fortunately only 61!
>>>>Out tomorrow on CD & 12".
>>>
>>> Haven't heard it (that I recall, anyway).
>>
>>I think I might have once. But I got away with it.
>
> Away with it, or over it?
Away with it. I was quoting Basil Fawlty.
>>>>> Coldplay (Lost) #62,
>>
>>I'd guess he's selling as many now as he ever has. In fact, he'd be in the
>>Top 40 if nobody was allowed more than one hit at a time.
>
> Of course, that system would also fall down where people like Jordin
> Sparks was concerned - *she* only has one T40 single, but her 'featured
> artist' has three...
Yes, I tried working the Top 40 excluding duplicate lead artists and then
excluding anyone credited, and actually it's only by the latter method that
Jesse M scrapes in.
>>>>New entries are Sonny J at 77, N Force vs Darren Styles at 87, Foals at
>>>>89
>>>>and MGMT at 92.
>>>
>>> All of which should probably have done better.
>>
>>MGMT may yet do so. Why should the others?
>
> Well, I like the first two.
Actually, I think the Darren Styles isn't on physicals yet.
>>>>> Albums
>>>>> ------
>>>>> Coldplay get off at the expected gallop, shifting well over 200k in
>>>>> just
>>>>> three days.
>>>>
>>>>Although of course selling any number in three days (or in a week) is a
>>>>less
>>>>meaningful concept in this online age.
>>>
>>> For single perhaps, but why albums?
>>
>>Because it's so much easier, and more common, to pre-order online
>>nowadays.
>
> Are you talking about physical on-line pre-orders here?
Yes, although thanks to the various incetives on iTunes, Viva La Vida
probably has more digital preorders than most albums, even relatively.
>>>>It appears that this album is a reaction to the flaws of X&Y - it's
>>>>certainly a lot shorter.
>>>
>>> In number of tracks, running time, or both?
>>
>>Both - X&Y is 13 tracks/62 minutes (including the hidden one) and this one
>>is 10 tracks in 46 minutes. That means that the average length of a track
>>is
>>a bit longer, which I'm not wild about.
>
> But you're not buying it, I assume, so why would you even care?
Well, I'm not *not* buying it, but I haven't bought it so far.
Anyway, not owning a Coldplay album doesn't mean you won't hear any of it.
>>>>> New Entries/New Peaks
>>>>> ---------------------
>>>>> Top 10 : Fratellis #5
>>>>
>>>>Of course, only one act could have topped the chart in
>>>>this particular week, but they've ended up missing out on the runner-up
>>>>slot
>>>>too.
>>>
>>> By *some* distance!
>>
>>Increasing day-by day. I bet the View are bricking it.
>
> Why them, particularly?
Because they emerged at a roughly similiar time to the Fratellis, sound
similar and had comparable levels of success.
>>>>> Dolly Parton #35,
>>>>
>>>>There are two unexpected covers here: Smokey
>>>>Robinson's 'Tracks Of My Tears' and The Fine Young Cannibals' '[She]
>>>>Drives
>>>>Me Crazy'.
>>>
>>> I'm almost curious as to how those would sound. :)
>>
>>The former is more or less exactly what you'd expect. The latter seems
>>quite
>>interestingly arranged, but for some reason she sings "You drive me
>>crazy".
>
> Am I to assume you bought the album then? :)
No - believe it or not I heard it on Radio 2!
>>>>>Emmylou Harris #40
>>>
>>> I dare say she's done *slightly* better back home, though!
>>
>>I don't think we'll know for a few more days. But for reference, her last
>>two albums charted at 45 and 52 here, 54 and 58 over there.
>
> Well, I was thinking of sustained sales, rather than peak chart position,
> given there's a significant Country music market over there.
There is but that's dominated by the sort of mainstream country acts that I
don't think includes her any more.
>>>>> Next Week
>>>>> ---------
>>>>> Singles
>>>>> -------
>>>>>Subways,
>>>>
>>>>Probably, although it's not exactly been a radio hit.
>>>
>>> More so than, say, Mint Royale...
>>
>>Actually, excluding chart rundowns I think I've heard them both equally
>>often this year.
>
> You mean, never?
Well, I heard the Subways single twice (on different stations) on the night
it was first serviced to radio. And, er, I think Steve Wright played
'Singing In The Rain' a couple of times.
>>>>> N-Force v Darren Styles
>>>>
>>>>He seems to have flopped too many times before.
>>>
>>> The singer does look like Natalie Horler though...
>>
>>I'm guessing that's N-Force then, because Darren Styles certainly does.
>
> *He* looks like Natalie Horler?? :)
If you shut your eyes. Ahem.
>>> On that subject, there's another Cascada video doing the rounds on Sky -
>>> this time 'Because The Night'. No definite release date yet, though.
>>
>>Considering the last one flopped, they may not bother.
>
> Then why even make a video?
Well, possibly to promote the album - people used to do that before the
phrase "download-only single" entered the pop lexicon - but probably also to
publicise the single in other parts of the world.
> IMO this is a much stronger track though, and if it gets any sort of
> airplay, should have no trouble in doing better than 'What Do You Want
> From Me'.
Maybe that's because it was written by people who can actually write songs?
> It also has the advantage of not having a puke-inducingly obese man in a
> speedo in the video... :)
Nope, although I did see the vid over at my mum's house the other night and
it wasn't that great.
>>>>>MJ/Akon,
>>>>
>>>>Is this being released then?
>>>
>>> I thought I saw a video, at least.
>>
>>Well, I'm sure there is one. But why should it chart in this particular
>>week?
>
> Because I loathe Akon?
Yes, but you hate him every week!
>>>>> Any other possibilities?
>>>>
>>>>Well, that Ironik record that everyone seems to be going on about
>>>
>>> Except myself, who's never heard of it...
>>
>>There was a thread on Buzzjack. Apparently it samples Westlife.
>
> Someone borrowing from Westlife - that's rather ironic. :)
It's like ten thousand spoons when all you need is a knife. ;-)
>>>> is
>>>>apparently out to download tomorrow.
>>
>>And apparently the Busta Rhymes/Linkin Park thing is out tomorrow (ie
>>Tuesday).
>
> Sounds potentially horrendous...
It's pretty dull from what I remember.
>>>>> Albums
>>>>> ------
>>>>> Others :
>>
>>>>>Nigel Kennedy,
>>>>
>>>>Even big classical names can't be relied upon to chart nationally.
>>>
>>> <Cough>Katherine Jenkins<cough>
>>>
>>> Of course, she has does have the advantage of Playboy looks... :)
>>
>>That's not what I mean - of course there are some acts who can sell
>>albums,
>>but that's not the case for everyone with a recogniseable name.
>
> But NK is rather better known than most classical performers.
Yes - but that's exactly the point I'm making. Just because a classical
performer is famous doesn't guarantee that every record they make is a
guaranteed hit.
>>>>Especially not with jazz records.
>>>
>>> NK can usually sell enough, though.
>>
>>That'll be why he hasn't had a Top 75 album since 2002 then?
>
> Has he even released one?
Yes, as recently as November 2007 in fact.
Chris
Of course, on-line ordering avoids the awkwardness of paying for an
'embarrassing' record at the checkout, and having to suffer the look of
amusement/contempt in the cashier's eyes...
>
>>>> U2
>>>> (JT)
>>>> #73,
>>>
>>>Actually listed on the OCC site as the Deluxe Edition, for whatever
>>>reason.
>>
>> My spreadsheet draws no distinction.
>
>At this juncture I suppose it's only relevant if they both chart
>simultaneously.
Yes, that always catches me out.
Well, given the album was #1, there will have been significant
undercutting.
>>>
>>>In fact, he'd be in the
>>>Top 40 if nobody was allowed more than one hit at a time.
>>
>> Of course, that system would also fall down where people like Jordin
>> Sparks was concerned - *she* only has one T40 single, but her 'featured
>> artist' has three...
>
>Yes, I tried working the Top 40 excluding duplicate lead artists and then
>excluding anyone credited, and actually it's only by the latter method that
>Jesse M scrapes in.
But that just begs the question - why would you want him to? :)
>
>>>>>> Albums
>>>>>> ------
>>>
>>>Because it's so much easier, and more common, to pre-order online
>>>nowadays.
>>
>> Are you talking about physical on-line pre-orders here?
>
>Yes, although thanks to the various incetives on iTunes, Viva La Vida
>probably has more digital preorders than most albums, even relatively.
Which incentives?
>>
>> But you're not buying it, I assume, so why would you even care?
>
>Well, I'm not *not* buying it, but I haven't bought it so far.
I never thought you were a closet Coldplay fan... :)
>Anyway, not owning a Coldplay album doesn't mean you won't hear any of it.
I only ever hear their singles, via Sky, since I don't listen to the
radio on a day-to-day basis.
>
>>>>>> New Entries/New Peaks
>>>>>> ---------------------
>>>>>>Emmylou Harris #40
>>>>
>>>> I dare say she's done *slightly* better back home, though!
>>>
>>>I don't think we'll know for a few more days. But for reference, her last
>>>two albums charted at 45 and 52 here, 54 and 58 over there.
>>
>> Well, I was thinking of sustained sales, rather than peak chart position,
>> given there's a significant Country music market over there.
>
>There is but that's dominated by the sort of mainstream country acts that I
>don't think includes her any more.
Isn't 'mainstream country acts' on oxymoron, though? :)
>
>>>>>> Next Week
>>>>>> ---------
>>>>>> Singles
>>>>>> -------
>>>> On that subject, there's another Cascada video doing the rounds on Sky -
>>>> this time 'Because The Night'. No definite release date yet, though.
>>>
>>>Considering the last one flopped, they may not bother.
>
>> IMO this is a much stronger track though, and if it gets any sort of
>> airplay, should have no trouble in doing better than 'What Do You Want
>> From Me'.
>
>Maybe that's because it was written by people who can actually write songs?
The Boss, you mean?
>
>>>>>
>>>>>Ironik
>>>>
>>>Apparently it samples Westlife.
>>
>> Someone borrowing from Westlife - that's rather ironic. :)
>
>It's like ten thousand spoons when all you need is a knife. ;-)
I don't get that reference?
>>>
>>>And apparently the Busta Rhymes/Linkin Park thing is out tomorrow (ie
>>>Tuesday).
>>
>> Sounds potentially horrendous...
>
>It's pretty dull from what I remember.
Then I guess rap/rock fans like 'dull' then, judging from the mids. :(
>
>>>>>> Albums
>>>>>> ------
>
>Yes - but that's exactly the point I'm making. Just because a classical
>performer is famous doesn't guarantee that every record they make is a
>guaranteed hit.
<Cough>Pavarotti<cough>
Yes, although that doesn't seem to have done the previous single a lot of
harm - it matched its admittedly low peak.
>>>>In fact, he'd be in the
>>>>Top 40 if nobody was allowed more than one hit at a time.
>>>
>>> Of course, that system would also fall down where people like Jordin
>>> Sparks was concerned - *she* only has one T40 single, but her 'featured
>>> artist' has three...
>>
>>Yes, I tried working the Top 40 excluding duplicate lead artists and then
>>excluding anyone credited, and actually it's only by the latter method
>>that
>>Jesse M scrapes in.
>
> But that just begs the question - why would you want him to? :)
I didn't especially, but I got bored enough to sit there and work it out.
Bryn Christopher and NERD were the other big beneficiaries.
>>>>>>> Albums
>>>>>>> ------
>>>>
>>>>Because it's so much easier, and more common, to pre-order online
>>>>nowadays.
>>>
>>> Are you talking about physical on-line pre-orders here?
>>
>>Yes, although thanks to the various incetives on iTunes, Viva La Vida
>>probably has more digital preorders than most albums, even relatively.
>
> Which incentives?
Well, that business with the 'Viva La Vida' track you know about. Also, the
pre-order iTunes album adds two bonus acoustic tracks, only one of which
remains available now.
>>> But you're not buying it, I assume, so why would you even care?
>>
>>Well, I'm not *not* buying it, but I haven't bought it so far.
>
> I never thought you were a closet Coldplay fan... :)
Nothing closet about it - I've got three of their albums and quite a few
singles. Yes, even 'Speed Of Sound' on 10" clear vinyl.
>>Anyway, not owning a Coldplay album doesn't mean you won't hear any of it.
>
> I only ever hear their singles, via Sky, since I don't listen to the radio
> on a day-to-day basis.
Most of us do though.
>>>>>>> New Entries/New Peaks
>>>>>>> ---------------------
>>>>>>>Emmylou Harris #40
>>>>>
>>>>> I dare say she's done *slightly* better back home, though!
>>>>
>>>>I don't think we'll know for a few more days. But for reference, her
>>>>last
>>>>two albums charted at 45 and 52 here, 54 and 58 over there.
>>>
>>> Well, I was thinking of sustained sales, rather than peak chart
>>> position,
>>> given there's a significant Country music market over there.
>>
>>There is but that's dominated by the sort of mainstream country acts that
>>I
>>don't think includes her any more.
>
> Isn't 'mainstream country acts' on oxymoron, though? :)
No, of course not.
>>>>>>> Next Week
>>>>>>> ---------
>>>>>>> Singles
>>>>>>> -------
>>>>> On that subject, there's another Cascada video doing the rounds on
>>>>> Sky -
>>>>> this time 'Because The Night'. No definite release date yet, though.
>>>>
>>>>Considering the last one flopped, they may not bother.
>>
>>> IMO this is a much stronger track though, and if it gets any sort of
>>> airplay, should have no trouble in doing better than 'What Do You Want
>>> From Me'.
>>
>>Maybe that's because it was written by people who can actually write
>>songs?
>
> The Boss, you mean?
And Patti Smith - I'd still put her further up the pecking order than Yanou.
>>>>>>Ironik
>>>>>
>>>>Apparently it samples Westlife.
>>>
>>> Someone borrowing from Westlife - that's rather ironic. :)
>>
>>It's like ten thousand spoons when all you need is a knife. ;-)
>
> I don't get that reference?
Lucky you!
It's from Alanis Morrisette's hit, much mocked in the mid-nineties.
>>>>>>> Albums
>>>>>>> ------
>>
>>Yes - but that's exactly the point I'm making. Just because a classical
>>performer is famous doesn't guarantee that every record they make is a
>>guaranteed hit.
>
> <Cough>Pavarotti<cough>
Er, exactly. What proportion of all the records he's released do you think
have charted?
Chris
I knew it was excluded from the chart, but not too clear on why.
>Also, the
>pre-order iTunes album adds two bonus acoustic tracks, only one of which
>remains available now.
It's amazing the variety of mixes you can find on download sites - on 7
Digital I saw a version of the Pogues 'Fairytale Of New York' with Katie
Melua singing Kirsty McColl's part. Haven't bought that (yet), but it is
an intriguing combination. :)
Hard to imagine the lovely KM swearing at all, let alone coming out with
the 'cheap lousy faggot' line, though!
>>>
>>>Well, I'm not *not* buying it, but I haven't bought it so far.
>>
>> I never thought you were a closet Coldplay fan... :)
>
>Nothing closet about it - I've got three of their albums and quite a few
>singles. Yes, even 'Speed Of Sound' on 10" clear vinyl.
I've never been a big fan of AOR, just occasional tracks appeal to me:
early U2 for example.
>
>>>>>>>> New Entries/New Peaks
>>>>>>>> ---------------------
>>
>> Isn't 'mainstream country acts' on oxymoron, though? :)
>
>No, of course not.
>
Not in America perhaps, but IMO country has never been mainstream here -
Shania Twain perhaps being the closest it came.
>>>>>>>> Next Week
>>>>>>>> ---------
>>>>>>>> Singles
>>>>>>>> -------
>>>>>>there's another Cascada video doing the rounds on
>>>>>> Sky -
>>>>>> this time 'Because The Night'.
>>>>>
>>>>>Considering the last one flopped, they may not bother.
>>>
>>>> IMO this is a much stronger track though, and if it gets any sort of
>>>> airplay, should have no trouble in doing better than 'What Do You Want
>>>> From Me'.
>>>
>>>Maybe that's because it was written by people who can actually write
>>>songs?
>>
>> The Boss, you mean?
>
>And Patti Smith - I'd still put her further up the pecking order than Yanou.
Why it wasn't picked as the *2nd* single from 'Perfect Day', I have no
idea.
>>>>
>>>> Someone borrowing from Westlife - that's rather ironic. :)
>>>
>>>It's like ten thousand spoons when all you need is a knife. ;-)
>>
>> I don't get that reference?
>
>Lucky you!
>It's from Alanis Morrisette's hit
Which one?
>, much mocked in the mid-nineties.
Her, or the song?
>
>>>>>>>> Albums
>>>>>>>> ------
>>>
>>>Yes - but that's exactly the point I'm making. Just because a classical
>>>performer is famous doesn't guarantee that every record they make is a
>>>guaranteed hit.
>>
>> <Cough>Pavarotti<cough>
>
>Er, exactly. What proportion of all the records he's released do you think
>have charted?
Without knowing all the albums he released, how could I know?
>>Also, the
>>pre-order iTunes album adds two bonus acoustic tracks, only one of which
>>remains available now.
>
> It's amazing the variety of mixes you can find on download sites - on 7
> Digital I saw a version of the Pogues 'Fairytale Of New York' with Katie
> Melua singing Kirsty McColl's part. Haven't bought that (yet), but it is
> an intriguing combination. :)
It's obviously not uncommon to have a live version online, but of course on
this particular occasion the original vocalist wasn't available.
> Hard to imagine the lovely KM swearing at all, let alone coming out with
> the 'cheap lousy faggot' line, though!
She may possibly sing the "cheap and haggard" version.
>>>>Well, I'm not *not* buying it, but I haven't bought it so far.
>>>
>>> I never thought you were a closet Coldplay fan... :)
>>
>>Nothing closet about it - I've got three of their albums and quite a few
>>singles. Yes, even 'Speed Of Sound' on 10" clear vinyl.
>
> I've never been a big fan of AOR, just occasional tracks appeal to me:
> early U2 for example.
Ah, but I can remember when Coldplay weren't considered to be an AOR act.
Maybe that't what makes the difference.
>>>>>>>>> New Entries/New Peaks
>>>>>>>>> ---------------------
>>>
>>> Isn't 'mainstream country acts' on oxymoron, though? :)
>>
>>No, of course not.
>>
> Not in America perhaps, but IMO country has never been mainstream here -
> Shania Twain perhaps being the closest it came.
Never? Not even when Kenny Rogers was having Number Ones?
Anyway, that's not what it means - it means what's in the mainstream of the
country marketplace (obviously a more relevant concept in the US where
people listen to country radio stations and so on).
>>>>>>>>> Next Week
>>>>>>>>> ---------
>>>>>>>>> Singles
>>>>>>>>> -------
>>>>>>>there's another Cascada video doing the rounds on
>>>>>>> Sky -
>>>>>>> this time 'Because The Night'.
>>>>>>
>>>>>>Considering the last one flopped, they may not bother.
>>>>
>>>>> IMO this is a much stronger track though, and if it gets any sort of
>>>>> airplay, should have no trouble in doing better than 'What Do You Want
>>>>> From Me'.
>>>>
>>>>Maybe that's because it was written by people who can actually write
>>>>songs?
>>>
>>> The Boss, you mean?
>>
>>And Patti Smith - I'd still put her further up the pecking order than
>>Yanou.
>
> Why it wasn't picked as the *2nd* single from 'Perfect Day', I have no
> idea.
Maybe they (or someone) wanted to release one of their own songs.
>>>>> Someone borrowing from Westlife - that's rather ironic. :)
>>>>
>>>>It's like ten thousand spoons when all you need is a knife. ;-)
>>>
>>> I don't get that reference?
>>
>>Lucky you!
>>It's from Alanis Morrisette's hit
>
> Which one?
Er, 'Ironic'. That's sort of the point.
>>, much mocked in the mid-nineties.
>
> Her, or the song?
Her, to some extent, but especially this song and its list of supposedly
ironic things. Every comedian seemed to be doing a routine about it in 1996.
>>>>>>>>> Albums
>>>>>>>>> ------
>>>>
>>>>Yes - but that's exactly the point I'm making. Just because a classical
>>>>performer is famous doesn't guarantee that every record they make is a
>>>>guaranteed hit.
>>>
>>> <Cough>Pavarotti<cough>
>>
>>Er, exactly. What proportion of all the records he's released do you think
>>have charted?
>
> Without knowing all the albums he released, how could I know?
Er, that's what I've been saying all along.
Chris
That didn't stop Katie's recent #1, of course...
>
>> Hard to imagine the lovely KM swearing at all, let alone coming out with
>> the 'cheap lousy faggot' line, though!
>
>She may possibly sing the "cheap and haggard" version.
Haven't heard that version - and wouldn't want to more than once.
>>
>> I've never been a big fan of AOR, just occasional tracks appeal to me:
>> early U2 for example.
>
>Ah, but I can remember when Coldplay weren't considered to be an AOR act.
>Maybe that't what makes the difference.
How were they considered originally, then?
>
>>>>>>>>>> New Entries/New Peaks
>>>>>>>>>> ---------------------
>>>>
>>>> Isn't 'mainstream country acts' on oxymoron, though? :)
>>>
>>>No, of course not.
>>>
>> Not in America perhaps, but IMO country has never been mainstream here -
>> Shania Twain perhaps being the closest it came.
>
>Never? Not even when Kenny Rogers was having Number Ones?
I remember 'Lucille' from 1977, but not his 1980 #1, oddly enough.
>Anyway, that's not what it means - it means what's in the mainstream of the
>country marketplace
That's not how *I* meant it though.
>
>>>>>>>>>> Next Week
>>>>>>>>>> ---------
>>>>>>>>>> Singles
>>>>>>>>>> -------
>>>>>>>>there's another Cascada video doing the rounds on
>>>>>>>> Sky -
>>>>>>>> this time 'Because The Night'.
>>
>> Why it wasn't picked as the *2nd* single from 'Perfect Day', I have no
>> idea.
>
>Maybe they (or someone) wanted to release one of their own songs.
Bet they won't make that mistake again... :)
>>>>>
>>>>>It's like ten thousand spoons when all you need is a knife. ;-)
>>>>
>>>> I don't get that reference?
>>>
>>>Lucky you!
>>>It's from Alanis Morrisette's hit
>>
>> Which one?
>
>Er, 'Ironic'. That's sort of the point.
I only vaguely remember that one.
No, but it did limit her ability to perform the song on stage.
>>> Hard to imagine the lovely KM swearing at all, let alone coming out with
>>> the 'cheap lousy faggot' line, though!
>>
>>She may possibly sing the "cheap and haggard" version.
>
> Haven't heard that version - and wouldn't want to more than once.
I believe this is the version Ronan Keating did; I can't remember who the
woman was.
>>> I've never been a big fan of AOR, just occasional tracks appeal to me:
>>> early U2 for example.
>>
>>Ah, but I can remember when Coldplay weren't considered to be an AOR act.
>>Maybe that't what makes the difference.
>
> How were they considered originally, then?
They were once a little indie band playing in pubs.
>>>>>>>>>>> New Entries/New Peaks
>>>>>>>>>>> ---------------------
>>>>>
>>>>> Isn't 'mainstream country acts' on oxymoron, though? :)
>>>>
>>>>No, of course not.
>>>>
>>> Not in America perhaps, but IMO country has never been mainstream here -
>>> Shania Twain perhaps being the closest it came.
>>
>>Never? Not even when Kenny Rogers was having Number Ones?
>
> I remember 'Lucille' from 1977, but not his 1980 #1, oddly enough.
I wouldn't really be able to remember either of them from the time. But
posterity seems to have given me more chances to hear 'Lucille'.
>>Anyway, that's not what it means - it means what's in the mainstream of
>>the
>>country marketplace
>
> That's not how *I* meant it though.
But I brought it up, not you.
>>>>>>>>>>> Next Week
>>>>>>>>>>> ---------
>>>>>>>>>>> Singles
>>>>>>>>>>> -------
>>>>>>>>>there's another Cascada video doing the rounds on
>>>>>>>>> Sky -
>>>>>>>>> this time 'Because The Night'.
>>>
>>> Why it wasn't picked as the *2nd* single from 'Perfect Day', I have no
>>> idea.
>>
>>Maybe they (or someone) wanted to release one of their own songs.
>
> Bet they won't make that mistake again... :)
To be fair, I don't know how the single did in other places.
Chris
The same could be said about a live performance of Band Aid's 'Do They
Know It's Christmas', albeit for different reasons.
>
>>>>>>>>>>>> Next Week
>>>>>>>>>>>> ---------
>>>>>>>>>>>> Singles
>>>>>>>>>>>> -------
>>>>>>>>>>there's another Cascada video doing the rounds on
>>>>>>>>>> Sky -
>>>>>>>>>> this time 'Because The Night'.
>>>>
>>>> Why it wasn't picked as the *2nd* single from 'Perfect Day', I have no
>>>> idea.
>>>
>>>Maybe they (or someone) wanted to release one of their own songs.
>>
>> Bet they won't make that mistake again... :)
>
>To be fair, I don't know how the single did in other places.
Not very well :
http://en.wikipedia.org/wiki/What_Do_You_Want_from_Me%3F_(Cascada_song)
They did do it at Live Aid, of course, but presumably not the exact line-up.
>>>>>>>>>>>>> Next Week
>>>>>>>>>>>>> ---------
>>>>>>>>>>>>> Singles
>>>>>>>>>>>>> -------
>>>>>>>>>>>there's another Cascada video doing the rounds on
>>>>>>>>>>> Sky -
>>>>>>>>>>> this time 'Because The Night'.
>>>>>
>>>>> Why it wasn't picked as the *2nd* single from 'Perfect Day', I have no
>>>>> idea.
>>>>
>>>>Maybe they (or someone) wanted to release one of their own songs.
>>>
>>> Bet they won't make that mistake again... :)
>>
>>To be fair, I don't know how the single did in other places.
>
> Not very well :
>
> http://en.wikipedia.org/wiki/What_Do_You_Want_from_Me%3F_(Cascada_song)
Maybe they should have covered the Monaco song after all.
Chris
Precisely - so if you can change the Band Aid line-up, then why not have
someone else dueting with Katie for a live performance of her #1...
Right, and that's exactly where the analogy with the Pogues comes in.
Actually it's even stronger in this case because Cassidy and Melua never
met, whereas the Pogues could conceivably have found an archive performance.
Now I come to think of it, the Pogues must have performed the song when they
were on tour without Shane MacGowan. But I don't know whether any of those
were recorded.
Chris
OK.