On 01/06/2023 06:44, RJH wrote:
> On 31 May 2023 at 23:23:51 BST, Trevor Wilson wrote:
>
>>> Perhaps their not "tuneful" enough for you;?..
>>
>> **Nope. Just horribly inaccurate. They sound OK, for a cheap speaker.
>> Unfortunately, they're not cheap.
>>
>>>
>>>
>>>> The LS3/5A is being sold to people for domestic purposes. In that
>>>> situation, they sound like crap. Expensive crap.
>>>>
>>>>
>>>
>>> If you say so, who would argue with such logic;!
>>
>> **No need to argue. Just listen to them. Compare them with a known,
>> accurate speaker. The problems are instantly audible.
>
> 'Accuracy' isn't necessarily a problem, and trying to achieve it - at least in
> most domestic settings - is a fool's errand.
>
There is frequency response, including resonance, and there is
distortion, which 'muddies' things up and makes instruments hard to pick
out in say an orchestra.
Frequency response is there at all sound levels but distorion tends to
be less at low volumes.
The lowest distortion I ever heard at decent power was from profession
horn drivers. one foot long aluminium cast mid range horn, JBL bullet
style tweeter.
Twin 15" bass units and IIRC a pair of 8" lower mid range units.
Ultimate disco speakers.
But you can get very good results out of a 3 ways system with a dome mid
range and tweeter. Distortion comes when you are pushing your small
upper frequency units too hard, because the are are only two units and
the crossover frequency is a compromise
Colouration is simply a fact of life, and in the end people just tune
most it out in a given environment. Unless there are very peaky
resonances like what you get with cardboard cones, or an undamped metal
dome etc.
> I'd suggest the main issue is how good they sound to you, in your listening
> environment.
>
> Of course such a measure can easily become coloured by perception, marketing,
> reviews etc. But hey, if you enjoy the sound . . .
>
In the end that is in fact it. People are massively influenced by
marketing. They don't want to admit they paid £4000 for two pieces of
shit or that a home built pair at £150 is in fact 'better'. I spent
years designing and testing and listening to audio kit, and learnt how
to relate what the test equipment said to what I was hearing.
And I have related my conclusions., Today all amps sound alike, and are
essentially so near perfect as makes no difference. and a good CD beats
vinyl hands down, and is pretty much perfect also. Bad stuff happens in
the recording studio and in the loudspeakers, but recording studios that
are now 100% digital are pretty much free of the dreadful recording
quality that recording engineers with no technical background used to make.
So the weakest link in the chain is the loudspeakers. You simply pick
which flaw bothers you least and run with that.
--
No Apple devices were knowingly used in the preparation of this post.