On 8 August 2012 22:39, Robert McWilliam <
rm...@allmail.net> wrote:
> Assuming I can find all the cables to go with them I've got 2 camera
> that I can bring. One is a DV tape variety with firewire or composite
> out. It is reasonable so long as there is decent lighting (I can
> probably bring some lights as well). The other records to HDD but has
> composite out which would be more use for this kind of thing.
>
> I can definitely bring tripods for each of those, and probably a couple
> of spares.
>
Awesome. If you're short of any cables, let me know, I might be able
to borrow them for the weekend.
> I've also got a VGA-> composite adapter and a few USB capture cards if
> we need to add more inputs to any of the boxes.
Now that is good news indeed. The more inputs the better!
>
> If we can rustle up enough camera to have more than one per speaker (how
> many concurrent tracks are we aiming for?): dvswitch gives a nice simple
> way to switch between and/or combine them.
>
Depending on how many cameras we had available (just had news that
natm can lend us his HVR-A1E :) ) I'd ideally like at least 2 cameras
per stage, one for close shots and one for wider shots/ audience
shots, and then a split off the projector/screen video.
I was looking at DVSwitch - the question is, can we plug it into
flumotion/icecast for live streaming? If not, flumotion does let you
do simple source switching as well as PIP type things from within the
manager - though it's a bit clunky.