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Mujer, Casos de la Vida Real (translated: Woman, Real Life Cases) is an anthology telenovela produced by Mexican television network Televisa for Canal de las Estrellas. Developed as a response to the Mexican earthquake of 1985,[1] the program initially consisted of reenactments of real-life situations, or "cases", related to the earthquake's impact, with the intent of generating assistance for victims. Due to its popularity, Televisa eventually expanded the topics of the stories the series depicted beyond those related to the earthquake. The series was produced and hosted by Mexican actress and politician Silvia Pinal.[2][3]

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Mujer, Casos de la Vida Real was initially developed as a response to the Mexican earthquake of 1985, with its aim being to prompt assistance for victims of the earthquake by circulating "real-life cases" of its impact.[2] The show received an outpouring of support from Mexican viewers, causing Televisa, the network that produced the show, to expand its scope beyond earthquake-related stories.[2]

Few episodes of Mujer, casos de la vida real have been released on VHS or DVD. Having developed somewhat of a cult following due to its graphic material and handling of taboo subjects, a handful of people have taken up the task of recording and uploading recent reruns of the show to YouTube. However, while very early episodes are available (with the oldest preserved being "El examen", aired in 1986 and starring Lucerito), most episodes uploaded are from the weekday version of the series aired between 2001 and 2006, as it is the version syndicated by Televisa to other networks. As a result, virtually all episodes from 1986 to the late 1990s are deemed lost.

Based on the success of Mujer, casos de la vida real evident with its 22-year run, Televisa's main competitor, Azteca, created a similar program entitled Lo que callamos las mujeres (translated: What We Women Stifle). The material was slightly more professional than the low-budget settings offered by Mujer, and Callamos episodes revolved more around an actual plot rather than simply the case itself. That show started airing in 2000.

Mujer, Casos de la Vida Real (translated as Woman, Real Life Cases) was a Mexican TV show that aired on Canal de las Estrellas of Televisa between 1985 and 2007, created and presented by actress Silvia Pinal in response to the disasters caused by the 1985 Mexico City earthquake. The program featured episodic stories that, as the name suggests, were based on real situations in Mexican urban life. Although in its early years it told stories of the victims of the earthquake and optimistic stories, at its peak it talked about topics that, even by current standards, would be controversial for Mexican society. For example, domestic violence, homosexuality, sexism, child abuse, discrimination, poverty, incest, rape, etc.

The show has the notoriety of have been one of the first audiovisual products in Mexico to treat openly about this type of topics considered taboo, becoming a kind of social denunciation of the reality of many Mexicans. At the same tme, it would inspire the creation of other programs with the same self-concluding narrative such as La Rosa de Guadalupe or Lo que callamos las mujeres.

Mujer, Casos de la Vida Real began its broadcasts on February 4, 1986 as a late-night show on El Canal de las Estrellas. The recurring format began with Silvia Pinal presenting two self-concluding stories, and at the end she gave her impressions and her opinions about them. During its first years, the program served as a method of helping to locate people who disappeared during the 1985 earthquake, but as the years went by, stories that claimed to be based on real events were included. Normally, these were about love conflicts or more cheerful situations.

Mujer contains examples of the following tropes:

Abusive Parents: And how. The nineties in particular were very much into showing how horrible certain parents are to their children.
"El silencio de Dios" is arguably one of the most brutal example: Rosa is shown verballly and physically abusive towards her daughter Alma, eventually even beating her to death with a broom.
"Aborto en casa" focuses on an unnamed girl (called "Cecila" by Pinal to respect her privacy) ends up pregnant. She tries to hide the pregnancy from her parents but eventually suffers a miscarriage. Her parents response to it (as it happens in front of them) is to blame her and disregard her pain.
"Suicida en la escuela" has Diego's parents (mainly his mother) constantly be little him due to his low grades. This (along with just low-esteem and his girlfriend Adriana leaving him) is enough to push him commit suicide in the school.
"Final Tragico" first averts this but then goes into it, with the mother first showing heavy patience to her disabled son before eventually snapping at him. This pushes him to have a fit and commit suicide afterwards.
"Reina de la Prepa" has Olivia's parents literally up and abandon her after she is ousted to have contracted AIDS after infecting another student.
Darker and Edgier: The show was essentially this for prime time television in Mexico, with it's brutal depictions of violence and topics usually not shown on the screen. The nineties to early-oughties of the series were in particular brutal.
Death of a Child: Yep, especially in the 90s-00s the show's was unapologetic to how even children can tragically die.
Gay Aesop: Surprisingly enough, the show was rather pro-LGBT, showing the cruelness of discrimination and even parents accepting their children as gay.
The episode "Amigas" features Laura dealing with discrimination because she comes out as a lesbian. While first leaving Mexico to reunite with her lover Cici, she eventually finds a partner in Kate (as Cici is later on shown to refuse she was ever interested out of fear of discrimination). While at first disapproving of her granddaughter's sexual orientation, Laura's grandmother does come around at the end of the episode.
The case "Corazon Herido" focuses on Nacho, who deals with discrimination when he was a young boy when his mother's threats to his lover caused them to commit suicide. Nacho runs away to the United States where he eventually finds a partner in Eddie years later. By Eddie's insistence, the two go to back to Mexico to patch things up with his father and brother. It doesn't go well, but the episode ends with Nacho telling Eddie that he sees him as his only family now, and he's okay with that.
Karma Houdini: Considering the show focusing on cases that at times do not have an ending, this tends to be a reoccuring aspect of the show.
Alma's teacher in "El silencio de Dios" doesn't get any consequences for never once actually noticing that Alma was abused at home.
The episode "Paloma" never shows the titular character ever getting punishment for her death, leaving her mother in ruins.
"Skato" never shows the store owner who shot Dario getting puinishment. Although considering Dario was graffiting his property...
"El Aroma del Mal" never shows the men who sexually assaulted Carmen be arrested or even found.
Manly Tears: Near the end of "El silencio de Dios", seconds before he rips into Alma's mom for causing her daughter's death, the doctor briefly weeps upon examining her lifeless body.
My God, What Have I Done?: This tends to happen with characters who then have a horrible realization over what they've done.
In "Remordimento", Lorena deals with this in the end when her constant bullying and vicious hatred of her adopted sister Alejandra pushed her to commit suicide.
Zig-zagged with Rosa in "El silencio de Dios": While it first seems that she's remorseful over killing Alma, she tries hard to deflect blame, first blaming the fact Alma reminded her too much of her Disappeared Dad before going into how she only "raised her like how her parents raised her". And even before that, she tried to deflect blame by saying Alma was hit by a car.
Diego's mother in "Suicida en la Escuela" hits this when she finds Diego's lifeless body after he kills himself.
"The Reason You Suck" Speech: Being a telenovela, this happens frequently.
El silencio de Dios" features the school doctor rip into Rosa for abusing her daughter to the point of killing her, even making it clear that he's able to know that Alma's injuries were caused by a much stronger force than of a child.
Surprisingly Realistic Outcome: The core of the show was that unlike later series like Rosa, the endings were abrupt and certain things aren't resolved, only leaving the characters to simply move on or push forward despite everything.
"Corazon Herido" shows that no, sometimes parents aren't going to accept who you are despite being gone for so long. And while it is heartbreaking for Nacho to realize that, he's still in the end happy with Eddie, who he considers his real family.
The episode of "Sombras en Casa" ends with the revelation by Pinal that Janita hasn't recovered from being molested and her father (despite killing her abuse and his lover for their affair and allowing the abuse) is still in prison for the murder.
Despite Evilita's mother and her lover Salvador going to jail for allowing Salvador to abuse her, the ending of "Terror Nocturno" still shows Evilita struggling with the trauma of her abuse.
Tranquil Fury: Downplayed by the doctor in "El silencio de Dios". He is visibly seething with rage towards Alma's mom, practically looking ready to strike, yet simply rats her out to police with the nearby telephone instead.

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