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The technology behind the experience: ScreenX utilizes an array of projectors on each side of the theater (the specific number of projectors vary depending on the size of the theater). From there, proprietary ScreenX software blends multiple images into one seamless image extending from the center out.
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When you're in a meeting with gallery view and someone shares content, by default the content appears in the center of your meeting view and videos move to side or top. Select a participant's videos in gallery view to swap the content being shared with a gallery. This action brings participants' videos to the center of the meeting view and moves content like a shared desktop or PowerPoint presentation to the side or top of the meeting view.
The Blu-ray Disc (BD), often known simply as Blu-ray, is a digital optical disc storage format.. .. Free Download Final Destination 4 Full Movie In Hindi
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Outside the film industry, the term "dubbing" commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called "revoicing" in the film industry.[1][further explanation needed] The term "dubbing" is only used when talking about replacing a previous voice, usually in another language. When a voice is created from scratch for animations, the term "original voice" is always used because, in some cases, these media are partially finished before the voice is implemented. The voice work would still be part of the creation process, thus being considered the official voice.
Taiwan dubs some foreign films and TV series in Mandarin Chinese. Until the mid-1990s, the major national terrestrial channels both dubbed and subtitled all foreign programs and films and, for some popular programs, the original voices were offered in second audio program. Gradually, however, both terrestrial and cable channels stopped dubbing for prime time U.S. shows and films, while subtitling continued.
In Israel, only children's movies and TV programming are dubbed in Hebrew. In programs aimed at teenagers and adults, dubbing is never considered for translation, not only because of its high costs, but also because the audience is mainly multi-lingual. Most viewers in Israel speak at least one European language in addition to Hebrew, and a large part of the audience also speaks Arabic. Therefore, most viewers prefer to hear the original soundtrack, aided by Hebrew subtitles. Another problem is that dubbing does not allow for translation into two different languages simultaneously, as is often the case of Israeli television channels that use subtitles in Hebrew and another language (like Russian) simultaneously.
In Vietnam, foreign-language films and programs are often subtitled or voice-overed on television in Vietnamese. They were not dubbed until 1985. Rio was considered to be the very first American Hollywood film to be entirely dubbed in Vietnamese. Since then, children's films that came out afterwards have been released dubbed in theaters. HTV3 has dubbed television programs for children, including Ben 10, and Ned's Declassified School Survival Guide, by using various voice actors to dub over the character roles.[44][45]
After November 10, 1991, there was a large-scale influx of American animation production in Bulgaria, which can be classified as follows: A/ Films that in the years of the Iron Curtain either did not reach Bulgaria or were not dubbed according to the generally accepted world standard. For example: Sleeping Beauty /1959/, One Hundred and One Dalmatians /1961/, Jungle Book /1967/, The Aristocats /1970/, Robin Hood /1973/ and many others entered the Bulgarian market after 1991.B/ New first-run films created after 1991: Ice Age, Toy Story, Tangled, The Lion King, Mulan, etc.After 1991, BNT was the first to obtain the rights to voice and broadcast Disney series - 101 Dalmatians, Woody Woodpecker, Mickey Mouse, Tom and Jerry, etc. The first full-length animated films were dubbed at Boyana Film Studio, Dolly Media Studio (1992) and Ars Digital Studio (1994). In 1999, Alexandra Audio Studio took over the Disney production from BNT, which lost the rights to do the voice-overs due to a highly outdated technology park. In 2019 Andarta Studio joined the sound business, and in 2005 Profilms Studio, which are still working.In Bulgaria, there are two forms of Bulgarian dubbing. The first is the so-called "voiceover" dubbing, typical of the Bulgarian television market, in which the voice-over is based on the back-camera technology of the 1970s, with the voice superimposed on the original phonogram. This inexpensive way of voice-over is preferred only because of its low cost. But unfortunately it is a rather outdated technological form that does not meet the technical requirements of the new times. The second, considered basic in many European countries and the only one acceptable today, is synchronous dubbing, a radically different technology with much higher sound quality and speech synchronisation capabilities. This new method is defined as post-synchronous /non-synchronous/ dubbing of the product, in which the dialogue component of the phonogram is completely produced in Bulgarian, similar to the process in film production, in order for it to completely replace the original. In this sense, dubbing is considered by the production companies as one of the final elements of the overall post-production process of their films, and therefore their control over all the activities performed is complete.
In Finnish movie theaters, films for adult audiences have both Finnish and Swedish subtitles, the Finnish printed in basic font and the Swedish printed below the Finnish in a cursive font. In the early ages of television, foreign TV shows and movies were voiced by narrator in Finland. Later, Finnish subtitles became a practice on Finnish television. As in many other countries, dubbing is not preferred outside of children's programs. A good example of this is The Simpsons Movie. While the original version was well-received, the Finnish-dubbed version received poor reviews, with some critics even calling it a disaster.[citation needed] On the other hand, many dubs of Disney's animated television series and movies have been well-received, both critically and by the public.
In the French-, Italian-, Spanish-, German-, Russian-, Polish-, Czech-, Slovak- and Hungarian-speaking markets of Europe, almost all foreign films and television shows are dubbed (with the main exception being the majority of theatrical releases of adult-audience movies in the Czech Republic and Slovakia). There are few opportunities to watch foreign movies in their original versions. In Spain, Italy, Germany and Austria, even in the largest cities, there are few cinemas that screen original versions with subtitles, or without any translation. However, digital pay-TV programming is often available in the original language, including the latest movies. Prior to the rise of DVDs (and later Video on Demand and Streaming), which in these countries are mostly issued with multi-language audio tracks, original-language films (those in languages other than the country's official language) were rare, whether in theaters, on TV, or on home video, and subtitled versions were considered a product for small niche markets such as intellectual or art films.
Currently, dubbing of films and TV series for teenagers is made by Nickelodeon and Disney Channel. One of the major breakthroughs in dubbing was the Polish release of Shrek, which contained many references to local culture and Polish humor. Since then, people seem to have grown to like dubbed versions more, and pay more attention to the dubbing actors.[citation needed] However, this seems to be the case only with animated films, as live-action dubbing is still considered a bad practice. In the case of DVD releases, most discs contain both the original soundtrack and subtitles, and either voice over or dubbed Polish track. The dubbed version is, in most cases, the one from the theater release, while voice-over is provided for movies that were only subtitled in theaters.
The first film to be dubbed in Brazil was the Disney animation "Snow White and the Seven Dwarfs" in 1938. By the end of the 1950s, most of the movies, TV series and cartoons on television in Brazil were shown in its original sound and subtitles. However, in 1961, a decree of President Jânio Quadros ruled that all foreign productions on television should be dubbed. This measure boosted the growth of dubbing in Brazil, and has led to several dubbing studios since then.[65] The biggest dubbing studio in Brazil was Herbert Richers, headquartered in Rio de Janeiro and closed in 2009. At its peak in the 80s and 90s, the Herbert Richers studios dubbed about 70% of the productions shown in Brazilian cinemas.[66]
Dubbing is occasionally used on network television broadcasts of films that contain dialogue that the network executives or censors have decided to replace. This is usually done to remove profanity. In most cases, the original actor does not perform this duty, but an actor with a similar voice reads the changes. The results are sometimes seamless, but, in many cases, the voice of the replacement actor sounds nothing like the original performer, which becomes particularly noticeable when extensive dialogue must be replaced. Also, often easy to notice, is the sudden absence of background sounds in the movie during the dubbed dialogue. Among the films considered notorious for using substitute actors that sound very different from their theatrical counterparts are the Smokey and the Bandit and the Die Hard film series, as shown on broadcasters such as TBS. In the case of Smokey and the Bandit, extensive dubbing was done for the first network airing on ABC Television in 1978, especially for Jackie Gleason's character, Buford T. Justice. The dubbing of his phrase "sombitch" (son of a bitch) became "scum bum," which became a catchphrase of the time.
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