Chris Brown Love More Remix

[Nickie Koskinen]

ChrisBrown and Kid Ink, the duo behind hit singles 'Show Me' and 'Main Chick' (the remix), have joined forces once more today (Nov. 17th) for an new collaboration. Titled 'Love Me No More', the track spans almost two minutes in length and has a much slower tempo compared to their previous work.

There's no word on what project 'Love Me No More' will be placed on, if any at all. Considering the short length, the track may just be a throwaway that Chris decided to release as a freebie. Regardless the outcome is a dope tune worthy of being added to your playlist. "She broke my heart, I guess she a superstar now / But all I ever needed was your love" sings Chris.

Chris Brown's sixth solo LP 'X' is in stores now. He's presently working on his joint project, 'Fan Of A Fan 2', with Tyga and is getting ready to tour the United States alongside Trey Songz at the start of 2015. As for Kid Ink, the Alumni Music Group artist just wrapped up touring overseas and has his focus set on the follow up to 'My Own Lane'.

This has left fans, friends, and the media flabbergasted. With the release of their two songs, an outpouring of opinions followed, ranging from emotions of excitement and happiness to disappointment and distress. But most of all, Rihanna has been strongly criticized for publicly flaunting her reconciliation with Chris Brown. With millions of girls looking up to her as a role model, she has set a bad example by demonstrating that it is okay to return to an abusive relationship. However, condemning Rihanna may not be the answer. The problem lies much deeper than her. Returning to an abusive relationship is a common problem among those that have been abused. Rihanna, along with many others, may have fallen into this cycle. Why do people so often return to these destructive relationships?

Some people fail to see the benefit to leaving the relationship. Your partner is familiar to you and leaving this comfort zone may be scary and daunting. We frequently end up with the same partner or type of relationship over and over again because the interaction is familiar. We are conditioned to expect the same things, and it may feel normal to engage in this destructive behavior. Leaving your partner can be more intimidating than dealing with the unhappiness in your relationship.

Even when the situation becomes threatening to your safety, you may hold on to the belief that your circumstances are not as grave as others believe they are. The victims of abuse have a hard time accepting that they are in fact in a destructive relationship. We all want to believe that the one we love is as good as our idealized image of them. When they mess up, we underplay it and excuse it as an out-of- character, one time only instance. However, this is usually not true. Violence frequently escalates after the initial episode.

The abuser also manipulates the victim into making them feel guilt, shame, and low self esteem. By consistently insulting and undermining their wants and needs, victims often become helpless and desperate. They start to believe it is their own fault that they are being abused. Consequently, they think they are not good enough to leave the relationship and they stay with their partner through abuse, belittlement, and control.

Rihanna may have fallen victim to fear and psychological manipulation. Chris Brown made promises to her, and she became dependent on him for love, self worth, and happiness. Following the assault, she felt guilty that she had ruined his career and ashamed, both of herself and that the entire world knew her story. These issues resulted in lasting psychological damage that continue to be present today in her relationship with Chris Brown.

I have had a mum and dad that has been emotionally unavailable and violent. Then you are desperat for love, confirmation and recognition. You have low self worth and self esteem, and you take responsibility, and feel guilt and shame, when it`s not yours.

cam may u are very baised, and no aaron forgiveness is not all that matters i dont like ri ri neither di i like chris but from what ive gleamed not only from this article but other articles and what chris says, chris does not respect rihanna and in a relatoinship where respect is lacking, the relationship is doomed.

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About three years ago, I started composing this album and I realized that people knew about all my accomplishments, my affiliations and my reputation, but I didn't feel like they knew my sound. Producing on a song like "Mercy," you kind of get overshadowed if they don't outright put "Produced by the Twilite Tone." And I said, you know, forget always celebrating the things I've done and who I'm affiliated with. I want people to respect me now. Let me make an instrumental album where I don't have to depend on anyone and nothing is on top of it to deter you, or distract you, or deflect you, of who and what this is. So when I say instrumental album, I mean that, these aren't beats, these are instrumentals.

It sounds like you weren't ever interested in collaborating with anyone externally. Did you ever think about adding vocals yourself or writing vocal melodies to go on top? Or did you focus on making an instrumental project from the get-go?

The latter. Some of these songs did have top lines before, whether it was by me or it was other people, but I just felt like these songs, for some reason, they were speaking to me. I felt like it would be more impactful as instrumentals. And I felt like it wasn't time for people to hear my voice in that way, yet. Let me establish myself this way, sonically first, and I'll grow to that.

You've been around for a long time, and for a good chunk of that time, you were a background figure. Was there a turning point for you where you said, "Okay, I really want to put myself out there as me and establish myself as an individual"?

The turning point for me was DJing for Common the last four to eight years, where he would call me to do gigs with him when his regular DJ wouldn't be able to show up. He's only going based on his memory of me being a great DJ, I have far evolved from that, I wasn't even listening to rap music like that, let alone his music. And he would call me to do these intricate shows. I'd literally get the music and the show'd be tomorrow, and no rehearsal. I learned a lot from looking at how people galvanized around Common, and other artists that I work with. It was motivating and inspiring me to want to do it myself.

The whole album is composed on an MPC2000XL, a Triton Renaissance and a machine that is so near and dear to my heart that I have refused to divulge what that Moog-like machine is. Then it goes through a Fostex VF16 hard disk recording. I don't really EQ on the Fostex. I do all my sequencing and balancing on my MPC, but I'll add certain effects via the MPC or the Fostex recorder or my Triton or my "Moog." I use a compression on the overall mix. That's it.

It's funny to hear you say that at the time, you weren't even really listening to rap that much. Because in my mind, I think of you as the guy who brought hip-hop to Chicago clubs and Chicago parties. Can you tell me about how you came and went with hip-hop, versus house versus disco and all those genres that you're familiar with?

I did want to ask about the sci-fi motif that's running through the album. There's the HAL 9000 voice, and other samples and voice-overs that you included. What's the sci-fi theme mean to you?

The sci-fi is just in my genetic makeup. "The Twilight Zone" was my favorite show. Thus The Twilite Tone. The sound bytes are actually speaking to the bottom line of what I wanted to communicate. The sci-fi thing, I thought, would be a creative way to say what I want to say without being so direct and literal. And it sounded cool. And it's funny, you know, I use a lot of [Canadian synthesizer pioneer] Bruce Haack. And I found myself being a conduit for Bruce Haack. I felt like, damn, me and Bruce Haack are saying the same things. It just serendipitously came together.

Be yourself. I just gave some advice to my god-nephew, because he wants to get into music, and he lives in Atlanta. He's like, "Man, but my stuff doesn't sound like this." I said, "Good. And it's not supposed to." And another thing I was saying is, would you do music for free? Then you're on the right path. You're doing this to hustle, and because you think it's easy to make money by making the hi-hat sound like semi-automatic weapons? I say stay out of it. We got enough of that.

I don't listen to producers for inspiration. I daresay this may sound arrogant: a lot of people that people worship and look up to, they're my peers, or I've come before. That was another reason why I did this, so that I could start showing like, this is really me, I'm not trying to be somebody else or be the next up, none of that.

This is just the beginning. I'm actually a new artist, it's funny to say that. But I'm like [professional baseball player] Satchel Paige. Or Thelonious Monk: I lost my cabaret license, I couldn't play publicly, but that didn't mean I stopped playing at all. I really relate to Thelonious. A lot of people going crazy over John Coltrane and this guy and that guy, and Thelonious is not getting recognized because he can't [legally] play. He's not performing, he's doing other things. But when he finally steps out, it's like, oh my god, who is this guy, right?

Over the last 50 years, hip-hop culture has shown it can catalyze trends in fashion and music across numerous styles and genres, from streetwear to classical music. On June 30, Nas took his place at Red Rocks Amphitheater in a full tuxedo, blending the worlds of hip-hop and Black Tie once again, with the help of Derrick Hodge.

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