In addition, "Sex and the City," the weekend airings of "DaVinci's
Inquest" (which I thought was going to be on WBBM here--guess they
didn't want it next to the "CSI" reruns) and "Andy Griffith" and
"Matlock" air on the national and Chicago feeds at the same time. (In
Chicago, WGN only airs the black-and-white "Andy" eps, since Don Knotts
left when the show went color--when they used to use it as summer
relief in late fringe, it seemed to be promoted not as "The Andy
Griffith Show" but "The Barney Fife Show," complete with the promo set
to Elvis Costello's "Watching the Detectives.")
The Syndication Exclusivity Act was repealed sometime in the early 80s,
but got reinstated mostly as a reaction to WWOR picking up the "Cosby"
reruns (and airing Arsenio at 11:30 p.m. ET, before he came on in some
markets). While the cable systems did their own blacking out the first
time around, when Syndex came back the distributors of WWOR and WGN to
cable systems decided to do their own replacing. Now, WGN does its own
purchasing and scheduling, I believe, while WWOR EMI Service ceased
cable distribution in 1996--WWOR's feed to digital and BUDs is now the
same as what New York viewers get (and they can also access UPN
programming on Boston's WSBK, which was also distributed by EMI Service
in its broadcast superstation days).
The blackouts go all the way back to "Mary Hartman, Mary Hartman". Local
broadcasters were convinced they were seeing a ratings drop because viewers
could catch the show on WGN earlier than it was being run locally (it is
one of the few times the locals were probably right).
The midday news is still on and on the national WGN--gotta keep the Tom
Skilling cult happy.
I have somewhat hazy memories of sticking KSHB on good ol' Channel 10
(LO channel) around every night at midnight for a while unless we
forgot to flip the switch, which was often. Then we switched to WTCG
(Watch This Channel Grow!) before it moved to its own channel on the
system. Seems like we used the Minneapolis station mostly to pick up a
soap opera WOI didn't air. Or Twins games. Or both. Geez, my memory is
going fast.
Some of those early days were pretty cool ;-)
-Stan
Hey, I could really bore everyone and talk about my epic appearances on
Floppy, or the stuff Russ van Dyke used to say when we edited news
footage. Funny guy. We had a lot to laugh about back when we had a 50
share.
Yes, *one* *year*. Every night at 10 pm.
Pretty common for first-run syndicated shows in the small markets back
then. Guess it was cheaper than buying the current run (and Lear
may've also required that any station airing "Mary Hartman" had to
start with the very first episode and go in order).
Even happened in the large markets--neither WGN nor WBBM carried the
syndicated revival of "What's My Line?" on the same season as current
production--they were always a year behind, which led to seeing Gina
Lollabrigida plugging her movie "Buona Sera, Mrs. Campbell," long after
it had stunk up the nabes. And WFLD picked up "George Jessel's Here
Come the Stars!" (a celeb roast show emceed by Jessel) in 1969 or 1970,
a show that had been in the can so long some of the people on the dais
on the individual episodes had gone to their rewards--not Jessel,
besides that's too easy a joke.
And Mark, that was not a mock of Tom Skilling. No way. After all,
when Nicholas Cage wanted advice on how to point to Chroma-Key screens
in the filmed-in-Chicago "Weatherman," who did he go to? Not Steve
Bakerville. Not Jerry Taft. Sure as hell not the brain-dead Michelle
Leigh. He went to Da Man--Mr. Skilling.
Oh, I've got some Floppy stories, too. Like the one where Duane Eliott
(the man who made a living by sticking his hand up a balsa wood dog's butt)
had an open account at the Casa Bell Adult Motel......
-Stan